Conocer la India en los Cinemes Girona

3ª edición Indie & Doc Fest Cine Coreano

EL INDIE & DOC FEST CINE COREANO

 PRESENTA LA PROGRAMACIÓN DE SU TERCERA EDICIÓN

 

El festival, que se proyectará online a través de Filmin, contará con películas como

‘Our Body’ de HAN Ka-ram o ‘Ghost Walk’ de YU Eun-jeong

 

El INDIE&DOC Fest Cine Coreano presenta la programación de su tercera edición, que se celebrará de manera online, del 11 al 21 de junio de 2020, a través de la plataforma de streaming FILMIN. Una vez más, el Centro Cultural Coreano cuenta con el SIFF (Festival de Cine Independiente de Seúl) como co-organizador del festival, en el que también colaboran Casa Asia, además de la revista especializada Caimán Cuadernos de cine, ECAM y Cine Asia.

A lo largo de 100 años de la historia cinematográfica de Corea, el cine independiente ha jugado un papel muy importante en el desarrollo del espíritu creador de sus realizadores. Según Bong Joo-ho, el afamado director de `Parásitos´, película que ha marcado un hito en los premios Oscar, el cine independiente en Corea está floreciendo gracias al talento de nuevos directores. Bong debutó con su película independiente ‘Barking Dogs Never Bite’.

KIM Dong-hyun, presidenta del SIFF apunta la efervescencia de la ola de cineastas femeninas que se está viviendo en Corea.  Según el SIFF, el 80% de los premiados en festivales de cine han sido directoras. Como ejemplo el triunfo en la última edición del SIFF de la realizadora KIM Hyun-jung con la película ´Beginners’ Class´ incluida en este festival.

Muestra de esta conquista del cine femenino en Corea se celebra la 3ª edición de INDIE & DOC Fest Cine Coreano que rinde homenaje a varias realizadoras emergentes que poseen cada vez más presencia en el panorama cinematográfico coreano. Un total 9 películas, que abordan las inquietudes y preocupaciones de sus personajes bajo la mirada femenina.

La película ‘Our Body’ de HAN Ka-ram, ganadora del Premio a la Mejor Actriz en el Festival Internacional de Cine de Busan y seleccionada por el Centro Cultural Coreano se une a otras propuestas minuciosamente elegidas por los alumnos del máster de Crítica Cinematográfica de la ECAM y Caimán Cuadernos de cine, entre las que se encuentran ‘A Boy and Sungreen’ de AHN Ju-young, ‘Way Back Home’ de PARK Sun-joo o ‘Ghost Walk’ de YU Eun-jeong.

Además, el INDIE&DOC Fest Cine Coreano apuesta por el cine documental presentando las películas ‘The Pregnant Tree and the Goblin’ (KIM Dong-ryung, PARK Kyong-tae), una biografía ficcionada sobre la vida de Park In-sun, una extrabajadora sexual de un campamento militar estadounidense. Y ‘A Corner Shop’ (LEE Suk-gyung), donde una pequeña tienda sirve de refugio para ayudar a los jóvenes más desfavorecidos.

El festival mantiene un año más el ‘Premio Jurado Joven’, otorgado por alumnos de la ECAM e introduce un nuevo `Premio del Público´ con la votación de los espectadores a través de FILMIN.

 

PROGRAMACIÓN DE LA 3ª EDICIÓN

INDIE&DOC FEST CINE COREANO

 

‘Our Body’ (HAN Ka-ram, 2018)

‘Way Back Home’ (PARK Sun-joo, 2019)

‘The Pregnant Tree and the Goblin’ (KIM Dong-ryung y PARK Kyong-tae, 2019)

‘A Boy and Sungreen’ (AHN Ju-young, 2018)

‘Ghost Walk’ (YU Eun-jeong, 2018)

‘A Corner Shop’ (LEE Suk-gyung, 2018)

 

En la sesión de cortometrajes: ‘Movements’ (JEONG Da-hee, 2019), ganadora del Premio Espiga de Plata al cortometraje de la sección oficial del SEMINCI 2019; ‘Pungjeong.Gak A Town with a Blue Hill’ (SONG Joo-woon, 2019), cortometraje donde la técnica cinematográfica y la danza se unen y ‘Beginners’ Class’ (KIM Hyun-jung, 2019), ganadora del gran premio del SIFF (Festival de Cine Independiente de Seúl) en 2019.

 

 

*Todas las películas del INDIE&DOC Fest Cine Coreano estarán disponibles sin coste añadido dentro de la suscripción de FILMIN (7,99€ al mes), junto a los más de 14.000 títulos que integran el catálogo de la plataforma. También se habilita la opción de acceder, sin necesidad de tener una suscripción a Filmin, a un paquete exclusivo del INDIE&DOC Fest Cine Coreano por 5,95€, o visualizar cada película por 1,95€.

The latest Japanese cinema at Cinemes Girona

OFF-Festival 2019

From 4th to 31st October 2019



In the current edition of the Asian Film Festival Barcelona, the program is not strictly bound to the usual dates but are extended from the 4th of October to the 31st of the same month. During this month CaixaForum will be once again a headquarter of the festival accepting an important part of the Off-festival, with a double program consisting of a Meeting with Iranian film and a selection of 25 short films from the Philippines, Japan, Kazakhstan, Kirguistan, Macau, Pakistan, Tayikistan and Vietnam. The Meeting consists of nine films produced during 2017 and 2019 in collaboration with the Farabi Foundation from Tehran and the distributor Iranian Independents. These films will be screened in the auditorium and within the same dates in Aula 0 a selection of short and medium films from 2018 and 2019 for the first time. Cinemes Girona will keep being the main headquarters of the AFFBCN 2019 but will also collaborate with the OFF-FESTIVAL with four films produced in 2018 from Afghanistan, Australia, Japan and Mongolia which will be shown every Saturday from the 5th to the 26th October. Lastly, B the Travel Brand Xperience will be, for the first time, an additional headquarter with a program consisting of six documentaries produced from 2018 and 2019 in Afghanistan, Bangladesh, Cambodia, Indonesia, Japan and Laos starting on October 7th.



MEETING WITH IRANIAN FILM

From the 4th to the 31st of October 2019 | CaixaForum (Auditori)

– Download here the complete info –

For years, Iranian cinema has been one of the most awarded cinematographies at the international film festivals. In the last decade, the recognitions have been multiplying at the same pace as new titles have been appearing coming from the current generations of directors formed in Iran. Names like Monir Gheydi, Roqiye Tavakoli, Mohammad Hossein Mahdavian, Ebrahim Mokhtari, Mohammad Hamzei, Sadeq Sadeq Daqiqi, Hosein Namazi (Official Section’s Best Screenplay Award at the AFFBCN 2018 for Appendix), Hamid Reza (Panorama Section’s Audience Award and Best Director Award at the AFFBCN 2017 for A House of 41st Street), Gholamreza Sagharchiyan (Best Screenplay Award by the AFFBCN 2017’s Youth Jury for Houra) and Ramin Rasuli, among others, belonging to the younger generations which maintain the pulse of those filmmakers like Abbas Kiarostami, Dariush Mehrjui, Mohsen Makhmalbaf, Maryam Keshavarz, Reza Mirkarimi or Asghar Farhadi who consecrated Iranian cinema, to which they gave its own and unmistakable identity. CASA ASIA aims to continue contributing to the dissemination of this cinema, taking into account the different narratives which are transmitted and the personality of a cinematography whose success results to a large extend from the strength of the corresponding scripts. Iranian cinema is a cinema which mimics theatre in a certain way, due to the importance that it gives to orality. With their speech, the main characters amplify the locations and the chain of events, in a way that the moving image enhances everything that is narrated. The conflict always resides at the origin of this particularly dramatic cinema, dealing with everyday events and which reveals the domestic life’s “insides” of a country of which we known little. CASA ASIA programs at CaixaForum an anthology of the most recent Iranian cinema, with the collaboration of the Farabi Foundation and the independent Iranian film distributor directed by Mohammad Attebai, for the next edition of the Asian Film Festival Barcelona | AFFBCN 2019 with a dozen new titles from this country.

 

Footwork | Mazdak Mirabedini | Iran | 2017 | 81’ | Drama | VOSE | Official Section

Wild Jonquils | Rahbar Ghanbari | Iran | 2017 | 83’| Children’s, Drama | VOSE | NETPAC Section

Yeva | Anahid Abad | Iran, Armenia | 2017 | 94’ | Drama | VOSE | Discoveries Section

First Autograph for Rana | Ali Zhakan | Iran | 2018 | 90’ | Drama | VOSE | Discoveries Section

Astigmatism | Majid-Reza Mostafavi | Iran | 2018 | 85’ | Drama | VOSE | Special Section

Orange Days | Arash Lahooti | Iran | 2018 | 102’ | Drama | VOSE | Official Panorama Section

Orduckly | Behrouz Gharib Pour | Iran | 2018| 86’ | Drama | VOSE | Official Panorama Section

The Dark Room | Rouhollah Hejazi | Iran | 2018| 101’ | Drama | VOSE | Official Panorama Section

Pastarioni | Soheil Movafagh | Iran | 2019 | 97’ | Family, Children’s | VOSE | NETPAC Section



INTRODUCING THE FESTIVAL

From the 5th to the 26th of October 2019 | Cinemes Girona

– Download here the complete info –

The four films listed below, which will be screened at Cinemes Girona, are part of the OFF-Festival program launched the 4th of October at Caixa Forum. These films are RocKabul (Afghanistan, 2018), competing in the Official Panorama Section as well as Broken (Australia, 2018); Call for Dreams (Japan, 2018), from the NETPAC Section, and Insane Mother (Mongolia, 2018), Discoveries Section. Throughout the month of October, Casa Asia’s film program will meet under the OFF-Festival coverage, as an introduction to the Asian Film Festival Barcelona, to be held between the 30th of October and the 10th of November. The chosen films meet the criteria followed by the more than 130 films competing this year in the various festival sections. Each one of them stands out for their narrative value and the visual strategy which they employ from a differentiated aesthetic perspective. Overall, it is a small sample of what is to come with the Asian Film Festival Barcelona, ​​where more than twenty nationalities will meet and contribute to create a mosaic through which the public will be able to travel across a continent without leaving the movie theatre.

RocKabul | Travis Beard | Afghanistan | 2018 | 77’ | Documentary / Music / War | VOSE | Oficial Panorama Section

Broken | Tarry Mortlock | Australia | 2018 | 97’ | Drama / Crime | VOSE | Oficial Panorama Section

Call for Dreams | Ran Slavin | Japan | 2018 | 83’ | Crime / Drama / Mystery | VOSE | NETPAC Section

Insane Mother | Ishdorj Odonchimeg | Mongolia | 2018 | 105’ | Drama | VOSE | Discoveries Section



DOCUMENTARIES

From the 7th of October to the 11th of November 2019 | B The Travel Brand Xperience

– Download here the complete info –

As a part of what is known as the OFF-FESTIVAL, B The Travel Brand Xperience will become this year for the first time a venue for the Asian Film Festival Barcelona | AFFBCN 2019 holding the screening of six documentaries which are also competing in the different sections of the festival. These productions will be presented by CASA ASIA and will be followed by a colloquium. The films selected deal with different issues ultimately related to the lives of the inhabitants of the production’s countries. Therefore, through the moving image they are able to create a window to places which we do not usually have access to. Afghanistan, Bangladesh, Cambodia, Indonesia, Japan and Laos are the protagonists of these documentaries, and also allow us to address different aspects of the daily life of these countries from diverse perspectives, inviting us to discover places, communities, individuals and circumstances which are finally complementary and which contribute to the acknowledge the situations they attempt to address.

 

A Thousand Girls Like Me | Sahra Mani | Afghanistan | 2018 | 76’ | Documentary | VOSE | Official Section

Hasina: A Daugther’s Tale | Rezaur Rahman Khan Piplu | Bangladesh | 2018 | 72′ | Documentary / Drama | VOSE | Special Section

When I Grow Up (Grandir) | Jill Coulon | Cambodia / Laos / Vietnam / Myanmar / Thailand / Indonesia / France | 2018 | 54’ | Documentary | VOSE | Special Section

The Song of the Grassroots | Yuda Kurniawan | Indonesia | 2018 | 107’ | Documentary | VOSE | Special Section

Portraits of a Rainbow | Ayumi Nakagawa | Japan | 2018 | 79’ | Documentary | VOSE | Special Section

This Little Land of Mines | Erin McGoff | Laos | 2018 | 64’ | Documentary / Drama / News | VOSE | Special Section



SHORT FILMS

From the 11th to the 26th of October 2019 | CaixaForum (Aula 0)

– Download here the complete info –

As a part of what is known as the OFF-FESTIVAL, CaixaForum becomes this year a venue for the Asian Film Festival Barcelona | AFFBCN 2019 to host a selection of twenty-three short films which will be screened from the 11th to the 26th of October. These productions are from Philippines, Japan, Kazakhstan, Kyrgyzstan, Macau, Pakistan, Tajikistan and Vietnam. Some of these shorts are practically medium-length fiction films or close to the documentary genre. However, in any case, all of them are directed by young filmmakers whom are in the process to create their first feature films and, consequently, these short film become exercises of great interest to which we want to give visibility. Hosting these screenings, CaixaForum’s Aula 0 aims to offer the public, at any time of the indicated days, the possibility of being able to watch these films.



Friday the 11th of October and Saturday the 19th of October (Loop)

Group 1 | Philippines, Kazakhstan, Kirgizstan, Macau, Pakistan (Length 112′ )
CountryProductionTitleYearLengthDirector
FilipinasFilipinasLast Order201818′Joji Villanueva Alonso
KazakhstanKazakhstanA Man of Peace24′
KazakhstanKazakhstanEl Último Profesor17′
KirgizstanKirgizstanFar Away20′
MacauMacauRabbit Meets Crocodile20184′Sam Kin Hang
MacauMacauSheep201815′Mak Kit Wai
PakistanPakistanRani201814′Hammad Rizvi



Saturday the 12th of October and Sunday the 20th of October (Loop)



Sunday the 13th of October and Friday the 25th of October (Loop)

Group 3 | Kazakhstan, Kirgizstan, Macau (Length 121′)
CountryProductionTitleYearLengthDirector
KazakhstanKazakhstanTyubeteika (Change)201720′Armán Baimurátov
KazakhstanKazakhstanZhut36′Zhandos Yspenbetov
KirgizstanKirgizstanHeritage9′
MacauMacauG.D.P.: Grandma’s Dangerous Project201821′Peeko Wong
MacauMacauMissing Dad201823′Long Wai I
MacauMacauHalfway201812′Long Ng



Friday the 18th of October and Saturday the 26th of October (Loop)

Group 4 | Japan, Kazakhstan, Macau Tajikistan (Length 121′)
CountryProductionTitleYearLengthDirector
JapanSpainThe Dawn of Kaiju Eiga201945′Jonathan Bellés
KazakhstanKazakhstanInútiles (Useless Creations)201839′Zhanibek Murtazin
MacauMacauCat Security20184′Lou Ka Choi
MacauMacauDelicious20183′Sam Lam
TajikistanTajikistanCircle201814’57”Dekhruz Davlyatbekov
TajikistanTajikistanTangible Death201821’15”Dekhruz Davlyatbekov

* All these short films will be screened in original version with Spanish subtitles (VOSE)..

Essay by the Asian Film Festival Barcelona Director

ASIAN FILM FESTIVAL BARCELONA 2019

Menene Gras Balaguer

Director for Culture and Exhibitions
and director of the Asian Film Festival. Barcelona

 

 

PRIVATE LIVES  |  PUBLIC LIVES

 

 

If Asian cinema exists as such, it can only be understood as a mosaic of the nationalities which identify with their local narratives. It is a plural and representative cinema of the geographical, political, economic and cultural diversity of a changing continent. The statement is not intended to imply any kind of unity among its cultural manifestations, but to show how as an expression of a local culture it can become an expression of a community and ultimately a global society. This inclusive framework clusters all the productions which are presented at the Asian Film Festival Barcelona | AFFBCN from the first edition which took place in 2011 to the current one. Cinema has played an important role towards those worlds which, due to the geographical distance and the hegemony of the West for centuries, have been subject to marginalization resultant of a colonialist projection. The title Private lives | Public Lives stands for the fact that cinema can turn private into public and it uplifts the private to the public, as a mass spectacle which allows to share the private life of the others, which we are not familiar with.

 

The capacity of cinema to approach the audience to new places, territories and identities cannot be compared with any other channel of communication. When it comes to Asian cinema, the scope of its last decade development has been spectacular, favouring the access, through successive self-portraits so to speak of each country, to the private life of its inhabitants and those communities or groups which integrate the different societies to which they belong. The great stories narrated by this cinema by joining fragments of individual and collective lives make us aware of their power of communication and instructs us at the same time about the imaginary which shape the corresponding identities.

 

This year, the festival’s programm exceeds over one hundred films from critical geographies which challenge the globalization of markets and impose themselves by defending their idiosyncrasy. AFFBCN celebrates its seventh edition with productions from 25 countries from Central Asia to Southeast Asia and Oceania. The audience is able to undertake a journey from Kazakhstan, Kyrgyzstan, Tajikistan and Afghanistan, to Iran, Pakistan, Bangladesh, India, Sri Lanka, Bhutan, China, Hong Kong, Macau, Mongolia, Korea, Japan, Singapore, Thailand, Cambodia, Malaysia, Philippines, Laos, Indonesia, Vietnam, Australia and New Zealand. Through a vast list of images, the festival proposes several itineraries which will allow exploring countries that share borders within the same continent’s area or region or those which despite the distance that separate them keep cultures and traditions in common.

 

As ever, AFFBCN’s program comprises the following sections: Official, Official Panorama, Discoveries, Netpac and Special, all in competition. For the second time in a row, the festival hosts a selection of the Asian Film Awards 2018, which annually awards the Hong Kong based Asian Film Academy to the best Asian cinema. In this section nine worthwhile titles which are considered among this last year’s best productions will be screened; and finally a Retrospective section which will be organised along with Filmoteca de Catalunya. For the first time, we will have an OFF Festival section with a monograph on Iranian cinema which will be screened at CaixaForum starting from October 4, even though the films will also be part of the festival’s competition sections.

 

Casa Asia continues once more with its commitment to provide Barcelona with a festival which collects the best filmography from the Asian continent, and which facilitates broad public access to the productions of this region, as well as allowing the meeting between professionals of the sector and the film industry. As previously proved by its past editions, AFFBCN’s commitment to Asian cinema is strong, as it is intended to continue as such in the future. Casa Asia has tried to consolidate the presence of Asian cinema in Barcelona, not only with the celebration of this festival, but with a year-long weekly screening program hold at Cinemes Girona.

 

Casa Asia at BCN Sports Film Festival

Casa Asia collaborates for the second time with the BCN Sports Film | Barcelona International Ficts Festival (2019), sharing a part of its program dedicated to the festival’s theme relating to South East Asian cinematography. It deals with a full-length film from South Korea about the past Winter Olympics thanks to which new relations between the two Korean nations were initiated, bringing closer strategies and setting the basis for a new phase. Within the framework of the collaboration, there are a number of short films which need to be taken into account, most of them filmed in Japan, which have been put together in the Ganbaru Section – 頑張る, dedicated to the culture of effort in Japan sports. It will be concluded with a Kendo demonstration, a Japanese origin martial art, which will be offered to the general public on Wednesday, 5th of June.

 

PROGRAMMING

Wednesday 5th of june, 19h

Museu Olímpic i de l’Esport Joan Antoni Samaranch

Ganbaru – 頑張る. Effort culture in Japanese sport.

In Japanese culture, effort, respect for tradition and its symbiosis with modernity are inseparable. Under this title, a series of short films are put together showing us the strength of these values through sumo, baseball, athletics and climbing:

 

LITTLE MISS SUMO | United Kingdom, United States and Japan | 2018 | 18’

Hiyory, a women’s sumo champion, faces obstacles as much from the inside as from the outside of the ring when trying to permanently modify some aspects of the Japan’s national sport.

DEAD RUN | Japan | 2018 | 10′

Hana is a part of the athletics team. To forget repressed feelings about her parents, her best friend and their love story, she runs. The passion for running is what allows her to keep moving on.

STUD | United States | 2017 | 12’47’

A 14 year old kid, pressured by everyone’s expectations around him and his dream of becoming a sports star, he suffers the pressures of baseball in competition.

MITAKA SUMO SCHOOL | Catalunya | 2017 | 8′

At Mitaka Sumo School, situated a few kilometers away from Tokyo, kids learn sumo: a thousand year old sport with essential values, like respect and nonviolence.

REEL ROCK 13: UP TO SPEED | United States | 2018 | 20’35”

When it was announced that the sporting practice known as climbing would be a part of the 2020 Olympic Games, many climbers were surprised on knowing that one of the three categories in which they would be competing in to earn an Olympic medal would be fast climbing. Zachary Barr, REEL ROCK’s correspondent, analyzes this sub-discipline and its role on the future of climbing.

 

Club members of Associació Catalana de Kendo (ACKEN), Associació Esportiva Renshinkan, Club de Kendo de Ryoshinkai and Club de Kendo UPC will offer us a demonstration of Kendo, the Japanese origin martial art.

 

Thursday 6th of june, 19h

MUSEU I CENTRE D’ESTUDIS DE L’ESPORT DR. MELCIOR COLET

CROSSING BEYOND | South Korea | 2018 | 100′

Official Pyeongchang Winter Olympics 2018 film.

Accompanied by the acclaimed documentalist Yi Seung-jin, we discover how the Olympic values overcome boundaries. Five competitions, one ambition: this is the story of five young athletics forced to face personal, social, political and geographical limitations and barriers. Yi Seung-jun captures the Olympic spirit and soul of this Olympic Games edition, setting out important questions about sport’s value beyond the podium.

 

KENDO DEMONSTRATION AND SHORT

Date and schedule: Wednesday, 5th  of june of 2019, at 19h.

Free entrance until full capacity. No registration required.

Place: Museu Olímpic i de l’Esport Joan Antoni Samaranch

Avinguda de l’Estadi, 60, 08038 Barcelona

 

DOCUMENTARY SCREENING

Date and schedule: thursday, 6th of june of 2019, at 19h.

Free entrance until full capacity. No registration required.

Place: Museu i Centre d’Estudis de l’Esport Dr. Melcior Colet

Carrer de Buenos Aires, 56, 08036 Barcelona

Film Cycle: “IMAGINEINDIA International Film Festival”

Casa Asia is once again one of the official headquarters of ImagineIndia International Film Festival. At this edition, the three titles will be screened – The Flight (2018), Khandar (1984) and Newton (2017) – that can be classified within what is considered independent cinema and gender cinema, with a vindicative purpose that involves reports and sexist violence and power abuse in general.

It consists of films that are not usually in commercial routes and that is normally only presented at festivals. Criticism of subordinates, gender policies, resistance against is in the core of all these films, which are windows to worlds, that we cannot normally see or learn about, and we can only access them with films. This is why social realism is imposed in narratives from a critical perspective, that turns to different registers of everyday life with the purpose to raise awareness among spectators.

PROGRAMME

Tuesday 21st of May 2019, 7.00pm

The Flight, Dir. Buddhadeb Dasgupta | India | 2018 | 82 min

Bachchu Mondal is a car mechanic and a dreamer. His aspiration consists of managing to fly one day. He shares this dream with his wife and especially with his son, who really enjoys the father’s attitude because Bachchu often behaves like a boy. Bachchu eventually discovers where a Japanese plane of the 2nd World War and decides to rebuild it, despite not knowing how to do it. The place where the plane is is haunted by ghosts. However, Bachchu travels to Calcutta in search of crashed planes, which makes authorities suspect and he starts being investigated. The Flight is separated from the brutality and violence of his best known film, Luchadores (Uttara), which was awarded at the Venice Festival in 2000. Here, violence is in the heart of people who are not able to turn away from their dreams even if they can destroy them.

Wednesday 22nd of May 2019, 7.00 h

Khandhar, Dir. Mrinal Sen | India | 1984 | 106 min

Three friends of the city visit ruins where an elderly mother (Gita Sen) and her daughter Jamini (Shabana Azmi) live. The mother is expecting the arrival of a distant cousin to marry Jamini, but the main is already married and lives in Calcutta. The photographer Subhash (Naseeruddin Shah) feels sorry for the family and pretends to be the expected suitor. So they hold the farce together during the visit, but Subhash and Jamini are fatally attracted to each other in silence, despite the fact that she knows the destination that expects her. When friends leave, Jamini stays behind before a life of loneliness in the ruins.

Thursday 23rd of May 2019, 7.00pm

Newton, Dir. Amit V.Masurkar | India | 2017 | 104 min

Newton is a serious young civil servant who decides to show his devotion to the democratic ideal offering himself as a volunteer for a job nobody wants, supervising a shaky voting boothe in hell, in the middle of nowhere. So a group of locals can take part in elections without knowing anything about candidates who he doesn’t care about. Newton is a man of inflexible principles trapped between tradition and progress. He rejects a marriage organised by his parents when they discover that she is a minor. But the main character will struggle against himself until he makes decisions that will change his life.

 

Date
2019/05/21 > 2019/05/23
Timetable
From the 21st to the 23rd of May 2019.
Venue
Casa Asia Centre-Madrid
Palacio de Cañete
c/ Mayor 69, 1ª planta
Madrid
Ticket
Free admission.
Organiser
Casa Asia and ImagineIndia International Film Festival

Film Series: “East of eden”

Casa Asia collaborates one more year with the International Gay and Lesbian Film Festival of Barcelona Fire !! programming the East of Eden cycle with three titles of the current Asian film scene, which coincide in the need to publicize the problems of LGBT communities, which are sometimes hidden or deliberately ignored.

We will begin the journey of this collaboration in a country like Japan. Portraits of the Rainbow (2018), the first film, will reveal the story of Leslie Kee and her photographic project with the aim of portraying ten thousand LGBTQ people. We will travel to Vietnam with the beautiful Song Lang (2018), a love story built from the fatality that feeds on the narrative of the classic Vietnamese opera. Finally, we will also go to Australia to relive one of the key moments for the decriminalization of homosexuality in 1975, with the magnificent film Riot (2018).

PROGRAMMING

Thursday, May 30, 2019, 8 pm at Cinemes Girona

Portraits of the Rainbow | Japan | Dir. Ayumi Nakagawa | 2018 | 79 ‘| VOSE

The famous photographer Leslie Kee is mostly known for his fashion photographs and portraits of celebrities such as Madonna. He works all over the world and has been living in Japan for 25 years, a country that knows a boom in the movement for LGBTQ rights, although there are many who must continue to keep his sexual orientation hidden there. Leslie himself, being gay, can not tell his family, who resides in Singapore. Even so, he embarks on an ambitious project to photograph ten thousand LGBTQ people, in order to make the exhibition Out in Japan. The first time, in the conservative Japanese city of Nara, there is little assistance, but Leslie continues to make portraits.

The filmmaker Ayumi Nakagawa followed this photographer for a year, while making the first thousand portraits. It focused on the lives of four people: a couple of women who were trying to be mothers, an advocate for people with HIV and a transgender man who was grieving after his partner’s suicide. Along the way, Leslie himself was transforming little by little too, thanks to this moving experience.

Friday, May 31, 2019, 20.00 at Cinemes Girona

Song Lang | Vietnam | Leon Le | 2018 | 90 ‘| VOSE

Saigon, in the 1980s. Linh Phung is the star of an itinerant company of cai luong (traditional folk opera) and is heavily indebted to a lender called Dung, El Rayo. Despite apparently having nothing in common, the two engage in a game playing a video game and discover that they have similar minds and many points of connection. Linh Phung knows that a well-lived life is necessary for his art and Dung yearns for art to return to a life more worthy of being lived. History, rooted in fatalism and fatality, is inspired by the classical narrative structure of Vietnamese opera.

Born and raised in Saigon, Leon moved to the United States as a teenager and is a dancer, singer and actor. Song Lang, his first feature film, can be considered a very mature work, resulting from personal experience committed to his vocation, uniting his sensitivity as a photographer and actor.

Thursday, June 13, 2019, 22.0 0h in French Institute

Sunday, June 16, 2019, 8:00 pm at the French Institute

Riot | Australia | Dir. Jeffrey Walker | 2018 | 105 ‘| VOSE

In 1978, when the urge to decriminalize homosexuality in Australia had stalled, a group of activists decided that they should make a last attempt to celebrate who they are. Led by a former union leader, Lance Gowland, they obtain a permit from the police and spread the word. On a cold winter night, they disguise themselves, shake hands and parade down Oxford Street. But, they completely ignore that the police, furious, are on the lookout, and the courage they find that night will finally mobilize the whole country.

Riot sheds a revealing light on the movement for gay and lesbian rights in Australia and makes us relive the enthusiasm of people who, despite their enormous daily difficulties, managed to celebrate diversity at a key moment in the history of the LGBTQ community .

Date

30 / 05/2020> 06/16/2020

Schedule

From May 30 to June 16, 2019.

Place

Girona Girona

c / Girona, 175

Barcelona

French Institute

Moià 8

Barcelona

Entrance

General entry: 6 euros | Price paid and partners of the Cinemes Girona: 5 euros | French Institute entrance: 5.36 euros

Organizer

Casa Asia | French Institute | Cinemes Girona | International Gay and Lesbian Film Festival of Barcelona Fire !!, with the collaboration of Cinhomo and Fundación Triangle Castilla y León

Iranian Film Series: “Films of AFFBCN 2018”

Casa Asia programmes another Iranian film retrospective for CaixaForum Madrid, consisting of 8 films made in 2017 by the new generation of film makers trained in Iran and whose contribution has consolidated the existence of an Iranian national cinema.

This cinema is not only interesting for the number of titles it offers per year, but for the narratives and contents it refers to. Most productions are full of topics, landscapes and figures of local everyday life, even though the historic topic of Iran-Iraq war (Villa Dwellers) or certain sensitive periods of the Islamic Republic (High Noon Story) also play an important role showing the ability of its authors to go to the past from a more and more open present and where cinema plays a first order role. This proposal approaches different sides of a society that surprisingly is not as well known as believed, despite the cultural potential of this country, whose discovery in many aspects is to be done. Cinema approaches worlds we could not access any other way and that however we can share easily. This is why it is interesting and attractive for our audience. As well as mentioned films you can see MotheringLeaf of LifeAzarForty BaldiesLina and Appendix that received the Award to the Best Script, granted by the Jury of the Official Section. These films were screened at the last edition of Asian Film Festival Barcelona | AFFBCN.

Saturday 25th of May 2019

6.00pm VILLA DWELLERS, Dir. Monir Gheydi | Iran | 2017 | 100 min

During the war between Iran and Iraq, many relatives of Iranian soldiers lived in residential villas close to the conflict, trying to see the relatives opposite them. Aziz goes with his grandchildren to have the chance to see her son Davoud. What’s unexpected happens as soon as they reach the core of the conflict, where episodes are multiplied until the end. Monir Gheydi was born in 1972 in Shemiran, Iran. She holds a university degree in Cultural Management by University of Azad. For a while, she was a script writer and then she worked as a director’s assistant of directors such as Majid Majidi, Kamal Tabrizi and Ebrahim Hatami, among others. She has made several short films and films for television. Villa Dwellers is her first long film.

8.00pm MOTHERING, Dir. Roqiye Tavakoli | Iran | 2017 | 84 min

Mothering is a film about two sisters who live in Yazd, a city in the desert of Iran. One of the sisters has left her partner and the other has been left by hers. So both sides of a conflict can be contemplated in the roles of victim and persecutor. It is interesting to know the circumstances of breaking up and separation in both cases, as well as corresponding locations where the action took place. This 2018 the film has been screened in festivals such as the International Filmmor Women’s Film Festival on Wheels, Tirana International Film Festival and Malatya International Film Festival. Roqiye Tavakoli was born in 1985 in Yazdan. She has made more than 30 short films and documentaries that have been acclaimed in more than 50 local and international festivals and have been awarded at festivals such as the Armenia International Women’s Film Festival Kin, Dubai Ibda Awards, Royesh Film Festival and the Parvin Etesami Festival, among others.

Friday 31st of May 2019, 8.00pm

HIGH NOON STORY, Dir. Mohammad Hossein Mahdavian | Iran | 2017 | 110 min

It’s the official narration of a historical era of the Islamic Republic that authorities consider very sensitive. The film portrays the violence of the members of Mujahedeen-e-Khalq (MEK), including the attacks, killings and respectively the efforts of the intelligence officials to identify and arrest the leaders of the group and the events taken place until the 8th of February 1982. The film won the Crystal Simorgh award to the best film at the 34th Fajr National Film in 2017. Mohammad Hossein Mahdavian, born in 1981 in Babol was graduated in TV Production at the Iran Broadcasting University. He made his debut with the long film Standing in Dust, which was very well received in the country.

Saturday 1st of June 2019

6.00pm LEAF OF LIFE, Dir. Ebrahim Mokhtari | Iran | 2017 | 86 min

A film director is making a documentary about the cultivation and harvest of saffron in a small village, without enough enthusiasm. He has accepted to job for money, because he wants to buy a house in Teheran, but prices of housing are going up and instead of trying to make a good film, he asks his producer to buy him a house. However, he receives a telephone call and has to quit his job to go back to Teheran, after a few incidents, he goes back to the village to make a memorable film. The film has been screened in 2017 at the Fajr International Film Festival, at the Festival International des Cinémas d’Asie and in 2018 at the Santa Cruz International Film Festival. In addition, it has been winner of the INALCO Prix at the 24th edition of the Vesoul Festival of Asian Cinema (2018). Ebrahim Mokhtari was born in 1947 in Babol. Among his most important documentaries we can find CaviarThe Baluchi BreadA fishin voyage and Saffaron. He made a debut in 1994 with a long film at the Film Critics Week, at the Cannes Festival. Also, Mokhtari has made many other films that have been presented and awarded at international film series all around the world.

8.00pm AZAR, Dir. Mohammad Hamzei | Iran | 2017 | 85 min

Azar is not the typical Iranian traditional woman and mother. Together with her husband Amir, they manage a pizza restaurant and take part in motorbike races. Azar must make a strange decision in middle of a difficult and complicated situation when a sudden catastrophic event happens. The film has been screened at the 15th Dubai International Film Festival (2017) and at the CineIrean Festival (2018). Mohammad Hamzei was born in Arak in 1979 and was graduated in film direction. Hamzei has directed a large number of short films such as As Always, Near of Far and According to a Habit or videographic works such asScratchThe Sound of Raining and Habib Agha. In 2017, Hamzei directed her first long film with Azar.

Friday 7th of June 2019, 8.00pm

FORTY BALDIES, Dir. Sadegh Sadegh Daghighi | Iran | 2017 | 86 min

Due to intense rain, the only bridge that connects the village with the city remains cut off, which causes problems to inhabitants of the village. One of the inhabitants has an illness and needs medicine urgently. The cut off bridge will cause the ill person’s family a serious problem. This film was screened last year at the Zlin Film festival for Children and Youth of the Czech Republic. Sadegh Sadegh Daghighi has not only made short films and documentaries, but he also has experience in sound recording, edition and special effects. His first film, Hero Boy (2012) won 15 awards at the Fajr Film Festival and at the International Film Festival for Children and Young Adults.

Sunday 9th of June 2019

6.00pm APPENDIX, Dir. Hosein Namazi | Iran | 2017 | 81 min

Reza takes Zari, his wife, to the hospital, where he is diagnosed with appendicitis and must be operated on. As Zari doesn’t have a medical insurance, Reza asks his wife’s friend, Leila, for her medical chart. So, Leila pretendes to be Reza’s wife, and there is tension in hospital. Hosein Namazi is director and script writer. He began to make films when he was 13 at the Youth Film Society. He has shot several short films such as MedianocheEl camerinoDios que está cercaCon el color del agua and La novia ganadoraAPPENDIX, his first long film, has granted him the award to the best script at the 2018 Montreal International Film Series and is part of the 2019 Fajr International Film Festival. He received the Award to the Best Script, granted by the Jury of the Official Section of the latest edition of the Asian Film Festival Barcelona | AFFBCN.

8.00pm LINA, Dir. Ramin Rasuli | Iran | 2017 | 88 min

After a blood analysis, Maryam discovers that her parents are not his biological parents. Maryam has decided to discover who her real father is and why he never went back to get her. After searching she receives a phone number from Afghanistan. Ramin Rasuli has directed long films, short films and documentaries, among which we highlight El cinematógrafoNovena plantaEl accidenteEl vecino and Mi muñecaLina is his first long film, which has been screened at the Sofia MENAR Film Festival.

 

Date
2019/05/25 > 2019/06/09
Timetable
From the 25th of May to the 9th of June 2019.
Venue
CaixaForum Madrid
Paseo del Prado, 36
Madrid
Ticket
General admission: 4 Euros | Clients de la Caixa: 2 Euros.
Organiser
Casa Asia, CaixaForum Madrid, Farabi Foundation de Teheran and the Cultural Department of the Embassy for the Islamic Republic of Iran