THE 2025 FESTIVAL

The Asian Film Festival Barcelona | AFFBCN returns this autumn with a program that aims to be as representative as possible, from Iran to New Zealand, of the most recent experimental and independent cinema from the Asian continent.

THE 2025 FESTIVAL

The Asian Film Festival Barcelona | AFFBCN returns this autumn with a program that aims to be as representative as possible, from Iran to New Zealand, of the most recent experimental and independent cinema from the Asian continent.

The festival will bring together around one hundred films, productions that respond both to the interest of an audience familiar with Asian filmmaking and those who wish to begin to know what a not-so-new cinema transmits to us, whose diversity responds preferably to the different narratives that it exhibits. The exoticism that has tended to be attributed to these productions in the West has been replaced by the contribution they have made and continue to make to the cultural construction of an identity that is inseparable from belonging to the territory.

One of the festival’s goals is to explore ‘strange’ or ‘foreign’ cinema, as well as to stimulate interest in discovery. Hence, in some cases, the program seeks to be inclusive; not with the intention of covering more titles each year, but to show not only recognized authors who already have supporters, but also lesser-known authors. The proposal consists of offering options for exploring local and global narratives and trajectories, with the aim of rescuing cultures that are identity references, whose visibility provides us essential knowledge of ‘the other’, ‘the stranger’ or ‘foreigner’, in relation to the territory, and to oneself.

The festival maintains its structure of six sections in competition: Official Section, Official Panorama, Discoveries, NETPAC, Special Section and New Perspectives, where the different selected titles will be strategically distributed. The corresponding juries will be formed by directors, film critics and writers designated for this purpose and who agree to fulfil this role.

It covers a very wide geographical area, ranging from Iran and Central Asia, a region that includes the former Soviet republics of Kazakhstan, Kyrgyzstan and Uzbekistan, in addition to Afghanistan, India, Pakistan, Bangladesh and Sri Lanka, also covering Southeast Asia with China, Korea, Japan, Thailand, Singapore, Malaysia, Cambodia and Vietnam, and the Asia Pacific with Australia and New Zealand.

The Asian Film Festival Barcelona is supported by the Institut Català de les Empreses Culturals (ICEC -Generalitat de Catalunya), Institut de Cultura de Barcelona (ICUB-Ajuntament de Barcelona), Hong Kong Economic and Trade Office, Brussels, (HKETO), Fundació Institut Confuci de Barcelona (FICB), the Embassy of Australia and Japan Foundation, among others.

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The essential films of the AFFBCN 2025

This festival’s film showcase has been guided by the criterion of bringing together the best and most recent cinematic productions. These works explore narratives that turn drama into a tool to make everyday life visible, both in the private and public spheres. This outstanding selection of 22 Asian films for the AFFBCN 2025 presents works that address social, feminist, cultural, and political themes, reflecting the diversity and depth of contemporary Asian cinema.

TRAILERS

The Asian Film Festival Barcelona

The Asian Film Festival Barcelona | AFFBCN returns this autumn with a program that aims to be as representative as possible, from Iran to New Zealand, of the most recent experimental and independent cinema from the Asian continent.

Climbing for life – Opening film

On May 16, 1975, Junko Tabei made her way to the summit of Mount Everest, becoming the first woman in history to conquer the world’s highest peak. She founded the Women Climbers Club, whose members joined her in conquering the summits of the other seven highest mountains.

Her History – Closing Film

Tie Mei, a stubborn and independent single mother, and her daughter Moli settle into their new home in Shanghai, where they become friends with their neighbour Xiao Ye.

Director
Menene Gras Balaguer

General Coordination
Rodrigo Escamilla Sandoval

Programming and Production
Menene Gras Balaguer | Rodrigo Escamilla Sandoval

Film management
David Valverde

Text translation
Eva Ballestero

Translation & Subtitles
36caracteres | Esteban Andueza | Adrián Caravaca Caparrós | Olga Miró | Victoria Morales | Sandra Mur Puyuelo | Mar Ortega | Vanesa Plana | Marina Sala | Genís Soriano | Mariam Tsulaia

Guests and juries’ coordination
David Valverde

New Perspectives Jury Calln
Guillem Pérez Coca

Assistants
Eva Ballestero | Ayna Cabrera Alba | Nieves Delcán Fernández | Anna Juesas Cabau | Emma Luraschi | Ferran Martínez Lago | Guillem Pérez Coca | Frances Pineda González | Aina Rafel Adell | Andrés Robles Pérez | Habi Siby Millà | David Valverde Losada

Cinemes Girona Direction
Toni Espinosa

Technical assistance and logistics
Maria Àngels Amorós | Pol Amorós | Giulliana Burneo | Sara Espinosa Amorós | Benjamín Grez Bianchi | Cami Hidalgo

Catalogue Design and Layout and Festival Website
Sömi Graphic Studio (www.somistudio.com)
www.asianfilmfestival.barcelona

Communication
Casa Asia’s Communication Department: Josep Casaus, Marta Ballada, Oriol Gironès, Amaia Judge | Cinemes Girona: Maria Àngels Amorós | Pere Vall (2023)

Resource Management
Adelaida Rodríguez | Jordi González

Festival’s image
PAVANE FOR AN INFANT (2024)

Festival’s trailer
Marta Caravaca | Oriol Gironès

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