{"id":55480,"date":"2024-12-19T22:05:26","date_gmt":"2024-12-19T21:05:26","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/new-perspectives-on-asian-cinema-cine-paz-mk2-madrid-jan-mar\/"},"modified":"2024-12-19T22:34:33","modified_gmt":"2024-12-19T21:34:33","slug":"new-perspectives-on-asian-cinema-cine-paz-mk2-madrid-jan-mar","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2025\/new-perspectives-on-asian-cinema-cine-paz-mk2-madrid-jan-mar\/","title":{"rendered":"NEW PERSPECTIVES ON ASIAN CINEMA | CINE PAZ MK2 MADRID | JAN-MAR"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m4vqykvd-a1f76f2133d2b79f4ed942193ed98426\">\n.avia-image-container.av-m4vqykvd-a1f76f2133d2b79f4ed942193ed98426 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-m4vqykvd-a1f76f2133d2b79f4ed942193ed98426 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-m4vqykvd-a1f76f2133d2b79f4ed942193ed98426 av-styling- avia-align-center  avia-builder-el-0  el_before_av_heading  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-55464 avia-img-lazy-loading-not-55464 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Iran-MOTHERLESS-BIMADAR-5.jpg\" alt='' title='Iran MOTHERLESS (BIMADAR) (5)'  height=\"557\" width=\"800\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Iran-MOTHERLESS-BIMADAR-5.jpg 800w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Iran-MOTHERLESS-BIMADAR-5-300x209.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Iran-MOTHERLESS-BIMADAR-5-768x535.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Iran-MOTHERLESS-BIMADAR-5-705x491.jpg 705w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m4vqz0ac-25a2517c2e265818ee2852499d78d965\">\n#top .av-special-heading.av-m4vqz0ac-25a2517c2e265818ee2852499d78d965{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-m4vqz0ac-25a2517c2e265818ee2852499d78d965 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-m4vqz0ac-25a2517c2e265818ee2852499d78d965 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-m4vqz0ac-25a2517c2e265818ee2852499d78d965 av-special-heading-h1 blockquote elegant-quote elegant-centered  avia-builder-el-1  el_after_av_image  el_before_av_textblock '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  ><span class=\"heading-wrap\">NEW PERSPECTIVES ON ASIAN CINEMA<\/span><\/h1><div class='av-subheading av-subheading_below'><p><span class=\"TextRun SCXW970025 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW970025 BCX8\" data-ccp-charstyle=\"normaltextrun\" data-ccp-charstyle-defn=\"{\">From<\/span> <span class=\"NormalTextRun SCXW970025 BCX8\" data-ccp-charstyle=\"normaltextrun\">January 18th<\/span> <span class=\"NormalTextRun SCXW970025 BCX8\" data-ccp-charstyle=\"normaltextrun\">to March 29th &#8211; <\/span><span class=\"NormalTextRun SCXW970025 BCX8\" data-ccp-charstyle=\"normaltextrun\">202<\/span><span class=\"NormalTextRun SCXW970025 BCX8\" data-ccp-charstyle=\"normaltextrun\">5<\/span><span class=\"NormalTextRun SCXW970025 BCX8\" data-ccp-charstyle=\"normaltextrun\">\u00a0<\/span><\/span><span class=\"EOP SCXW970025 BCX8\" data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-m4vr7ejj-06ccbd8f19fd719c912c9e662ce3e0e7 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong><span class=\"TextRun SCXW1586329 BCX8\" lang=\"CA\" xml:lang=\"CA\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">Asian<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> cinema <\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">returns<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> to <\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">the<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> Cine Paz <\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">theatr<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">e<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">s<\/span> <span class=\"NormalTextRun SCXW1586329 BCX8\">with<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> a <\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">program<\/span> <span class=\"NormalTextRun SCXW1586329 BCX8\">running<\/span> <span class=\"NormalTextRun SCXW1586329 BCX8\">from<\/span> <span class=\"NormalTextRun SCXW1586329 BCX8\">January<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> 5th to <\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">December<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> 29th.<\/span><\/span> <span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">Although it may seem a clich\u00e9 to say that Spanish distributors are increasingly interested in having a growing repository of titles from the Asian continent<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">,<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> general<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">ly<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">,<\/span> <span class=\"NormalTextRun SCXW1586329 BCX8\">Asian<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> cinema is gaining <\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">more and more<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> presence not only at national and international festivals but also in our theatres<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">. <\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">The eleven titles that Will be shown up between January and March 2025 come from Australia, Bangladesh, China, India, Iran, Japan, Korea, Kazakhstan, <\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">Mongolia<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> and the Phil<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">ippines<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">,<\/span> <span class=\"NormalTextRun SCXW1586329 BCX8\">and were made between 2006 and 2023<\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW1586329 BCX8\">. <\/span><\/span><span class=\"TextRun Highlight SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">Motherless<\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW1586329 BCX8\">, <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">by<\/span> <span class=\"NormalTextRun SCXW1586329 BCX8\">Sayyed Morteza Fatemi<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">,<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> will open th<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">is quarter\u2019s programme<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">.<\/span><\/span> <span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">The <\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">selection<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> presented here <\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">maintains<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> an interest in social drama and gender issues, from a multiplicity of perspectives that respond to the cultural identity of their protagonists. This is what films such as the ones chosen <\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW1586329 BCX8\">tell<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> us. These are titles such as<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">: <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">Motherless<\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\"> (<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">Iran<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">), <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">Saatao<\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\"> (Bangladesh), <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">Luxury Car <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">(China), <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">Fall Guy <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">(<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">The Philippines<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">), <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">Dust<\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\"> (<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">India), <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">Kamil<\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\"> (<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">Pakistan<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">), <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">Where Would you Like to Go <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">(<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">Korea<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">), <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">Blaze<\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\"> (Australia),<\/span> <\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">Lost Days <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">(Mongolia), <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">Videophobia<\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\"> (<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">Japan<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">), <\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\">Poet<\/span><\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1586329 BCX8\"> (<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">Kazakhstan<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\">).<\/span> <\/span><span class=\"TextRun SCXW1586329 BCX8\" lang=\"ES-ES\" xml:lang=\"ES-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">These<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">announced<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">titles<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">facilitate<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">the<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">vision<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">of<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> a <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">world<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">to<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">which<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">we<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">would<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">hardly<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">have<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">access<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">if<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">it<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">were<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">not<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">for<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW1586329 BCX8\">literature<\/span><span class=\"NormalTextRun SCXW1586329 BCX8\"> and cinema.<\/span><\/span><\/strong><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Saturday 18th of January 2025, at 12h<\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\"><em>Motherless<\/em> <\/span><\/b><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Iran | Dir. Sayyed Morteza Fatemi | 2022 | 84\u2019 | VOSE | Drama\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span> <span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">A middle-aged couple, Amir Ali and Marjan, lead a quiet life until Marjan, who aspires to be a mother, meets Mahrouz, a woman who is trying to raise money for her son\u2019s kidney transplant. When Marjan insists on renting a womb and this surrogate mother enters their life, they unintentionally go through different tests and face moral dilemmas unknown to them. The controversy surrounding subrogation is put on the table, showing the consequences of a yet not enough legislated practice.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Seyyed Morteza Fatemi<\/span><\/b><span data-contrast=\"auto\"> (Teheran, 1983), writer, director, producer and TV host, is a graduate in Petroleum Engineering and PhD student of Political Philosophy. He started his career as a journalist, and he worked as chief editor in various weekly newspapers and press agencies. Afterwards, Fatemi entered Iranian Television and pursued his career as creator of Talk Shows and TV Series \u2013 including\u202f<\/span><i><span data-contrast=\"auto\">Dark Intelligence\u202f<\/span><\/i><span data-contrast=\"auto\">which won the Best TV Crime Drama Award in Moscow International Festival DetectiveFEST.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Saturday 25th of January 2025, at 12h<\/b><b>\u00a0<\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\"><em>Saatao<\/em> <\/span><\/b><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Bangladesh | Dir. Khandaker Sumon | 2022 | 97\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">After marrying Putul and bringing her home, Fazlu finds his wife amidst loneliness therefore he brings in a third member- a cow. With this newfound companion, Putul starts to settle in her new place. However, Teesta River\u2019s dams caused the lower region to be affected by drought, this brings struggle in the lives of farmers like Fazlu. The dams gatekeep all the water until the overflow in monsoon. As a result, they open the gates causing floods, bringing misery to the livelihood of everyone inhabiting the lower region. Due to such hostile behaviour of the river, Fazlu\u2019s family is no longer content.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Khandaker Sumon <\/span><\/b><span data-contrast=\"auto\">is a filmmaker from Bangladesh. He was born on 2nd February 1982 in Gaibandha district. To produce dramas and films, he has been running a production house called \u201cIdea Exchange\u201d for a long time. Some promotional films for social awareness have been made by this organisation. To become a filmmaker, he completed a course at the Bangladesh Film Institute (BFI).\u202f<\/span><i><span data-contrast=\"auto\">Saatao\u202f<\/span><\/i><span data-contrast=\"auto\">(2022) is his debut feature film.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Saturday 1st of February 2025, at 12h<\/b><\/span><b><span data-contrast=\"auto\">\u00a0<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><em><b>Luxury Car <\/b><\/em><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">China | Dir. Wang Chao | 2006 | 88\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">The film follows an adult who lives in the countryside and travels to Wuhan in search of a son he has not heard from for a long time, because his wife, who is about to die, wants to say goodbye to him. In Wuhan, he sees his daughter who works as an escort in a karaoke bar and introduces him to a policeman who offers his help in finding the son he is looking for. Soon there is a growing suspicion that the gangsters who own the bar have something to do with the son\u2019s disappearance.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Wang Chao<\/span><\/b><span data-contrast=\"auto\"> worked for five years in the steel industry, although he was always interested in films and literature. In 1991, joined the Beijing Film Academy where he graduated in 1994 and began working as a film critic. This is how he met Chen Kaige after filming\u202f<\/span><i><span data-contrast=\"auto\">Tierra Amarilla<\/span><\/i><span data-contrast=\"auto\">, and he hired him as assistant director between 1995 and 1998 for the filming of\u202f<\/span><i><span data-contrast=\"auto\">Adi\u00f3s a mi concubina\u202f<\/span><\/i><span data-contrast=\"auto\">and<\/span><i><span data-contrast=\"auto\">\u202fEl Emperador y el Asesino<\/span><\/i><span data-contrast=\"auto\">. During this time, he wrote several short stories, which inspired scripts for a few films. With\u202f<\/span><i><span data-contrast=\"auto\">Orphan of Anyang<\/span><\/i><span data-contrast=\"auto\">, a film he shot without authorisation, he made his directorial debut. This film was selected in 2001, to participate in the Directors\u2019 Fortnight Section of the Cannes Film Festival. In 2004, he made his second film\u202f<\/span><i><span data-contrast=\"auto\">Day and Night<\/span><\/i><span data-contrast=\"auto\">\u202fand with\u202f<\/span><i><span data-contrast=\"auto\">Luxury Car<\/span><\/i><span data-contrast=\"auto\">\u202fin 2006 he completed the trilogy about China that he had been working on for more than five years. His fourth and fifth films,\u202f<\/span><i><span data-contrast=\"auto\">Memory of Love<\/span><\/i><span data-contrast=\"auto\">\u202f(2009) and\u202f<\/span><i><span data-contrast=\"auto\">Fantasy<\/span><\/i><span data-contrast=\"auto\">\u202f(2014), which was presented in the Un Certain Regard selection at the Cannes Film Festival that same year, despite its discretion, shows narrative maturity on its director\u2019s part. Looking for Rohmer (2018), shows the interest of Wang Chao for the critic and filmmaker Eric Rohmer and the Nouvelle Vague, up to the point of making a film about him, although not necessarily biographic. A Woman (2022), until now his latest film was shown in the last edition of the Asian Film Festival Barcelona | AFFBCN with great public success, after its screening in San Sebastian, where it was nominated for the Golden Shell.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Saturday 8th of February 2025, at 12h<\/b><b>\u00a0<\/b><\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><em><b>Fall Guy<\/b><\/em> <i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">The Philippines | Dir. Joel Lamangan | 2023 | 107\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Julius joins Fonzy\u2019s gang and becomes his servant. One night he takes him to a party, where Fonzy and his friends gang rape Jenie, who is his partner, without him being able to do anything about it. They abuse her one after the other until they brutally kill her. To make matters worse, in a desperate attempt to escape criminal responsibility for what they have done, the group of friends do not hesitate to use Julius as their scapegoat.\u202f<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">The multi-award winning Filipino director <\/span><b><span data-contrast=\"auto\">Joel C. Lamangan <\/span><\/b><span data-contrast=\"auto\">(1952, Philippines) studied film and theatre in the Philippines and abroad. He was an actor and director for theatre and television, until he started acting for film and was able to make his directorial debut in 1991 with\u202f<\/span><i><span data-contrast=\"auto\">Darna<\/span><\/i><span data-contrast=\"auto\">. Among his most notable films are:\u202f<\/span><i><span data-contrast=\"auto\">The Flor Contemplacion Story\u202f<\/span><\/i><span data-contrast=\"auto\">(1995), for which he won the Golden Pyramid Award at the Cairo Film Festival in 1995,\u202f<\/span><i><span data-contrast=\"auto\">Pusong Mamon<\/span><\/i><span data-contrast=\"auto\">\u202f(1998),\u202f<\/span><i><span data-contrast=\"auto\">Deathrow<\/span><\/i><span data-contrast=\"auto\">\u202f(2000),\u202f<\/span><i><span data-contrast=\"auto\">Hubog<\/span><\/i><span data-contrast=\"auto\">\u202f(2001),\u202f<\/span><i><span data-contrast=\"auto\">Huling Birhen sa Lupa\u202f<\/span><\/i><span data-contrast=\"auto\">(2003),\u202f<\/span><i><span data-contrast=\"auto\">Blue Moon<\/span><\/i><span data-contrast=\"auto\">\u202f(2006) and\u202f<\/span><i><span data-contrast=\"auto\">Deadline<\/span><\/i><span data-contrast=\"auto\">\u202f(2011). In 2014, her feature film\u202f<\/span><i><span data-contrast=\"auto\">Hustisya<\/span><\/i><span data-contrast=\"auto\">\u202fwon the Best Actress Award and the Netpac Award at the Philippine independent film festival Cinemalaya.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Saturday 15th of February 2025, at 12h<\/b><\/span><b><span data-contrast=\"auto\">\u00a0<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\"><em>Dust<\/em> <\/span><\/b><i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">India | Dir. Udita Bhargava | 2019 | 80\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">David retraces the footsteps of his lost love and embarks on a journey to the troubled heart of India, where his girlfriend Mumtaz was last seen. Mumtaz was a photographer and David\u2019s only remaining clue as to how she spent her final days is one of her photos which depict a small boy. In search of the boy, he meets the ageing, cynical Dr Sharda whom he asks for help. But before long David finds himself confronted with Sharda\u2019s dark past \u2013 a past that Mumtaz documented in her photographs.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Udita Bhargava\u202f<\/span><\/b><span data-contrast=\"auto\">(1982, India) has taken degrees in mass communication and English literature and has studied directing at the Film University Babelsberg Konrad Wolf. She has worked as a camera assistant, photographer and post-production assistant on international productions including \u201cSlumdog Millionaire\u201d (2008). Her short films have screened at festivals around the world, with her most recent, \u201cImraan, c\/o Carrom Club\u201d (2014), winning the 3sat Promotional Award at the International Short Film Festival Oberhausen. \u201cDust\u201d is her debut feature film.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Saturday 22nd of February 2025, at 12h<\/b><b>\u00a0<\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\"><em>Kamli<\/em> <\/span><\/b><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Pakistan | Dir. Sarmad sult\u00e1n Khoosat | 2022 | 130\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">A young married woman, who lives with her blind sister-in-law, has been waiting eight years for her husband to return home. One day she is about to drown in the nearby pond when a mysterious wanderer named Amaltas rescues her, unexpectedly changing her life and putting her in a dilemma between her husband and her savior. This unexpectedly changes her life, putting her in a dilemma between her husband and her savior. Will she be able to restrain the force of desire or will she give in to temptation?<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Sarmad Sultan Khoosat <\/span><\/b><span data-contrast=\"auto\">(1979, Pakistan)\u202f is a director producer and screenwriter and actor, known for<\/span><i><span data-contrast=\"auto\">\u202fZindagi Tamasha (Circus of Life)<\/span><\/i><span data-contrast=\"auto\">\u202f(2019),\u202f<\/span><i><span data-contrast=\"auto\">Manto<\/span><\/i><span data-contrast=\"auto\">\u202f(2015) and<\/span><i><span data-contrast=\"auto\">\u202fJoyland<\/span><\/i><span data-contrast=\"auto\">\u202f(2022). His Movie\u202f<\/span><i><span data-contrast=\"auto\">Zindagi Tamasha (Circus of Life)<\/span><\/i><span data-contrast=\"auto\">\u202f(2019) was selected as the Best International Feature Film at the 93rd Academy Awards. It, also, premiered at the 24th Busan International Film Festival under the section \u2018A Window on Asian Cinema\u2019.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Saturday 1st of March 2025, at 12h<\/b><b>\u00a0<\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><em><b>Where Would you Like to Go <\/b><\/em><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Korea | Dir. Kim Hee-jung | 2023 | 103\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Do-gyeong jumped in to save his student Jiyong from drowning. After the two pass away, Myeongji, Do-gyeong\u2019s wife, and Jieun, Jiyong\u2019s sister, are left alone in the world, having to cope with the loss of their loved ones. Myeongji travels to Warsaw, to try to escape her harsh reality. She meets an old friend and hides her husband\u2019s death as if trying to reject the tragedy.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Kim Hee-jung<\/span><\/b><span data-contrast=\"auto\"> studied at the Polish National film School in Lodz and made her first feature film\u202f<\/span><i><span data-contrast=\"auto\">The Wonder Years<\/span><\/i><span data-contrast=\"auto\">\u202f(2007), the story of a girl who embarks on a journey to find her real mother. Her second feature,\u202f<\/span><i><span data-contrast=\"auto\">Grape Candy<\/span><\/i><span data-contrast=\"auto\">\u202f(2011) is a rumination of memories which dominate the present. Her third feature\u202f<\/span><i><span data-contrast=\"auto\">Snow Paths<\/span><\/i><span data-contrast=\"auto\">\u202f(2015) is the story of a man attempting to overcome trauma who is sent to a Catholic sanatorium for alcoholism, and meets a nun who can spiritually commune with dead souls. Her latest feature,<\/span><i><span data-contrast=\"auto\">\u202fA French Woman\u202f<\/span><\/i><span data-contrast=\"auto\">(2019) follows the delirium of a woman who confronts her painful past through a mysterious time gate.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Saturday 8th of March 2025, at 12h<\/b><b>\u00a0<\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\"><em>Blaze<\/em> <\/span><\/b><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Australia | Dir. Del Kathryn Barton | 2022 | 101\u2019 | VOSE | Drama\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span> <span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">A 12-year-old girl\u2019s life is upended after she witnesses a rape and murder. She has a caring father, who is desperate to help, but there are no easy answers. The situation is immensely trying, particularly as Blaze was the only witness and her testimony is crucial. To cope with the trauma, she summons an imaginary dragon to help process her anger and protect her on her journey into womanhood.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Del Kathryn Barton <\/span><\/b><span data-contrast=\"auto\">is an Australian artist, widely recognized as one of the leading figurative painters of her generation. She began drawing at a young age and studied Art &amp; Design at the University of New South Wales (UNSW). She soon became known for her psychedelic fantasy works in solo and group exhibitions across Australia and overseas. Despite being a widely recognizable figure among the artists of her generation, in 2022 her debut movie Blaze was finally released. Del Kathryn Barton was the director and a co-writer of the script.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Saturday 15th of March 2025, at 12h<\/b><b>\u00a0<\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\"><em>Lost Days<\/em> <\/span><\/b><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Mongolia | Dir. Garamkhand Bayarjargal | 2023 | 90\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Enkhmaa proposes a trip to bring Ankhaa, a 13-year-old kid, closer to his stepfather. Before the trip, the child loses his beloved dog, and he will have to find it within three days. Ankhaa\u2019s family is focused on his little baby sister and their upcoming trip. During his search he befriends some street dogs, and it coincides with the municipal program that aims to remove dogs without a home, so he will have to hurry to recover his pet.\u202f<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Garamkhand Bayarjargal <\/span><\/b><span data-contrast=\"auto\">is a Mongol director and producer that, after graduating in the Children and Youth Theatre Studio and College of Cinematic Arts, he enrolled in the Film National Academy. She is the founder and CEO of various film and TV production companies, and among her most highlighted works are Funny Day (2015), The Faith (2016), Above All (2017), Love Hustle (2020), Zorig (2020), Between Heaven and Earth (2021) and her last success Lost Days (2023).<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Saturday 22nd of March 2025, at 12h<\/b><b>\u00a0<\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><em><b>Videophobia<\/b><\/em> <span data-contrast=\"auto\">| Japan | Dir. Daisuke Miyazaki | 2019 | 88\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Ai wants to be an actress. Despite her failures she keeps trying to be what she is pursuing. One night she meets Hashimoto, a mysterious man. Ai goes to Hashimoto\u2019s house and they have sex. One day she finds a pornographic video whose characters look exactly like her and her partner. Ai goes to Hashimoto\u2019s home and finds out that the house was an Airbnb and Hashimoto is no longer there. The sex tape is still uploaded, and in spite of not knowing if the participants in the video are, they. She starts to lose the control of her life.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Daisuke Miyazaki\u202f<\/span><\/b><span data-contrast=\"auto\">is graduated at Waseda university and has participated at the Summer New York university. He started his career as a director assistant of directors such as Kiyoshi Kurosawa. His first movie arrived in 2011 named \u201cEnd of the night\u201d<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Saturday 29th of March 2025, at 12h<\/b><\/span><b><span data-contrast=\"auto\">\u00a0<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\"><em>Poet<\/em> <\/span><\/b><span data-contrast=\"auto\">| Kazakhstan | Dir. Darezhan Omirbayev | 2021 | 105\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Didar is a poet, but he cannot live from his poetry. He is only able to write in the morning before going to work as a newspaper editor. With his coworkers, he usually discusses whether or not the national language is in danger of extinction, due to the English globalization. Omirbayev makes Didar read a book about the Kazakh poet Makhambet Otemisuly, which allows him to dangerously unite tradition and modernity.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Darezhan Omirbayev <\/span><\/b><span data-contrast=\"auto\">(Uyuk, 1958) firstly studied mathematics and then cinema. Since his debut with\u202f<\/span><i><span data-contrast=\"auto\">Kairat\u202f<\/span><\/i><span data-contrast=\"auto\">in 1992, he directed several films that have been awarded in international festivals.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m4vs1d3z-b5bcd7ab6241d622e81551ad70f985e6\">\n#top #wrap_all .avia-icon-list-container.av-m4vs1d3z-b5bcd7ab6241d622e81551ad70f985e6 .av_iconlist_title{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-icon-list-container av-m4vs1d3z-b5bcd7ab6241d622e81551ad70f985e6  avia-builder-el-3  el_after_av_textblock  el_before_av_partner '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-m4vs1d3z-b5bcd7ab6241d622e81551ad70f985e6 avia-iconlist-animate'>\n<li><div class='iconlist_icon av-m4vs0x3o-60def9f5922e0e0090e40d92610fe7ad avia-font-entypo-fontello avia-iconfont avia-font-entypo-fontello'><span class='av-icon-char' data-av_icon='\ue85b' data-av_iconfont='entypo-fontello' aria-hidden=\"true\"><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: Every Saturday at 12h, from 18th of Jaunary to 29th of March of 2025.\"><h4 class='av_iconlist_title iconlist_title Fecha Todos los sbados a las h del  de enero al  de marzo de   av_inherit_color'  itemprop=\"headline\" >Every Saturday at 12h, from 18th of Jaunary to 29th of March of 2025.<\/h4><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-m4vs1tp8-35f973b9707112d14c1f2109ead48acf avia-font-entypo-fontello avia-iconfont avia-font-entypo-fontello'><span class='av-icon-char' data-av_icon='\ue842' data-av_iconfont='entypo-fontello' aria-hidden=\"true\"><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: MK2 Cine Paz | Calle de Fuencarral, 125, Madrid. \"><h4 class='av_iconlist_title iconlist_title  av_inherit_color'  itemprop=\"headline\" >MK2 Cine Paz | Calle de Fuencarral, 125, Madrid. <\/h4><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-m4vs2p3n-dc6cb48bc3cdde4dd0d9e33a59a302fa avia-font-entypo-fontello avia-iconfont avia-font-entypo-fontello'><span class='av-icon-char' data-av_icon='\ue8cb' data-av_iconfont='entypo-fontello' aria-hidden=\"true\"><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: \"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p><span style=\"color: #ff0000;\"><span class=\"TextRun SCXW103258019 BCX8\" lang=\"ES-ES\" xml:lang=\"ES-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW103258019 BCX8\" data-ccp-charstyle=\"normaltextrun\">Entry<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW103258019 BCX8\" data-ccp-charstyle=\"normaltextrun\">price<\/span><span class=\"NormalTextRun SCXW103258019 BCX8\" 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