{"id":54743,"date":"2024-07-04T11:54:36","date_gmt":"2024-07-04T09:54:36","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/?p=54743"},"modified":"2024-12-03T17:01:49","modified_gmt":"2024-12-03T16:01:49","slug":"orient-express-casa-asia-in-beteve-2024-jul-sep-2024","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2025\/orient-express-casa-asia-in-beteve-2024-jul-sep-2024\/","title":{"rendered":"Orient Express: Casa Asia in BETEV\u00c9 | Jul-Sep 2024"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m3smlxlz-92ae715d9c449341f549b2888db85d4e\">\n.avia-image-container.av-m3smlxlz-92ae715d9c449341f549b2888db85d4e img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-m3smlxlz-92ae715d9c449341f549b2888db85d4e .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-m3smlxlz-92ae715d9c449341f549b2888db85d4e av-styling- avia-align-center  avia-builder-el-0  el_before_av_heading  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-54557 avia-img-lazy-loading-not-54557 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1-1500x630.jpg\" alt='' title='Corea TOXIC PARENTS (4) (1)'  height=\"630\" width=\"1500\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m3smnf57-dc5c79335b534ab1a12cade82919bbf4\">\n#top .av-special-heading.av-m3smnf57-dc5c79335b534ab1a12cade82919bbf4{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-m3smnf57-dc5c79335b534ab1a12cade82919bbf4 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-m3smnf57-dc5c79335b534ab1a12cade82919bbf4 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-m3smnf57-dc5c79335b534ab1a12cade82919bbf4 av-special-heading-h1 blockquote elegant-quote elegant-centered  avia-builder-el-1  el_after_av_image  el_before_av_textblock '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  ><span class=\"heading-wrap\">ORIENT EXPRESS: CASA ASIA in BETEV\u00c9 Jul-Sep 2024<\/span><\/h1><div class='av-subheading av-subheading_below'><p>Trimestes goes from July 4th to September 26th, 2024<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-m3smo1ut-b42fcb1fe5ad46a6660091eed3e27e84 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h4><\/h4>\n<h3>PROGRAMME<\/h3>\n<p><span style=\"color: #ff0000;\">Thursday 4th of July at 22.30h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54340 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-300x150.jpg\" alt=\"\" width=\"300\" height=\"150\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-300x150.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-1030x515.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-768x384.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-1536x769.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-2048x1025.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-1500x751.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-705x353.jpg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Kyrgyzstan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>God\u2019s Gift<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Asel Zhuraeva | 2023 | 75\u2019 | VOSE | Drama\u00a0<\/span><\/b><span data-contrast=\"auto\">\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">An elderly childless couple with poor health live in a small village where barely anything ever happens when some unknown people leave a six-month-old baby at their front door. In the beginning, Initially, the old couple wants to hand over the child to the authorities, but having heard that young children could be being sold for trafficking with their organs, they decide to keep him. Caring for a baby turns the lives of older people in a completely different direction, and they end up finding a renewed interest.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><b><span data-contrast=\"auto\">Asel Zhuraeva <\/span><\/b><span data-contrast=\"auto\">graduated from the Kyrgyz State Institute of Arts in 2010. She also coursed in the Film school of RustamIbragimbekov (Kiev, Ukraine, 2013) and afterwards she started lecturing at AUCA (2017 to 2019). She is the director at the Tazar Cinema Company and the head of Creative Women of Asia Foundation since 2010.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday 11th\u00a0 of July at 22.30h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54343 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-300x127.png\" alt=\"\" width=\"300\" height=\"127\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-300x127.png 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-1030x435.png 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-768x324.png 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-1536x648.png 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-2048x864.png 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-1500x633.png 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-705x297.png 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Uzbekistan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Aydinlar<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dirs: Muzaffarkhan Erkinov \/ Muzaffar Qoraboyev | 2020 | 96\u2019 | VOSC | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">The feature film Aydinlar narrates the history of the Aral Sea region, the past and present of the city of Muynak in particular. The protagonist of the film, Seyit, watches from a young age as the city of Muynak, where he was born and grows up, lies in ruins because of the drying up of the Aral Sea. Seyit is brought up by his grandfather Nurpeis, who tells him fairy tales about the sea, while he grows up alongside Kizlargul and Maman. But as soon as he is not a child anymore, he is forced to leave Muynak to have another fate.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><b><span data-contrast=\"none\">Muzaffarkhan Erkinov <\/span><\/b><span data-contrast=\"none\">was born on 1983. He has worked on many TV series, documentaries and short films. From his trajectory in cinematography, we emphasise films such as <\/span><b><span data-contrast=\"none\">Armon, Iqtidar, Yagonam, Kasas, Avlony, Puankare<\/span><\/b><span data-contrast=\"none\"> and the one we present, <\/span><b><span data-contrast=\"none\">Aydinlar<\/span><\/b><span data-contrast=\"none\">, directed together with Muzaffar Qoraboyev. He has received national awards such as the Tasanno and the Ehtirom, and he obtained a prize at the International Film Festival for <\/span><b><span data-contrast=\"none\">Creative Flight<\/span><\/b><span data-contrast=\"none\">, and another at the Eurasian Film and TV Festival for <\/span><b><span data-contrast=\"none\">Slavic Tale<\/span><\/b><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday 18th of July at 22.30h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54346 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-300x126.jpg\" alt=\"\" width=\"300\" height=\"126\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-300x126.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-1030x431.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-768x321.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-1536x643.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-1500x628.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-705x295.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05.jpg 1830w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Sri Lanka<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Alborada <\/i><\/b><\/span><b><span data-contrast=\"none\">(AFFBCN 2022) | Dir: Asoka Handagama | 2021 | 108\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The film narrates the history of the alleged sexual assault committed by the poet Pablo Neruda when he was Honorary Consul of Chile in British colonial Ceylon, from 1929 a 1931. From the story that Neruda himself makes in I Confess that I have lived (1974), in the chapter \u201cThe Luminous Solitude\u201d, in seven lines the reader finds out how he abuses a Tamil girl, who comes from the lowest castes of the Sakkilie, who are considered \u201cuntouchables\u201d. It is about an innocent woman, who unknowingly participated in a strange story in which much remains to be known.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><b><span data-contrast=\"auto\">Asoka Handagama<\/span><\/b><span data-contrast=\"auto\"> ( Sri Lanka, 1962) is considered one of the leaders of the third generation of Sri Lankan cinema. He studied Mathematics at Kelaniya University and he obtained his Masters in Development Economics from the University of Warwick in 1995. His films like <\/span><b><span data-contrast=\"auto\">This is My Moon<\/span><\/b><span data-contrast=\"auto\"> (2000), <\/span><b><span data-contrast=\"auto\">Flying with One Wing<\/span><\/b><span data-contrast=\"auto\"> (2002)\u00a0 explore new narrative forms. The Amiens International Film Festival paid tribute to him for his contribution to the development of independent cinema in Asia. He recognizes himself as an admirer of Pablo Neruda\u2019s work, so reading that passage had a strong impact, leading him to create his own version of events.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday 25th of July at 22.30h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54349 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Corea-CASSIOPEIA-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-CASSIOPEIA-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-CASSIOPEIA.jpg 665w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>South Korea<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Cassiopeia<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Shin Yeon-Shick | 2022 | 102\u2019 | VOSC | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Su-jin is a successful lawyer. After her divorce, she leads a perfect life as a lawyer and mother. She is preparing her daughter, Gina, to study in the United States. Her father In-woo lives with them and takes care of his granddaughter. After a car accident, Su-jin is diagnosed with Alzheimer\u2019s disease. However, her father stays by her side to protect her, while she gradually resembles a little girl due to the progression of the disease.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><b><span data-contrast=\"auto\">Shin Youn-shick<\/span><\/b><span data-contrast=\"auto\"> (Seoul, 1976), starting with<\/span><b><span data-contrast=\"auto\"> A Great Actor <\/span><\/b><span data-contrast=\"auto\">(2005), became one of the regulars at the Busan International Film Festival. His fifth film, <\/span><b><span data-contrast=\"auto\">The Avian Kind<\/span><\/b><span data-contrast=\"auto\">, debuted at the Jeonju International Film Festival, where in 2015 he presented another successful film <\/span><b><span data-contrast=\"auto\">Like a French Film<\/span><\/b><span data-contrast=\"auto\">. His recent productions include <\/span><b><span data-contrast=\"auto\">Dongju: Portrait of a Poet<\/span><\/b><span data-contrast=\"auto\">, which he wrote and produced for filmmaker Lee Joon-ik.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday 1st of August at 22.30h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54364 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-300x136.png\" alt=\"\" width=\"300\" height=\"136\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-300x136.png 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-1030x467.png 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-768x348.png 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-705x319.png 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2.png 1291w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Kazakhstan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Brothers<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Darkhan Tulegenov | 2022 | 110\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Akzhol, who just got out of the orphanage, starts a new life. He is convinced that his father is alive and starts searching for him. However, after meeting his neighbour Dimash, things change as they realise how easy is to earn a living by robberies and burglaries. Later, during one of the meetings with a relative, he learns about the existence of his brother, Dalen, who was adopted by wealthy parents and had an education impossible to access in any other way. Together they embark on a mission to find their father and that will throw light on things that neither of them could have imagined.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><b><span data-contrast=\"auto\">Darkhan Tulegenov<\/span><\/b><span data-contrast=\"auto\"> was born in 1993 in Uralsk. At the age of 15 he entered the Kazakh Academy of Transport and Communications, and in 2012 he was admitted to the Kazakh National Academy of Arts. He has been a participant of many national and international film festivals and <\/span><b><span data-contrast=\"auto\">Brothers<\/span><\/b><span data-contrast=\"auto\"> received the Spirit of Cinema Award at the Oldenburg Film Festival in 2022. He is also known for his short films <\/span><b><span data-contrast=\"auto\">Nabat<\/span><\/b><span data-contrast=\"auto\"> (2020), The <\/span><b><span data-contrast=\"auto\">Route<\/span><\/b><span data-contrast=\"auto\"> (2016), and <\/span><b><span data-contrast=\"auto\">Sunrise<\/span><\/b><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday 8th of August at 22.30h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54361 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Filipinas-RESBAK-01-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-RESBAK-01-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-RESBAK-01-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-RESBAK-01-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-RESBAK-01.jpg 920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Philippines<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Resbak (Payback)<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Brillante Mendoza | 2022 | 113\u2019 | VOSE | Thriller<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Pursued by the police, the bike thief Isaac, asks his boss for help but his boss is not willing to pay attention. The refusal makes him conceive of revenge against the previous one, but with this he will not be able to get out of the criminal network of the slums in which he finds himself trapped.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Brillante Mendoza<\/span><\/b><span data-contrast=\"auto\"> (Philippines, 1960) is a director and producer. He is the first Filipino to receive the best director award at Cannes for his film <\/span><b><span data-contrast=\"auto\">Kinatay<\/span><\/b><span data-contrast=\"auto\"> in 2009. He is also the only Filipino to have received the distinction of \u201cChevalier de la Orden de las Artes y las Letras\u201d from France in 2014. He was more than forty years old when he directed his first film, <\/span><b><span data-contrast=\"auto\">Masahista<\/span><\/b><span data-contrast=\"auto\">, which won the Golden Leopard at the Locarno International Film Festival in 2005. His films have repeatedly received awards and nominations at the main festivals such as Venice, Berlin, Cannes, San Sebasti\u00e1n and Cairo.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday 15th of August at 22.30h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54358 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-300x201.jpeg\" alt=\"\" width=\"300\" height=\"201\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-300x201.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-1030x689.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-768x514.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-1536x1028.jpeg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-2048x1370.jpeg 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-1500x1004.jpeg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-705x472.jpeg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>China<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Memory of Love<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Wang Chao | 2009 | 87\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">A woman, He Sizhu, and her lover, Chen Mo, have a car accident in which she loses her memory. She is admitted to the hospital where her husband works as a surgeon, and when she wakes up, she doesn\u2019t remember anything of the immediate past. Her lover has become a stranger, but he refuses to lose her even though the therapy she receives does not guarantee that she will regain her memory.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">After graduating from university, <\/span><b><span data-contrast=\"auto\">Wang Chao<\/span><\/b><span data-contrast=\"auto\"> worked for five years in the steel industry, although he was always interested in films and literature. In 1991, joined the Beijing Film Academy where he graduated in 1994 and began working as a film critic. This is how he met Chen Kaige after filming <\/span><i><span data-contrast=\"auto\">Tierra Amarilla<\/span><\/i><span data-contrast=\"auto\">, and he hired him as assistant director between 1995 and 1998 for the filming of <\/span><i><span data-contrast=\"auto\">Adi\u00f3s a mi concubina <\/span><\/i><span data-contrast=\"auto\">and<\/span><i><span data-contrast=\"auto\"> El Emperador y el Asesino<\/span><\/i><span data-contrast=\"auto\">. During this time, he wrote several short stories, which inspired scripts for a few films. With <\/span><i><span data-contrast=\"auto\">Orphan of Anyang<\/span><\/i><span data-contrast=\"auto\">, a film he shot without authorisation, he made his directorial debut. This film was selected in 2001, to participate in the Directors\u2019 Fortnight Section of the Cannes Film Festival. In 2004, he made his second film <\/span><i><span data-contrast=\"auto\">Day and Night<\/span><\/i><span data-contrast=\"auto\"> and with <\/span><i><span data-contrast=\"auto\">Luxury Car<\/span><\/i><span data-contrast=\"auto\"> in 2006 he completed the trilogy about China that he had been working on for more than five years. His fourth and fifth films, <\/span><i><span data-contrast=\"auto\">Memory of Love<\/span><\/i><span data-contrast=\"auto\"> (2009) and <\/span><i><span data-contrast=\"auto\">Fantasy<\/span><\/i><span data-contrast=\"auto\"> (2014), which was presented in the Un Certain Regard selection at the Cannes Film Festival that same year, despite its discretion, shows narrative maturity on its director\u2019s part. Looking for Rohmer (2018), shows the interest of Wang Chao for the critic and filmmaker Eric Rohmer and the Nouvelle Vague, up to the point of making a film about him, although not necessarily biographic. A Woman (2022), until now his latest film was shown in the last edition of the Asian Film Festival Barcelona | AFFBCN with great public success, after its screening in San Sebastian, where it was nominated for the Golden Shell.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday 22th of August at 22.30h\u00a0<\/span><\/p>\n<p><img decoding=\"async\" class=\"size-medium wp-image-54355 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-300x162.jpg\" alt=\"\" width=\"300\" height=\"162\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-300x162.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-1030x556.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-768x414.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-1536x829.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-2048x1105.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-1500x809.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-705x380.jpg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b><span data-contrast=\"none\">Pakistan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Quickening<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Haya Waseem | 2021 | 90\u2019 | VOSC | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Sheila is a Canadian teenager of Pakistani origin living in the suburbs. About to finish her first year of university and having fallen in love for the first time with her classmate Eden, Sheila longs for a freedom that her mother and father are unwilling to offer her. After Sheila has sex for the first time with Eden, he abruptly breaks up with her, and her sense of reality begins to crumble, thus, her reality begins to crumble which drastically alienates her from friends, family and community.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Haya Waseem<\/span><\/b><span data-contrast=\"auto\"> is a Swiss-raised, Brooklyn-based Pakistani-Canadian filmmaker. She began her career as a documentary editor, which allowed her to shape stories and intimately interact with diverse narratives. Haya carried those principles of honesty and perspective into her creative work as a director. Her short films have been screened at prestigious festivals such as Toronto, Cannes, and Berlin.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday 29th of August at 22.30h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54382 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-300x162.jpg\" alt=\"\" width=\"300\" height=\"162\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-300x162.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-1030x557.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-768x415.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-1536x830.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-1500x811.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-705x381.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4.jpg 1998w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Japan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><i><span data-contrast=\"none\"><span style=\"color: #ff0000;\">Videophobia<\/span> <\/span><\/i><\/b><b><span data-contrast=\"none\">| Dir: Daisuke Miyazaki | 2019 | 88\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Ai wants to be an actress. Despite her failures she keeps trying to be what she is pursuing. One night she meets Hashimoto, a mysterious man. Ai goes to Hashimoto\u2019s house and they have sex. One day she finds a pornographic video whose characters look exactly like her and her partner. Ai goes to Hashimoto\u2019s home and finds out that the house was an Airbnb and Hashimoto is no longer there. The sex tape is still uploaded, and in spite of not knowing if the participants in the video are, they. She starts to lose the control of her life.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Daisuke Miyazaki<\/span><\/b><span data-contrast=\"auto\"> is graduated at Waseda university and has participated at the Summer New York university. He started his career as a director assistant of directors such as Kiyoshi Kurosawa. His first movie arrived in 2011 named <\/span><b><span data-contrast=\"auto\">End of the night<\/span><\/b><span data-contrast=\"auto\">.<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday 5th of September at 22.30h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54376 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Malaysia-MARYAM-4-300x169.jpeg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Malaysia-MARYAM-4-300x169.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Malaysia-MARYAM-4-768x432.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Malaysia-MARYAM-4-705x397.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Malaysia-MARYAM-4.jpeg 970w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Malaysia<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><i><span data-contrast=\"none\"><span style=\"color: #ff0000;\">Maryam<\/span> <\/span><\/i><\/b><b><span data-contrast=\"none\">| Dir: Badrul Hisham Ismail | 2023 | 103\u2019 | VOSC | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Maryam, a 50 year old gallery owner from an aristocratic family, seeks blessings from her father to marry her young foreigner boyfriend from Sierra Leone, while at the same time she needs to overcome challenges from Sharia bureaucracy, which determines her ability to choose a spouse.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Writer and independent filmmaker <\/span><b><span data-contrast=\"auto\">Badrul Hisham Ismail<\/span><\/b><span data-contrast=\"auto\"> studied at The New School in New York, where he shot his short film <\/span><b><span data-contrast=\"auto\">A Tale of a Mannequin<\/span><\/b><span data-contrast=\"auto\"> (2014) with the help of a Kickstarter campaign. He directed his first feature-length documentary <\/span><b><span data-contrast=\"auto\">Voyage to Terengganu<\/span><\/b><span data-contrast=\"auto\"> (2016) together with Amir Muhammad, also from Malaysia. Ismail\u2019s films often explore themes that question the normality of everyday life. His films have been shown at Freedom Film Fest, IFFR, Malaysian Shorts and Thai Short Film &amp; Video Festival, among others. He is also a regular writer at The Star and co-founder and content editor at the Malay-language print journal Svara. He is based in Kuala Lumpur.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday 12th of September at 22.30h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54373 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>India<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Our Home <\/i><\/b><\/span><b><span data-contrast=\"none\">| Dir: Romi Meitei<\/span><\/b> <b><span data-contrast=\"none\">| 2022 | 89\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Belonging to an isolated fishing community of the Loktak lake, Chaoren makes the best use of his exclusive existence by excelling in school. When the canoe he uses every day to attend school must be sold off because of his father\u2019s illness, his spirit is not dampened. He beats the long distance from his shanty floating hut to his school by swimming his way through. But when the Government issues an eviction notice demanding Chaoren\u2019s family to leave their home, his dreams are left with the angst of a displaced person.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Romi Meitei<\/span><\/b><span data-contrast=\"auto\"> is prolific filmmaker who has given several box-office hits. Besides notching up commercial successes, his films have been screened in prestigious film festivals including IFFI, MIFF, IFFK and others. He has won the prestigious FIPRESCI (International Film Critics Awards) and NETPAC (best Asian feature film from the Network for the Promotion of Asian Cinema) awards. He has also received several Manipur State Film Awards. He is the Chairman of Mami Thawan Foundation which aims to render services for the welfare of Manipur. His feature film, <\/span><b><span data-contrast=\"auto\">Our Home<\/span><\/b><span data-contrast=\"auto\">, won Best Film at the National Film Awards in India.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday 19th of September at 22.30h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54370 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-300x126.jpeg\" alt=\"\" width=\"300\" height=\"126\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-300x126.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-1030x431.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-768x322.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-1536x643.jpeg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-1500x628.jpeg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-705x295.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8.jpeg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Bangladesh<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>SAATAO\u202f<\/i><\/b><\/span><b><span data-contrast=\"none\">| Dir: Khandaker Sumon | 2022 | 97\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">After marrying Putul and bringing her home, Fazlu finds his wife amidst loneliness therefore he brings in a third member- a cow. With this newfound companion, Putul starts to settle in her new place. However, Teesta River\u2019s dams caused the lower region to be affected by drought, this brings struggle in the lives of farmers like Fazlu. The dams gatekeep all the water until the overflow in monsoon. As a result, they open the gates causing floods, bringing misery to the livelihood of everyone inhabiting the lower region. Due to such hostile behaviour of the river, Fazlu\u2019s family is no longer content.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Khandaker Sumon<\/span><\/b><span data-contrast=\"auto\"> is a filmmaker from Bangladesh. He was born on 2nd February 1982 in Gaibandha district. To produce dramas and films, he has been running a production house called \u201cIdea Exchange\u201d for a long time. Some promotional films for social awareness have been made by this organisation. To become a filmmaker, he completed a course at the Bangladesh Film Institute (BFI). <\/span><b><span data-contrast=\"auto\">Saatao<\/span><\/b><span data-contrast=\"auto\"> (2022) is his debut feature film.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday 26th of\u00a0 Septemberat 22.30h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54367 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1536x1024.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-2048x1365.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1500x1000.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-705x470.jpg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>South Korea<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>TOXIC PARENTS<\/i><\/b><\/span><span data-contrast=\"none\">\u202f<\/span><b><span data-contrast=\"none\">| Dir: <\/span><\/b><b><span data-contrast=\"none\">Kim Su-in<\/span><\/b><b><span data-contrast=\"none\"> | 2023 | 104\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Yoo-ri, a seemingly model student from a well-to do family suddenly commits suicide. Detectives suspect suicide, but her mother Hye-young believes that Yoo-ri\u2019s classmate Ye-na and homeroom teacher Gi-beom were the killers. As the investigation dives into the lives of these people, it spirals out of control due to conflicting statements between the three, but detectives find out that Hye-young caused cracks in Yoo-ri\u2019s heart. Deeply believing that she was doing everything possible for her child out of love, can Hye-young uncover the truth behind her daughter\u2019s death?<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Kim Su-in<\/span><\/b><span data-contrast=\"auto\"> is a South Korean screenwriter. She graduated from Dankook University\u2019s Department of Creative Writing, and completed her major in the Department of Film at Chung-Ang University\u2019s Graduate School. She wrote adaptations and screenplays for several feature films, including the adaptation of <\/span><b><span data-contrast=\"auto\">Oksu Station Ghost<\/span><\/b><span data-contrast=\"auto\"> (2021) and the screenplay of <\/span><b><span data-contrast=\"auto\">B Cut<\/span><\/b><span data-contrast=\"auto\"> (2021). <\/span><b><span data-contrast=\"auto\">Toxic Parents<\/span><\/b><span data-contrast=\"auto\"> is her first feature film.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":54557,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-54743","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/posts\/54743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/comments?post=54743"}],"version-history":[{"count":6,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/posts\/54743\/revisions"}],"predecessor-version":[{"id":55572,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/posts\/54743\/revisions\/55572"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/media\/54557"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/media?parent=54743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/categories?post=54743"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/tags?post=54743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}