{"id":35770,"date":"2021-11-03T12:06:43","date_gmt":"2021-11-03T11:06:43","guid":{"rendered":"http:\/\/asianfilmfestival.barcelona\/2022\/?page_id=35770"},"modified":"2025-11-25T10:50:33","modified_gmt":"2025-11-25T09:50:33","slug":"juries-and-awards-2025","status":"publish","type":"page","link":"https:\/\/asianfilmfestival.barcelona\/2025\/juries-and-awards-2025\/","title":{"rendered":"Juries 2025"},"content":{"rendered":"<div id='full_slider_1'  class='avia-fullwidth-slider main_color avia-shadow   avia-builder-el-0  el_before_av_textblock  avia-builder-el-first   container_wrap fullsize'  >\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kv2b79em-637430c44ad05f74dc80c70afc6864e4\">\n#top #wrap_all .avia-slideshow .av-slideshow-caption.av-kv2b79em-637430c44ad05f74dc80c70afc6864e4__0 .avia-caption-title{\nfont-size:90px;\n}\n#top .avia-slideshow .av-slideshow-caption.av-kv2b79em-637430c44ad05f74dc80c70afc6864e4__0 .avia-caption-content{\nfont-size:90px;\n}\n#top .avia-slideshow .av-slideshow-caption.av-kv2b79em-637430c44ad05f74dc80c70afc6864e4__0 .avia-caption-content p{\nfont-size:90px;\n}\n<\/style>\n<div  class='avia-slideshow av-kv2b79em-637430c44ad05f74dc80c70afc6864e4 avia-slideshow-featured av_slideshow_full avia-fade-slider av-slideshow-ui av-control-default av-slideshow-manual av-loop-once av-loop-manual-endless av-default-height-applied   avia-slideshow-1' data-slideshow-options=\"{&quot;animation&quot;:&quot;fade&quot;,&quot;autoplay&quot;:false,&quot;loop_autoplay&quot;:&quot;once&quot;,&quot;interval&quot;:5,&quot;loop_manual&quot;:&quot;manual-endless&quot;,&quot;autoplay_stopper&quot;:false,&quot;noNavigation&quot;:false,&quot;bg_slider&quot;:false,&quot;keep_padding&quot;:false,&quot;hoverpause&quot;:false,&quot;show_slide_delay&quot;:0}\"  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><ul class='avia-slideshow-inner ' style='padding-bottom: 28.666666666667%;'><\/ul><\/div><\/div><div id='after_full_slider_1'  class='main_color av_default_container_wrap container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-35770'><div class='entry-content-wrapper clearfix'>\n<section  class='av_textblock_section av-kv2b8p6i-65b24e88482f351e88795a9394fc96a3 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h1 style=\"text-align: left;\">JURIES<\/h1>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lo70652t-ae6ad9c454847ae2a3d11c182197ff12\">\n#top .togglecontainer.av-lo70652t-ae6ad9c454847ae2a3d11c182197ff12 p.toggler.activeTitle{\ncolor:#e23636;\nborder-color:#e23636;\n}\n<\/style>\n<div  class='togglecontainer av-lo70652t-ae6ad9c454847ae2a3d11c182197ff12 av-elegant-toggle  avia-builder-el-2  el_after_av_textblock  avia-builder-el-last  toggle_close_all hasCurrentStyle' >\n<section class='av_toggle_section av-lo705uy8-f3a1364f7b8fdb87d286a0630aadb5eb'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-1' data-fake-id='#toggle-id-1' class='toggler  av-title-above '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-1' data-slide-speed=\"200\" data-title=\"JURY OF THE OFFICIAL SECTION\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: JURY OF THE OFFICIAL SECTION\" data-aria_expanded=\"Click to collapse: JURY OF THE OFFICIAL SECTION\">JURY OF THE OFFICIAL SECTION<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-1' aria-labelledby='toggle-toggle-id-1' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color '  itemprop=\"text\" ><h2>Nick Deocampo | President<\/h2>\n<p>Nick Deocampo (The Philippines, 1959), Casa Asia 2023 Award, is a documentary filmmaker and film historian as well as an associate professor at the University of the Philippines Film Institute. His publications include award-winning books on the history of cinema and film literacy. He has been a recipient of various international fellowships and grants and has served as a jury member in numerous international film festivals. He is also the director of the<em> Center for New Cinema<\/em>. In 1999, he organized the Pink Film Festival, Philippines\u2019 first international gay and lesbian festival.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-00cbb6b9f4af2ded23e98210a98d55c3\">\n#top .hr.av-14xzly2-00cbb6b9f4af2ded23e98210a98d55c3{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-00cbb6b9f4af2ded23e98210a98d55c3 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-00cbb6b9f4af2ded23e98210a98d55c3 hr-custom  avia-builder-el-3  el_before_av_hr  avia-builder-el-first  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Aditya Bhattacharya<\/h2>\n<p>Nick Deocampo (The Philippines, 1959), Casa Asia 2023 Award, is a documentary filmmaker and film historian as well as an associate professor at the University of the Philippines Film Institute. His publications include award-winning books on the history of cinema and film literacy. He has been a recipient of various international fellowships and grants and has served as a jury member in numerous international film festivals. He is also the director of the<em> Center for New Cinema<\/em>. In 1999, he organized the Pink Film Festival, Philippines\u2019 first international gay and lesbian festival.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-5-374323524f37a65b6e6156bd9c4d7251\">\n#top .hr.av-14xzly2-5-374323524f37a65b6e6156bd9c4d7251{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-5-374323524f37a65b6e6156bd9c4d7251 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-5-374323524f37a65b6e6156bd9c4d7251 hr-custom  avia-builder-el-4  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Daniel Sastre de la Vega<\/h2>\n<p>Doctor of History and Art Theory from the Autonomous University of Madrid (2017) and Master of Arts in Japanese Studies from Sophia University in Tokyo (2008). He has curated the exhibitions Fantasy on Stage: Kunisada and the Utagawa School (2014) and Y\u014dkai. Iconography of the Fantastic. The Night Parade of a Hundred Demons as the Genesis of the Supernatural Images in Japan (2018), both at the Royal Academy of Fine Arts of San Fernando, and Kinpaku. Nature, Power and Imagination in Japanese Art (2024) at Madrid\u2019s Espacio Cultural Serrer\u00eda Belga. He currently teaches Japanese Art History and Japanese Language at the Centre for Asian and African Studies at the Autonomous University of Madrid. He has undertaken internships at the School of Oriental and African Studies in London, at the universities of Tokyo and Ritsumeikan (Kyoto), and at the International Research Centre for Japanese Studies (Nichibunken) in Kyoto.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-4-7ab9531031dc382219e2dffee149a7d0\">\n#top .hr.av-14xzly2-4-7ab9531031dc382219e2dffee149a7d0{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-4-7ab9531031dc382219e2dffee149a7d0 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-4-7ab9531031dc382219e2dffee149a7d0 hr-custom  avia-builder-el-5  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Miwako Van Weyenberg<\/h2>\n<p>Miwako Van Weyenberg is a Belgian Japanese screenwriter and director who graduated from the Royal Institute for Theatre, Cinema and Sound (RITCS) in 2014, where her final year project, Hitorikko, received the VAF Wildcard. Her master\u2019s final project, Il faisait noir (2015), was recognized at international festivals where it was screened, as was her short film Summer Rain (2017). Her first feature film, Soft Leaves (2025), premiered at the International Film Festival of Rotterdam (IFFR) 2025 and has been selected for the 13rd edition of the Asian Film Festival Barcelona (AFFBCN).<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-3-7c5c848ce17e5a335104ed107fa34603\">\n#top .hr.av-14xzly2-3-7c5c848ce17e5a335104ed107fa34603{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-3-7c5c848ce17e5a335104ed107fa34603 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-3-7c5c848ce17e5a335104ed107fa34603 hr-custom  avia-builder-el-6  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Cristina Rius<\/h2>\n<p>Cristina Rius (Barcelona, 1971) is a journalist and cultural manager, spokesperson and co-founder of the Cineclub Akira in Sant Pol de Mar. She was the founder and coordinator of LATcinema , Catalunya&#8217;s film programme focusing on documentaries about Latin America. She has been a jury member for the Latin American Film Festival of Catalonia, the Short Film Festival for Identity, the Lebu Documentary Festival in Chile, and the International Human Rights Festival, and has collaborated as a producer at numerous festivals. She is the director of a musical short film about water and a producer of short documentaries. Correspondent in New York (USA) for the website Cinemagazine.com, covering festivals and interviews.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-2-cd664c3e0705a036a5147c5a189a6fce\">\n#top .hr.av-14xzly2-2-cd664c3e0705a036a5147c5a189a6fce{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-2-cd664c3e0705a036a5147c5a189a6fce .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-2-cd664c3e0705a036a5147c5a189a6fce hr-custom  avia-builder-el-7  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Aditya Kripalani<\/h2>\n<p>Aditya Kripalani (India, 1981) is an Indian writer, director and producer residing in Frankfurt, Germany. A graduate of the Screenwriting programme at the Film and Television Institute of India, he worked with prominent directors before moving into teaching and creative direction in advertising. He made his directorial debut with Tikli and Laxmi Bomb (2017). Some of his feature films include Tottaa Pataaka Item Maal (2018), Devi Aur Hero (2019) and Not Today (2021), which won the FIPRESCI Award at the Bengaluru International Film Festival. His most recent film, I\u2019m Not an Actor (2024), was screened at the New York Indian Film Festival (NYIFF) and is part of the 13th Asian Film Festival Barcelona (AFFBCN). In addition to his work as a filmmaker, he has published several novels and worked as a creative director in advertising across Asia.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-1-34d063867ca77400a10c971229a05fc4\">\n#top .hr.av-14xzly2-1-34d063867ca77400a10c971229a05fc4{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-1-34d063867ca77400a10c971229a05fc4 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-1-34d063867ca77400a10c971229a05fc4 hr-custom  avia-builder-el-8  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-lo705uy8-4-de75798477678970db119fb7e625a00d'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-2' data-fake-id='#toggle-id-2' class='toggler  av-title-above '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-2' data-slide-speed=\"200\" data-title=\"JURY OF THE PANORAMA SECTION\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: JURY OF THE PANORAMA SECTION\" data-aria_expanded=\"Click to collapse: JURY OF THE PANORAMA SECTION\">JURY OF THE PANORAMA SECTION<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-2' aria-labelledby='toggle-toggle-id-2' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color '  itemprop=\"text\" ><h2>Adri\u00e0 Guxens | President<\/h2>\n<p>Adri\u00e0 Guxens (Tarragona, 1992), is a Catalan screenwriter and film director. He graduated in journalism from the University of Barcelona and in Film and Audiovisual Media from ESCAC. He has worked on fiction, documentaries, music videos, fashion films and advertising. He has also served as a jury member at international festivals such as Sitges and Venice. In the field of journalism, he writes about cinema in N\u00favol and other publications. He currently teaches at ESCAC. He has made several short films, gaining international recognition, and this year he is making his first feature film debut, <strong>L\u00f3ngqu\u00e1n. El manantial del drag\u00f3n <\/strong>(2025), which won the work in progress award at the Locarno Pro Spanish Previews at the Locarno Festival.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-12-324925f7b76702104b40ed189569a375\">\n#top .hr.av-14xzly2-12-324925f7b76702104b40ed189569a375{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-12-324925f7b76702104b40ed189569a375 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-12-324925f7b76702104b40ed189569a375 hr-custom  avia-builder-el-9  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Antoinette Jadaone<\/h2>\n<p>Antoinette Hilario Jadaone (Manila, 1984), popularly known as Tonet Jadaone, is a Filipino filmmaker. Among her most recognised works are <strong>That Thing Called Tadhana<\/strong> (2014), <strong>Love You to the Stars and Back<\/strong> (2017) and<strong> Fan Girl<\/strong> (2020). Her latest film, <strong>Sunshine <\/strong>(2024), was screened at the 2024 New York Asian Film Festival (NYAFF), the 2025 Toronto International Film Festival (TIFF), the 2025 Berlinale, the 2025 Udine Far East Film Festival and the 13th Asian Film Festival Barcelona (AFFBCN). It has been one of the highest-grossing films of the year in the Philippines.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-11-eeaeb5c274f13510d18519dc7ed1cd70\">\n#top .hr.av-14xzly2-11-eeaeb5c274f13510d18519dc7ed1cd70{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-11-eeaeb5c274f13510d18519dc7ed1cd70 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-11-eeaeb5c274f13510d18519dc7ed1cd70 hr-custom  avia-builder-el-10  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Briccio Santos<\/h2>\n<p>Briccio Santos (Manila, 1949) is a multidisciplinary creative practitioner\u2014filmmaker, painter, sculptor, photographer, and writer\u2014and a pioneering voice in Philippine independent cinema. He directed his first full-length feature,<strong> Manikang Papel <\/strong>in 1977, and went on to direct several other films, including <strong>Damortis <\/strong>(1984) which was recently commissioned to be restored and premiered by the National Gallery of Singapore last September 2025. Casa \u00c0sia honored his works in 2018 through a retrospective of his films at Circulo de Bellas Artes in Madrid. As Chair of the Film Development Council of the Philippines (2010\u20132016), Santos led national efforts in film preservation and was instrumental in establishing the Philippine Film Archive. In recognition of his cultural contributions, he was honored with the title of<em> Chevalier de l\u2019Ordre de la L\u00e9gion d\u2019Honneur<\/em> (France, 2013) and the<em> Ordine della Stella d\u2019Italia<\/em> (Italy, 2016).<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-10-b088f9bfeedd0ca3187837c287ab4296\">\n#top .hr.av-14xzly2-10-b088f9bfeedd0ca3187837c287ab4296{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-10-b088f9bfeedd0ca3187837c287ab4296 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-10-b088f9bfeedd0ca3187837c287ab4296 hr-custom  avia-builder-el-11  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Ted Granados<\/h2>\n<p>Teodoro \u2018Ted\u2019 Granados is the Project Director of the Southeast Asia Film Development Foundation Inc. (Film ASEAN) based in the Philippines. He was previously the Executive Director of the Film Development Council of the Philippines (FDCP) from 2011 to 2016. He supervised the production of over 30 films that received funding from FDCP. He also headed the selection of films for various film festivals of the FDCP. Prior to his stint at FDCP, he was an associate producer and sound supervisor and sound editor at <em>Muchachos Bravos Filmworks<\/em>. His works include <strong>Lihis <\/strong>(2013),<strong> Salvi: Ang pagpadayon<\/strong> (2013) and<strong> Ang tag-araw ni Twinkle<\/strong> (2013).<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-9-fb07667b57b2a9f1318a838b4e623649\">\n#top .hr.av-14xzly2-9-fb07667b57b2a9f1318a838b4e623649{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-9-fb07667b57b2a9f1318a838b4e623649 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-9-fb07667b57b2a9f1318a838b4e623649 hr-custom  avia-builder-el-12  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Malika Mukhamejan<\/h2>\n<p>Malika Mukhamejan (Shu, 1993) is a Kazakh filmmaker who graduated in directing from the Gerasimov Institute of Cinematography (VGIK) in 2021. Her work focuses on women&#8217;s stories and their loneliness and isolation. She is the founder of <em>QYZQARAS<\/em>, a platform that supports female filmmakers in Kazakhstan. Her first feature film, <strong>Longer Than A Day<\/strong> (2024), was selected for the Asian New Talent Award at the 26th Shanghai International Film Festival (SIFF) and is part of the 13th Asian Film Festival Barcelona (AFFBCN) 2025.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-8-8b4a0413534408c18fae1a7dec5c92ae\">\n#top .hr.av-14xzly2-8-8b4a0413534408c18fae1a7dec5c92ae{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-8-8b4a0413534408c18fae1a7dec5c92ae .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-8-8b4a0413534408c18fae1a7dec5c92ae hr-custom  avia-builder-el-13  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Saeed Nouri<\/h2>\n<p>Saeed Nouri (Iran, 1974) is an Iranian producer and director with a bachelor&#8217;s degree from the Sooreh Institute followed by a master&#8217;s degree in film Directing from the University of Art, Tehran. He continued his studies in France, obtaining a doctorate in film from the Universit\u00e9 de Versailles Saint-Quentin (UVSQ). He combines his career as a film researcher by writing articles and participating in the Cannes Film Festival every year. His most recent work, <strong>Tehran, An Unfinished History <\/strong>(2025), premiered at the International Film Festival Rotterdam (IFFR) 2025 and is part of the 13th edition of the Asian Film Festival Barcelona (AFFBCN).<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-7-5ee9c2b9f77d80599b1cd1d834d94419\">\n#top .hr.av-14xzly2-7-5ee9c2b9f77d80599b1cd1d834d94419{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-7-5ee9c2b9f77d80599b1cd1d834d94419 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-7-5ee9c2b9f77d80599b1cd1d834d94419 hr-custom  avia-builder-el-14  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-lo705uy8-1-b04784efe900a6abb90f70f94820ad5b'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-3' data-fake-id='#toggle-id-3' class='toggler  av-title-above '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-3' data-slide-speed=\"200\" data-title=\"JURY OF THE DISCOVERIES SECTION\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: JURY OF THE DISCOVERIES SECTION\" data-aria_expanded=\"Click to collapse: JURY OF THE DISCOVERIES SECTION\">JURY OF THE DISCOVERIES SECTION<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-3' aria-labelledby='toggle-toggle-id-3' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color '  itemprop=\"text\" ><h2>Anastasia Kozachenko Stravinsky | President<\/h2>\n<p>Anastasia Kozachenko Stravinsky (Moscow, 1993) is a curator, art critic and art director at CIFRA, a multi-purpose digital art platform that combines streaming, marketplace and education. She has been a member of the International Association of Art Critics (AICA-Russia) since 2017 and of the Scientific Secretariat of the Centre for Russian Art Studies (CSAR) since 2020. She holds a degree in Liberal Arts (RUDN) and a Master&#8217;s degree in History and Dialogue of Cultures from the Universit\u00e9 Grenoble Alpes. In 2024, she presented her doctoral thesis in Art History at Ca&#8217; Foscari University, Venice. As the great-granddaughter-niece of composer Igor Stravinsky, she is the founder and director of the <em>Stravinsky Family Fund.<\/em><\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-6-8e0937db8bea5197361f1c05b7b2c0aa\">\n#top .hr.av-14xzly2-6-8e0937db8bea5197361f1c05b7b2c0aa{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-6-8e0937db8bea5197361f1c05b7b2c0aa .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-6-8e0937db8bea5197361f1c05b7b2c0aa hr-custom  avia-builder-el-15  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Javier Mart\u00edn-Dom\u00ednguez<\/h2>\n<p>Javier Mart\u00edn-Dom\u00ednguez (Madrid, 1929) is a journalist and film producer. He has worked in print media, radio and television. He was a foreign correspondent for Radio Nacional and Televisi\u00f3n Espa\u00f1ola in the United States for ten years, and for La Vanguardia in Tokyo. He has won the Cirilo Rodr\u00edguez Prize for international journalism. Among other events, he covered three American election campaigns, Reagan&#8217;s trips to Moscow and Gorbachev&#8217;s to Washington, Hirohito&#8217;s funeral and Akihito&#8217;s coronation. He is the author of biographies of Paul Bowles and the surrealist artist Leonora Carrington. He directed the Seville European Film Festival for four years and has been a jury member at the Moscow, Sarajevo and Documenta Madrid festivals and at the Asian Film Festival in Barcelona (AFFBCN).<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-5-12-d4abee62a1ef0ddae70aab5148e74221\">\n#top .hr.av-14xzly2-5-12-d4abee62a1ef0ddae70aab5148e74221{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-5-12-d4abee62a1ef0ddae70aab5148e74221 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-5-12-d4abee62a1ef0ddae70aab5148e74221 hr-custom  avia-builder-el-16  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Mo Li<\/h2>\n<p>Mo Li (Beijing) is a journalist, producer, researcher, and PhD candidate in Film Studies at the Polytechnic University of Valencia. She holds a BA in Film Production from the Central Academy of Drama and an MA in Film Studies from the University of Sydney. Her doctoral research focuses on documentary filmmaking and censorship in contemporary China. Independently, she also writes book reviews, conducts interviews with filmmakers, and covers major European documentary film festivals as a content creator.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-4-11-3f5a2b27ca8ad7eadf84691cc93de528\">\n#top .hr.av-14xzly2-4-11-3f5a2b27ca8ad7eadf84691cc93de528{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-4-11-3f5a2b27ca8ad7eadf84691cc93de528 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-4-11-3f5a2b27ca8ad7eadf84691cc93de528 hr-custom  avia-builder-el-17  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Marta Figueras<\/h2>\n<p>Marta Figueras, a producer since 1994, began her career with <strong>La Mo\u00f1os <\/strong>(1996) by Mireia Ros, nominated for a Goya Award for Best Director. With<strong> Hotel Room<\/strong> (1998) by Cesc Gay, she participated in the San Sebasti\u00e1n Film Festival. In 2011, she won the Memorimages Award and the Gaud\u00ed Award for<strong> Barcelona, abans que el temps ho esborri <\/strong>(2010), by Mireia Ros. In 2016, she won the Gaud\u00ed Award for <strong>Game Over <\/strong>(2015), directed by Alba Sotorra. At the 2021 Malaga Film Festival, it won the Audience Award for <strong>Chavalas <\/strong>(2021) by Carol Rodriguez and in 2023 the Special Jury Prize for <strong>MI VAC\u00cdO Y YO<\/strong> (2022) by Adria Silvestre.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-3-10-e871d5764b5a06c22926909ee560357d\">\n#top .hr.av-14xzly2-3-10-e871d5764b5a06c22926909ee560357d{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-3-10-e871d5764b5a06c22926909ee560357d .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-3-10-e871d5764b5a06c22926909ee560357d hr-custom  avia-builder-el-18  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Kexing Ma<\/h2>\n<p>Kexing Ma holds a PhD in Society and Culture: History, Anthropology, Art and Heritage, and is a translator and cultural manager. She was part of the founding team of the Lychee International Film Festival, a festival dedicated to Chinese and Chinese-language auteur cinema, which was held for three consecutive editions (2017-2018-2019) before the pandemic, in Barcelona and Madrid. In addition to her experience in festival programming and production and other film-related projects, she has worked as an interpreter for filmmakers from Spain and China, including Chinese director Xie Fei at his first retrospective held at the Spanish Film Library (2019) and V\u00edctor Erice at the China Academy of Arts (Hangzhou, 2024). She remains committed to promoting dialogue and cooperation in film and culture between China and Spain.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-2-9-f6fc222b78fdcf735bd54537bd82757f\">\n#top .hr.av-14xzly2-2-9-f6fc222b78fdcf735bd54537bd82757f{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-2-9-f6fc222b78fdcf735bd54537bd82757f .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-2-9-f6fc222b78fdcf735bd54537bd82757f hr-custom  avia-builder-el-19  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Jos\u00e9 F\u00e9lix Collazos<\/h2>\n<p>Jos\u00e9 F\u00e9lix Collazos (Bilbao) is a Spanish filmmaker and film critic. After completing his studies in architecture, he moved to New York, where he studied screenwriting at Hunter College and direction at the Millennium Centre. There, he began independently shooting his first short films in Super 8 and 16 mm. In 1993, he made <strong>Muy negro<\/strong>, his first 35 mm film, which was screened at numerous national and international festivals. His next film, <strong>Nocturno<\/strong> (1997), was selected to open the Chicago Film Festival and participated in various international festivals such as Montreal, San Sebasti\u00e1n and St Petersburg, as well as winning the Silver Horse at the New Directors Festival in Larissa (Greece). He has also worked as an artistic director and radio scriptwriter and has collaborated with the San Sebasti\u00e1n International Film Festival and the Asian Film Festival of Barcelona (AFFBCN).<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-1-8-6a879ddde5b2f0426ed58bb452b4f077\">\n#top .hr.av-14xzly2-1-8-6a879ddde5b2f0426ed58bb452b4f077{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-1-8-6a879ddde5b2f0426ed58bb452b4f077 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-1-8-6a879ddde5b2f0426ed58bb452b4f077 hr-custom  avia-builder-el-20  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-lo705uy8-2-691768f111a4f2df69cd49d24f3cfd3d'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-4' data-fake-id='#toggle-id-4' class='toggler  av-title-above '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-4' data-slide-speed=\"200\" data-title=\"JURY OF THE NETPAC SECTION\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: JURY OF THE NETPAC SECTION\" data-aria_expanded=\"Click to collapse: JURY OF THE NETPAC SECTION\">JURY OF THE NETPAC SECTION<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-4' aria-labelledby='toggle-toggle-id-4' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color '  itemprop=\"text\" ><h2>Sandra Sotelo | President<\/h2>\n<p>Sandra Sotelo Aboy is a journalist and news correspondent at <em>ABS-CBN Corporation<\/em>. A teacher, freelance journalist, and active member of the Filipino community, Sandra Sotelo Aboy understands the value of news and believes in applying transversality in the journalistic activity she carries out. To manage her time, she jumped into the world of digital commerce with a 24\/7 business project that allows her to dedicate herself to the promotion of her country\u2019s culture and projects such as Contracorona, which was screened at the AFFBCN 2023.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-6-7-0dda7770772709e3b91afbd563df1212\">\n#top .hr.av-14xzly2-6-7-0dda7770772709e3b91afbd563df1212{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-6-7-0dda7770772709e3b91afbd563df1212 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-6-7-0dda7770772709e3b91afbd563df1212 hr-custom  avia-builder-el-21  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Nick Deocampo | Copresidente<\/h2>\n<p>Nick Deocampo (The Philippines, 1959) is a documentary filmmaker and film historian as well as an associate professor at the University of the Philippines Film Institute. His publications include award-winning books on the history of cinema and film literacy. He has been a recipient of various international fellowships and grants, and has served as a jury member in numerous international film festivals. He is also the director of the<em> Center for New Cinema<\/em>. In 1999, he organized the Pink Film Festival, Philippines\u2019 first international gay and lesbian festival.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-6-6-d2b71c9e6709f0723820bd3e01fe2326\">\n#top .hr.av-14xzly2-6-6-d2b71c9e6709f0723820bd3e01fe2326{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-6-6-d2b71c9e6709f0723820bd3e01fe2326 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-6-6-d2b71c9e6709f0723820bd3e01fe2326 hr-custom  avia-builder-el-22  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Iris Zhang<\/h2>\n<p>Iris Zhang (Beijing) is a communications coordinator and PhD student at Pompeu Fabra University. Her interests revolve around the representation of women in visual media and its social impact. After four years living in Barcelona, she has progressively focused on the dialogue between Chinese and European cultural practices\u2014which is how her company Blanc0 Project came about. With experience in film distribution, festival public relations, and intercultural communication, she has collaborated on several independent film festivals and international projects. Currently, she actively participates and connects with creators, organising screenings and cultural events in Barcelona.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-6-5-d2bd7179ff92ec00c47a2f95b8bce654\">\n#top .hr.av-14xzly2-6-5-d2bd7179ff92ec00c47a2f95b8bce654{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-6-5-d2bd7179ff92ec00c47a2f95b8bce654 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-6-5-d2bd7179ff92ec00c47a2f95b8bce654 hr-custom  avia-builder-el-23  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Razka Robby Ertanto<\/h2>\n<p>Razka Robby Ertanto (1983) is an Indonesian film director, screenwriter, and producer who began his feature film directing career in 2010 with <strong>7 Hati 7 Cinta 7 Wanita<\/strong>. His filmography also includes <strong>Jakarta vs Everybody<\/strong> (2020), <strong>The Day Before The Wedding<\/strong> (2023), and <strong>Yohanna<\/strong> (2024), which premiered at the International Film Festival Rotterdam. His most recent work, <strong>Midnight in Bali<\/strong> (2025), was part of the Harbour Section at the International Film Festival Rotterdam (IFFR) in 2025.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-6-3-5018d2bb9f1656863f9c3e1833ad1716\">\n#top .hr.av-14xzly2-6-3-5018d2bb9f1656863f9c3e1833ad1716{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-6-3-5018d2bb9f1656863f9c3e1833ad1716 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-6-3-5018d2bb9f1656863f9c3e1833ad1716 hr-custom  avia-builder-el-24  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Mana Salehi<\/h2>\n<div class=\"x_elementToProof\">Mana Salehi is an Iranian-Spanish artist. She holds a PhD in Artistic Production from the Faculty of Fine Arts at the University of Barcelona. Her work explores the dialogue between East and West, with a deep sensitivity towards understanding cultural differences and their connection to nature. Her works, in video and audiovisual installation formats, have been presented at international exhibitions and festivals. In 2020, she was part of one of the AFFBCN juries for the first time.<\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-6-2-4c9350b68355ee245497b3732fbbdf5d\">\n#top .hr.av-14xzly2-6-2-4c9350b68355ee245497b3732fbbdf5d{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-6-2-4c9350b68355ee245497b3732fbbdf5d .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-6-2-4c9350b68355ee245497b3732fbbdf5d hr-custom  avia-builder-el-25  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Louise Wu<\/h2>\n<p>Louise Wu is a multidisciplinary writer and producer, as well as a filmmaker from Beijing. She recently earned her Bachelor of Fine Arts degree in Dramatic Writing and minored in Entertainment Business, Media, and Technology at New York University&#8217;s Tisch School of the Arts. Often\u00a0 her creative works explore themes such as the complexities of interpersonal relationships, modern urban living conditions, and the poetic vulnerability inherent in our shared human experience. Her professional experience includes screenwriting, film development and distribution, as well as participation in international cultural activities.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-6-1-0e60133cafef8fd9046ea26ac2b54eb5\">\n#top .hr.av-14xzly2-6-1-0e60133cafef8fd9046ea26ac2b54eb5{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-6-1-0e60133cafef8fd9046ea26ac2b54eb5 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-6-1-0e60133cafef8fd9046ea26ac2b54eb5 hr-custom  avia-builder-el-26  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-lo705uy8-3-80f838d9a18004e34df277b7979c9838'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-5' data-fake-id='#toggle-id-5' class='toggler  av-title-above '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-5' data-slide-speed=\"200\" data-title=\"JURY OF THE SPECIAL SECTION\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: JURY OF THE SPECIAL SECTION\" data-aria_expanded=\"Click to collapse: JURY OF THE SPECIAL SECTION\">JURY OF THE SPECIAL SECTION<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-5' aria-labelledby='toggle-toggle-id-5' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color '  itemprop=\"text\" ><h2>\u00c1lvaro Gonz\u00e1lez | President<\/h2>\n<p>\u00c1lvaro Gonz\u00e1lez graduated in Screenwriting and Dramatic Writing from the Escola Superior de Cinema i Audiovisuals de Catalunya (ESCAC),and collaborates with the distribution company Brigante Films (2017 \u2013 2018). This is the company responsible for the distribution in physical and digital formats of <strong>Psycho Raman<\/strong> (Anurag Kashyap, 2016 \u2013 India) and <strong>Confession of a Murder<\/strong> (Jung Byung-gil, 2012 \u2013 South Korea). He is also a content creator targeting the film dissemination of the Asian continent, under the name Atlas Del Cine Asi\u00e1tico. (TikTok\/IG: @atlasdelcineasiatico).<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-6-7-6-a68fcdee7a087785657877ff2f661d54\">\n#top .hr.av-14xzly2-6-7-6-a68fcdee7a087785657877ff2f661d54{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-6-7-6-a68fcdee7a087785657877ff2f661d54 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-6-7-6-a68fcdee7a087785657877ff2f661d54 hr-custom  avia-builder-el-27  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Sandra Mur<\/h2>\n<p>Sandra Mur Puyuelo (Huesca, 1986) holds a Master&#8217;s degree in Specialized Communication and a PhD in Linguistic, Literary, and Cultural Studies. Her expertise lies in the Eurasian space, Russia, and Central Asia, where she collaborates with distributors and film festivals as an intercultural mediator. Her work explores the relationships between image and autobiographical writing from a gender perspective, questioning and reinterpreting notions of identity and memory.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-6-7-5-d122ee8d9c8d33bdae6fb17084cc0d3c\">\n#top .hr.av-14xzly2-6-7-5-d122ee8d9c8d33bdae6fb17084cc0d3c{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-6-7-5-d122ee8d9c8d33bdae6fb17084cc0d3c .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-6-7-5-d122ee8d9c8d33bdae6fb17084cc0d3c hr-custom  avia-builder-el-28  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Yi Lai<\/h2>\n<p>Yi Lai is a researcher and film curator specialising in contemporary Asian cinema, and a PhD candidate in Aesthetics and Art Theory at the Faculty of Geography and History at the University of Barcelona. She has served on juries at film festivals such as ANIMARIO, San Sebasti\u00e1n and the Asian Film Festival Barcelona (AFFBCN). In her curatorial work, she has participated in festivals and screenings as well as art exhibitions, from the Chinese animation section at ANIMARIO to the <em>Hersteria <\/em>exhibition.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-6-7-4-957470dc3872afcd07b947e4589e37c6\">\n#top .hr.av-14xzly2-6-7-4-957470dc3872afcd07b947e4589e37c6{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-6-7-4-957470dc3872afcd07b947e4589e37c6 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-6-7-4-957470dc3872afcd07b947e4589e37c6 hr-custom  avia-builder-el-29  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Natalia Diaz<\/h2>\n<p>Natalia Diaz Pe\u00f1alver (Barcelona, 1967) is the director and co-founder of the Korean culture blog \u2018Korea en Barcelona\u2019. Created in 2017, it reports on all activities related to Korean culture taking place in Barcelona and Catalonia, with an emphasis on South Korean cinema. It also publishes articles on cultural content and interviews with film directors, actors and writers. On a personal level, she is passionate about Asian cinema and participates as an accredited press member at various film festivals.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-6-7-3-53e3cb6169ffc3a1298e3524086aead4\">\n#top .hr.av-14xzly2-6-7-3-53e3cb6169ffc3a1298e3524086aead4{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-6-7-3-53e3cb6169ffc3a1298e3524086aead4 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-6-7-3-53e3cb6169ffc3a1298e3524086aead4 hr-custom  avia-builder-el-30  el_after_av_hr  el_before_av_hr  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<h2>Shaun Seneviratne<\/h2>\n<p>Shaun Seneviratne is a Sri Lankan-American filmmaker based in Brooklyn, New York. Shaun holds a bachelor&#8217;s degree from Rutgers University and a master&#8217;s degree in media studies from The New School. He teaches at Fieldston, co-hosts the podcast Rohmercast and runs Redacted Screenings. His feature film, <strong>Ben and Suzanne, A Reunion in 4 Parts<\/strong> (2024), was selected for the Jodja-NETPAC Asian Film Festival 2025.<\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-14xzly2-6-7-2-ded0c165310c328194532a68471e7c53\">\n#top .hr.av-14xzly2-6-7-2-ded0c165310c328194532a68471e7c53{\nmargin-top:30px;\nmargin-bottom:30px;\n}\n.hr.av-14xzly2-6-7-2-ded0c165310c328194532a68471e7c53 .hr-inner{\nwidth:600px;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='hr av-14xzly2-6-7-2-ded0c165310c328194532a68471e7c53 hr-custom  avia-builder-el-31  el_after_av_hr  avia-builder-el-last  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-lo705uy8-3-1-cd5e581782cdafd8148b0676ebf68c39'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p id='toggle-toggle-id-6' data-fake-id='#toggle-id-6' class='toggler  av-title-above '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-6' data-slide-speed=\"200\" data-title=\"JURY OF NEW PERSPECTIVES\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: JURY OF NEW PERSPECTIVES\" data-aria_expanded=\"Click to collapse: JURY OF NEW PERSPECTIVES\">JURY OF NEW PERSPECTIVES<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-6' aria-labelledby='toggle-toggle-id-6' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color '  itemprop=\"text\" ><p>Andrea Romero<br \/>\nAriadna Vidal<br \/>\nBiel Moreno Lluberes<br \/>\nBo Peng<br \/>\nFatima Gimenez<br \/>\nHetian Sun<br \/>\nIrene Guerra<br \/>\nJ\u00falia Melo<br \/>\nKoanda Gazas<br \/>\nMarina Fu Torrecillas<br \/>\nMiguel \u00c1ngel Ferreiro<br \/>\nMiranda Rojas<br \/>\nOlivia White<br \/>\nPol Satoca<br \/>\nQuankun Ding<br \/>\nRichard Sudario<br \/>\nValeria Romero<br \/>\nVeronica Proenza<br \/>\nWei Zhang<br \/>\nZian Shin<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-35770","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/pages\/35770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/comments?post=35770"}],"version-history":[{"count":71,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/pages\/35770\/revisions"}],"predecessor-version":[{"id":60518,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/pages\/35770\/revisions\/60518"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/wp-json\/wp\/v2\/media?parent=35770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}