{"id":60624,"date":"2026-01-14T11:23:20","date_gmt":"2026-01-14T10:23:20","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2025\/?p=60624"},"modified":"2026-01-14T11:23:20","modified_gmt":"2026-01-14T10:23:20","slug":"nuevas-miradas-de-cine-asiatico","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/nuevas-miradas-de-cine-asiatico\/","title":{"rendered":"NUEVAS MIRADAS DE CINE ASI\u00c1TICO"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mkdtwnyw-949eef055fd9a8d363a901b631eb0e69\">\n.avia-image-container.av-mkdtwnyw-949eef055fd9a8d363a901b631eb0e69 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-mkdtwnyw-949eef055fd9a8d363a901b631eb0e69 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-mkdtwnyw-949eef055fd9a8d363a901b631eb0e69 av-styling- avia-align-center  avia-builder-el-0  el_before_av_heading  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-60625 avia-img-lazy-loading-not-60625 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/IRAN-A-Childless-Village_1-300x200.jpg\" alt='' title='IRA\u0301N A Childless Village_1'  height=\"200\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/IRAN-A-Childless-Village_1-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/IRAN-A-Childless-Village_1-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/IRAN-A-Childless-Village_1-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/IRAN-A-Childless-Village_1-705x470.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/IRAN-A-Childless-Village_1.jpg 1080w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mkdtxgj5-0f9775c277d9c7e9b6acc4e9a866d2bd\">\n#top .av-special-heading.av-mkdtxgj5-0f9775c277d9c7e9b6acc4e9a866d2bd{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-mkdtxgj5-0f9775c277d9c7e9b6acc4e9a866d2bd .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-mkdtxgj5-0f9775c277d9c7e9b6acc4e9a866d2bd .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-mkdtxgj5-0f9775c277d9c7e9b6acc4e9a866d2bd av-special-heading-h3 blockquote modern-quote modern-centered  avia-builder-el-1  el_after_av_image  el_before_av_textblock '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >NUEVAS MIRADAS AL CINE ASI\u00c1TICO<\/h3><div class='av-subheading av-subheading_below'><p>Del 17 de enero al 28 de marzo<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mkdua8lh-021d5e34f14a16fa737dd201174b69c0\">\n#top .av_textblock_section.av-mkdua8lh-021d5e34f14a16fa737dd201174b69c0 .avia_textblock{\ntext-align:justify;\n}\n<\/style>\n<section  class='av_textblock_section av-mkdua8lh-021d5e34f14a16fa737dd201174b69c0 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>El cine asi\u00e1tico vuelve a las salas del Cine Paz con una programaci\u00f3n que se extiende del 17 de enero al 28 de marzo de 2026. Aunque parezca un t\u00f3pico decir que las distribuidoras espa\u00f1olas muestran un inter\u00e9s, ya no tan reciente, por contar con un repertorio cada vez mayor de t\u00edtulos procedentes de Asia, en general, lo cierto es que el cine asi\u00e1tico cada vez tiene mayor presencia no solo en festivales nacionales e internacionales, sino tambi\u00e9n en nuestras salas. El cine que proyectaremos entre enero y marzo de 2026 procede de Australia, Bangladesh, China, Corea, Filipinas, India, Ir\u00e1n, Jap\u00f3n, Kazajst\u00e1n y Pakist\u00e1n. <strong>The Great Indian Kitchen<\/strong> (India, 2021) de Jeo Baby inaugura el programa de este trimestre. La relaci\u00f3n de t\u00edtulos que se presentan mantiene el inter\u00e9s por el drama social y los temas de g\u00e9nero, desde una multiplicidad de perspectivas que responde a la identidad cultural de sus protagonistas. Eso es lo que nos cuentan pel\u00edculas realizadas entre 2021 y 2025 como: <strong>Sweet As<\/strong> (Australia), <strong>The Wrestler<\/strong> (Bangladesh), <strong>Virgin Forest<\/strong> (Filipinas), <strong>3670<\/strong> (Corea), <strong>Gone with the Boat<\/strong> (China), <strong>The Land Where the Winds Stood Still<\/strong> (Kazajist\u00e1n), <strong>Gunjal<\/strong> (Pakist\u00e1n),<strong> A Childless Village<\/strong> (Ir\u00e1n), <strong>Declaration<\/strong> (India) y <strong>Good Luck<\/strong> (Jap\u00f3n). En todos los casos nuestra intenci\u00f3n es facilitar la visi\u00f3n de un mundo o muchos mundos a los que dif\u00edcilmente tendr\u00edamos acceso si no fuera a trav\u00e9s de la literatura y del cine.<\/p>\n<\/div><\/section>\n<div  class='hr av-av_hr-bca31578670ae9d408d6d6d291fc57a6 hr-default  avia-builder-el-3  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mkdul7sz-7ab272efa5e2d1d53030cc75a0800e18\">\n#top .av_textblock_section.av-mkdul7sz-7ab272efa5e2d1d53030cc75a0800e18 .avia_textblock{\ntext-align:justify;\n}\n<\/style>\n<section  class='av_textblock_section av-mkdul7sz-7ab272efa5e2d1d53030cc75a0800e18 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><b><span data-contrast=\"auto\">PROGRAMA<\/span><\/b><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">S\u00e1bado 17\u00a0de enero de 2026, a las 12h\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">The Great Indian Kitchen<\/span><\/b><span data-contrast=\"auto\">\u00a0| India | Dir: Jeo Baby\u00a0| 2021 | 100\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-60629 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/INDIA-The-Great-Indian-Kitchen_1.avif\" alt=\"\" width=\"248\" height=\"138\" \/><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Una mujer reci\u00e9n casada espera ser feliz, pero su d\u00eda a d\u00eda empieza y termina en la cocina. Mientras su esposo trabaja como maestro en una escuela, su suegra vuela a los Estados Unidos para asistir al parto de su hija. No obstante, no deja de buscar trabajo, pero cuando cree haberlo encontrado, su suegro le impide incorporarse a la oferta laboral que ha conseguido. Los inconvenientes no cesan, hasta que la protagonista se da cuenta de que aquel no es su lugar, y reacciona radicalmente.<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Jeo\u00a0Baby\u00a0<\/span><\/b><span data-contrast=\"auto\">inici\u00f3 su trayectoria en la industria del entretenimiento escribiendo comedias para televisi\u00f3n en 2010, y particip\u00f3 en la redacci\u00f3n de los primeros episodios de las populares series televisivas como<\/span><b><span data-contrast=\"auto\">\u00a0Marimayam<\/span><\/b><span data-contrast=\"auto\">,\u00a0<\/span><b><span data-contrast=\"auto\">Uppum\u00a0Mulakum<\/span><\/b><span data-contrast=\"auto\">\u00a0y\u00a0<\/span><b><span data-contrast=\"auto\">M80\u00a0Moosa<\/span><\/b><span data-contrast=\"auto\">. Su cuarta pel\u00edcula en malayo,\u00a0<\/span><b><span data-contrast=\"auto\">The\u00a0Great\u00a0Indian\u00a0Kitchen<\/span><\/b><span data-contrast=\"auto\">, con\u00a0Suraj\u00a0Venjaramoodu\u00a0y\u00a0Nimisha\u00a0Sajayan\u00a0como protagonistas, se estren\u00f3 directamente en la plataforma OTT \u2018NeeStream\u2019 el 15 de enero de 2021. Tras la positiva recepci\u00f3n que tuvo en todo el mundo, la pel\u00edcula se estren\u00f3 oficialmente en Amazon Prime.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">S\u00e1bado 24 de enero de 2026, a las 12h\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Sweet as<\/span><\/b><span data-contrast=\"auto\">| Australia |\u00a0Dir:\u00a0Jub\u00a0Clerc\u00a0| 2022 | 87\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-60632 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/AUSTRALIA-Sweet-As_2-300x169.webp\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/AUSTRALIA-Sweet-As_2-300x169.webp 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/AUSTRALIA-Sweet-As_2-768x432.webp 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/AUSTRALIA-Sweet-As_2-705x397.webp 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/AUSTRALIA-Sweet-As_2.webp 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><span data-contrast=\"auto\">En la remota regi\u00f3n de Pilbara, situada al oeste de Australia, Murra, una problem\u00e1tica joven ind\u00edgena de 16 a\u00f1os, se encuentra abandonada tras un incidente explosivo con su madre, que es adicta a las drogas. A punto de perderse en el sistema de protecci\u00f3n de menores, su t\u00edo Ian, el polic\u00eda local, le tiende un salvavidas poco frecuente. Antes de que Murra se d\u00e9 cuenta, se encuentra recorriendo una polvorienta carretera en un minib\u00fas lleno de adolescentes en situaci\u00f3n de riesgo y con dos carism\u00e1ticos jefes de equipo. \u00bfSer\u00e1 \u00e9ste el salvavidas que Murra necesita o el catalizador de su ca\u00edda?\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Jub\u00a0Clerc<\/span><\/b><span data-contrast=\"auto\">\u00a0es una mujer\u00a0Nyul\u00a0Nyul\/Yawuru\u00a0de las regiones de Beagle Bay y Broome, en Kimberley, en la parte occidental (oeste) del pa\u00eds. Licenciada por la Academia de Artes Esc\u00e9nicas de Australia Occidental,\u00a0Jub\u00a0lleva muchos a\u00f1os haciendo teatro y actualmente est\u00e1 escribiendo su primera obra,\u00a0<\/span><b><span data-contrast=\"auto\">Dust<\/span><\/b><span data-contrast=\"auto\">.\u00a0Ha trabajado en cine y televisi\u00f3n como directora\u00a0de casting, coordinadora\u00a0de casting\u00a0de extras, dramaturga y productora asociada en obras que han sido altamente premiadas de un modo u otro. Recientemente,\u00a0Jub\u00a0ha actuado tambi\u00e9n como soprano en la primera \u00f3pera aborigen del mundo,\u00a0<\/span><b><span data-contrast=\"auto\">Pecan Summer<\/span><\/b><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-ccp-props=\"{&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">S\u00e1bado 31 de enero de 2026, a las 12h\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">The\u00a0Wrestler<\/span><\/b><span data-contrast=\"auto\">\u00a0| Bangladesh | Dir: Iqbal Hossain Chowdhury | 2023 | 92\u2019 | VOSE\/VOSI\u00a0| Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-60635 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/BANGLADESH-The-Wrestler_1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/BANGLADESH-The-Wrestler_1-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/BANGLADESH-The-Wrestler_1-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/BANGLADESH-The-Wrestler_1-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/BANGLADESH-The-Wrestler_1-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/BANGLADESH-The-Wrestler_1.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><span data-contrast=\"auto\">La pel\u00edcula hace un registro paulatino e \u00edntimo de la lucha regional de Bangladesh (Boli Khela), para retratar la confrontaci\u00f3n de sus personajes principales. Moju (Nasir Uddin Khan) es un pescador de edad avanzada que al no vender suficiente pescado decide desafiar al campe\u00f3n local, Dofor (AKM Itmam), para regocijo de la comunidad. Moju entrena todos los d\u00edas en la playa, que le sirve de gimnasio. Su hijo y su nuera barajan con temor el fat\u00eddico final del enfrentamiento e intentan impedir que lleve a cabo. La lucha Boli Khela requiere de disciplina y quietud, su desarrollo es lento y sosegado. A lo largo de la pel\u00edcula, dejamos de ser espectadores pasivos para envolvernos en un ejercicio de meditaci\u00f3n esot\u00e9rica. Esta atm\u00f3sfera es la que hace de la pel\u00edcula banglades\u00ed un excelente thriller psicol\u00f3gico.<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Iqbal\u00a0H.\u00a0Chowdhury<\/span><\/b><span data-contrast=\"auto\">\u00a0es un guionista y director bangladesh\u00ed-canadiense afincado en Toronto y licenciado en Producci\u00f3n Cinematogr\u00e1fica por el\u00a0Centennial\u00a0College\u00a0de Toronto. Su primer largometraje,\u00a0<\/span><b><span data-contrast=\"auto\">Boli<\/span><\/b><span data-contrast=\"auto\">\u00a0(The\u00a0Wrestler), gan\u00f3 el m\u00e1ximo galard\u00f3n (Premio New\u00a0Currents) del Festival de Cine de Busan 2023.Es autor tambi\u00e9n de tres cortometrajes\u00a0<\/span><b><span data-contrast=\"auto\">Dant<\/span><\/b><span data-contrast=\"auto\">\u00a0(2016),<\/span><b><span data-contrast=\"auto\">\u00a0Dhaka 2.00<\/span><\/b><span data-contrast=\"auto\">\u00a0(2017) y\u00a0<\/span><b><span data-contrast=\"auto\">Rowai\u00a0<\/span><\/b><span data-contrast=\"auto\">(2019). La narrativa audiovisual de\u00a0Chowdhury\u00a0est\u00e1 repleta de elementos simb\u00f3licos que, en ocasiones, pueden lindar con el surrealismo. La fotograf\u00eda es un elemento clave en su t\u00e9cnica como lo muestran sus elecciones crom\u00e1ticas.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">S\u00e1bado 7 de febrero de 2026, a las 12h\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Virgin\u00a0Forest<\/span><\/b><b><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><\/b><span data-contrast=\"auto\">| Filipinas |\u00a0Dir: Brillante Mendoza | 2022 | 113\u2019 | VOSE\/VOSI\u00a0| Thriller<\/span> <span data-contrast=\"auto\">\u00a0\u00a0\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-60638 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/FILIPINAS-Virgin-Forest_1-300x185.png\" alt=\"\" width=\"276\" height=\"170\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/FILIPINAS-Virgin-Forest_1-300x185.png 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/FILIPINAS-Virgin-Forest_1-768x473.png 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/FILIPINAS-Virgin-Forest_1-705x434.png 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/FILIPINAS-Virgin-Forest_1.png 1024w\" sizes=\"auto, (max-width: 276px) 100vw, 276px\" \/><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">A un fot\u00f3grafo le encargan ir a la monta\u00f1a con el objetivo de de capturar una rara flor. Durante su misi\u00f3n, descubre casualmente a unas mujeres que est\u00e1n atrapadas en un burdel oculto para madereros ilegales. Tras esta nueva informaci\u00f3n, el fot\u00f3grafo, ante la necesidad de salvarlas, decide cambiar su objetivo e idear un plan para liberarlas.<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Brillante Mendoza\u00a0<\/span><\/b><span data-contrast=\"auto\">(Filipinas, 1960) es director y productor. Es el primer filipino en recibir el premio al mejor director en Cannes por su pel\u00edcula\u00a0<\/span><b><span data-contrast=\"auto\">Kinatay<\/span><\/b><span data-contrast=\"auto\">\u00a0en 2009. Tambi\u00e9n es el \u00fanico filipino que ha recibido la distinci\u00f3n de \u00abCaballero de la Orden de las Artes y las Letras\u00bb de Francia en 2014. Ten\u00eda m\u00e1s de cuarenta a\u00f1os cuando dirigi\u00f3 su primera pel\u00edcula,\u00a0<\/span><b><span data-contrast=\"auto\">Masahista<\/span><\/b><span data-contrast=\"auto\">, que gan\u00f3 el Leopardo de Oro del Festival Internacional de Cine de Locarno en 2005. Sus pel\u00edculas han recibido reiteradamente premios y nominaciones en los principales festivales como los de Venecia, Berl\u00edn, Cannes, San Sebasti\u00e1n y El Cairo.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-ccp-props=\"{&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">S\u00e1bado 14 de febrero de 2026, a las 12h\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">3670<\/span><\/b><b><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><\/b><span data-contrast=\"auto\">| Corea |\u00a0Dir: Adachi\u00a0Shin\u00a0| 2025 | 124\u2019 | VOSE\/VOSI\u00a0| Drama<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-60641 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/COREA-3670_1-300x126.jpg\" alt=\"\" width=\"300\" height=\"126\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/COREA-3670_1-300x126.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/COREA-3670_1-1030x431.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/COREA-3670_1-768x322.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/COREA-3670_1-705x295.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/COREA-3670_1.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Cheol-jun es un desertor norcoreano que vive en Se\u00fal. Forma parte de un peque\u00f1o grupo de personas que han seguido un camino similar. Aunque ha hecho grandes amigos, les oculta el hecho de ser gay. Anhelando una conexi\u00f3n m\u00e1s profunda, re\u00fane el valor para explorar la comunidad gay de Se\u00fal. Cuando logra bajar la guardia, su vida empieza a florecer. Pero mantener sus dos mundos separados se vuelve cada vez m\u00e1s insostenible, hasta que se encuentra en una posici\u00f3n comprometida que amenaza las relaciones que tanto valora.<\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Joonho\u00a0Park<\/span><\/b><span data-contrast=\"auto\">\u00a0estudi\u00f3 direcci\u00f3n de cine en la\u00a0Korean\u00a0National\u00a0University\u00a0of\u00a0Arts, donde\u00a0se\u00a0dedic\u00f3 a realizar\u00a0los cortometrajes<\/span><b><span data-contrast=\"auto\">\u00a0Almond:\u00a0My\u00a0Voice\u00a0is\u00a0Breaking<\/span><\/b><span data-contrast=\"auto\">\u00a0(2017) y\u00a0<\/span><b><span data-contrast=\"auto\">EUNSEO<\/span><\/b><span data-contrast=\"auto\">\u00a0(2019). Trabaj\u00f3 como guionista antes de hacer su debut con el largometraje\u00a0<\/span><b><span data-contrast=\"auto\">3670<\/span><\/b><span data-contrast=\"auto\">\u00a0(2025).\u00a0Su trabajo destaca por un enfoque\u00a0nuevo hacia situaciones no tan exploradas en el cine surcoreano dando visibilidad a comunidades marginadas\u00a0como\u00a0la comunidad LGBTIQ+.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-ccp-props=\"{&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">S\u00e1bado 21 de febrero de 2026, a las 12h\u00a0| En el marco del\u00a0<b>A\u00f1o Nuevo Chino<\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Gone With\u00a0the Boat<\/span><\/b><span data-contrast=\"auto\">\u00a0| China | Dir: Xiaoyu Chen | 2023 | 99\u2019 | VOSE\/VOSI\u00a0| Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-60644 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/CHINA-Gone-With-The-Boat_1-300x194.png\" alt=\"\" width=\"300\" height=\"194\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/CHINA-Gone-With-The-Boat_1-300x194.png 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/CHINA-Gone-With-The-Boat_1-1030x665.png 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/CHINA-Gone-With-The-Boat_1-768x496.png 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/CHINA-Gone-With-The-Boat_1-705x455.png 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/CHINA-Gone-With-The-Boat_1.png 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Cuando Jin, una madre de familia retirada en un pueblo, recibe el diagn\u00f3stico de un tumor cerebral, sus dos hijos adoptan posiciones divergentes. Su hija Jenny, directora de un centro de formaci\u00f3n de ingl\u00e9s en Shangh\u00e1i y en plena lucha por sacar adelante su segundo matrimonio, insiste en buscar el mejor tratamiento para su madre. Sin embargo, Qing, el <\/span><span data-contrast=\"auto\">o desenlace. Jin pasa los \u00faltimos meses de su vida rodeada de sus familiares, mientras Jenny y Qing redescubren su pueblo natal.\u00a0\u00a0<\/span><b><span data-contrast=\"auto\">Gone\u00a0With\u00a0The\u00a0Boat<\/span><\/b><span data-contrast=\"auto\">\u00a0(2023) reivindica el medio rural m\u00e1s all\u00e1 de considerarse como un enclave tur\u00edstico idealizado y como paliativo frente a la inestabilidad y la dispersi\u00f3n familiar.<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Xiaoyu Chen<\/span><\/b><span data-contrast=\"auto\">\u00a0es un guionista y director chino que\u00a0estudi\u00f3 en la Toronto Film\u00a0School. Debut\u00f3 con su largometraje\u00a0<\/span><b><span data-contrast=\"auto\">Let\u2019s\u00a0Go<\/span><\/b><span data-contrast=\"auto\">\u00a0en 2012. Su segundo proyecto,\u00a0<\/span><b><span data-contrast=\"auto\">Gone\u00a0With\u00a0The\u00a0Boat<\/span><\/b><span data-contrast=\"auto\">, se present\u00f3 en\u00a0en\u00a0el AFFBCN de 2024.\u00a0La pel\u00edcula explora temas relacionados con la\u00a0identidad\u00a0y la pertenencia\u00a0estableciendo un\u00a0puente entre culturas. La pel\u00edcula obtuvo una interesante respuesta internacional tras su lanzamiento.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-ccp-props=\"{&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">S\u00e1bado 28 de febrero de 2026, a las 12h\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">The Land Where the Wind Stood Still<\/span><\/b><span data-contrast=\"auto\">\u00a0|\u00a0Kazajist\u00e1n\u00a0| Dir: Ardak\u00a0Armikulov\u00a0| 2023 | 108\u2019 | VOSE\/VOSI\u00a0| Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-60647 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/KAZAJISTAN-The-Lands-Where-The-Winds-Stood-Still_2-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/KAZAJISTAN-The-Lands-Where-The-Winds-Stood-Still_2-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/KAZAJISTAN-The-Lands-Where-The-Winds-Stood-Still_2-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/KAZAJISTAN-The-Lands-Where-The-Winds-Stood-Still_2-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/KAZAJISTAN-The-Lands-Where-The-Winds-Stood-Still_2-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/KAZAJISTAN-The-Lands-Where-The-Winds-Stood-Still_2.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><span data-contrast=\"auto\">Es un western fren\u00e9tico, crudo y absorbente inspirado en la Gran Hambruna kazaja conocida como El Genocidio de Goloschokin, que tuvo lugar entre 1930 y 1933. Esta pel\u00edcula retrata los duros testimonios de sus supervivientes a trav\u00e9s del personaje de Juspar, una madre implacable que hace todo lo posible para salvar y alimentar a sus dos hijos Jolan y Boshay. Juspar intenta llegar al pueblo de su ni\u00f1ez con la esperanza de encontrar alg\u00fan pariente vivo, pero de camino tendr\u00e1 que sobrevivir a lluvias, tormentas de arena, hambruna, cad\u00e1veres envenenados y buitres hambrientos. Este periodo oscuro de la historia del pa\u00eds se debe en gran parte al proceso de sedentarizaci\u00f3n de una sociedad principalmente n\u00f3mada que se inici\u00f3 a partir de 1928, y a la colectivizaci\u00f3n forzosa de la tierra.<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Ardak\u00a0Jamansariuly\u00a0Amirkulov<\/span><\/b><span data-contrast=\"auto\">\u00a0es un director de cine, productor y guionista kazajo.\u00a0Estudi\u00f3 filosof\u00eda en la Universidad de Alma Ata y tras graduarse en 1977 estudi\u00f3 direcci\u00f3n de cine en Mosc\u00fa con Sergei\u00a0Solovyov\u00a0Desde 1988 ha dirigido y producido varios largometrajes. Entre 1992 y 2002\u00a0Amirkulov\u00a0fue el director general del estudio de grabaci\u00f3n m\u00e1s importante de Kazajist\u00e1n, \u201cKazakhfilm\u201d. Actualmente ense\u00f1a Teor\u00eda del Cine en la\u00a0Kazakh\u00a0National\u00a0Academy\u00a0of\u00a0Arts.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-ccp-props=\"{&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">S\u00e1bado 7 de marzo de 2026, a las 12h\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Gunjal<\/span><\/b><span data-contrast=\"auto\">\u00a0| Pakist\u00e1n |\u00a0Dir:\u00a0Shoaib\u00a0Sultan\u00a0| 2022 | 120\u2019 | VOSE | Drama, Biograf\u00eda<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Cuando el asesino de un adolescente activista laboral es absuelto, el periodista Shahbaz Bhatti ve lagunas evidentes en el veredicto e inicia una investigaci\u00f3n en busca de justicia. Pero cada una de las pistas que sigue se contradice con la anterior, y la retorcida historia revela la horrible verdad del trabajo infantil en el Pakist\u00e1n de 1990.<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Shoaib\u00a0Sultan<\/span><\/b><span data-contrast=\"auto\">\u00a0es un conocido ingeniero, director, actor y escritor pakistan\u00ed. Ha trabajado en algunos cortometrajes y otros proyectos de medios audiovisuales. Pero\u00a0<\/span><b><span data-contrast=\"auto\">Darya\u00a0Kay\u00a0Iss\u00a0Paar<\/span><\/b><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><b><span data-contrast=\"auto\">(This\u00a0Bank\u00a0of\u00a0The\u00a0River),<\/span><\/b><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><span data-contrast=\"auto\">fue su primer proyecto como director.\u00a0Tambi\u00e9n ha trabajado en otras \u00e1reas como actor y productor teatral.\u00a0Su largometraje\u00a0<\/span><b><span data-contrast=\"auto\">Gunjal\u00a0<\/span><\/b><span data-contrast=\"auto\">recibi\u00f3 el premio a Mejor\u00a0Drector\u00a0Deut\u00a0en el Dada\u00a0Saheb\u00a0Phalke\u00a0Film Festival.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">S\u00e1bado 14 de marzo de 2026, a las 12h\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">A\u00a0Childless\u00a0Village<\/span><\/b><b><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><\/b><span data-contrast=\"auto\">| Ir\u00e1n |\u00a0Dir: Reza\u00a0Jamali\u00a0| 2022 | 81\u2019 | VOSE | Drama\u00a0\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p><img decoding=\"async\" class=\"size-medium wp-image-60625 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/IRAN-A-Childless-Village_1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/IRAN-A-Childless-Village_1-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/IRAN-A-Childless-Village_1-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/IRAN-A-Childless-Village_1-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/IRAN-A-Childless-Village_1-705x470.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/IRAN-A-Childless-Village_1.jpg 1080w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Como sugiere el t\u00edtulo \u201c<\/span><b><span data-contrast=\"auto\">Un pueblo sin ni\u00f1os<\/span><\/b><span data-contrast=\"auto\">\u201d, nos transporta a un peque\u00f1o pueblo rural que padece un reto demogr\u00e1fico. En el pasado, ante la ausencia de una explicaci\u00f3n l\u00f3gica que explicase la falta de nacimientos en el pueblo, se culp\u00f3 a las mujeres. Atra\u00eddo por el misterio, el cineasta Kazem acudi\u00f3 a la aldea y rod\u00f3 un documental siguiendo esta narrativa que, sin embargo, nunca llegar\u00eda a ver la luz. Dos d\u00e9cadas despu\u00e9s, se descubre la verdadera causa del problema demogr\u00e1fico. En plena vejez y acompa\u00f1ado por su ayudante, el director regresa al pueblo con un firme prop\u00f3sito: descifrar la verdad, enmendando, esta vez, la dignidad de las mujeres en la construcci\u00f3n del relato.<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Reza\u00a0Jamali<\/span><\/b><span data-contrast=\"auto\">\u00a0(Arbedil, Ir\u00e1n 1978) es un cineasta graduado que, tras una cuantiosa producci\u00f3n de cortometrajes presentados y premiados en festivales nacionales e internacionales, debut\u00f3 con la pel\u00edcula<\/span><b><span data-contrast=\"auto\">\u00a0Old\u00a0Men\u00a0Never\u00a0Die<\/span><\/b><span data-contrast=\"auto\">\u00a0en 2019. Su primer largometraje obtuvo el premio \u201cSpirits\u00a0of\u00a0Asia\u00a0Award\u201d en el Festival Internacional de Tokio viajando, a continuaci\u00f3n, a otros festivales internacionales. A\u00a0<\/span><b><span data-contrast=\"auto\">Childless\u00a0Village<\/span><\/b><span data-contrast=\"auto\">\u00a0(2022) es la segunda pel\u00edcula escrita y dirigida por el director iran\u00ed.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-ccp-props=\"{&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">S\u00e1bado 21 de marzo de 2026, a las 12h\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Declaration<\/span><\/b><span data-contrast=\"auto\">\u00a0| India |\u00a0Dir:\u00a0Mahesh\u00a0Naranayan| 2022 | 107\u2019 | VOSE\/VOSI\u00a0| Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-60653 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/INDIA-Declaration_2-300x169.webp\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/INDIA-Declaration_2-300x169.webp 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/INDIA-Declaration_2-1030x579.webp 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/INDIA-Declaration_2-768x432.webp 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/INDIA-Declaration_2-705x397.webp 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/INDIA-Declaration_2.webp 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><span data-contrast=\"auto\">En medio de una Noida afectada por una pandemia, una pareja malayali en apuros, formada por Hareesh y Reshmi, alberga el sue\u00f1o de cortar con su desafiante vida migrando al extranjero. Ambos trabajan en una f\u00e1brica de guantes y anhelan un futuro mejor. Graban un v\u00eddeo que muestra las habilidades de Reshmi, con la esperanza de utilizarlo para conseguir oportunidades de empleo en el extranjero. Sin embargo, sus vidas dan un giro devastador cuando Hareesh recibe un inquietante v\u00eddeo a trav\u00e9s de WhatsApp. Parece ser el video original de Reshmi, fusionado con im\u00e1genes expl\u00edcitas que involucran a otra mujer participando en un acto sexual. Este v\u00eddeo desata un inesperado desequilibrio emocional, social y matrimonial poniendo en crisis toda su relaci\u00f3n.<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Mahesh\u00a0Narayanan<\/span><\/b><span data-contrast=\"auto\">\u00a0nacido el 1975 en Kerala, es un cineasta y editor conocido por su trabajo en la industria cinematogr\u00e1fica malayalam. Inici\u00f3 su carrera en la industria cinematogr\u00e1fica como editor. Trabaj\u00f3 como editor en numerosas pel\u00edculas y obtuvo reconocimiento por sus habilidades de edici\u00f3n. Debut\u00f3 como director con\u00a0<\/span><b><span data-contrast=\"auto\">Take\u00a0Off\u00a0<\/span><\/b><span data-contrast=\"auto\">(2017), una pel\u00edcula basada en la evacuaci\u00f3n de enfermeras indias de Irak durante la insurgencia del ISIS. Su pel\u00edcula\u00a0<\/span><b><span data-contrast=\"auto\">CU\u00a0Soon<\/span><\/b><span data-contrast=\"auto\">\u00a0(2020) llam\u00f3 la atenci\u00f3n por su narrativa y formato.\u00a0Narayanan\u00a0tambi\u00e9n ha trabajado como editor en varias pel\u00edculas y sigue siendo una figura notable en la industria.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">S\u00e1bado 28 de marzo de 2026, a las 12h\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Good\u00a0Luck<\/span><\/b><b><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><\/b><span data-contrast=\"auto\">| Jap\u00f3n |\u00a0Dir: Adachi\u00a0Shin\u00a0| 2025 | 104\u2019 | VOSE\/VOSI\u00a0| Drama, Crimen<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-60656 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/JAPON-Good-Luck_2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/JAPON-Good-Luck_2-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/JAPON-Good-Luck_2-1030x686.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/JAPON-Good-Luck_2-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/JAPON-Good-Luck_2-705x470.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2026\/01\/JAPON-Good-Luck_2.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><span data-contrast=\"auto\">Taro es un cineasta independiente que es invitado a la proyecci\u00f3n de su nuevo documental personal en un festival de cine en la prefectura de Oita. Aunque acude con mucho entusiasmo, no tarda en derrumbarse tan pronto como la organizadora del festival critica duramente su pel\u00edcula. Taro no asiste a la fiesta inaugural y al d\u00eda siguiente se marcha a un pueblo vecino. All\u00ed, conoce a una mujer llamada Miki, con quien decide hacer un peque\u00f1o viaje. A lo largo de su breve encuentro, se sinceran el uno con el otro, estrechando el v\u00ednculo que se ha establecido entre ellos. Pero cuando Taro regresa a Tokio, su novia lo est\u00e1 esperando.<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Adachi\u00a0Shin<\/span><\/b><span data-contrast=\"auto\">\u00a0(1972) es un guionista y director japon\u00e9s. Despu\u00e9s de graduarse en el\u00a0Japan\u00a0Institute\u00a0of\u00a0the\u00a0Moving\u00a0Image, estudi\u00f3 con el director\u00a0Somai\u00a0Shinji. Empez\u00f3 a escribir guiones despu\u00e9s de trabajar como ayudante de direcci\u00f3n. En 2015, gan\u00f3 el 39\u00ba\u00a0Japan\u00a0Academy\u00a0Film\u00a0Prize\u00a0al Mejor Guion por\u00a0<\/span><b><span data-contrast=\"auto\">100\u00a0Yen\u00a0Love<\/span><\/b><span data-contrast=\"auto\">\u00a0(2014). Su pel\u00edcula m\u00e1s reciente,\u00a0<\/span><b><span data-contrast=\"auto\">Good\u00a0Luck<\/span><\/b><span data-contrast=\"auto\">\u00a0(2024), ha participado en el Festival Internacional de Cine de Tokio, en el Udine Far East Film Festival y en el\u00a0Fribourg\u00a0Asian\u00a0Film Festival.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:3,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<\/div><\/section>\n<div  class='avia-icon-list-container av-mkdv4834-3052986a87c2859a14f0fac1b3e9736f  avia-builder-el-5  el_after_av_textblock  el_before_av_partner '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-mkdv4834-3052986a87c2859a14f0fac1b3e9736f 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1.664-4.864 2.432-2.56 1.792-1.152 3.648 1.088 1.472 1.216 1.536 0.256 0.256-0.064 0.448-0.064 0.064-1.216 1.12t-1.216 1.12q-0.448 0.256-0.576 0.128-1.344-1.536-2.272-1.92t-2.144 0.384zM14.112 11.84l13.12 15.232q0.576 0.704-0.064 1.216l-1.536 1.344q-0.704 0.448-1.216-0.128l-13.248-15.104q-0.256-0.256 0-0.64l2.304-1.984q0.384-0.256 0.64 0.064zM31.84 5.376q0.512 3.328-0.512 5.312-1.6 2.816-4.928 1.984-1.792-0.384-3.2 1.024l-2.624 2.496-2.176-2.496 2.176-2.24q0.768-0.768 0.992-1.696t0.192-2.080 0.16-1.856q0.384-1.792 4.48-3.584 0.384-0.192 0.576 0.096t0.064 0.48q-0.384 0.384-1.472 2.56-0.448 0.32-0.384 1.12t1.28 1.696q1.856 1.28 3.072-0.704 0.192-0.384 0.832-1.312t0.704-1.056q0.128-0.32 0.416-0.288t0.352 0.544zM4.384 27.264l8.128-7.936 2.432 2.752-7.872 7.744q-0.64 0.64-1.216 0.128l-1.472-1.472q-0.704-0.576 0-1.216z\"><\/path>\n<\/svg><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: Fecha: Todos los s\u00e1bados a las 12h, del 17 de enero al 28 de marzo de 2026\"><h4 class='av_iconlist_title iconlist_title  '  itemprop=\"headline\" >Fecha: Todos los s\u00e1bados a las 12h, del 17 de enero al 28 de marzo de 2026<\/h4><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-mkdv3uq2-a0f8872e02bf29c745472b09cd6e6d4d avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='brush' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"31\" height=\"32\" viewBox=\"0 0 31 32\" preserveAspectRatio=\"xMidYMid meet\" aria-labelledby='av-svg-title-2' aria-describedby='av-svg-desc-2' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-2'>Brush<\/title>\n<desc id='av-svg-desc-2'>Brush<\/desc>\n<path d=\"M3.776 21.76q1.216-1.088 2.72-0.928t2.784 1.44q1.344 1.28 1.536 2.784t-0.96 2.656q-2.752 2.688-7.296 3.264-2.688 0.384-2.56-0.448 0-0.128 0.192-0.32 1.664-1.92 2.048-4.64t1.536-3.808zM30.656 1.088q0.832 0.832-4.736 7.936t-9.344 10.816q-1.216 1.216-3.968 3.328-0.256 0.192-0.512-0.256-0.576-1.088-1.536-2.048-1.024-1.024-2.112-1.536-0.512-0.192-0.256-0.512 2.048-2.688 3.328-3.904 3.776-3.712 11.008-9.184t8.128-4.64z\"><\/path>\n<\/svg><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: Lugar: MK2 Cine Paz | Calle de Fuencarral, 125, Madrid. \"><h4 class='av_iconlist_title iconlist_title  '  itemprop=\"headline\" >Lugar: MK2 Cine Paz | Calle de Fuencarral, 125, Madrid. <\/h4><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-mkdv4627-6b05c277f460fac2248781bd3e267466 avia-font-svg_entypo-fontello avia-svg-icon avia-font-svg_entypo-fontello'><span class='av-icon-char' data-av_svg_icon='star-empty' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"28\" height=\"32\" viewBox=\"0 0 28 32\" preserveAspectRatio=\"xMidYMid meet\" aria-labelledby='av-svg-title-3' aria-describedby='av-svg-desc-3' role=\"graphics-symbol\" aria-hidden=\"true\">\n<title id='av-svg-title-3'>Star-empty<\/title>\n<desc id='av-svg-desc-3'>Star-empty<\/desc>\n<path d=\"M28.16 12.672l-8.384 6.272 3.008 11.136-8.704-6.656-8.704 6.656 3.008-11.136-8.384-6.272h10.24l3.84-10.752 3.84 10.752h10.24zM14.080 20.288l4.8 3.968-1.984-5.696 4.608-3.648-5.632 0.128-1.792-6.464-1.728 6.464-5.632-0.128 4.544 3.648-1.984 5.696z\"><\/path>\n<\/svg><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\" aria-label=\"Icon: Precio entrada: 6,90\u20ac \"><h4 class='av_iconlist_title iconlist_title  '  itemprop=\"headline\" >Precio entrada: 6,90\u20ac <\/h4><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mkdv6cst-ccb503c9c27e0f1394a0ff57dd0d5def\">\n.avia-logo-element-container.av-mkdv6cst-ccb503c9c27e0f1394a0ff57dd0d5def .av-partner-fake-img{\nbackground-size:cover;\n}\n<\/style>\n<div  class='avia-logo-element-container av-mkdv6cst-ccb503c9c27e0f1394a0ff57dd0d5def avia-logo-slider avia-content-slider avia-smallarrow-slider avia-content-slider-active noHover avia-content-slider-odd  avia-builder-el-6  el_after_av_iconlist  avia-builder-el-last  av-slideshow-ui av-control-default av-nav-arrows-visible av-nav-dots-visible av-no-slider-navigation av-slideshow-manual av-loop-once av-loop-manual-endless avia-content-slider1' data-slideshow-options=\"{&quot;animation&quot;:&quot;slide&quot;,&quot;autoplay&quot;:false,&quot;loop_autoplay&quot;:&quot;once&quot;,&quot;interval&quot;:5,&quot;loop_manual&quot;:&quot;manual-endless&quot;,&quot;autoplay_stopper&quot;:false,&quot;noNavigation&quot;:false,&quot;bg_slider&quot;:false,&quot;keep_padding&quot;:&quot;&quot;,&quot;hoverpause&quot;:false,&quot;show_slide_delay&quot;:0}\"><div class='avia-smallarrow-slider-heading  no-logo-slider-heading '><div class='new-special-heading'>&nbsp;<\/div><\/div><div class=\"avia-content-slider-inner\"><div class=\"slide-entry-wrap\"><div  class='slide-entry av-av_partner_logo-155affe7bc7bcf2ef53a312aeea86300 flex_column no_margin av_one_third real-thumbnail post-entry slide-entry-overview slide-loop-1 slide-parity-odd  first'><span class='av-partner-fake-img' style='padding-bottom:100%; background-image:url(https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/P8kQmazs_400x400.webp);'><\/span><\/div><div  class='slide-entry av-av_partner_logo-431138815631c76ce3ff93a8ff0d931d flex_column no_margin av_one_third real-thumbnail post-entry slide-entry-overview slide-loop-2 slide-parity-even post-entry-last '><span class='av-partner-fake-img' style='padding-bottom:100%; 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