{"id":56135,"date":"2024-10-31T12:52:25","date_gmt":"2024-10-31T11:52:25","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2025\/56125\/"},"modified":"2025-07-17T13:49:49","modified_gmt":"2025-07-17T11:49:49","slug":"56125","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/56125\/","title":{"rendered":"Entrevista a Mohammad Rasoulof, Director de The Seed of the Sacred Fig en el Festival Internacional de Cine de San Sebasti\u00e1n"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-md7a5cbo-abbda01db4ab612b09fe42d153c32e68\">\n#top .av-special-heading.av-md7a5cbo-abbda01db4ab612b09fe42d153c32e68{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-md7a5cbo-abbda01db4ab612b09fe42d153c32e68 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-md7a5cbo-abbda01db4ab612b09fe42d153c32e68 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-md7a5cbo-abbda01db4ab612b09fe42d153c32e68 av-special-heading-h1 blockquote elegant-quote elegant-centered  avia-builder-el-0  el_before_av_video  avia-builder-el-first '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  ><span class=\"heading-wrap\">Entrevista a Mohammad Rasoulof, Director de The Seed of the Sacred Fig en el Festival Internacional de Cine de San Sebasti\u00e1n<\/span><\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-md7a3bo7-4725bc64c1752cd3ae730ab8d08deb97\">\n.avia-video.av-md7a3bo7-4725bc64c1752cd3ae730ab8d08deb97{\nbackground-image:url(https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2025\/07\/Rasoulof-170x300.png);\n}\n<\/style>\n<div  class='avia-video av-md7a3bo7-4725bc64c1752cd3ae730ab8d08deb97 avia-video-16-9 av-preview-image avia-video-load-always avia-video-html5'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2025\/07\/Entrevista-burnt-in_1920x1080_x264.mp4'><video class='avia_video' poster=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2025\/07\/Rasoulof-170x300.png\"   preload=\"auto\"  controls id='player_56135_1116036455_611302506'><source src='https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2025\/07\/Entrevista-burnt-in_1920x1080_x264.mp4' type='video\/mp4' \/><\/video><\/div>\n<section  class='av_textblock_section av-md7bvgxa-6a3446d8f258fafc4b6c951ff497173f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">Entrevista a cargo de Menene Gras Balaguer, Directora del Asian Film Festival Barcelona. C\u00e1mara a cargo de Rodrigo Escamilla Sandoval.<\/p>\n<\/div><\/section>\n<div  class='hr av-av_hr-bca31578670ae9d408d6d6d291fc57a6 hr-default  avia-builder-el-3  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<section  class='av_textblock_section av-md7afuds-cbc698b9198693d6b7d0867bccf05140 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 style=\"text-align: center;\">Biograf\u00eda<\/h2>\n<\/div><\/section>\n<section  class='av_textblock_section av-md7ajrrs-8ce131b2c7da310a5f952cb0b81ef91b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Mohammad Rasoulof (1972, Shiraz, Ir\u00e1n) es un destacado cineasta independiente que reside actualmente en Europa en el exilio.<\/p>\n<p>Su carrera cinematogr\u00e1fica incluye varios films aclamados como\u00a0<strong>The Twilight<\/strong>\u00a0(2002),\u00a0<strong>Iron Island<\/strong>\u00a0(2005),\u00a0<strong>Goodbye<\/strong>\u00a0(2011),\u00a0<strong>Manuscripts Don\u2019t Burn<\/strong>\u00a0(2013),\u00a0<strong>A Man of Integrity<\/strong>\u00a0(2017) y\u00a0<strong>There Is No Evil<\/strong>\u00a0(2020), con la que gan\u00f3 el Oso de Oro en el Festival de Cine de Berl\u00edn. Rasoulof se ha enfrentado a m\u00faltiples arrestos y a la confiscaci\u00f3n de su pasaporte debido a la naturaleza cr\u00edtica de sus pel\u00edculas hacia el gobierno iran\u00ed.<\/p>\n<p>En mayo de 2024, despu\u00e9s de que su pel\u00edcula\u00a0<strong>The Seed of the Sacred Fig<\/strong>\u00a0fuera seleccionada para el Festival de Cine de Cannes, fue condenado por la Rep\u00fablica Isl\u00e1mica de Ir\u00e1n a 8 a\u00f1os de prisi\u00f3n, azotes y una multa, y posteriormente se refugi\u00f3 en Alemania.<\/p>\n<hr \/>\n<h3 data-start=\"614\" data-end=\"639\"><strong data-start=\"618\" data-end=\"637\">The Seed of the Sacred Fig<\/strong><\/h3>\n<p data-start=\"641\" data-end=\"782\">En un momento de agitaci\u00f3n e inestabilidad pol\u00edtica Iman, un juez de instrucci\u00f3n del Tribunal Revolucionario de Teher\u00e1n, pierde su pistola de manera misteriosa.<\/p>\n<p data-start=\"641\" data-end=\"782\">Lo que podr\u00eda ser un suceso cotidiano, acaba por desatar el miedo y la paranoia en el juez, que acaba por sospechar hasta de su propia familia: su esposa Najmeh y sus hijas Rezvan y Sana.<\/p>\n<p data-start=\"641\" data-end=\"782\">Impone medidas dr\u00e1sticas en casa, lo que provoca un aumento de las tensiones. Paso a paso, se suspenden las normas sociales y las reglas de la vida familiar.<\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":56124,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[],"class_list":["post-56135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/wp-json\/wp\/v2\/posts\/56135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/wp-json\/wp\/v2\/comments?post=56135"}],"version-history":[{"count":3,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/wp-json\/wp\/v2\/posts\/56135\/revisions"}],"predecessor-version":[{"id":56149,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/wp-json\/wp\/v2\/posts\/56135\/revisions\/56149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/wp-json\/wp\/v2\/media\/56124"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/wp-json\/wp\/v2\/media?parent=56135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/wp-json\/wp\/v2\/categories?post=56135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/es\/wp-json\/wp\/v2\/tags?post=56135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}