{"id":54769,"date":"2024-10-03T12:15:33","date_gmt":"2024-10-03T10:15:33","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/orient-express-casa-asia-a-beteve-oct-nov-2024\/"},"modified":"2024-12-10T17:15:50","modified_gmt":"2024-12-10T16:15:50","slug":"orient-express-casa-asia-a-beteve-oct-nov-2024","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/orient-express-casa-asia-a-beteve-oct-nov-2024\/","title":{"rendered":"Orient Express: Casa \u00c0sia a BETEV\u00c9 | Oct-Des 2024"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m3sn82v8-e00c5ab457dfc394385904fee2fbf923\">\n.avia-image-container.av-m3sn82v8-e00c5ab457dfc394385904fee2fbf923 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-m3sn82v8-e00c5ab457dfc394385904fee2fbf923 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-m3sn82v8-e00c5ab457dfc394385904fee2fbf923 av-styling- avia-align-center  avia-builder-el-0  el_before_av_heading  avia-builder-el-first '  ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-54499 avia-img-lazy-loading-not-54499 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Australia-SWEET-AS-2-1500x630.jpg\" alt='' title='Australia SWEET AS (2)'  height=\"630\" width=\"1500\"  \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m3sn9jgz-bd7f5ab1919f2f007824f6a46aa765e7\">\n#top .av-special-heading.av-m3sn9jgz-bd7f5ab1919f2f007824f6a46aa765e7{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-m3sn9jgz-bd7f5ab1919f2f007824f6a46aa765e7 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-m3sn9jgz-bd7f5ab1919f2f007824f6a46aa765e7 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-m3sn9jgz-bd7f5ab1919f2f007824f6a46aa765e7 av-special-heading-h1 blockquote elegant-quote elegant-centered  avia-builder-el-1  el_after_av_image  el_before_av_textblock '><h1 class='av-special-heading-tag '  ><span class=\"heading-wrap\">ORIENT EXPRESS: CASA \u00c0SIA a BETEV\u00c9 Oct-Nov 2024<\/span><\/h1><div class='av-subheading av-subheading_below'><p>Aquest per\u00edode engloba des del 3 d&#8217;octubre fins al 28 de novembre<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-m3sna25k-884302294f07a982112bcce7f8c07e5e '  ><div class='avia_textblock' ><h4><\/h4>\n<h3>PROGRAMA<\/h3>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">Dijous 3 d\u2019octubre a les 22:30&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-54499 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Australia-SWEET-AS-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" data-mce-src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Australia-SWEET-AS-2-300x200.jpg\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Australia-SWEET-AS-2-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Australia-SWEET-AS-2-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Australia-SWEET-AS-2-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Australia-SWEET-AS-2-1536x1025.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Australia-SWEET-AS-2-1500x1000.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Australia-SWEET-AS-2-705x470.jpg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Austr\u00e0lia<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\"><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">SWEET AS<\/span> | Dir: Jub Clerc | 2022 | 87\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"none\">A la remota regi\u00f3 de Pilbara, a la zona oest del pa\u00eds australi\u00e0, la Murra, una problem\u00e0tica jove ind\u00edgena de setze anys, es troba abandonada despr\u00e9s d\u2019un incident explosiu amb la seva mare, que es addicta al consum de drogues. A punt de perdre\u2019s en el sistema de protecci\u00f3 de menors, el seu oncle Ian, policia local, li ofereix un salvavides poc habitual. Abans que la Murra pugui adonar-se\u2019n, es troba recorrent una polsosa carretera en un microb\u00fas ple d\u2019adolescents en situaci\u00f3 de risc i amb dos carism\u00e0tics caps d\u2019equip. Ser\u00e0 aquest el salvavides que la Murra necessita o el catalitzador a la seva caiguda?<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\">Jub Clerc<\/span><\/b><span data-contrast=\"none\"> \u00e9s una dona Nyul Nyul\/Yawuru de les regions de Beagle Bay i Broome, a Kimberley, a la zona occidental (oest) d\u2019Australia. Llicenciada per l\u2019Acad\u00e8mia d\u2019Arts Esc\u00e8niques d\u2019Austr\u00e0lia Occidental, la Jub fa molts anys que fa teatre i actualment est\u00e0 escrivint la seva primera obra, <\/span><b><span data-contrast=\"none\">Dust<\/span><\/b><span data-contrast=\"none\">. Ha treballat en cinema i televisi\u00f3 com a directora de c\u00e0sting, coordinadora de c\u00e0sting d\u2019extres, dramaturga i productora associada en obres altament premiades d\u2019una manera o altra. Recentment, la Jub ha actuat tamb\u00e9 com a soprano en la primera \u00f2pera aborigen del m\u00f3n, <\/span><b><span data-contrast=\"none\">Pecan Summer<\/span><\/b><span data-contrast=\"none\">.<\/span><\/p>\n<hr>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">Dijous 10 de d\u2019octubre a les 22:30&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54496 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" data-mce-src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-300x200.jpg\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-1536x1024.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-2048x1366.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-1500x1000.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-705x470.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Indon\u00e8sia<\/span><\/b><span data-ccp-props=\"{}\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\"><b><i>WOMEN FROM ROTE ISLAND<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Jeremias Nyangoen | 2023 | 108\u2019 | VOSE | Drama, Thriller<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">Nou dies despr\u00e9s de la seva mort, Abraham no ha estat enterrat, per a complir l\u2019\u00faltim missatge d\u2019Abraham: \u201cNo hi ha funeral abans que torni Martha\u201d. El retorn de Martha de Sabah (Mal\u00e0isia) \u00e9s, per descomptat, una alegria especial per a la fam\u00edlia, sobretot per a Orpha, la mare, i Bertha, la seva germana. No obstant aix\u00f2, despr\u00e9s de dos anys a l\u2019estranger, Martha es deprimeix totalment a causa de la violaci\u00f3 de la que va ser v\u00edctima mentre treballava com a jornalera en una plantaci\u00f3 d\u2019oli de palma. Com a cap de fam\u00edlia, Orpha tamb\u00e9 ha de ser una dona dura. No obstant aix\u00f2, a causa de l\u2019entorn desfavorable, Martha va tornar a ser v\u00edctima d\u2019assetjament sexual.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Jeremias Nyangoen<\/span><\/b><span data-contrast=\"auto\"> va n\u00e9ixer en Pontianak en 1968. \u00c9s antic alumne de l\u2019Institut d\u2019Art de Jakarta i ha treballat com a productor de cinema, actor i guionista. Entre els seus guions figuren els de <\/span><b><span data-contrast=\"auto\">Denias<\/span><\/b><span data-contrast=\"auto\">, <\/span><b><span data-contrast=\"auto\">Singing in the Cloud<\/span><\/b><span data-contrast=\"auto\"> (2006) i <\/span><b><span data-contrast=\"auto\">The Beetle Soldiers<\/span><\/b><span data-contrast=\"auto\"> (2011). <\/span><b><span data-contrast=\"auto\">Women from Rote Island<\/span><\/b><span data-contrast=\"auto\"> \u00e9s el seu debut com a director de llargmetratges.<\/span><\/p>\n<hr>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">Dijous 17 d\u2019octubre a les 22:30&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54493 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-THE-KASHMIR-FILES-5-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" data-mce-src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-THE-KASHMIR-FILES-5-300x200.jpg\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-THE-KASHMIR-FILES-5-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-THE-KASHMIR-FILES-5-1030x686.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-THE-KASHMIR-FILES-5-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-THE-KASHMIR-FILES-5-705x470.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-THE-KASHMIR-FILES-5.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>\u00cdndia<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\"><b><i>THE KASHMIR FILES<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Vivek Ranjan Agnihotri | 2022 | 130\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"none\">La pel\u00b7l\u00edcula segueix a un estudiant universitari hind\u00fa del Caixmir, que ha crescut amb el seu avi a l\u2019exili sense ser coneixedor de les hostils circumst\u00e0ncies en les quals van morir els seus pares. Despr\u00e9s de la mort del seu avi, el noi, al qual li van ensenyar a la universitat que l\u2019\u00e8xode era benigne, vol descobrir la veritat sobre la violenta mort de la seva fam\u00edlia. El relat alterna entre la missi\u00f3 de l\u2019alumne en el present, 2020, i la vida de la seva fam\u00edlia fa trenta anys. La pel\u00b7l\u00edcula descriu l\u2019\u00e8xode i els successos que el van convertir en un genocidi.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\">Vivek Ranjan Agnihotri<\/span><\/b><span data-contrast=\"none\"> \u00e9s un director, guionista i autor indi que treballa en el cinema hindi. Des de 2022, \u00e9s membre de la Junta Central de Certificaci\u00f3 de Pel\u00b7l\u00edcules de l\u2019\u00cdndia, i representant cultural del cinema indi al consell Indi de Relacions Culturals. Agnihotri va fer el seu debut com a director amb el thriller policial <\/span><b><span data-contrast=\"none\">Chocolate<\/span><\/b><span data-contrast=\"none\"> (2005) i des de llavors ha dirigit diverses pel\u00b7l\u00edcules, per\u00f2 cap va aconseguir fer un salt a la seva carrera fins a <\/span><b><span data-contrast=\"none\">The Tashkent Files<\/span><\/b><span data-contrast=\"none\"> (2019), que va ser un \u00e8xit comercial i va aconseguir el Premi Nacional de Cinema al Millor Gui\u00f3. Tamb\u00e9 ha escrit i dirigit <\/span><b><span data-contrast=\"none\">The Kashmir Files<\/span><\/b><span data-contrast=\"none\"> (2022), que ha sigut una de les pel\u00b7l\u00edcules \u00edndies m\u00e9s taquilleres del 2022.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<hr>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">Dijous 24 d\u2019octubre a les 21:45h&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54490 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-CHAPERONE-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" data-mce-src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-CHAPERONE-1-300x169.jpg\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Japon-CHAPERONE-1-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Japon-CHAPERONE-1-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Japon-CHAPERONE-1-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Japon-CHAPERONE-1-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Japon-CHAPERONE-1.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Jap\u00f3<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\"><b><i>CHAPERONE<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Zo\u00eb Einsberg | 2024 | 100\u2019 | <\/span><\/b><b><span data-contrast=\"none\">VOSC |<\/span><\/b><b><span data-contrast=\"none\"> Drama<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"none\">A\u00efllada dels seus amics i familiars a causa de la seva falta d\u2019ambici\u00f3, la Misha, una dona de 29 anys, troba una perillosa connexi\u00f3 en un jove atleta de 18 anys que la confon amb una companya d\u2019estudis.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"none\">La <\/span><b><span data-contrast=\"none\">Zo\u00eb Eisenberg<\/span><\/b><span data-contrast=\"none\"> \u00e9s una escriptora de ficci\u00f3, cineasta i productora de circ queer amb seu a Hawaii, on sol treballar i basar les seves hist\u00f2ries. Va ser cofundadora i directora executiva del Festival de Cinema Made in Hawaii des de 2018 fins a 2022, i va cofundar i actualment \u00e9s directora creativa d\u2019Aerial Arts Hawaii, un col\u00b7lectiu d\u2019actuacions circenses queer i un espai de formaci\u00f3 comunit\u00e0ria. <\/span><b><span data-contrast=\"none\">Chaperone<\/span><\/b><span data-contrast=\"none\"> (2024), premiada a diversos festivals, \u00e9s el seu debut en la direcci\u00f3 de llargmetratges en solitari.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<hr>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">Dijous 31 d\u2019octubre a les 21:45h&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54487 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Filipinas-WHEN-THIS-IS-ALL-OVER-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" data-mce-src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Filipinas-WHEN-THIS-IS-ALL-OVER-1-300x169.jpg\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-WHEN-THIS-IS-ALL-OVER-1-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-WHEN-THIS-IS-ALL-OVER-1-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-WHEN-THIS-IS-ALL-OVER-1-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-WHEN-THIS-IS-ALL-OVER-1-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-WHEN-THIS-IS-ALL-OVER-1-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-WHEN-THIS-IS-ALL-OVER-1-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-WHEN-THIS-IS-ALL-OVER-1.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Filipines<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\"><b><i>WHEN THIS IS ALL OVER<\/i><\/b><\/span> <b><span data-contrast=\"none\">| Dir:<\/span><\/b><b><span data-contrast=\"none\"> Kevin Mayuga | 2023 | 90\u2019 | VOSC<\/span><\/b><b><span data-contrast=\"none\"> |<\/span><\/b><b><span data-contrast=\"none\"> Drama<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">The Guy es veu atrapat a la solitud del seu lux\u00f3s apartament durant la quarantena en el per\u00edode m\u00e9s ca\u00f2tic de la pand\u00e8mia del COVID-19, fins que un nou cercle d\u2019amistats acaba formant part de la seva vida. Organitzant festes il\u00b7legals, coneix a la Rose Marie, una treballadora del pis on resideix, que acaba sent la clau d\u2019un canvi de vida. When This Is All Over \u00e9s un retrat de la generaci\u00f3 Z i del conflicte entre classes socials vigent a les Filipines.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">En <\/span><b><span data-contrast=\"auto\">Kevin Mayuga<\/span><\/b><span data-contrast=\"auto\"> (Manila) \u00e9s un jove director de cinema i guionista, que va estudiar la llicenciatura en Comunicaci\u00f3 a l\u2019Ateneu de Manila (2012). Va comen\u00e7ar la seva carrera com a director amb els curtmetratges <\/span><b><span data-contrast=\"auto\">Ate O.G.<\/span><\/b><span data-contrast=\"auto\"> (2021) i <\/span><b><span data-contrast=\"auto\">The Juans: Sabik<\/span><\/b><span data-contrast=\"auto\"> (2021). <\/span><b><span data-contrast=\"auto\">When This Is All Over<\/span><\/b><span data-contrast=\"auto\"> (2023) ha tingut una gran acollida a festivals internacionals com l\u2019Udine Far East Film Festival, el Cinemalaya Independent Film Festival i la Society of Filipino Film Reviewers.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<hr>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">Jueves 7 de noviembre a las 21:45h&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54484 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-A-CHILDLESS-VILLAGE-4-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" data-mce-src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-A-CHILDLESS-VILLAGE-4-300x200.jpg\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Iran-A-CHILDLESS-VILLAGE-4-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Iran-A-CHILDLESS-VILLAGE-4-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Iran-A-CHILDLESS-VILLAGE-4-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Iran-A-CHILDLESS-VILLAGE-4-705x470.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Iran-A-CHILDLESS-VILLAGE-4.jpg 1080w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Iran<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\"><b><i>A CHILDLESS VILLAGE<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Reza Jamali | 2022 | 81\u2019 | <\/span><\/b><b><span data-contrast=\"none\">VOSC |<\/span><\/b><b><span data-contrast=\"none\"> Comedia, Drama<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">Com suggereix el t\u00edtol (\u201cUn poble sense nens\u201d),&nbsp; aquesta pel\u00b7l\u00edcula ens transporta a un petit poble rural, el qual pateix un repte demogr\u00e0fic. En el passat, davant l\u2019abs\u00e8ncia d\u2019una explicaci\u00f3 l\u00f2gica que expliqu\u00e9s la falta de naixements al poble, es va culpar a les dones. Atret pel misteri, el cineasta Kazem va acudir al llogaret i va rodar un documental seguint aquesta narrativa que, no obstant aix\u00f2, mai arribaria a veure la llum. Dues d\u00e8cades despr\u00e9s, es descobreix la veritable causa del problema demogr\u00e0fic. En plena vellesa i acompanyat pel seu ajudant, el director torna al poble amb un ferm prop\u00f2sit: desxifrar la veritat, esmenant, aquesta vegada, la dignitat de les dones en la construcci\u00f3 del relat.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Reza Jamali <\/span><\/b><span data-contrast=\"auto\">(Arbedil, l\u2019Iran 1978) \u00e9s un cineasta graduat que, despr\u00e9s d\u2019una quantiosa producci\u00f3 de curtmetratges presentats i premiats en festivals nacionals i internacionals, va debutar amb la pel\u00b7l\u00edcula <\/span><b><span data-contrast=\"auto\">Old Men Never Die<\/span><\/b><span data-contrast=\"auto\"> el 2019. El seu primer llargmetratge va obtenir el premi \u201cSpirits of \u00c0sia Award\u201d en el Festival Internacional de T\u00f2quio viatjant, a continuaci\u00f3, a altres festivals internacionals. <\/span><b><span data-contrast=\"auto\">Childless Village<\/span><\/b><span data-contrast=\"auto\"> (2022) \u00e9s la segona pel\u00b7l\u00edcula escrita i dirigida pel director irani\u00e0.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<hr>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">Dijous 14 de novembre a les 21:45h&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54481 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-GONE-WITH-THE-BOAT-2-1-300x194.png\" alt=\"\" width=\"300\" height=\"194\" data-mce-src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-GONE-WITH-THE-BOAT-2-1-300x194.png\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-GONE-WITH-THE-BOAT-2-1-300x194.png 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-GONE-WITH-THE-BOAT-2-1-1030x666.png 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-GONE-WITH-THE-BOAT-2-1-768x496.png 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-GONE-WITH-THE-BOAT-2-1-1536x993.png 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-GONE-WITH-THE-BOAT-2-1-2048x1324.png 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-GONE-WITH-THE-BOAT-2-1-1500x970.png 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-GONE-WITH-THE-BOAT-2-1-705x456.png 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Xina<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\"><b><i>GONE WITH THE BOAT <\/i><\/b><\/span><b><span data-contrast=\"none\">|<\/span><\/b><b><span data-contrast=\"none\"> Dir: Xiaoyu Chen | 2023 | 99\u2019 | VOSC | Drama<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"none\">Quan la Jin, una mare de fam\u00edlia retirada en un poble, rep el diagn\u00f2stic d\u2019un tumor cerebral, els seus dos fills adopten posicions divergents. La seva filla Jenny, directora d\u2019un centre de formaci\u00f3 d\u2019angl\u00e8s a Shangh\u00e1i i en plena lluita per tirar endavant el seu segon matrimoni, insisteix a buscar el millor tractament per a la seva mare. No obstant aix\u00f2, en Qing, el germ\u00e0 menor de la Jenny, que treballa com a guia tur\u00edstic, creu inevitable el funest desenlla\u00e7. La Jin passa els \u00faltims mesos de la seva vida envoltada dels seus familiars, mentre que la Jenny i en Qing redescobreixen el seu poble natal. La pel\u00b7l\u00edcula reivindica el medi rural m\u00e9s enll\u00e0 de considerar-ho com una destinaci\u00f3 tur\u00edstica idealitzada i com a pal\u00b7liatiu enfront de la inestabilitat i la dispersi\u00f3 familiar.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\">Xiaoyu Chen<\/span><\/b><span data-contrast=\"none\"> \u00e9s un guionista i director xin\u00e8s que va debutar amb el seu primer llargmetratge <\/span><b><span data-contrast=\"none\">Let\u2019s go<\/span><\/b><span data-contrast=\"none\"> el 2012. El seu segon i darrer projecte,&nbsp; <\/span><b><span data-contrast=\"none\">Gone With The Boat<\/span><\/b><span data-contrast=\"none\">, va ser presentat el 2023.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<hr>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">Dijous 21 de novembre a les 21:45&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54478 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Pakistan-ONE-OF-A-KIND-WAKHRI-1-300x125.png\" alt=\"\" width=\"300\" height=\"125\" data-mce-src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Pakistan-ONE-OF-A-KIND-WAKHRI-1-300x125.png\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-ONE-OF-A-KIND-WAKHRI-1-300x125.png 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-ONE-OF-A-KIND-WAKHRI-1-1030x428.png 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-ONE-OF-A-KIND-WAKHRI-1-768x319.png 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-ONE-OF-A-KIND-WAKHRI-1-1536x639.png 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-ONE-OF-A-KIND-WAKHRI-1-2048x852.png 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-ONE-OF-A-KIND-WAKHRI-1-1500x624.png 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-ONE-OF-A-KIND-WAKHRI-1-705x293.png 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Pakistan<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\"><b><i>ONE OF A KIND (WAKHRI)<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Iram Parveen Bilal | 2023 | 99\u2019 | VOSC | Drama<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"none\">Ser viral significa que un contingut, com un v\u00eddeo, una imatge, una publicaci\u00f3 o una idea, es comparteix i es difon r\u00e0pidament a trav\u00e9s d\u2019Internet i les xarxes socials, arribant a un gran nombre de persones en un per\u00edode molt curt. <\/span><b><span data-contrast=\"none\">One Of a Kind (Wakhri)<\/span><\/b><span data-contrast=\"none\"> (2023) narra la hist\u00f2ria d\u2019una mestra v\u00eddua de Lahore que es torna viral de la nit al dia, quan les seves opinions, compartides accidentalment a les xarxes socials arriben a una \u00e0mplia audi\u00e8ncia. La seva nova fama com a l\u00edder d\u2019opini\u00f3 li atorga una plataforma des de la qual es pot expressar tant f\u00edsicament com digitalment. Aquesta nova posici\u00f3 bel\u00b7ligerant en un m\u00f3n social restrictiu amb les dones \u00e9s dif\u00edcil de conciliar amb la crian\u00e7a del seu fill de deu anys.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\">Iram Parveen Bilal<\/span><\/b><span data-contrast=\"none\"> \u00e9s una guionista i directora de cinema, graduada al Caltech (Institut de Tecnologia de Calif\u00f2rnia). \u00c9s reconeguda per explicar hist\u00f2ries socialment impactants i provocadores. Ha estat una veu significativa a la comunitat musulmana i al cinema mundial, impulsant canvis importants de percepci\u00f3 de l\u2019orfe\u00eftat. L\u2019Iram va fundar QALAMBAAZ, el primer laboratori professional de guions al Pakistan, i va jugar un paper crucial a l\u2019establiment del comit\u00e8 dels Oscars del Pakistan. Com a mentora, d\u00f3na suport a dones als sectors cinematogr\u00e0fics i tecnol\u00f2gics. \u00c9s membre de la junta de Film Fatales i ha rebut m\u00faltiples premis de Women in Film. El seu treball ha estat destacat per mitjans com el New York Times, NPR i BBC.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<hr>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">Dijous 28 de novembre a les 21:45&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-54475 size-medium alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-REHEARSAL-1-e1732120779944-300x158.jpg\" alt=\"\" width=\"300\" height=\"158\" data-mce-src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-REHEARSAL-1-e1732120779944-300x158.jpg\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-REHEARSAL-1-e1732120779944-300x158.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-REHEARSAL-1-e1732120779944-768x405.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-REHEARSAL-1-e1732120779944-710x375.jpg 710w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-REHEARSAL-1-e1732120779944-705x372.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-REHEARSAL-1-e1732120779944.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Uzbekistan<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\"><b><i>THE REHEARSAL <\/i><\/b><\/span><b><span data-contrast=\"none\">| Dir: Khusnora Rozmatova | 2023 | 102\u2019| VOSC | Drama<\/span><\/b><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">A Rehearsal (2023) coneixem l\u2019Orzu, una actriu de teatre que, com que no pot conciliar la seva carrera amb la cura de la seva germana amb diversitat funcional, decideix enviar-la a un internat per a nens en circumst\u00e0ncies similars. La pel\u00b7l\u00edcula empra la meta teatralitat recorrent a l\u2019obra on Orzu treballa, explorant la decad\u00e8ncia humana i la recerca espiritual. Inicialment entregada per complet al seu paper, aquesta experi\u00e8ncia la porta a una nova comprensi\u00f3 de l\u2019art i la veritat al m\u00f3n. Inspirada, Orzu redirigeix la seva vida cap a una causa humanit\u00e0ria. Troba a l\u2019orfenat on la seva germana resideix un lloc ideal per iniciar la seva nova missi\u00f3: curar els cors trencats del m\u00f3n.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Khusnora Rozmatova,<\/span><\/b><span data-contrast=\"auto\"> \u00e9s una directora de cine nascuda a Uzbekistan que ha rebut reconeixement internacional en obtenir el premi \u201cFor Humanism\u201d en el 19\u00e8 Festival Internacional de Cine Musulm\u00e0 de Kazan. El cine uzbek ha experimentat una visibilitat sense precedent en els \u00faltims anys, no nom\u00e9s pel creixement de la seva ind\u00fastria cinematogr\u00e0fica, sin\u00f3 tamb\u00e9 pels premis Internacionals rebuts. El 2023, els cineastes uzbeks van obtenir 15 premis internacionals, destacant la creixent influ\u00e8ncia del pa\u00eds a l\u2019escena cinematogr\u00e0fica global.<\/span><span data-ccp-props=\"{\">&nbsp;<\/span><\/p>\n<hr>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">Dijous 5 de desembre a les 21:45h<\/span><\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55437 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/12\/Camboya-BROKEN-COURAGE-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" data-mce-src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/12\/Camboya-BROKEN-COURAGE-1-300x169.jpg\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Camboya-BROKEN-COURAGE-1-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Camboya-BROKEN-COURAGE-1-1030x581.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Camboya-BROKEN-COURAGE-1-768x433.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Camboya-BROKEN-COURAGE-1-1536x866.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Camboya-BROKEN-COURAGE-1-1500x846.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Camboya-BROKEN-COURAGE-1-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Camboya-BROKEN-COURAGE-1.jpg 1797w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Cambodja<\/strong><\/p>\n<p><strong><em><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">BROKEN COURAGE<\/span><\/em> | Dir: N. Draper &amp; D. Peck | 2020 | 110\u2019 | VOSC | Drama<\/strong><\/p>\n<p><span data-contrast=\"none\">En Suon Rottana \u00e9s un adolescent rebel dels Khmers Rojos, soldat de l\u2019ex\u00e8rcit cambodj\u00e0, presoner de guerra i amb una extremitat amputada per trepitjar una mina terrestre. En Suon passa a ser un home ferit que busca la reconciliaci\u00f3 amb tot all\u00f2 que l\u2019envolta. L\u2019obligada reflexi\u00f3 que imposa la seva circumst\u00e0ncia el porta a compartir la seva hist\u00f2ria amb l\u2019espectador treballant com a guia tur\u00edstic a diversos museus commemoratius de la guerra. <\/span><b><span data-contrast=\"none\">Broken Courage <\/span><\/b><span data-contrast=\"none\">(2020) \u00e9s una pel\u00b7l\u00edcula sobre la mem\u00f2ria, la hist\u00f2ria i la reconciliaci\u00f3. Aquest viatge personal ens recordar\u00e0 a tots el que significa trobar el cam\u00ed de tornada a casa.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"none\">En <\/span><b><span data-contrast=\"none\">Nathanael Draper<\/span><\/b><span data-contrast=\"none\"> \u00e9s director, escriptor i editor conegut per <\/span><b><span data-contrast=\"none\">Yellow Can <\/span><\/b><span data-contrast=\"none\">(2016),<\/span><b><span data-contrast=\"none\"> Shiraz <\/span><\/b><span data-contrast=\"none\">(2018) i <\/span><b><span data-contrast=\"none\">Broken Courage<\/span><\/b><span data-contrast=\"none\"> (2021).&nbsp;<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"none\">En <\/span><b><span data-contrast=\"none\">David Peck<\/span><\/b><span data-contrast=\"none\"> \u00e9s escriptor, orador, animador, acad\u00e8mic i consultor de canvi social. T\u00e9 una Mestria en Filosofia de la Universitat de G\u00fcelf i ha completat un treball de postgrau en Desenvolupament Internacional.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">&nbsp;<\/span><\/p>\n<hr>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">Dijous 12 de desembre a les 21:45h<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55434 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/12\/India-RECEIPT-2-300x169.png\" alt=\"\" width=\"300\" height=\"169\" data-mce-src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/12\/India-RECEIPT-2-300x169.png\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/India-RECEIPT-2-300x169.png 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/India-RECEIPT-2-1030x579.png 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/India-RECEIPT-2-768x432.png 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/India-RECEIPT-2-1536x864.png 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/India-RECEIPT-2-2048x1152.png 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/India-RECEIPT-2-1500x844.png 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/India-RECEIPT-2-705x397.png 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>India<\/span><\/b><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559740&quot;:276}\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\"><b><i>RECEIPT<\/i><\/b>&nbsp;<\/span><b><span data-contrast=\"none\">| Dir: <\/span><\/b><b><span data-contrast=\"auto\">Anuraag Patil<\/span><\/b><b><span data-contrast=\"none\"> | 2022 | 90\u2019 | VOSE\/VOSC | Drama&nbsp;<\/span><\/b><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559740&quot;:276}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"none\">En un poble remot de Bihar que manca d\u2019electricitat habita la Shoma, una dona de llar que segueix somiant amb el que va ser l\u2019amor de la seva vida, en Bedey Da. Encara que actualment est\u00e0 casada amb en Sunanda, viu amb una melancolia que la devora. Ella continua complint amb els seus deures de la llar, per\u00f2 segueix escrivint cartes a en Bedey durant mesos amb l\u2019esperan\u00e7a d\u2019obtenir una resposta algun dia.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"none\">L\u2019<\/span><b><span data-contrast=\"none\">Anuraag Pati<\/span><\/b><span data-contrast=\"none\"> \u00e9s un director i escriptor indi. Va dirigir el primer curtmetratge <\/span><b><span data-contrast=\"none\">The Divine Sex<\/span><\/b><span data-contrast=\"none\"> al 2016, que va guanyar els Phoenix Film Awards a Melbourne. A continuaci\u00f3 van seguir<\/span><b><span data-contrast=\"none\"> Dure Kothao<\/span><\/b><span data-contrast=\"none\">, <\/span><b><span data-contrast=\"none\">The Surprise Gift<\/span><\/b><span data-contrast=\"none\"> i un petit homenaje a Satyajit Ray, <\/span><b><span data-contrast=\"none\">Apu Kajaler Goppo<\/span><\/b><span data-contrast=\"none\"> al 2018, que va obtenir Premis Nacionals i Internacionals.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">&nbsp;<\/span><\/p>\n<hr>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\">Thursday 19th of December at 21:45h<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55440 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/12\/Kazajstan-SHTURM-THE-ASSAULT1-300x126.jpg\" alt=\"\" width=\"300\" height=\"126\" data-mce-src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/12\/Kazajstan-SHTURM-THE-ASSAULT1-300x126.jpg\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Kazajstan-SHTURM-THE-ASSAULT1-300x126.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Kazajstan-SHTURM-THE-ASSAULT1-1030x432.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Kazajstan-SHTURM-THE-ASSAULT1-768x322.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Kazajstan-SHTURM-THE-ASSAULT1-1536x644.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Kazajstan-SHTURM-THE-ASSAULT1-1500x629.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Kazajstan-SHTURM-THE-ASSAULT1-705x295.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/12\/Kazajstan-SHTURM-THE-ASSAULT1.jpg 2000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Kazakhstan<\/span><\/b><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559740&quot;:276}\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\"><b><i>THE ASSAULT<\/i><\/b><\/span>&nbsp;<b><span data-contrast=\"none\">| Dir: <\/span><\/b><b><span data-contrast=\"auto\">Adilkhan Yerzhanov<\/span><\/b><b><span data-contrast=\"none\"> | 2022 | 90\u2019 | VOSC | Drama<\/span><\/b><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559740&quot;:276}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"none\">Uns emmascarats amb metralladores entren a l\u2019institut de Karatas, prenen els alumnes com a ostatges i executen un d\u2019ells. No exigeixen res. El terror silenci\u00f3s \u00e9s el seu modus operandi. Com que l\u2019ex\u00e8rcit trigar\u00e0 dos dies a arribar a causa d\u2019una tempesta de neu, el professor de matem\u00e0tiques Tazshi decideix reunir el seu propi equip d\u2019assalt: la seva exdona, el professor de gimn\u00e0stica, el director covard de l\u2019escola, un vigilant nocturn alcoh\u00f2lic, el idiota del poble i un incompetent cap de policia.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"none\">L\u2019<\/span><b><span data-contrast=\"none\">Adilkhan Yerzhanov <\/span><\/b><span data-contrast=\"none\">(Kazakhstan ,1982) es va formar com a cineasta a l\u2019Acad\u00e8mia Nacional d\u2019Arts de Kazakhstan. En Yerzhanov ha participat en dues ocasions al Programa Oficial del Festival de Canes amb <\/span><b><span data-contrast=\"none\">The Owners<\/span><\/b><span data-contrast=\"none\"> (2014) i <\/span><b><span data-contrast=\"none\">The Gentle Indifference of the World<\/span><\/b><span data-contrast=\"none\"> (2018). <\/span><b><span data-contrast=\"none\">The Plague at the Karatas Village<\/span><\/b><span data-contrast=\"none\"> va tenir la seva estrena mundial a l\u2019IFFR 2016. En Yerzhanov va guanyar el Premi \u00c0sia Pacific Screen als \u00e8xits en la direcci\u00f3 pel seu <\/span><b><span data-contrast=\"none\">A Dark, Dark Man<\/span><\/b><span data-contrast=\"none\"> (2019).<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">&nbsp;<\/span><\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":54499,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33],"tags":[],"class_list":["post-54769","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/posts\/54769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/comments?post=54769"}],"version-history":[{"count":36,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/posts\/54769\/revisions"}],"predecessor-version":[{"id":55317,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/posts\/54769\/revisions\/55317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/media\/54499"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/media?parent=54769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/categories?post=54769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/tags?post=54769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}