{"id":54748,"date":"2024-07-04T11:54:36","date_gmt":"2024-07-04T09:54:36","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/orient-express-casa-asia-a-beteve-2024-jul-set-2024\/"},"modified":"2024-12-03T17:01:54","modified_gmt":"2024-12-03T16:01:54","slug":"orient-express-casa-asia-a-beteve-2024-jul-set-2024","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/orient-express-casa-asia-a-beteve-2024-jul-set-2024\/","title":{"rendered":"Orient Express: Casa \u00c0sia a BETEV\u00c9 | Jul-Set 2024"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m3smlxlz-92ae715d9c449341f549b2888db85d4e\">\n.avia-image-container.av-m3smlxlz-92ae715d9c449341f549b2888db85d4e img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-m3smlxlz-92ae715d9c449341f549b2888db85d4e .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-m3smlxlz-92ae715d9c449341f549b2888db85d4e av-styling- avia-align-center  avia-builder-el-0  el_before_av_heading  avia-builder-el-first '  ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-54558 avia-img-lazy-loading-not-54558 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1-1500x630.jpg\" alt='' title='Corea TOXIC PARENTS (4) (1)'  height=\"630\" width=\"1500\"  \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m3smnf57-c948d4d26ff6c0e57bc8717c97c2d557\">\n#top .av-special-heading.av-m3smnf57-c948d4d26ff6c0e57bc8717c97c2d557{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-m3smnf57-c948d4d26ff6c0e57bc8717c97c2d557 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-m3smnf57-c948d4d26ff6c0e57bc8717c97c2d557 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-m3smnf57-c948d4d26ff6c0e57bc8717c97c2d557 av-special-heading-h1 blockquote elegant-quote elegant-centered  avia-builder-el-1  el_after_av_image  el_before_av_textblock '><h1 class='av-special-heading-tag '  ><span class=\"heading-wrap\">ORIENT EXPRESS: CASA \u00c0SIA a BETEV\u00c9 Jul-Set 2024<\/span><\/h1><div class='av-subheading av-subheading_below'><p>Aquest trimestre engloba des del 4 de Juliol fins al 26 de Setembre.<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-m3smo1ut-b42fcb1fe5ad46a6660091eed3e27e84 '  ><div class='avia_textblock' ><h4><\/h4>\n<h3 style=\"text-align: left;\">PROGRAMA<\/h3>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\"><span class=\"TextRun Underlined UnderlinedGateOff SCXW52793170 BCX8\" lang=\"ES-ES\" xml:lang=\"ES-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW52793170 BCX8\">Dijous<\/span><span class=\"NormalTextRun SCXW52793170 BCX8\"> 4 de <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW52793170 BCX8\">juliol<\/span><span class=\"NormalTextRun SCXW52793170 BCX8\"> a les 22.30h<\/span><\/span><span class=\"EOP SCXW52793170 BCX8\" data-ccp-props=\"{\">\u00a0<\/span><\/span><\/p>\n<h3 style=\"text-align: left;\"><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-54339 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-300x150.jpg\" alt=\"\" width=\"318\" height=\"159\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-300x150.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-1030x515.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-768x384.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-1536x769.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-2048x1025.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-1500x751.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-5-705x353.jpg 705w\" sizes=\"auto, (max-width: 318px) 100vw, 318px\" \/><\/span><\/b><\/h3>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\">Kirguistan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\"><b><i>God\u2019s Gift<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Asel Zhuraeva | 2023 | 75\u2019 | VOSE | Drama\u00a0<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"none\">Una parella de gent gran amb problemes de salut i sense fills resideixen en un poblat, on gaireb\u00e9 no passa res que els alteri, fins que uns desconeguts abandonen un nad\u00f3 de sis mesos a la porta de casa seva. Al principi volen lliurar-ho a les autoritats, per\u00f2 havent sentit que els nens petits poden ser venuts per traficar amb els seus \u00f2rgans, decideixen quedar-s\u2019hi. Tenir cura d\u2019un beb\u00e8 canvia el rumb de les seves vides trobant una important ra\u00f3 per continuar vivint.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\">Asel Zhuraeva<\/span><\/b><span data-contrast=\"none\"> es va graduar al Kyrgyz State Institute of Arts el 2010. Va fer un curs a la Film School of Rustam Ibrahimbekov de K\u00edev, en 2013, i posteriorment va comen\u00e7ar a donar classe a l\u2019AUCA del 2017 al 2019. \u00c9s la directora del Cinema Company i la cap de la Creative Women of the Asia Foundation des del 2010.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\">Dijous 11 de juliol a les 22.30h\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><i><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54342 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-300x127.png\" alt=\"\" width=\"300\" height=\"127\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-300x127.png 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-1030x435.png 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-768x324.png 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-1536x648.png 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-2048x864.png 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-1500x633.png 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Uzbekistan-AYDINLAR-5-705x297.png 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/span><\/i><\/b><b><span data-contrast=\"none\">Uzbekistan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\"><b><i>Aydinlar<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dirs: Muzaffarkhan Erkinov \/ Muzaffar Qoraboyev | 2020 | 96\u2019 | VOSC | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"none\">El llargmetratge Aydinlar narra la hist\u00f2ria de la regi\u00f3 del Mar d\u2019Aral, especialment el passat i present de la ciutat de Muynak. El protagonista de la pel\u00b7l\u00edcula, Seyit, veu des de ben petit que la ciutat on va n\u00e9ixer i va cr\u00e9ixer es troba en ru\u00efnes a causa de la dessecaci\u00f3 del Mar d\u2019Aral. Seyit \u00e9s criat pel seu avi Nurpeis, el qual li narra hist\u00f2ries sobre el mar, mentre es fa gran al costat de Kizlargul i Maman. Per\u00f2 aix\u00ed que deixa de ser un nen, es veu obligat a abandonar Muynak per tenir un altre dest\u00ed.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\">Muzaffarkhan Erkinov<\/span><\/b><span data-contrast=\"none\"> va n\u00e9ixer el 1983. Ha treballat en moltes s\u00e8ries de televisi\u00f3, documentals i curts. De tota la seva traject\u00f2ria cinematogr\u00e0fica destaquen pel\u00b7l\u00edcules com: <\/span><b><span data-contrast=\"none\">Armon, Iqtidar, Yagonam, Kasas, Avlony, Puankare<\/span><\/b><span data-contrast=\"none\"> i la pel\u00b7l\u00edcula que presentem, <\/span><b><span data-contrast=\"none\">Aydinlar<\/span><\/b><span data-contrast=\"none\">, que va realitzar juntament amb en Muzaffar Qoraboyev. Ha rebut premis nacionals com el Tasanno i l\u2019Ehtirom, i va obtenir un premi a l\u2019International Film Festival per <\/span><b><span data-contrast=\"none\">Creative Flight<\/span><\/b><span data-contrast=\"none\">, i un altre a l\u2019Eurasian Film and TV Festival per <\/span><b><span data-contrast=\"none\">Slavic Tale<\/span><\/b><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\">Dijous 18 de juliol a les 22.30h<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54345 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-300x126.jpg\" alt=\"\" width=\"300\" height=\"126\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-300x126.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-1030x431.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-768x321.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-1536x643.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-1500x628.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05-705x295.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Sri-Lanka-ALBORADA-05.jpg 1830w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Sri Lanka<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\"><b><i>Alborada <\/i><\/b><\/span><b><span data-contrast=\"none\">(AFFBCN 2022) | Dir: Asoka Handagama | 2021 | 108\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"none\">La pel\u00b7l\u00edcula narra la hist\u00f2ria de la suposada agressi\u00f3 sexual comesa per el poeta Pablo Neruda quan va ser C\u00f2nsol Honorari de Xile al Ceilan colonial brit\u00e0nic, de 1929 a 1931. A partir del relat que fa el propi Neruda en Confesso que he viscut (1974), al cap\u00edtol \u201cLa solitud lluminosa\u201d, en set l\u00ednies el lector s\u2019assabenta com abusa de una noia t\u00e0mil, que ve de las castes m\u00e9s baixes dels Sakkilie, que son considerats \u201cintocables\u201d. Es tracta d\u2019una dona innocent, que sense saber-ho va participar en una estranya hist\u00f2ria de la que queda molt per a con\u00e8ixer.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\">Asoka Handagama<\/span><\/b><span data-contrast=\"none\"> (Sri Lanka, 1962) \u00e9s considerat com a un dels l\u00edders de la tercera generaci\u00f3 de cinema. Va estudiar matem\u00e0tiques a la Universitat de Kelaniya i va obtenir el M\u00e0ster en Economia del Desenvolupament a la Universitat de Warwick al 1995. Pel\u00b7l\u00edcules seves com <\/span><b><span data-contrast=\"none\">This is My Moon<\/span><\/b><span data-contrast=\"none\"> (2000), <\/span><b><span data-contrast=\"none\">Flying with One Wing<\/span><\/b><span data-contrast=\"none\"> (2002) exploren noves formes de narrar. El Festival Internacional de Cinema d\u2019Amiens, li va rendir un homenatge per la seva contribuci\u00f3 al desenvolupament del cinema independent a \u00c0sia. Ell es reconeix com a un admirador de l\u2019 obra de Pablo Neruda, per el que llegir aquell passatge va generar-li un fort impacte, fent exposar la seva pr\u00f2pia versi\u00f3 dels fets.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\">Dijous 25 de juliol a les 22.30h<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54348 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Corea-CASSIOPEIA-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-CASSIOPEIA-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-CASSIOPEIA.jpg 665w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Corea<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\"><b><i>Cassiopeia<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Shin Yeon-Shick | 2022 | 102\u2019 | VOSC | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"none\">La Su-jin \u00e9s una advocada d\u2019\u00e8xit. Despr\u00e9s del seu divorci, porta una vida perfecte com a advocada i mare. Est\u00e0 preparant a la seva filla, Gina, per a estudiar a Estats Units. El seu pare In-woo viu amb elles i cuida de la seva neta. Despr\u00e9s d\u2019un accident de cotxe a Su-jin li diagnostiquen que pateix Alzheimer. No obstant, el seu pare roman al seu costat per a protegir-la, mentre ella va assemblant-se a una nena petita degut al progr\u00e9s de la seva malaltia.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\">Sihin Youn-shick<\/span><\/b><span data-contrast=\"none\"> (Se\u00fal, 1976), a partir de <\/span><b><span data-contrast=\"none\">A Great Actor<\/span><\/b><span data-contrast=\"none\"> (2005), s\u2019ha convertit en un dels habituals del Festival Internacional de Cinema de Busan. La seva cinquena pel\u00b7l\u00edcula, <\/span><b><span data-contrast=\"none\">The Avian Kind<\/span><\/b><span data-contrast=\"none\">, va debutar al Festival Internacional de Cinema de Jeonju, on al 2015 va presentar una altre pel\u00b7l\u00edcula d\u2019\u00e8xit com <\/span><b><span data-contrast=\"none\">Like a French Film<\/span><\/b><span data-contrast=\"none\">. De les seves recents produccions es pot destacar <\/span><b><span data-contrast=\"none\">Dongju: Portrait of a Poet<\/span><\/b><span data-contrast=\"none\">, que va escriure i produ\u00efr per al cineasta Lee Joon-ik.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\" data-contrast=\"none\">Dijous 1 d\u2019agost a les 22.30h<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\"><img decoding=\"async\" class=\"alignnone size-full wp-image-54351\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4.tif\" alt=\"\" \/><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54363 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-300x136.png\" alt=\"\" width=\"300\" height=\"136\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-300x136.png 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-1030x467.png 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-768x348.png 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-705x319.png 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2.png 1291w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Kazakhstan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\"><b><i>Brothers<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Darkhan Tulegenov | 2022 | 110\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"none\">L\u2019Akzhol, que acaba de sortir de l\u2019orfenat, comen\u00e7a una nova vida. Est\u00e0 conven\u00e7ut que el seu pare \u00e9s viu i es proposa anar a la seva cerca. Per\u00f2, despr\u00e8s de con\u00e8ixer el seu ve\u00ed Dimash, les coses canvien al veure com de f\u00e0cil \u00e9s guanyar-se la vida robant i atracant. M\u00e9s tard, durant una trobada amb un familiar, descobreix l\u2019exist\u00e8ncia del seu germ\u00e0 Dalen, que va ser adoptat per uns pares amb recursos, que ha rebut una educaci\u00f3 a la que mai podria haver accedit de cap altre manera. Junts s\u2019embarquen a la missi\u00f3 de trobar el seu pare, descobrint pel cam\u00ed coses que cap dels dos hauria pogut imaginar.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"none\">En <\/span><b><span data-contrast=\"none\">Darkhan<\/span><\/b> <b><span data-contrast=\"none\">Tulegenov<\/span><\/b><span data-contrast=\"none\"> va n\u00e8ixer al 1993 a Uralsk. Als 15 anys va entrar a la Kazakh Academy of Transport and Communications, i al 2012 va ser adm\u00e8s a la Kazakh National Academy of Arts. Ha participat a molts festivals de cinema, tant nacionals com internacionals, i <\/span><b><span data-contrast=\"none\">Brothers<\/span><\/b><span data-contrast=\"none\"> va rebre l\u2019Spirit of Cinema Award a l\u2019Oldenburg Film Festival de 2022. Tulegenov tamb\u00e9 \u00e9s conegut pels seus curtmetratges <\/span><b><span data-contrast=\"none\">Nabat<\/span><\/b><span data-contrast=\"none\"> (2020), The <\/span><b><span data-contrast=\"none\">Route<\/span><\/b><span data-contrast=\"none\"> (2016), y <\/span><b><span data-contrast=\"none\">Sunrise<\/span><\/b><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\">Dijous 8 d\u2019agost a les 22.30h\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54360 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Filipinas-RESBAK-01-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-RESBAK-01-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-RESBAK-01-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-RESBAK-01-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Filipinas-RESBAK-01.jpg 920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Filipines<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><i><span data-contrast=\"none\"><span style=\"color: #ff0000;\">Resbak<\/span> <span style=\"color: #ff0000;\">(Payback)<\/span><\/span><\/i><\/b><b><span data-contrast=\"none\"> | Dir: Brillante Mendoza | 2022 | 113\u2019 | VOSE | Thriller<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"none\">Perseguit per la policia, el lladre de bicicletes Isaac, demana ajuda al seu cap per\u00f2 aquest no est\u00e0 disposat a parar-hi atenci\u00f3. La negativa el fa concebre una venjan\u00e7a contra l\u2019anterior, per\u00f2 amb aix\u00f2 no aconseguir\u00e0 sortir de la xarxa de delinq\u00fc\u00e8ncia dels barris baixos on est\u00e0 atrapat.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\">Brillante Mendoza<\/span><\/b><span data-contrast=\"none\"> (Filipines, 1960) \u00e9s director i productor. \u00c9s el primer filip\u00ed a rebre el premi al millor director a Cannes per la seva pel\u00b7l\u00edcula <\/span><b><span data-contrast=\"none\">Kinatay<\/span><\/b><span data-contrast=\"none\"> el 2009. Tamb\u00e9 \u00e9s l\u2019\u00fanic filip\u00ed que ha rebut la distinci\u00f3 de \u201cCavaller de l\u2019Ordre de les Arts i les Lletres\u201d de Fran\u00e7a el 2014. Tenia m\u00e9s de quaranta anys quan va dirigir la seva primera pel\u00b7l\u00edcula, <\/span><b><span data-contrast=\"none\">Masahista<\/span><\/b><span data-contrast=\"none\">, que va guanyar el Leopard d\u2019Or del Festival Internacional de Cinema de Locarno el 2005. Les seves pel\u00b7l\u00edcules han rebut reiteradament premis i nominacions als principals festivals com els de Ven\u00e8cia, Berl\u00edn, Cannes, Sant Sebasti\u00e0 i El Caire.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\">Dijous 15 d\u2019agost a les 22.30h\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54357 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-300x201.jpeg\" alt=\"\" width=\"300\" height=\"201\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-300x201.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-1030x689.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-768x514.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-1536x1028.jpeg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-2048x1370.jpeg 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-1500x1004.jpeg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-MEMORY-OF-LOVE-3-705x472.jpeg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Xina<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\"><b><i>Memory of Love<\/i><\/b><\/span><b><span data-contrast=\"auto\"> | Dir: Wang Chao | 2009 | 87\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"auto\">Una dona, He Sizhu, i el seu amant, Chen Mo, pateixen un accident de cotxe en el qual ella perd la mem\u00f2ria. \u00c9s internada a l\u2019hospital on el seu marit \u00e9s cirurgi\u00e0, i quan es desperta no recorda res del passat m\u00e9s immediat. El seu amant s\u2019ha convertit en un estrany, per\u00f2 ell es nega a perdre-la malgrat que la ter\u00e0pia a la qual ella \u00e9s sotmesa no garanteixi que recuperi la seva mem\u00f2ria.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"auto\">Despr\u00e9s de graduar-se de la universitat, <\/span><b><span data-contrast=\"auto\">Wang Chao<\/span><\/b><span data-contrast=\"auto\"> va treballar durant cinc anys en la ind\u00fastria sider\u00fargica, encara que sempre va estar interessat en el cinema i la literatura. El 1991, va entrar a l\u2019Acad\u00e8mia de Cinema de Pequ\u00edn, on es va graduar el 1994 i va comen\u00e7ar a treballar de cr\u00edtic de cinema. \u00c9s aix\u00ed com va con\u00e8ixer a Chen Kaige despr\u00e9s del rodatge de <\/span><i><span data-contrast=\"auto\">Tierra Amarilla<\/span><\/i><span data-contrast=\"auto\">, i aquest el va contractar com a ajudant de direcci\u00f3 entre 1995 i 1998 pel rodatge de<\/span><i><span data-contrast=\"auto\"> Adi\u00f3s a mi concubina<\/span><\/i><span data-contrast=\"auto\"> i de <\/span><i><span data-contrast=\"auto\">El Emperador y el Asesino<\/span><\/i><span data-contrast=\"auto\">. Durant aquest temps va escriure v\u00e0ries petites narracions que l\u2019hi van inspirar guions per algunes pel\u00b7l\u00edcules. Amb <\/span><i><span data-contrast=\"auto\">Orphan of Anyang<\/span><\/i><span data-contrast=\"auto\">, que va rodar sense autoritzaci\u00f3, va fer el seu debut al cinema com a director. Aquesta pel\u00b7l\u00edcula va ser seleccionada el 2001 per participar en la Secci\u00f3 Quinzena de Realitzadors del Festival de Canes. El 2004, va realitzar el seu segon llargmetratge <\/span><i><span data-contrast=\"auto\">Day and Night<\/span><\/i><span data-contrast=\"auto\"> i amb <\/span><i><span data-contrast=\"auto\">Luxury Car<\/span><\/i><span data-contrast=\"auto\"> va completar el 2006 la trilogia sobre la Xina en la que havia estat treballant durant m\u00e9s de cinc anys. La seva quarta i cinquena pel\u00b7l\u00edcula, <\/span><i><span data-contrast=\"auto\">Memory of Love<\/span><\/i><span data-contrast=\"auto\"> (2009) i <\/span><i><span data-contrast=\"auto\">Fantasy<\/span><\/i><span data-contrast=\"auto\"> (2014), que es va presentar a la Selecci\u00f3 Un Certain Regard al festival de Canes d\u2019aquell mateix any, malgrat la seva direcci\u00f3, mostren una maduresa narrativa per part del seu director. <\/span><i><span data-contrast=\"auto\">Looking for Rohmer<\/span><\/i><span data-contrast=\"auto\"> (2018), mostra l\u2019inter\u00e8s de Wang Chao pel cr\u00edtic i cineasta Eric Rohmer i la Nouvelle Vague, fins al punt de fer una pel\u00b7l\u00edcula sobre ell, encara que no necess\u00e0riament biogr\u00e0fica. <\/span><i><span data-contrast=\"auto\">A Woman<\/span><\/i><span data-contrast=\"auto\"> (2022), fins ara la seva \u00faltima pel\u00b7l\u00edcula, es va projectar en la passada edici\u00f3 de l\u2019Asian Film Festival Barcelona | AFFBCN amb gran \u00e8xit de p\u00fablic, depr\u00e8s del seu pas per Sant Sebasti\u00e0 on va ser nominada a la Petxina d\u2019Or.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\" data-contrast=\"none\">Dijous 22 d\u2019agost a les 22.30h<\/span><\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54354 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-300x162.jpg\" alt=\"\" width=\"300\" height=\"162\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-300x162.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-1030x556.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-768x414.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-1536x829.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-2048x1105.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-1500x809.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Pakistan-QUICKENING-6-705x380.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\">Pakistan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\"><b><i>Quickening<\/i><\/b><\/span><b><span data-contrast=\"none\"> | Dir: Haya Waseem | 2021 | 90\u2019 | VOSC | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"none\">Sheila \u00e9s una adolescent canadenca d\u2019origen pakistan\u00e8s que viu als suburbis. A punt d\u2019acabar el primer any d\u2019universitat i despr\u00e9s d\u2019enamorar-se per primera vegada del seu company de classe Ed\u00e9n, desitja una llibertat que la mare i el pare no estan disposats a oferir-li. Despr\u00e9s de mantenir relacions sexuals per primera vegada amb Ed\u00e8n, aquest trenca bruscament amb ella, i el seu sentit de la realitat comen\u00e7a a enfonsar-se, distanciant-la dram\u00e0ticament dels amics, la fam\u00edlia i la comunitat.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\">Haya Waseem <\/span><\/b><span data-contrast=\"none\">\u00e9s una cineasta pakistanesa-canadenca, criada a Su\u00efssa i resident a Brooklyn. Va comen\u00e7ar la seva carrera com a editora de documentals, cosa que li va permetre donar forma a les hist\u00f2ries i interactuar \u00edntimament amb diverses narratives. Haya va traslladar aquests principis d\u2019honestedat i perspectiva al seu treball creatiu com a directora. Els seus curtmetratges s\u2019han projectat a prestigiosos festivals com Toronto, Cannes, i Berl\u00edn.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\">Dijous 29 d\u2019agost a les 22.30h\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54381 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-300x162.jpg\" alt=\"\" width=\"300\" height=\"162\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-300x162.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-1030x557.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-768x415.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-1536x830.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-1500x811.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4-705x381.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/JAPON_VIDEOPHOBIA_FOTOS_4.jpg 1998w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Jap\u00f3<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><i><span data-contrast=\"none\"><span style=\"color: #ff0000;\">Videophobia<\/span> <\/span><\/i><\/b><b><span data-contrast=\"none\">| Dir: Daisuke Miyazaki | 2019 | 88\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"none\">Ai vol ser actriu. Malgrat dels seus fracasos continua intentan-ho. Una nit coneix a Hashimoto, un home misteri\u00f3s. Ai va a la casa de Hashimoto i mantenen relacions sexuals. Un dia ella troba un v\u00eddeo pornogr\u00e0fic en el qu\u00e8, els personatges llueien exactament com ella a Hashimoto. Ai torna a la casa d\u2019ell i descobreix que sempre hav\u00eda sigut un Airbnb i que el Hashimoto ja no hi \u00e9s. El v\u00eddeo sexual continua a la red, i, encara que ella no sap si s\u00f3n ells exactament comen\u00e7a a perdre el control de la seva vida.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\">Daisuke Miyazaki <\/span><\/b><span data-contrast=\"none\">(1980). Graduat per la universitat de Waseda i participant a la universitat d\u2019estiu de Nova York. Va comen\u00e7ar la seva carrera com a assistent de directors com Kiyoshi Kurosawa. La seva primera pel\u00b7l\u00edcula va arribar al 2011 amb <\/span><b><span data-contrast=\"none\">End of the night<\/span><\/b><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\">Dijous 5 de setembre a les 22.30h<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54375 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Malaysia-MARYAM-4-300x169.jpeg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Malaysia-MARYAM-4-300x169.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Malaysia-MARYAM-4-768x432.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Malaysia-MARYAM-4-705x397.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Malaysia-MARYAM-4.jpeg 970w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Mal\u00e0isia<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><i><span data-contrast=\"none\"><span style=\"color: #ff0000;\">Maryam<\/span> <\/span><\/i><\/b><b><span data-contrast=\"none\">| Dir: Badrul Hisham Ismail | 2023 | 103\u2019 | VOSC | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"none\">Maryam, una dona de 50 anys propiet\u00e0ria d\u2019una galeria i que ve d\u2019una fam\u00edlia aristocr\u00e0tica, vol la benedicci\u00f3 del seu pare per casar-se amb el seu jove nuvi estranger de Serra Lleona, mentre que, al mateix temps, necessita superar els desafiaments de la llei isl\u00e0mica, la qual determina la seva possibilitat d\u2019escollir al seu c\u00f2njuge.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-ccp-props=\"{}\">\u00a0<\/span><span data-contrast=\"none\">L\u2019escriptor i director de cinema independent <\/span><b><span data-contrast=\"none\">Badrul Hisham Ismail<\/span><\/b><span data-contrast=\"none\"> va estudiar a la New School de Nova York, on va rodar el seu primer curtmetratge <\/span><b><span data-contrast=\"none\">A Tale of a Mannequin<\/span><\/b><span data-contrast=\"none\"> (2014). El seu primer llargmetratge <\/span><b><span data-contrast=\"none\">Voyage to Terengganu<\/span><\/b><span data-contrast=\"none\"> (2016) rodat amb Amir Muhammad, tamb\u00e9 de Mal\u00e0isia. Sovint explora temes que q\u00fcestionen la normalitat de la vida quotidiana amb la intenci\u00f3 de mostrar all\u00f2 que no es diu ni es veu. Les seves pel\u00b7l\u00edcules s\u2019han projectat a llocs com el Freedom Film Fest, l\u2019IFFR, el Malaysian Shorts i el Thai Short Film &amp; Video Festival, d\u2019entre altres. Tamb\u00e9 \u00e9s un escriptor habitual per The Star i \u00e9s editor de continguts al peri\u00f2dic Svara.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\">Dijous 12 de setembre a les 22.30h\u00a0\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54372 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>\u00cdndia<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\"><b><i>Our Home <\/i><\/b><\/span><b><span data-contrast=\"none\">| Dir: Romi Meitei<\/span><\/b> <b><span data-contrast=\"none\">| 2022 | 89\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"auto\">Pertanyent a una comunitat pesquera a\u00efllada en el llac Loktak, en Chaoren \u00e9s un noi que no nom\u00e9s ajuda en les tasques dom\u00e8stiques sin\u00f3 que sobresurt com un alumne brillant. Quan la canoa que utilitza cada dia per assistir a l\u2019escola ha de ser venuda a causa de la malaltia del seu pare, el seu esperit no es desanima. Supera la llarga dist\u00e0ncia des de la seva barraca flotant fins a la seva escola nedant. Per\u00f2 quan el Govern emet un av\u00eds de desallotjament exigint que la fam\u00edlia d\u2019en Chaoren abandoni la seva llar, els seus somnis es queden amb l\u2019angoixa d\u2019un despla\u00e7at. Les circumst\u00e0ncies s\u2019agreugen tenint en compte que aix\u00f2 passa en una zona geogr\u00e0fica estrat\u00e8gica i molt conflictiva al Nord-est de l\u2019\u00cdndia.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-ccp-props=\"{}\">\u00a0<\/span><b><span data-contrast=\"auto\">Romi Meitei <\/span><\/b><span data-contrast=\"auto\">\u00e9s un cineasta prol\u00edfic que ha donat diversos \u00e8xits de taquilla. A m\u00e9s d\u2019obtenir \u00e8xits comercials, les seves pel\u00b7l\u00edcules s\u2019han projectat en prestigiosos festivals de cinema com l\u2019IFFI, MIFF, l\u2019IFFK i d\u2019altres. Ha guanyat importants premis com el FIPRESCI (International Film Critics Awards) i el NETPAC (millor pel\u00b7l\u00edcula asi\u00e0tica per la Network for the Promotion of Asian Cinema). Tamb\u00e9 ha rebut diversos premis de cinema de l\u2019estat de Manipur. \u00c9s el president de la Fundaci\u00f3 Mami Thawan, l\u2019objectiu de la qual \u00e9s prestar serveis pel benestar de Manipur. El seu llargmetratge, <\/span><b><span data-contrast=\"auto\">Our Home<\/span><\/b><span data-contrast=\"auto\">, va guanyar el premi a Millor Pel\u00b7l\u00edcula en els Premis Nacionals de Cinema, a l\u2019\u00cdndia.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\">Dijous 19 de setembre a les 22.30h\u00a0\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54369 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-300x126.jpeg\" alt=\"\" width=\"300\" height=\"126\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-300x126.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-1030x431.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-768x322.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-1536x643.jpeg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-1500x628.jpeg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8-705x295.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Bangladesh-SAATAO-8.jpeg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Bangladesh<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\"><b><i>SAATAO\u202f<\/i><\/b><\/span><b><span data-contrast=\"none\">| Dir: Khandaker Sumon | 2022 | 97\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"auto\">Despr\u00e9s de casar-se amb la Putul i portar-la a casa, en Fazlu no vol que la seva esposa es trobi sola i se li acut de portar a casa una vaca per que li faci companyia. La Putul aix\u00ed comen\u00e7a a assentar-se a la seva nova llar. Tanmateix, les presses del riu Teesta son les causants d\u2019una eterna lluita per la superviv\u00e8ncia a la vida dels grangers com en Fazlu. Les presses retenen tota l\u2019aigua fins al seu desbordament, que coincideix amb l\u2019\u00e8poca de monsons. Com a resultat, quan s\u2019obren les comportes es produeixen inundacions, que porten mis\u00e8ria per a tothom que habita la regi\u00f3 baixa. Degut a aquest comportament tant hostil per part del riu i a tots els problemes que se succeeixen, la fam\u00edlia del Fazul comen\u00e7ar\u00e0 a plantejar-se abandonar la zona.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"auto\">En <\/span><b><span data-contrast=\"auto\">Khandaker Sumon<\/span><\/b><span data-contrast=\"auto\"> es un cineasta de Bangladesh. Va n\u00e9ixer el 2 de febrer de 1982 al districte de Gaibandha. Porta molt de temps dirigint una productora que es diu Idea Exchange\u201d per la producci\u00f3 de drames i pel\u00b7l\u00edcules. Aquesta organitzaci\u00f3 ha realitzat algunes pel\u00b7l\u00edcules promocionals per a la conscienciaci\u00f3 social. Per a convertir-se en cineasta va realitzar un curs al Bangladesh Film Institute (BFI). <\/span><b><span data-contrast=\"auto\">Saatao<\/span><\/b><span data-contrast=\"auto\"> (2022) es el seu primer llargmetratge.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\">Dijous 26 de setembre a les 22.30h\u00a0\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54366 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1536x1024.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-2048x1365.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1500x1000.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2025\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-705x470.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Corea<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #ff0000;\"><b><i>TOXIC PARENTS<\/i><\/b><\/span><span data-contrast=\"none\">\u202f<\/span><b><span data-contrast=\"none\">| Dir: <\/span><\/b><b><span data-contrast=\"none\">Kim Su-in<\/span><\/b><b><span data-contrast=\"none\"> | 2023 | 104\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span data-contrast=\"auto\">La Yoo-ri sembla una estudiant exemplar, procedent d\u2019una fam\u00edlia adinerada, per\u00f2 de sobte es su\u00efcida. Els detectius sospiten que ha sigut un su\u00efcidi, per\u00f2 la seva mare Hye-young creu que ha sigut un assassinat executat per la Ye-na, una companya de classe, i el Gi-beom, el seu professor. Per molt que els detectius investiguin, les declaracions d\u2019aquestes tres persones no paren de contradir-se. L\u2019\u00fanica pista que tenen \u00e9s que la Hye-young feia patir a la seva filla. Mentre que la mare pensa que tot el que va fer va ser a favor i pel b\u00e9 de la Yoo-ri. Podran descobrir finalment la veritat sobre la seva mort?<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b><span data-contrast=\"auto\">Kim Su-in<\/span><\/b><span data-contrast=\"auto\"> \u00e9s una guionista coreana que ha acabat dirigint el seu propi cinema. Es va graduar a la Universitat de Dankook, al Departament d\u2019Escriptura Creativa, completant la carrera amb un postgrau al Departament de Cinema de la Universitat de Chung-Ang. Ha escrit adaptacions i guions per nombrosos llargmetratges, incloent-hi l\u2019adaptaci\u00f3 d\u2019<\/span><b><span data-contrast=\"auto\">Oksu Station Ghost<\/span><\/b><span data-contrast=\"auto\"> (2021) i el gui\u00f3 de <\/span><b><span data-contrast=\"auto\">B Cut<\/span><\/b><span data-contrast=\"auto\"> (2021). <\/span><b><span data-contrast=\"auto\">Toxic Parents<\/span><\/b><span data-contrast=\"auto\"> (2023), \u00e9s el primer llargmetratge que ha dirigit.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":54558,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33],"tags":[],"class_list":["post-54748","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/posts\/54748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/comments?post=54748"}],"version-history":[{"count":20,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/posts\/54748\/revisions"}],"predecessor-version":[{"id":55343,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/posts\/54748\/revisions\/55343"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/media\/54558"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/media?parent=54748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/categories?post=54748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2025\/ca\/wp-json\/wp\/v2\/tags?post=54748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}