{"id":55824,"date":"2025-03-31T12:31:00","date_gmt":"2025-03-31T10:31:00","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/?p=55824"},"modified":"2025-03-31T12:31:00","modified_gmt":"2025-03-31T10:31:00","slug":"new-perspectives-on-asian-cinema-cine-paz-mk2-madrid-apr-jun","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2024\/new-perspectives-on-asian-cinema-cine-paz-mk2-madrid-apr-jun\/","title":{"rendered":"NEW PERSPECTIVES ON ASIAN CINEMA | CINE PAZ MK2 MADRID | APR-JUN"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m8wvk97j-3696fb19ec21b3d8693710a3e14afe20\">\n.avia-image-container.av-m8wvk97j-3696fb19ec21b3d8693710a3e14afe20 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-m8wvk97j-3696fb19ec21b3d8693710a3e14afe20 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-m8wvk97j-3696fb19ec21b3d8693710a3e14afe20 av-styling- avia-align-center  avia-builder-el-0  el_before_av_heading  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-55828 avia-img-lazy-loading-not-55828 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-300x256.jpg\" alt='' title='Ir\u00e1n ODYSSEY OF SOLITUDE (4) - copia'  height=\"256\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-300x256.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-1030x878.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-768x655.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-1536x1309.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-2048x1746.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-1500x1279.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-705x601.jpg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m8wvilhz-3d5bd3f2c2bd7592632a1f37565753d4\">\n#top .av-special-heading.av-m8wvilhz-3d5bd3f2c2bd7592632a1f37565753d4{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-m8wvilhz-3d5bd3f2c2bd7592632a1f37565753d4 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-m8wvilhz-3d5bd3f2c2bd7592632a1f37565753d4 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-m8wvilhz-3d5bd3f2c2bd7592632a1f37565753d4 av-special-heading-h1 blockquote elegant-quote elegant-centered  avia-builder-el-1  el_after_av_image  el_before_av_textblock '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  ><span class=\"heading-wrap\">NEW PERSPECTIVES ON ASIAN CINEMA<\/span><\/h1><div class='av-subheading av-subheading_below'><p>From April 5th to June 28th &#8211; 2025<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-m8wvh2zo-c6cd02c892827d5689cd4c8420fbf8eb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span data-contrast=\"auto\">Asian cinema returns to the Cine Paz theaters from April 5<\/span><span data-contrast=\"auto\">th<\/span><span data-contrast=\"auto\"> to June 28<\/span><span data-contrast=\"auto\">th<\/span><span data-contrast=\"auto\">. Although it may seem like a clich\u00e9 to say that Spanish distributors are increasingly interested in expanding their catalog of films from the Asian continent, the truth is that Asian cinema has gained greater presence not only in national and international festivals but also in our theaters. The thirteen titles scheduled between April and June 2025 come from Bangladesh, Cambodia, China, Korea, the Philippines, India, Iran, Japan, Kazakhstan, Nepal, Pakistan, Singapore and Uzbakistan, covering films produced between 2018 and 2023. <\/span><b><span data-contrast=\"auto\">Once You Know<\/span><\/b><span data-contrast=\"auto\"> (2020)<\/span><span data-contrast=\"auto\"> directed by Emmanuel Cappellin will open this quarter\u2019s program.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The selection presented maintains a strong focus on social drama and gender themes, offering multiple perspectives that reflect the cultural identity of the protagonists. This is what these selected films tell us. Some of the featured titles include: <\/span><b><span data-contrast=\"auto\">Once You Know<\/span><\/b><span data-contrast=\"auto\"> (Bangladesh), <\/span><b><span data-contrast=\"auto\">Last Night I Saw You Smiling<\/span><\/b><span data-contrast=\"auto\"> (Cambodia), <\/span><b><span data-contrast=\"auto\">Looking for Rohmer<\/span><\/b><span data-contrast=\"auto\"> (China), <\/span><b><span data-contrast=\"auto\">A Bedsore<\/span><\/b><span data-contrast=\"auto\"> (Korea),\u00a0 <\/span><b><span data-contrast=\"auto\">Beautiful Pain \u2013 Belle Douleur<\/span><\/b><span data-contrast=\"auto\"> (Philippines), <\/span><b><span data-contrast=\"none\">Sherni<\/span><\/b> <span data-contrast=\"none\">(India), <\/span><b><span data-contrast=\"auto\">Odyssey of Solitude<\/span><\/b><span data-contrast=\"auto\"> (Iran), <\/span><b><span data-contrast=\"auto\">Eternally Younger Than Those Idiots<\/span><\/b><span data-contrast=\"auto\"> (Japan), <\/span><b><span data-contrast=\"auto\">The Assault<\/span><\/b><span data-contrast=\"auto\"> (Kazakhstan), <\/span><b><span data-contrast=\"auto\">Moosa Lane<\/span><\/b><span data-contrast=\"auto\"> (Pakistan), <\/span><b><span data-contrast=\"auto\">Temporary Visa<\/span><\/b><span data-contrast=\"auto\"> (Singapore) and <\/span><b><span data-contrast=\"none\">Aydinlar\u00a0 <\/span><\/b><span data-contrast=\"none\">(Uzbekistan)<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">These announced titles provide us with a unique window into a world that we might not otherwise access, except through literature and cinema.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, April 5th, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Once You Know | Bangladesh | Emmanuel Cappellin | 2020 | 84\u2019 | VOSE | Documentary<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55839 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Bangladesh-ONCE-YOU-KNOW-300x135.jpg\" alt=\"\" width=\"300\" height=\"135\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Bangladesh-ONCE-YOU-KNOW-300x135.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Bangladesh-ONCE-YOU-KNOW-1030x464.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Bangladesh-ONCE-YOU-KNOW-768x346.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Bangladesh-ONCE-YOU-KNOW-705x317.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Bangladesh-ONCE-YOU-KNOW.jpg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Confronted with the reality of climate change and resource depletion, filmmaker Emmanuel Cappellin realizes that the collapse of our industrial civilization is inevitable. But how can we continue to live with the idea that the human adventure could fail? To find the answer, Cappellin decides to consult experts and scientists such as Pablo Servigne, Jean-Marc Jancovici and Susanne Moser. Together, they issue a collective and supportive manifesto to prepare a transition as humane as possible.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">A documentary filmmaker on environmental and social issues, <\/span><b><span data-contrast=\"auto\">Emmanuel Cappellin<\/span><\/b><span data-contrast=\"auto\"> is particularly interested in the different ways of understanding the relationship between man and nature and its consequences. For three years he has been working on the world premiere of Human, by Yann Arthus-Bertrand, and is currently working on his next film <\/span><b><span data-contrast=\"auto\">Woman<\/span><\/b><span data-contrast=\"auto\">, after directing <\/span><b><span data-contrast=\"auto\">Once you Know<\/span><\/b><span data-contrast=\"auto\">, a feature documentary produced by Pulp Films (France).<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, April 12th, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Last Night I Saw You Smiling | Cambodia | Kavich Neang | 2019 | 77\u2032 | VOSE | Documentary<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55842 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/CamboyaLAST-NIGHT-I-SAW-YOU-SMILING-300x195.jpg\" alt=\"\" width=\"300\" height=\"195\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/CamboyaLAST-NIGHT-I-SAW-YOU-SMILING-300x195.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/CamboyaLAST-NIGHT-I-SAW-YOU-SMILING-768x499.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/CamboyaLAST-NIGHT-I-SAW-YOU-SMILING-705x458.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/CamboyaLAST-NIGHT-I-SAW-YOU-SMILING.jpg 988w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>The White Building in Phnom Penh, built as social housing during the 1960s, is about to be torn down. With the agreement of almost all of the 493 resident families, its demolition is intended to make way for a new project to build new flats. Hand in hand with its inhabitants, including his own family, the director portrays the last days of this dying mega-structure, which has witnessed Cambodia\u2019s troubled recent history and which, with its disappearance, leaves only the memory of an era.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Kavich Neang<\/span><\/b><span data-contrast=\"auto\"> is a filmmaker and director of photography. He was born in Cambodia and grew up with his family in the White Building in Phnom Penh. Throughout his career he has made both documentaries and fiction films. With the news of the eviction and demolition of the <\/span><span data-contrast=\"auto\">White Building,<\/span><span data-contrast=\"auto\"> Neang decided to return to the past of his childhood with this last documentary, in order to understand a reality in which this place no longer exists.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, April 19th, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Looking for Rohmer | China | Wang Chao | 2018 | 85\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55845 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/China-Wang-Chao-LOOKING-FOR-ROHMER-4-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/China-Wang-Chao-LOOKING-FOR-ROHMER-4-300x200.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/China-Wang-Chao-LOOKING-FOR-ROHMER-4-1030x686.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/China-Wang-Chao-LOOKING-FOR-ROHMER-4-768x512.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/China-Wang-Chao-LOOKING-FOR-ROHMER-4-705x470.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/China-Wang-Chao-LOOKING-FOR-ROHMER-4.jpeg 1037w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>It is the first LGBTQIA+ film to be authorized for release in China. The story begins with the first meeting of the protagonists and the later secret relationship between them. Zhao Jie and Rohmer decide to travel together to Tibet and on their way, they are involved in an incident that ends with a child\u2019s life. Although they are not responsible for what happened, the guilt they feel creates a tense environment and end up parting ways. However, when Zhao Jie learns that Rohmer has had an accident on a glacier, he goes to find his friend with the intention of helping him and preventing the same thing happening as it did to the boy they were unable to save.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">After graduating from university, <\/span><b><span data-contrast=\"auto\">Wang Chao<\/span><\/b><span data-contrast=\"auto\"> worked for five years in the steel industry, although he was always interested in films and literature. In 1991, he joined the Beijing Film Academy where he graduated in 1994 and began working as a film critic. While filming <\/span><b><span data-contrast=\"auto\">Yellow Earth<\/span><\/b><span data-contrast=\"auto\"> he met Chen Kaige, who hired him as assistant director between 1995 and 1998 for the filming of <\/span><b><span data-contrast=\"auto\">Farewell My Concubine<\/span><\/b><span data-contrast=\"auto\"> (1993) and <\/span><b><span data-contrast=\"auto\">The Emperor and the Assassin<\/span><\/b><span data-contrast=\"auto\"> (1998)<\/span><span data-contrast=\"auto\">. During this time, he wrote several short stories which inspired scripts for a few films. With <\/span><b><span data-contrast=\"auto\">Orphan of Anyang<\/span><\/b><span data-contrast=\"auto\">, a film he shot without authorization, he made his directorial debut. This film was selected in 2001, to participate in the Directors\u2019 Fortnight section of the Cannes Film Festival. In 2004, he made his second film <\/span><b><span data-contrast=\"auto\">Day and Night <\/span><\/b><span data-contrast=\"auto\">and with <\/span><b><span data-contrast=\"auto\">Luxury Car<\/span><\/b><span data-contrast=\"auto\"> in 2006 he completed the trilogy about China that he had been working on for more than five years. His fourth and fifth films, <\/span><b><span data-contrast=\"auto\">Memory of Love<\/span><\/b><span data-contrast=\"auto\"> (2009) and <\/span><b><span data-contrast=\"auto\">Fantasy<\/span><\/b><span data-contrast=\"auto\"> (2014), which show the narrative maturity on the director, were presented in the Uncertain Regard section at the Cannes Film Festival in 2014. <\/span><b><span data-contrast=\"auto\">Looking for Rohmer<\/span><\/b><span data-contrast=\"auto\"> (2018) shows the interest of Wang Chao for the critic and filmmaker Eric Rohmer and the Nouvelle Vague, up to the point of making a film about him, although not necessarily biographic. <\/span><b><span data-contrast=\"auto\">A Woman<\/span><\/b><span data-contrast=\"auto\"> (2022), until now his latest film, was shown in the last edition of the <\/span><b><span data-contrast=\"auto\">Asian Film Festival Barcelona | AFFBCN<\/span><\/b><span data-contrast=\"auto\"> with great public success, after its screening in San Sebastian, where it was nominated to the Golden Shell.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, April 26th, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">A Bedsore | South Korea | Hye-jung Shim | 2019 | 110\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55848 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Corea-A-BEDSORE-5-300x195.jpg\" alt=\"\" width=\"300\" height=\"195\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Corea-A-BEDSORE-5-300x195.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Corea-A-BEDSORE-5-768x499.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Corea-A-BEDSORE-5-705x458.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Corea-A-BEDSORE-5.jpg 988w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>The seemingly idyllic domestic life of retired pensioner Chang-sik and his bedridden after a stroke and speechless wife Gil-soon, as well as his caretaker Sook-ok, an undocumented Sino-Korean immigrant, begins to crumble when Gil-soon develops an ulcer that does not heal. After this, old wounds and family grievances are opened in this debut feature by Shim Hyejung, which makes us reflect on the ethics of caring for the elderly and the disabled, as well as the responsibilities we have as family members, social workers or geriatricians.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Shim Hyejung<\/span><\/b><span data-contrast=\"auto\"> has presented his films in places like PANASIA in Korea, the Academy of Arts in Iran and the JCCAC in Hong Kong. He has also competed in the Jeonju International Film Festival and the Seoul International New Media Festival among many other Korean film festivals. In 2017, his film <\/span><b><span data-contrast=\"auto\">Camellias in Bloom<\/span><\/b><span data-contrast=\"auto\"> (2016) was nominated in the short-film section at the 38th Blue Dragon Awards.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, May 3rd, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Beautiful Pain (Belle Douleur) | Philippines | Joji Villanueva Alonso | 2019 | 99\u2019 | VOSE | Romance<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55851 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-BELLE-DOULER-BEAUTIFUL-PAIN-5-300x195.jpg\" alt=\"\" width=\"300\" height=\"195\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-BELLE-DOULER-BEAUTIFUL-PAIN-5-300x195.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-BELLE-DOULER-BEAUTIFUL-PAIN-5-768x499.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-BELLE-DOULER-BEAUTIFUL-PAIN-5-705x458.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-BELLE-DOULER-BEAUTIFUL-PAIN-5.jpg 988w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Elizabeth is a self-made woman. She is in her 40\u2019s and is bent on living on her own for the rest of her days. After her mother passes away due to a lingering and suffering disease, she meets Jon, a young man 20 years younger than her. When love blooms between them, he tries to convince her that there are no age boundaries in love. Their relationship seems to be fine at first, but then Liz realizes that she can not to be part of the Jon\u2019s dreams.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Joji Villanueva Alonso <\/span><\/b><span data-contrast=\"auto\">is a novel filipin filmmaker who studied Law at St. Therese College. After working per 31 years as a lawyer, she decided to venture in the film industry as a producer at Quantum Films. Since that moment she has produced more than 32 films, some of them awarded internationally. The film <\/span><b><span data-contrast=\"auto\">The Woman in the Septic Tank<\/span><\/b><span data-contrast=\"auto\"> (2011) was selected for the Filipino Oscars submissions. After working as a producer and suffering cancer, she now works as a filmmaker, with <\/span><b><span data-contrast=\"auto\">Belle Doleur<\/span><\/b><span data-contrast=\"auto\"> being her debut feature film.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, May 10th, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Sherni | Amit Masurkar | India | 2021 | 131\u2019 | VOSE | Drama<\/span><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55587 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/SHERNI-FINAL-KEYART_30x40_CMYK2-300x188.jpg\" alt=\"\" width=\"300\" height=\"188\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/SHERNI-FINAL-KEYART_30x40_CMYK2-300x188.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/SHERNI-FINAL-KEYART_30x40_CMYK2-768x480.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/SHERNI-FINAL-KEYART_30x40_CMYK2-705x441.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/SHERNI-FINAL-KEYART_30x40_CMYK2.jpg 886w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><span data-contrast=\"none\">A disillusioned forest officer leads a team of trackers to capture a &#8220;man-eating&#8221; tigress on the outskirts of the jungle. In her mission, she faces political, local, bureaucratic, and personal obstacles, which become even more complicated due to the presence of a politically connected hunter who manipulates villagers for his own benefit.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Amit Masurkar<\/span><\/b><span data-contrast=\"none\"> is an Indian director and screenwriter. He dropped out of engineering studies at the Manipal Institute of Technology at age 20 to pursue cinema. Later, he earned a degree in History from the University of Mumbai. He directed <\/span><b><span data-contrast=\"none\">Sulemani Keeda <\/span><\/b><span data-contrast=\"none\">and <\/span><b><span data-contrast=\"none\">Newton<\/span><\/b><span data-contrast=\"none\">, which was selected as Best Foreign Language Film at the 90th Academy Awards. <\/span><i><span data-contrast=\"none\">Newton<\/span><\/i><span data-contrast=\"none\"> also received the Best Screenplay Award at the Asia Pacific Screen Awards.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, May 17th, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Odyssey of Solitude | Iran | Hossein Mahkam | 2022 | 94\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><img decoding=\"async\" class=\"size-medium wp-image-55828 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-300x256.jpg\" alt=\"\" width=\"300\" height=\"256\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-300x256.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-1030x878.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-768x655.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-1536x1309.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-2048x1746.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-1500x1279.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-ODYSSEY-OF-SOLITUDE-4-copia-705x601.jpg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Ahmad is a psychiatrist, believing in the treatment of the soul with the medicine in a positivistic and laboratorial way. But when his wife goes missing, he gets involved in his own delusions. Trying hard to find a trace of her, he desperately asks to all his friends for help. Always prioritizing his wife\u2019s happiness, he is even willing accept her marriage with one of his friends, convinced he would be able to make her happier. But when she manifests her happiness is not completely dependent on a \u201cman\u201d, he sees all his scientific beliefs collapsed.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Born in Tehran in 1980, <\/span><b><span data-contrast=\"auto\">Hossein Mahkam<\/span><\/b><span data-contrast=\"auto\"> is a graduate of Philosophy from Tehran University. He\u2019s a veteran theater playwright and director who\u2019s directed several stage productions, has written and published four books of short stories and he\u2019s teaching scriptwriting in film schools as well. As a scriptwriter, he has worked with outstanding Iranian directors such as Abdolreza Kahani (<\/span><b><span data-contrast=\"auto\">Adam<\/span><\/b><span data-contrast=\"auto\">, <\/span><b><span data-contrast=\"auto\">Twenty <\/span><\/b><span data-contrast=\"auto\">and <\/span><b><span data-contrast=\"auto\">Nothing<\/span><\/b><span data-contrast=\"auto\">), Rkhashan Bani Etemad (<\/span><b><span data-contrast=\"auto\">See you Elena<\/span><\/b><span data-contrast=\"auto\">), Mehdi Rahmani (<\/span><b><span data-contrast=\"auto\">Snow<\/span><\/b><span data-contrast=\"auto\">), Vahid Jalilvand (<\/span><b><span data-contrast=\"auto\">Wednesday, May 9<\/span><\/b><span data-contrast=\"auto\">) and Yadollah Samadi (<\/span><b><span data-contrast=\"auto\">Another\u2019s father<\/span><\/b><span data-contrast=\"auto\">).<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, May 24, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><i><span data-contrast=\"none\">Sima\u2019s Song<\/span><\/i><\/b><b><span data-contrast=\"none\"> | Afghanistan, France, Holland, Spain and Taiwan | Roya Sadat | 2024 | 98\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55857 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Afganistan-SIMAS-SONG-300x258.png\" alt=\"\" width=\"300\" height=\"258\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Afganistan-SIMAS-SONG-300x258.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Afganistan-SIMAS-SONG.png 624w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>In 2023, on the streets of Kabul, a group of women, led by the brave 65-year-old Suraya, protest the Taliban regime, demanding bread, education, and freedom. The story takes us back to 1979, where Suraya and her friend Sima, caught during political turmoil, find themselves on opposing sides of the fight for freedom. Suraya, a staunch communist, joins the pro-Russian movement, while Sima, a conservative Muslim, seeks refuge in tradition and marriage. Despite their differences, they share a strong commitment to women&#8217;s rights. As the political situation worsens, their friendship is put to the test, especially when Sima is forced to flee after joining the Mujahideen. Despite the obstacles and being manipulated by political forces, their bond remains strong, revealing that their struggle was about much more than just power.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Roya Sadat<\/span><\/b><span data-contrast=\"auto\"> is the founder of Roya Film House, Afghanistan&#8217;s most important production company, with over 20 years of experience in filmmaking focused on women&#8217;s and children&#8217;s human rights. Her first feature film, <\/span><b><span data-contrast=\"auto\">A Letter to the President<\/span><\/b><span data-contrast=\"auto\">, made her the first Afghan female director to be shortlisted for the Oscars. She has received multiple international awards, including the International Jury Award at Vesoul IFF, the One Future Prize at Munich IFF, and a Special Mention in the Discoveries Section at the 2019 Asian Film Festival Barcelona | AFFBCN. Additionally, she pioneered the creation of popular television dramas for TOLO TV, earning recognition in the TV industry. Sadat founded the RFH Academy film school and the Herat International Women&#8217;s Film Festival, one of the most prestigious in the region. Despite the risks she has faced, her work aims to shed light about Afghan women and drive change in the country. She has been honored with numerous awards, including the 2021 KIMDAEJUNG Nobel Cinema for Peace Award, the U.S. State Department\u2019s International Women of Courage Award, and the Malalai Medal for her brave fight for women&#8217;s rights.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, May 31st, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Eternally Younger Than Those Idiots | Japan | Ryohei Yoshino | 2021 | 118\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55860 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Japon_Eternally-Younger-than-Those-Idiots-3-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Japon_Eternally-Younger-than-Those-Idiots-3-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Japon_Eternally-Younger-than-Those-Idiots-3-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Japon_Eternally-Younger-than-Those-Idiots-3-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Japon_Eternally-Younger-than-Those-Idiots-3-1536x1024.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Japon_Eternally-Younger-than-Those-Idiots-3-1500x1000.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Japon_Eternally-Younger-than-Those-Idiots-3-705x470.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Japon_Eternally-Younger-than-Those-Idiots-3.jpg 1968w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>The story begins with Horigai, a 22-year-old girl who gets a contract as a social worker. Even though she is about to graduate, she feels disenchantment with university, but she meets Inogi, a girl with a tragic childhood, whom she ends up being friends with. When her friend Homine dies, she begins to discover the violence he was capable of and that she could not notice when he was alive.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Born in Kanagawa Prefecture in 1982, <\/span><b><span data-contrast=\"none\">Ryohei Yoshino<\/span><\/b><span data-contrast=\"auto\"> began making independent films while studying at Hosei University. After graduation, he enrolled at the Japan Institute of the Moving Image, where he majored in cinematography and lighting technology. He has won several awards for his short and medium length-films and currently works as a lighting engineer for music videos, radio program director, and in a wide range of other fields.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, June 7th, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">The Assault (Shturm) | Kazakhstan | Adilkhan Yerzhanov | 2022 | 90\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55863 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Kazajstan-SHTURM-THE-ASSAULT-300x242.jpg\" alt=\"\" width=\"300\" height=\"242\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Kazajstan-SHTURM-THE-ASSAULT-300x242.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Kazajstan-SHTURM-THE-ASSAULT.jpg 495w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Masked figures with machine guns march into the secondary school in Karatas, take the pupils hostage, and execute one of them. They make no demands. Silent terror is their modus operandi. Seeing as the army will take two days to arrive due to a snowstorm, math teacher Tazshi decides to assemble his own assault team: his ex-wife, the gym teacher, the cowardly school principal, an alcoholic night watchman, the village idiot, and an incompetent chief of police.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Adilkhan Yerzhanov<\/span><\/b><span data-contrast=\"auto\"> (1982, Kazakhstan) trained as a filmmaker at the Kazakhstan National Academy of Arts. Yerzhanov has twice participated in the Official Program of the Cannes Film Festival with <\/span><b><span data-contrast=\"auto\">The Owners<\/span><\/b><span data-contrast=\"auto\"> (2014) and <\/span><b><span data-contrast=\"auto\">The Gentle Indifference of the World<\/span><\/b><span data-contrast=\"auto\"> (2018). <\/span><b><span data-contrast=\"auto\">The Plague at the Karatas Village<\/span><\/b><span data-contrast=\"auto\"> had its world premiere at IFFR 2016. Yerzhanov won the Asia Pacific Screen Award for Achievement in <\/span><b><span data-contrast=\"auto\">Directing for his A Dark, Dark Man <\/span><\/b><span data-contrast=\"auto\">(2019).<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, June 14th, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Moosa Lane | Pakistan | Anita Mathal Hopland | 2022 | 85\u2019 | VOSE | Documentary<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55515 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-MOOSA-LANE-3-1-300x169.jpeg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-MOOSA-LANE-3-1-300x169.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-MOOSA-LANE-3-1.jpeg 685w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>A personal family epopee in which the Pakistani director Anita Mathal Hopland reviews the history of both of her families. Moosa Lane is the street name of Pakistan\u2019s capital, Karachi, where half of her family lives, while the other half lives in Denmark. The documentary\u2019s author also brings forward an intimate vision of the lives of the three younger family members and their experience with life and death. The filmmaker explores the generation of youth her age in Pakistan, trying to show at the same time the personal experience of those who live between two cultures, as it is her case. However, her circumstances allow her to discover what connects and separates her from her country and culture of origin and realize that she is not as far away as it seems at first sight.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Anita Mathal Hopland<\/span><\/b><span data-contrast=\"auto\"> (Kanachi, 1981) graduated from the National Film School of Denmark in 2011 with the short film she presented on her graduation, <\/span><b><span data-contrast=\"auto\">Underneath the Dark<\/span><\/b><span data-contrast=\"auto\">. Hopland made her debut as a feature film director in 2017 with the documentary <\/span><b><span data-contrast=\"auto\">On the Edge of Freedom<\/span><\/b><span data-contrast=\"auto\">, followed by <\/span><b><span data-contrast=\"auto\">Lost Warrior<\/span><\/b><span data-contrast=\"auto\"> in 2018 and finally by <\/span><b><span data-contrast=\"auto\">Moosa Lane<\/span><\/b><span data-contrast=\"auto\"> in 2022.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, June 21st, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Temporary Visa | Singapore | Ghazi Alqudcy | 2018 | 123\u2019 | VOSE | Crime, Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55869 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Singapur-TEMPORARY-VISA-1-300x242.jpg\" alt=\"\" width=\"300\" height=\"242\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Singapur-TEMPORARY-VISA-1-300x242.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Singapur-TEMPORARY-VISA-1.jpg 495w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Jakub is in trouble for overstaying in Bosnia and is faced with the possibility of deportation if he does not obtain a temporary visa within five days. To apply for one, however, he requires money that he does not have. Jakub resists the risky opportunities for easy cash, until he realizes that everyone \u2014 including his girlfriend Emira, who is stealing money from work to continue studying\u2014 is doing what they must do to survive. Under such circumstances, Jakub begins to grasp the true cost of his cross-border situation.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Ghazi Alqudcy<\/span><\/b><span data-contrast=\"auto\"> (1983, Singapore) is a film producer, director and writer. He holds a Master of Fine Arts in Filmmaking from Film Factory, an intensive programme created by the Hungarian film director B\u00e9la Tarr. Ghazi has produced more than 50 short films, which screened at various international film festivals in Europe and Asia. His directorial debut feature length film, <\/span><b><span data-contrast=\"auto\">Temporary Visa,<\/span><\/b><span data-contrast=\"auto\"> was entirely shot in Sarajevo, Bosnia Herzegovina. The film has been presented at the Singapore International Festival of Arts in 2019.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">\u00a0Saturday, June 28th, 2025, at 12:00 PM\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Aydinlar | Uzbekistan | Muzaffarkhan Erkinov | 2020 | 96\u2019 | VOSE | Drama\u00a0<\/span><\/b><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55872 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-AYDINLAR-5-300x127.png\" alt=\"\" width=\"300\" height=\"127\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-AYDINLAR-5-300x127.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-AYDINLAR-5-1030x435.png 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-AYDINLAR-5-768x324.png 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-AYDINLAR-5-1536x648.png 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-AYDINLAR-5-2048x864.png 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-AYDINLAR-5-1500x633.png 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-AYDINLAR-5-705x297.png 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>The feature film Aydinlar narrates the history of the Aral Sea region, in particular the city of Muynak. The protagonist of the film, Seyit, watches from a young age as the city of Muynak, where he was born, lies in ruins because of the drying up of the Aral Sea. Seyit has been taken care of by his grandfather Nurpeis, who tells him fairy tales about the sea. But as soon as he is not a child anymore, he is forced to leave Muynak to have another fate.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Muzaffarkhan Erkinov<\/span><\/b><span data-contrast=\"auto\"> was born on 1983. He has worked on many TV series, documentaries and short films. From his trajectory in cinematography, we emphasize films such as <\/span><b><span data-contrast=\"auto\">Armon<\/span><\/b><span data-contrast=\"auto\">, <\/span><b><span data-contrast=\"auto\">Iqtidar<\/span><\/b><span data-contrast=\"auto\">, <\/span><b><span data-contrast=\"auto\">Yagonam<\/span><\/b><span data-contrast=\"auto\">, <\/span><b><span data-contrast=\"auto\">Kasas<\/span><\/b><span data-contrast=\"auto\">, <\/span><b><span data-contrast=\"auto\">Avlony<\/span><\/b><span data-contrast=\"auto\">, <\/span><b><span data-contrast=\"auto\">Puankare <\/span><\/b><span data-contrast=\"auto\">and the one we present, <\/span><b><span data-contrast=\"auto\">Aydinlar<\/span><\/b><span data-contrast=\"auto\">, directed together with Muzaffar Qoraboyev. He has received national awards such as the Tasanno and the Ehtirom, and he obtained a prize at the International Film Festival for Creative Flight, and another at the Eurasian Film and TV Festival for Slavic Tale.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<\/div><\/section>\n<div  class='avia-icon-list-container av-m8wxgtlj-4914d2ee56dbcee71a11f9c0f5847a87  avia-builder-el-3  el_after_av_textblock  el_before_av_partner '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-m8wxgtlj-4914d2ee56dbcee71a11f9c0f5847a87 avia-iconlist-animate'>\n<li><div class='iconlist_icon av-m8wxg3dx-dd31c7e318f53fa393ca3e5e8d56f90c avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue85b' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><h4 class='av_iconlist_title iconlist_title  '  itemprop=\"headline\" >Every Saturday at 12h, from 5th of April to 28th of June of 2025.<\/h4><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-m8wxgf8k-aa06432d1ad683ca3221647d067d795d avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue842' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><h4 class='av_iconlist_title iconlist_title  '  itemprop=\"headline\" >MK2 Cine Paz | Calle de Fuencarral, 125, Madrid. <\/h4><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-m8wxgrz9-7c462613407208e915dcc61126f406a2 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue809' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p>&lt;span style=&#8221;color: #ff0000;&#8221;&gt;&lt;span class=&#8221;TextRun SCXW103258019 BCX8&#8243; 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