{"id":55540,"date":"2025-02-05T12:29:52","date_gmt":"2025-02-05T11:29:52","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/?p=55540"},"modified":"2025-03-12T13:30:17","modified_gmt":"2025-03-12T12:30:17","slug":"orient-express-casa-asia-in-beteve-jan-mar-2025","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2024\/orient-express-casa-asia-in-beteve-jan-mar-2025\/","title":{"rendered":"ORIENT EXPRESS: CASA ASIA in BETEV\u00c9 Jan-Mar 2025"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m6rs7ygp-82c3271045f38efe4a63eb3883b7e794\">\n.avia-image-container.av-m6rs7ygp-82c3271045f38efe4a63eb3883b7e794 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-m6rs7ygp-82c3271045f38efe4a63eb3883b7e794 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-m6rs7ygp-82c3271045f38efe4a63eb3883b7e794 av-styling- avia-align-center  avia-builder-el-0  el_before_av_heading  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-55556 avia-img-lazy-loading-not-55556 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-1-1500x630.jpg\" alt='' title='Mongolia LOST DAYS (4)'  height=\"630\" width=\"1500\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m6rsa1s1-b62bdfa960ae6a084147a9a5408742d2\">\n#top .av-special-heading.av-m6rsa1s1-b62bdfa960ae6a084147a9a5408742d2{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-m6rsa1s1-b62bdfa960ae6a084147a9a5408742d2 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-m6rsa1s1-b62bdfa960ae6a084147a9a5408742d2 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-m6rsa1s1-b62bdfa960ae6a084147a9a5408742d2 av-special-heading-h1 blockquote elegant-quote elegant-centered  avia-builder-el-1  el_after_av_image  el_before_av_textblock '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  ><span class=\"heading-wrap\">ORIENT EXPRESS: CASA ASIA in BETEV\u00c9 Jan-Mar 2025<\/span><\/h1><div class='av-subheading av-subheading_below'><p>This period goes from January 2nd to March 27th, 2025.<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-m6rsb9f3-27ac0d4c93f5f834d2fb8f97e9a930e1 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h3>PROGRAMME<\/h3>\n<p><span data-contrast=\"none\"><span style=\"color: #ff0000;\">Thursday, January 2nd, at 21:45h\u00a0<\/span><\/span><\/p>\n<p><b><span data-contrast=\"none\">Mongolia<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><span style=\"color: #ff0000;\"><i>LOST DAYS <\/i><\/span>|\u00a0 Garamkhand Bayarjargal | 2023 | 90\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55498 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-300x124.jpg\" alt=\"\" width=\"300\" height=\"124\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-300x124.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-1030x426.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-768x318.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-1536x636.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-1500x621.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-705x292.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/span><span data-contrast=\"none\">Enkhmaa proposes a trip to bring Ankhaa, a 13-year-old kid, closer to his stepfather. Before the trip, the child loses his beloved dog, and he will have to find it within three days. Ankhaa\u2019s family is focused on his little baby sister and their upcoming trip. During his search he befriends some street dogs, and it coincides with the municipal program that aims to remove dogs without a home, so he will have to hurry to recover his pet.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Garamkhand Bayarjargal<\/span><\/b><span data-contrast=\"none\"> is a Mongol director and producer that, after graduating in the Children and Youth Theatre Studio and College of Cinematic Arts, enrolled in the Film National Academy. She is the founder and CEO of various film and TV production companies, and among her most highlighted works are <\/span><b><span data-contrast=\"none\">Funny Day<\/span><\/b><span data-contrast=\"none\"> (2015), <\/span><b><span data-contrast=\"none\">The Faith<\/span><\/b><span data-contrast=\"none\"> (2016), <\/span><b><span data-contrast=\"none\">Above All <\/span><\/b><span data-contrast=\"none\">(2017), <\/span><b><span data-contrast=\"none\">Love Hustle<\/span><\/b><span data-contrast=\"none\"> (2020),<\/span><b><span data-contrast=\"none\"> Zorig<\/span><\/b><span data-contrast=\"none\"> (2020), <\/span><b><span data-contrast=\"none\">Between Heaven<\/span><\/b><span data-contrast=\"none\"> and <\/span><b><span data-contrast=\"none\">Earth<\/span><\/b><span data-contrast=\"none\"> (2021) and her last success <\/span><b><span data-contrast=\"none\">Lost Days <\/span><\/b><span data-contrast=\"none\">(2023).<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday, January 9th, at 21:45h\u00a0\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Kyrgyzstan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>1000 DREAMS<\/i><\/b><\/span> <b><span data-contrast=\"none\">| Marat Sarulu |2021 | 89\u2019 | VOSE | Romance<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55506 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-300x126.jpg\" alt=\"\" width=\"300\" height=\"126\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-300x126.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-1030x432.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-768x322.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-1536x644.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-1500x628.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-705x295.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>One day, Nazar walks into the study of his partner\u2019s ex-husband, Arsen. He looks at his computer and finds a file that changes his life. Nazar discovers the secret of Arsen, who is an artist who creates fictions in which the world disappears. She resembles a Chinese artist who did a painting, entered it, and disappeared forever from the real world. The confrontation between reality and imagination is served.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Marat Sarulu<\/span><\/b><span data-contrast=\"none\"> (Kyrgyzstan, 1957) is a screenwriter and film director. He graduated from the philosophy faculty of the National University of his country in 1980. Later, he studied at the Moscow Film Academy. As a screenwriter he has written for more than ten films of his own and others. In addition, he has directed five feature films, four short films, five documentaries and one animated film. He is one of the founders of the New Wave of Kyrgyz cinema since the early 1990s.<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span data-contrast=\"none\"><span style=\"color: #ff0000;\">Thursday, January 16th, at 21:45h\u00a0<\/span><\/span><\/p>\n<p><b><span data-contrast=\"none\">Mongolia<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>GERGI <\/i><\/b><\/span><b><span data-contrast=\"none\">| Sengedorj Janchirjorj | 2020 | 91\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-55509 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-300x125.png\" alt=\"\" width=\"324\" height=\"135\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-300x125.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-1030x431.png 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-768x321.png 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-1536x642.png 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-2048x856.png 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-1500x627.png 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-705x295.png 705w\" sizes=\"auto, (max-width: 324px) 100vw, 324px\" \/>A happy and wealthy couple discovers that the husband has stage three cancer. As it was discovered late, there is a very little chance that the patient will survive the treatment. The wife totally refuses to give up and does everything in her power to save her husband. However, despite even going abroad in search of other professionals and undergoing surgery, he will not achieve his goal. While he tries to survive, however, he can, the victim remembers his happy times, his first love, his wife and his family. The word Gergi means wife in a literal translation, but the root and structure of the word mean \u201cOne who lights up the home.\u201d<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Sengedorj Janchivdorj <\/span><\/b><span data-contrast=\"none\">graduated in film directing from the University of Ulaanbaatar, Mongolia. Among the awards he received it includes the Mongolian Academy Best Director Award in 2016. His latest film, Life, won the Best Feature Award at the Ulaanbaatar International Film Festival in 2018 and premiered at the Ulaanbaatar International Film Festival of Dhaka in 2019.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday, January 23rd, at 21:45h\u00a0\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Pakistan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>MOOSA LANE <\/i><\/b><\/span><b><span data-contrast=\"auto\">| Anita Mathal Hopland | 2022 | 85\u2019 | VOSE | Documentary\u00a0 <\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55512 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-MOOSA-LANE-3-300x169.jpeg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-MOOSA-LANE-3-300x169.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-MOOSA-LANE-3.jpeg 685w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>A personal family epopee in which the Pakistani director Anita Mathal Hopland reviews the history of both of her families. Moosa Lane is the street name of Pakistan\u2019s capital, Karachi, where half of Hopland\u2019s family lives, while the other half lives in Denmark.\u00a0 The documentary\u2019s author also brings forward an intimate vision of the lives of the three younger family members and their experience with life and death. The filmmaker explores the generation of youth her age in Pakistan, trying to show at the same time the personal experience of those who live between two cultures, as it is her case. However, her circumstances allow her to discover what connects and separates her from her country and culture of origin and realise that she is not as far away as it seems at first sight.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Anita Mathal Hopland <\/span><\/b><span data-contrast=\"none\">(Kanachi, 1981) graduated from the National Film School of Denmark in 2011 with the short film she presented on her graduation,<\/span> <b><span data-contrast=\"none\">Underneath the Dark<\/span><\/b><i><span data-contrast=\"none\">. <\/span><\/i><span data-contrast=\"none\">Hopland made her debut as a feature film director in 2017 with the documentary <\/span><b><span data-contrast=\"none\">On the Edge of Freedom<\/span><\/b><span data-contrast=\"none\">, followed by <\/span><b><span data-contrast=\"none\">Lost Warrior<\/span><\/b><span data-contrast=\"none\"> in 2018 and finally by <\/span><b><span data-contrast=\"none\">Moosa Lane<\/span><\/b> <span data-contrast=\"none\">in 2022.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\" data-contrast=\"none\">Thursday, January 30th, at 21:45h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Iran<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>19 (Nouzdah) <\/i><\/b><\/span><b><span data-contrast=\"none\">| Manijeh Hekmat | 2021 | 77\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55518 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-19-3-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-19-3-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-19-3-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-19-3-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-19-3-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-19-3.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>After getting infected with COVID-19, a 57-year-old Iranian painter, single woman, Mitra, goes into a coma. In this trance, she starts a journey to different pieces of her memories through her unconscious mind. Mitra\u2019s spirit comes back home to pack an imaginary luggage full of bittersweet memories. Moments before her last travel, just like Lot\u2019s wife, she looks back at her, her friends, and her generation\u2019s lives regarding what they have done, what they have built and what they have ruined.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Manijeh Hekmat<\/span><\/b><span data-contrast=\"none\"> is an Iranian film director. She has worked since 1980 as an assistant director and production designer in over 25 films. She directed her first feature film <\/span><b><span data-contrast=\"none\">Women&#8217;s Prison (Zend\u0101n-e Zan\u0101n) <\/span><\/b><span data-contrast=\"none\">in 2002. This film has been shown at over 80 international film festivals and has received seven prizes.<\/span> <span data-contrast=\"none\">Hekmat has produced five noted films which include the award-winning feature films <\/span><b><span data-contrast=\"none\">The Girl in the Sneakers <\/span><\/b><span data-contrast=\"none\">and <\/span><b><span data-contrast=\"none\">A Bunch of Grass<\/span><\/b><span data-contrast=\"none\">, the latter a German-produced film made in the Iranian Kurdistan. In her <\/span><b><span data-contrast=\"none\">The Old Road<\/span><\/b> <span data-contrast=\"none\">(2008), Hekmat addressed the social problem of violence against women.<\/span><b><span data-contrast=\"none\">\u00a0<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\" data-contrast=\"none\">Thursday, February 6th, at 21:45h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">South Korea<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54661 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/ADAGIO-COREA-FT-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/ADAGIO-COREA-FT-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/ADAGIO-COREA-FT-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/ADAGIO-COREA-FT.jpg 750w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>ADAGIO <\/i><\/b><\/span><b><span data-contrast=\"none\">| Yoon Seok-ho | 2023 | 117\u2019<\/span><\/b><b><span data-contrast=\"none\"> | VOSE <\/span><\/b><b><span data-contrast=\"none\">| Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">The film follows a man and a woman going through a mid-life crisis who meet in a peaceful seaside village where, despite their different backgrounds, classical music unites their lonely and wounded souls.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Yoon Seok-ho<\/span><\/b><span data-contrast=\"none\"> born in 1957, first majored in Korean Language and Literature before completing a master\u2019s degree in\u00a0 Journalism at Yonsei University (1995). He is a South Korean television drama director. Starting with <\/span><b><span data-contrast=\"none\">Autumn Fairy Tale<\/span><\/b> <span data-contrast=\"none\">(2000), he directed a large number of seasonal series dramas such as <\/span><b><span data-contrast=\"none\">Winter Sonata <\/span><\/b><span data-contrast=\"none\">(2002), which caused a great resonance not only in Korea but also overseas, and played a leading role in the Korean Wave.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\" data-contrast=\"none\">Thursday, February 13th, at 21:45h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Pakistan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>GUNJAL<\/i><\/b><\/span><b><span data-contrast=\"none\">| Shoaib Sultan | 2022 | 120\u2019 | VOSE | Drama\/Biography<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55521 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-1030x580.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-2048x1152.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-705x397.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>When the killer of an adolescent labor activist is acquitted, journalist Shahbaz Bhatti sees glaring loopholes in the verdict and begins a quest for justice. But each of the leads he follows contradicts the one before, and the twisted story reveals the ugly truth of child labor in 1990&#8217;s Pakistan.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Shoaib Sultan <\/span><\/b><span data-contrast=\"none\">is a well-known Pakistani engineer, director, actor &amp; writer. He worked for some short films and other audiovisual mediums projects. But <\/span><b><span data-contrast=\"none\">Darya Kay Iss Paar\u00a0 (This Bank of The River) <\/span><\/b><span data-contrast=\"none\">was his debut project as a film director.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\" data-contrast=\"none\">Thursday, February 20th, at 21:45h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Iran<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>MOTHERLESS (Bi-Madar) <\/i><\/b><\/span><b><span data-contrast=\"auto\">| Seyyed Morteza Fatemi | 2022 | 84\u2019 | VOSE | Drama <\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55524 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-2048x1152.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-705x397.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>A middle-aged couple, Amir Ali and Marjan, lead a quiet life until Marjan, who aspires to be a mother, meets Mahrouz, a woman who is trying to raise money for her son&#8217;s kidney transplant. When Marjan insists on renting a womb and this surrogate mother enters their life, they unintentionally go through different tests and face moral dilemmas unknown to them. The controversy surrounding subrogation is put on the table, showing the consequences of a yet not enough legislated practice.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Born in 1983 in Tehran, <\/span><b><span data-contrast=\"none\">Seyyed Morteza Fatemi<\/span><\/b><span data-contrast=\"none\">, writer, director, producer and TV host, is a graduate in Petroleum Engineering and PHD student of Political Philosophy. He started his career as a journalist, and he worked as chief editor in various weekly newspapers and press agencies. Afterwards, Fatemi entered Iranian Television and pursued his career as creator of Talk Shows and TV Series \u2013 including <\/span><b><span data-contrast=\"none\">Dark Intelligence<\/span><\/b> <span data-contrast=\"none\">which won the Best TV Crime Drama Award in Moscow International Festival DetectiveFEST.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\" data-contrast=\"none\">Thursday, February 27th, at 21:45h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Japan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>FOLLOWING THE SOUND <\/i><\/b><\/span><b><span data-contrast=\"auto\">|\u00a0 Kyoshi Sugita | 2023 | 84\u2019 | VOSE | Drama\u00a0 <\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54563 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-201x300.jpg 201w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-690x1030.jpg 690w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-768x1147.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-1028x1536.jpg 1028w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-1004x1500.jpg 1004w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-472x705.jpg 472w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3.jpg 1232w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/>One day, Haru, who works as a bookstore clerk, reunites with Takeshi, whom she first met a few years prior, when she stopped him from jumping in front of a train. Takeshi offers Haru a job. Another day, Haru is worried about Yukiko who is sitting on a bench in front of the station and talks to her. This leads them on a small journey together. Haru takes along a cassette recorder left behind as an inheritance by her mother. The circumstances will lead Haru to confront guilt and regretful feelings once again for not having been able to help avoid the illness to give an end to her mom\u2019s life.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Kyoshi Sugita,<\/span><\/b><span data-contrast=\"none\"> born in 1977, had his first feature film <\/span><b><span data-contrast=\"none\">One Song <\/span><\/b><span data-contrast=\"none\">selected for the Tokyo International Film Festival in 2011 and its theatrical debut in 2012. His second feature film, <\/span><b><span data-contrast=\"none\">Song of Light<\/span><\/b><span data-contrast=\"none\">, was selected for the 2017 Tokyo International Film Festival and the 2018 Jeonju International Film Festival. The film received high praise in major newspapers and the film magazine Kinema Junpo. He has also published the novels <\/span><b><span data-contrast=\"none\">Kawa no Koibito\/River Lovers <\/span><\/b><span data-contrast=\"none\">and <\/span><b><span data-contrast=\"none\">Hitotsu no Uta\/One Song<\/span><\/b> <span data-contrast=\"none\">and participated as a photographer in the fourth poetry collection <\/span><b><span data-contrast=\"none\">Uta Long Long Short Song Long<\/span><\/b><span data-contrast=\"none\"> by the poet Koichi Masuno.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday, March 6th, at 21:45h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Australia<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>BLAZE <\/i><\/b><\/span><b><span data-contrast=\"none\">| Del Kathryn Barton | 2022 | 101\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55544 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Australia-BLAZE-6-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Australia-BLAZE-6-300x200.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Australia-BLAZE-6-1030x687.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Australia-BLAZE-6-768x512.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Australia-BLAZE-6-705x470.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Australia-BLAZE-6.jpeg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>A 12-year-old girl\u2019s life is upended after she witnesses a rape and murder. She has a caring father, who is desperate to help, but there are no easy answers. The situation is immensely trying, particularly as <\/span><i><span data-contrast=\"none\">Blaze <\/span><\/i><span data-contrast=\"none\">was the only witness and her testimony is crucial. To cope with the trauma, she summons an imaginary dragon to help process her anger and protect her on her journey into womanhood.\u00a0\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Del Kathryn Barton<\/span><\/b><span data-contrast=\"none\"> is an Australian artist, widely recognized as one of the leading figurative painters of her generation. She began drawing at a young age and studied Art &amp; Design at the University of New South Wales (UNSW). She soon became known for her psychedelic fantasy works in solo and group exhibitions across Australia and overseas. Despite being a widely recognizable figure among the artists of her generation, in 2022 her debut movie <\/span><i><span data-contrast=\"none\">Blaze <\/span><\/i><span data-contrast=\"none\">was finally released. Del Kathryn Barton was the director and a co-writer of the script.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday, March 13th, 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Uzbekistan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Unhappy Groom <\/i><\/b><\/span><b><span data-contrast=\"none\">| Khusnora Rozmatova | 2023 | 102\u2019 | VOSE | Drama\u00a0 <\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55654 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-300x125.png\" alt=\"\" width=\"300\" height=\"125\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-300x125.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-1030x430.png 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-768x321.png 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-1536x641.png 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-1500x626.png 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-705x294.png 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7.png 1909w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Unhappy Groom (2023) <\/span><\/b><span data-contrast=\"none\">explores Turkestan&#8217;s past through the history of Uzbekistan at the dawn of the 20th century, during the rule of the Russian Empire. The film highlights the contrast between ancient religious thought and the governmental incompetence of imperialist regimes. Amidst these tensions, two lovers face the difficulties of a life marked by social conventions, heresies and ambiguous traditions. In parallel, the drama of Salih, a salaried actor, is affected by the inability to meet the ambitious demands of Rahima&#8217;s family in order to marry her. This narrative strikingly reflects the parallels with Shakespeare&#8217;s Romeo and Juliet, where despite the lovers&#8217; attempts to remain aloof from social scrutiny, they cannot avoid their toxicity.\u00a0\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Khusnora Ruzmatova<\/span><\/b><span data-contrast=\"none\">, a film director born in Uzbekistan, has received international recognition by winning the &#8220;For Humanism&#8221; award at the 19th Kazan International Muslim Film Festival. Uzbek cinema has experienced unprecedented visibility in recent years, not only because of the growth of its film industry, but also because of the international awards it has received. In 2023, Uzbek filmmakers won 15 international awards, highlighting the country&#8217;s growing influence on the global film scene.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday, March 20th, 2025\u00a0<\/span><\/p>\n<p><strong>India\u00a0<\/strong><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Goldfish <\/i><\/b><\/span><b><span data-contrast=\"none\">|\u00a0 Pushan Kripalani | 2023 | 103\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55660 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1-300x158.jpeg\" alt=\"\" width=\"300\" height=\"158\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1-300x158.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1-1030x541.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1-768x403.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1-710x375.jpeg 710w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1-705x370.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1.jpeg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>With the help of some neighbours and leaving behind a life that she must abandon a young woman returns home to deal with her mother&#8217;s dementia and the scars of her childhood, with the objective too to find her place in the world.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Pushan Kripalani<\/span><\/b><span data-contrast=\"none\"> is a cinematographer and director. His first film, <\/span><b><span data-contrast=\"none\">The Threshold <\/span><\/b><span data-contrast=\"none\">(2015) was acclaimed in its short festival run, receivin awards at MAMI and the NFDC Film Bazaar, and obtaining Best Actor and Best Actress at the New York Indian Film Festival. As a cinematographer, he has filmed several feature films, commercials, documentaries and short films. He has worked on over thirty productions for stage and radio, in roles ranging from director to actor, designer, musician and producer. <\/span><b><span data-contrast=\"none\">Goldfish <\/span><\/b><i><span data-contrast=\"none\">(<\/span><\/i><span data-contrast=\"none\">2023) is his second feature film.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Thursday, March 27th, 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Iran<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>No Prior Appointment <\/i><\/b><\/span><b><span data-contrast=\"none\">| Behrooz Shoaibi | 2022 | 120\u2019 | VOSE | Drama <\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55663 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>When Yasmin was six, the same age as her son now, her family migrated to Berlin. Now she has to come back to Iran due to her father&#8217;s death. Her son is autistic, and it makes it difficult for her to travel easily. Travelling to Iran Yasmin, who hardly knows her father, is astonished to find about the heritage he left her. Her short and unwanted accommodation in her father\u2019s hometown, however, will change many of Yasmin\u2019s ideas about the place where she was born and about life and death in general.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Born in 1979 in Mashhad,<\/span><b><span data-contrast=\"none\"> Behrooz Shoaibi <\/span><\/b><span data-contrast=\"none\">has been active in different fields of cinema. As an actor, he started his career with Ebrahim Hatamikia\u2019s <\/span><b><span data-contrast=\"none\">The Glass Agency<\/span><\/b> <span data-contrast=\"none\">(1998) and gained critical and public attention with Homayoun Asadian\u2019s <\/span><b><span data-contrast=\"none\">Gold &amp; Copper <\/span><\/b><span data-contrast=\"none\">(2010). His TV movies and series include: <\/span><b><span data-contrast=\"none\">The Sloe Garden<\/span><\/b> <span data-contrast=\"none\">(2005); <\/span><b><span data-contrast=\"none\">Wings Of Hapiness <\/span><\/b><span data-contrast=\"none\">(2008); <\/span><b><span data-contrast=\"none\">Abandoned <\/span><\/b><span data-contrast=\"none\">(2009); <\/span><b><span data-contrast=\"none\">Somewhere Between Staying and Going<\/span><\/b> <span data-contrast=\"none\">(2010); and <\/span><b><span data-contrast=\"none\">Secluded <\/span><\/b><span data-contrast=\"none\">(2014) With his debut feature film, <\/span><b><span data-contrast=\"none\">The Corridor (Shoaibi)<\/span><\/b> <span data-contrast=\"none\">won the best first film award from Fajr 2013.\u00a0\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":55498,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-55540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/posts\/55540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/comments?post=55540"}],"version-history":[{"count":11,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/posts\/55540\/revisions"}],"predecessor-version":[{"id":55836,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/posts\/55540\/revisions\/55836"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/media\/55498"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/media?parent=55540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/categories?post=55540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/tags?post=55540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}