{"id":54687,"date":"2024-10-05T10:15:13","date_gmt":"2024-10-05T08:15:13","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/nuevas-miradas-del-cine-asiatico\/"},"modified":"2024-12-03T16:49:07","modified_gmt":"2024-12-03T15:49:07","slug":"nuevas-miradas-del-cine-asiatico","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2024\/nuevas-miradas-del-cine-asiatico\/","title":{"rendered":"NEW PERSPECTIVES OF ASIAN CINEMA | MK2 &#8211; CINE PAZ Madrid"},"content":{"rendered":"<div  class='avia-video av-m3sizarg-e8bddb548ffbafb9710ab0e6b180f705 avia-video-16-9 av-no-preview-image avia-video-load-always avia-video-html5'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/nuevas_miradas_cine_asiatico_teaser_v4-1.mp4'><video class='avia_video'    preload=\"auto\"  controls id='player_54687_1055098883_454973550'><source src='https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/nuevas_miradas_cine_asiatico_teaser_v4-1.mp4' type='video\/mp4' \/><\/video><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m3rm1f0w-626d7c04301d51c1231eb9db357f61d6\">\n#top .av-special-heading.av-m3rm1f0w-626d7c04301d51c1231eb9db357f61d6{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-m3rm1f0w-626d7c04301d51c1231eb9db357f61d6 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-m3rm1f0w-626d7c04301d51c1231eb9db357f61d6 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-m3rm1f0w-626d7c04301d51c1231eb9db357f61d6 av-special-heading-h1 blockquote elegant-quote elegant-centered  avia-builder-el-1  el_after_av_video  el_before_av_textblock '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  ><span class=\"heading-wrap\">NUEVAS MIRADAS DEL CINE ASI\u00c1TICO<\/span><\/h1><div class='av-subheading av-subheading_below'><p>From October the 5th to December the 14th 2024<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-m3rm7tyl-852d23ff9ba98e5745972c0b1448be94 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"none\">Asian cinema returns to the Cine Paz theaters with a program running from October 5 to December 14. Although it may seem a clich\u00e9 to say that Spanish distributors are increasingly interested in having a growing repository of titles from the Asian continent, which until quite recently were almost exclusive to other European countries, Asian cinema is gaining more and more presence not only at national and international festivals but also in our theatres. The eleven titles that will be shown up until shortly before Christmas come from China, Korea, Japan, India, Indonesia, Iran, Japan, Kazakhstan, Kyrgyzstan, Pakistan, and the Philippines, and were made between 2022 and 2023. <\/span><\/b><b><i><span data-contrast=\"none\">A Woman<\/span><\/i><\/b><b><span data-contrast=\"none\">, by Wang Chao, will open this quarter&#8217;s program. This Chinese filmmaker, whose retrospective was featured at the last edition of the Asian Film Festival Barcelona, \u200b\u200band who we had the honor of welcoming, makes an interesting exploration of private and public life during the Cultural Revolution based on the autobiographical novel <\/span><\/b><b><i><span data-contrast=\"none\">Dream<\/span><\/i><\/b><b><span data-contrast=\"none\"> by writer Zhang Xiu Zhen. The list of titles reveals a preference for social drama, although comedy and documentaries have not been excluded, as evidenced by a title like Separation of East Pakistan, which aims to be an account with new evidence derived from recent research on the division of Pakistan and the creation of Bangladesh as an independent country. The stories told in <\/span><\/b><b><i><span data-contrast=\"none\">Adagio<\/span><\/i><\/b><b><span data-contrast=\"none\"> (Korea), <\/span><\/b><b><i><span data-contrast=\"none\">Our Home<\/span><\/i><\/b><b><span data-contrast=\"none\"> (India), <\/span><\/b><b><i><span data-contrast=\"none\">Women from Rote Island<\/span><\/i><\/b><b><span data-contrast=\"none\"> (Indonesia), <\/span><\/b><b><i><span data-contrast=\"none\">No Prior Appointment<\/span><\/i><\/b><b><span data-contrast=\"none\"> (Iran), and <\/span><\/b><b><i><span data-contrast=\"none\">Following the Sound<\/span><\/i><\/b><b><span data-contrast=\"none\"> (Japan) are some of the titles announced here, which offer us a vision of a world we would hardly have access to if not through literature and cinema.<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">Saturday 5th October 2024, a las 12:00h\u00a0<\/span><br \/>\n<b><i><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54667 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-3-300x175.jpeg\" alt=\"\" width=\"300\" height=\"175\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-3-300x175.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-3-1030x600.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-3-768x447.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-3-705x411.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-3.jpeg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>A Woman <\/span><\/i><\/b><i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">China| Wang Chao | 2023 | 110\u2019 | VOSE | Drama\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span> <span data-ccp-props=\"{&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"none\">Based on the autobiographical novel <\/span><i><span data-contrast=\"none\">Dream<\/span><\/i><span data-contrast=\"none\"> by the writer Zhang Xiu Zhen, the protagonist of this film works in a factory, and in her free time she dedicates herself to her family, but whenever she can, she tries to write. The action takes place during the Cultural Revolution, from the 1960s to the early 1980s. In her personal and family life, she endures daily abuse from her partner, whom she supports and with whom she has had more children than she could afford. However, she ultimately overcomes these circumstances thanks to writing, which becomes her liberation.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"none\">Wang Chao<\/span><\/b><span data-contrast=\"none\"> worked for five years in the steel industry, although he was always interested in cinema and literature. In 1991, he entered the Beijing Film Academy, where he graduated in 1994 and began working as a film critic. This is how he met Chen Kaige after the filming of Yellow Earth, who hired him as an assistant director between 1995 and 1998 for the filming of Farewell My Concubine and The Emperor and the Assassin. During that time, he wrote several short stories that inspired scripts for some of his films. With <\/span><i><span data-contrast=\"none\">Orphan of Anyang<\/span><\/i><span data-contrast=\"none\">, which he shot without authorization, he made his debut in film as a director. This film was selected in 2001 to participate in the Directors&#8217; Fortnight at the Cannes Film Festival. In 2004, he made his second feature film, <\/span><i><span data-contrast=\"none\">Day and Night<\/span><\/i><span data-contrast=\"none\">, and with <\/span><i><span data-contrast=\"none\">Luxury Car<\/span><\/i><span data-contrast=\"none\"> he completed in 2006 the trilogy about China on which he had been working for over five years. His fourth and fifth films, <\/span><i><span data-contrast=\"none\">Memory of Love<\/span><\/i><span data-contrast=\"none\"> (2009) and <\/span><i><span data-contrast=\"none\">Fantasy<\/span><\/i><span data-contrast=\"none\"> (2014), which were presented at the Un Certain Regard selection at the Cannes Film Festival that same year, despite their subtlety, show narrative maturity on the part of the director<\/span><i><span data-contrast=\"none\">. Looking for Rohmer<\/span><\/i><span data-contrast=\"none\"> (2018) reveals Wang Chao&#8217;s interest in the critic and filmmaker Eric Rohmer and the Nouvelle Vague, to the point of making a film about him, although not necessarily a biographical one. <\/span><i><span data-contrast=\"none\">A Woman<\/span><\/i><span data-contrast=\"none\"> (2022), his most recent film to date, was screened at the last edition of the Asian Film Festival Barcelona (AFFBCN) with great audience success, after its run at San Sebasti\u00e1n, where it was nominated for the Golden Shell.<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">Saturday 12th October 2024, at 12:00h\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><i><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54661 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/ADAGIO-COREA-FT-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/ADAGIO-COREA-FT-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/ADAGIO-COREA-FT-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/ADAGIO-COREA-FT.jpg 750w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Adagio <\/span><\/i><\/b><i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">South Korea | Yoon Seok-ho | 2023 | 117\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"none\">The film tells the story of a man and a woman going through a midlife crisis in their forties who meet in a quiet coastal village, where, despite their different backgrounds, classical music unites their lonely and wounded souls.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"none\">Yoon Seok-ho<\/span><\/b><span data-contrast=\"none\">, born in 1957, earned a degree in Korean Language and Literature before pursuing a master\u2019s in journalism at Yonsei University (1995). He is a director of South Korean television series. Beginning with <\/span><i><span data-contrast=\"none\">Autumn Fairy Tale<\/span><\/i><span data-contrast=\"none\"> (2000), he directed several seasonal series dramas, such as <\/span><i><span data-contrast=\"none\">Winter Sonata <\/span><\/i><span data-contrast=\"none\">(2002), which had a major impact not only in Korea but also internationally, playing a key role in the Korean Wave.<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">Saturday 19th October 2024, at 12:00h<i>\u00a0<\/i>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><i><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54658 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/THE-BASEBALL-PLAYER-FILIPINAS-300x158.png\" alt=\"\" width=\"300\" height=\"158\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/THE-BASEBALL-PLAYER-FILIPINAS-300x158.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/THE-BASEBALL-PLAYER-FILIPINAS-768x406.png 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/THE-BASEBALL-PLAYER-FILIPINAS-710x375.png 710w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/THE-BASEBALL-PLAYER-FILIPINAS-705x372.png 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/THE-BASEBALL-PLAYER-FILIPINAS.png 837w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>The Baseball Player <\/span><\/i><\/b><i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">The<\/span> <span data-contrast=\"auto\">Philipines | Carlo Obispo | 2022 | 71\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Amir, a seventeen-year-old soldier, lost his father during a war in the 2000s. Now, Amir dreams of a different life; he wants to become a professional baseball player. Thanks to consistent training with his coach, he manages to reach the final tryout at a local university. Unfortunately, the war breaks out again against the rebels, and Amir faces the difficult choice between pursuing his dreams or fighting on the battlefield.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Carlo Obispo<\/span><\/b><span data-contrast=\"auto\"> earned a degree in Philosophy with a specialization in Artistic Communication at Saint Louis University. His first film, <\/span><i><span data-contrast=\"auto\">Purok 7<\/span><\/i><span data-contrast=\"auto\"> (2013), was part of the New Breed category at the 2013 Cinemalaya Independent Film Festival. His second feature, <\/span><i><span data-contrast=\"auto\">Gasping for Air<\/span><\/i><span data-contrast=\"auto\"> (2016), was the opening film at the 2016 Cinemalaya Independent Film Festival. In 2020, he wrote and directed a Boys Love series called <\/span><i><span data-contrast=\"auto\">Better Days<\/span><\/i><span data-contrast=\"auto\">.<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">Saturday 26th October 2024, at 12:00h<i>\u00a0<\/i>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><i><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54655 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-2-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-2-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-2-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-2-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-2-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-2-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-2-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-2.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Our Home <\/span><\/i><\/b><i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">India | Romi Meitei | 2022 | 89\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Belonging to an isolated fishing community on Lake Loktak, Chaoren is a boy who not only helps with household chores but also excels as a brilliant student. When the canoe he uses every day to attend school must be sold due to his father\u2019s illness, his spirit is not discouraged. He overcomes the long distance from his floating hut to his school by swimming. But when the government issues an eviction notice demanding that Chaoren\u2019s family leave their home, his dreams remain burdened with the anguish of displacement. The situation is made worse given that this occurs in a strategically important and conflict-ridden region in northeastern India.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Romi Meitei<\/span><\/b><span data-contrast=\"auto\"> is a prolific filmmaker who has delivered several box office hits. In addition to commercial success, his films have been screened at prestigious film festivals like IFFI, MIFF, IFFK, and others. He has won prestigious awards like FIPRESCI (International Film Critics Awards) and NETPAC (Best Asian film by the Network for the Promotion of Asian Cinema). He has also received several film awards from the state of Manipur. He is the president of the Mami Thawan Foundation, which aims to provide welfare services for Manipur. His feature film <\/span><i><span data-contrast=\"auto\">Our Home<\/span><\/i><span data-contrast=\"auto\"> won the Best Film award at the National Film Awards in India.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">Saturday 2nd November 2024, at 12:00h\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><i><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54652 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-1-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-1-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-1-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-1-1536x1024.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-1-2048x1366.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-1-1500x1000.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Indonesia-WOMEN-FROM-ROTE-ISLAND-3-1-705x470.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Women From Rote Island <\/span><\/i><\/b><i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">Indonesia | Jeremas Nyangoen | 2023 | 108\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Nine days after his death, Abraham has not been buried, to fulfil his last message: \u201cNo funeral until Martha returns.\u201d Martha\u2019s return from Sabah (Malaysia) is, of course, a special joy for the family, especially for Orpha, the mother, and Bertha, her sister. However, after two years abroad, Martha has fallen into deep depression due to the assault she suffered while working as a labourer on a palm oil plantation. As head of the family, Orpha must also be a strong woman. However, due to an unfavourable environment, Martha once again became a victim of sexual harassment.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Jeremias Nyangoen<\/span><\/b><span data-contrast=\"auto\"> was born in Pontianak in 1968. He is a graduate of the Jakarta Institute of the Arts and has worked as a film producer, actor, and screenwriter. His screenplays include <\/span><i><span data-contrast=\"auto\">Denias, Singing in the Cloud<\/span><\/i><span data-contrast=\"auto\"> (2006) and <\/span><i><span data-contrast=\"auto\">The Beetle Soldiers<\/span><\/i><span data-contrast=\"auto\"> (2011). <\/span><i><span data-contrast=\"auto\">Women from Rote Island<\/span><\/i><span data-contrast=\"auto\"> is his debut as a feature film director.<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">Saturday 9th November 2024, at 12:00h<i>\u00a0<\/i>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><i><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54649 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-NO-PRIOR-APPOINTMENT-3-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-NO-PRIOR-APPOINTMENT-3-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-NO-PRIOR-APPOINTMENT-3-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-NO-PRIOR-APPOINTMENT-3-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-NO-PRIOR-APPOINTMENT-3-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-NO-PRIOR-APPOINTMENT-3-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-NO-PRIOR-APPOINTMENT-3-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-NO-PRIOR-APPOINTMENT-3.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>No Prior Appointment <\/span><\/i><\/b><i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">Iran | Behrooz Shoaibi | 2022 | 120\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">When Yasmin was six years old, the same age as her son now, her family emigrated to Berlin. Now, she must return to Iran due to her father&#8217;s death, but the journey is not easy given that her son is autistic. Upon arriving in Iran, Yasmin, who barely knew her father, is astonished by the inheritance he left her. Her brief and unwanted stay in her father&#8217;s hometown, which allows her to meet those who knew him, gives Yasmin a new way of understanding human beings, life, and death.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Behrooz Shoaibi<\/span><\/b><span data-contrast=\"auto\"> was born in 1979 in Mashhad and has worked in various branches of cinema. As an actor, he began his career with The Glass Agency (1998) by Ebrahim Hatamikia and gained the attention of critics and audiences with Gold &amp; Copper (2010) by Homayoun Asadian. His films and television series include <\/span><i><span data-contrast=\"auto\">The Sloe Garden<\/span><\/i><span data-contrast=\"auto\"> (2005), <\/span><i><span data-contrast=\"auto\">Wings of Happiness<\/span><\/i><span data-contrast=\"auto\"> (2008), <\/span><i><span data-contrast=\"auto\">Abandoned<\/span><\/i><span data-contrast=\"auto\"> (2009), <\/span><i><span data-contrast=\"auto\">Somewhere Between Staying and Going<\/span><\/i><span data-contrast=\"auto\"> (2010), and <\/span><i><span data-contrast=\"auto\">Secluded<\/span><\/i><span data-contrast=\"auto\"> (2014). With his first feature film, <\/span><i><span data-contrast=\"auto\">The Corridor<\/span><\/i><span data-contrast=\"auto\">, Shoaibi won the Best Debut Film award at the 2013 Fajr Film Festival.<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">Saturday 16th November of 2024, at 12:00h<i>\u00a0<\/i>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><i><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54646 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-1-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-1-201x300.jpg 201w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-1-690x1030.jpg 690w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-1-768x1147.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-1-1029x1536.jpg 1029w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-1-1372x2048.jpg 1372w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-1-1005x1500.jpg 1005w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-1-472x705.jpg 472w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-1.jpg 1582w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/>Following The Sound <\/span><\/i><\/b><i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">Japan | Kyosha Sugita | 2023 | 84\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">One day, Haru, who works as a clerk in a bookstore, reunites with Takeshi, whom she met a few years back when she stopped him from jumping in front of a train. Takeshi offers her a job. A day later, Haru becomes concerned about Yukiko, who was sitting on a bench in front of the station and speaks with her. This leads them to take a small journey together. Haru carries with her a tape recorder that she inherited from her mother. The circumstances cause Haru to once again face feelings of guilt and remorse for not being able to help her mother prevent the illness from ending her life.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Kyosha Sugita<\/span><\/b><span data-contrast=\"auto\"> is a Japanese director, born in 1977, whose first feature film, <\/span><i><span data-contrast=\"auto\">One Song<\/span><\/i><span data-contrast=\"auto\">, was selected for the Tokyo International Film Festival in 2011 and released in theatres in 2012. His second feature, <\/span><i><span data-contrast=\"auto\">Song of Light<\/span><\/i><span data-contrast=\"auto\">, was selected for the Tokyo International Film Festival in 2017 and the Jeonju International Film Festival in 2018. The film received high praise in major newspapers and the film magazine Kinema Junpo. This filmmaker has also published the novels <\/span><i><span data-contrast=\"auto\">Kawa no Koibito\/River Lovers and Hitotsu no Uta\/One<\/span><\/i> <i><span data-contrast=\"auto\">Song<\/span><\/i><span data-contrast=\"auto\"> and participated as a photographer in the fourth poetry collection <\/span><i><span data-contrast=\"auto\">Uta Long Long Short Song Long<\/span><\/i><span data-contrast=\"auto\"> by poet Koichi Masuno.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">Saturday 23rd November 2024, at 12:00h<i>\u00a0<\/i>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><i><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54643 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-1-1-300x136.png\" alt=\"\" width=\"300\" height=\"136\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-1-1-300x136.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-1-1-1030x467.png 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-1-1-768x348.png 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-1-1-705x319.png 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kazajstan-BROTHERS-2-1-1.png 1291w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Brothers <\/span><\/i><\/b><i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">Kazakhstan | Darkhan Tulegenov | 2022 | 110\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Akzhol, who has just left the orphanage, begins a new life. He is convinced that his father is still alive and sets out to find him. However, after meeting his neighbour Dimash, things change as he sees how easy it is to make a living by stealing and robbing. Later, during a meeting with a relative, he discovers the existence of his brother Dalen, who was adopted by wealthy parents and received an education he could never have had access to otherwise. Together, they embark on the mission to find their father, uncovering things neither of them could have imagined.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Darkhan Tulegenov<\/span><\/b><span data-contrast=\"auto\"> was born in 1993 in Uralsk. At the age of 15, he entered the Kazakh Academy of Transport and Communications, and in 2012, he was admitted to the Kazakh National Academy of Arts. He has participated in many film festivals, both national and international, and Brothers received the Spirit of Cinema Award at the 2022 Oldenburg Film Festival. Tulegenov is also known for his short films <\/span><i><span data-contrast=\"auto\">Nabat<\/span><\/i><span data-contrast=\"auto\"> (2020), <\/span><i><span data-contrast=\"auto\">The Route<\/span><\/i><span data-contrast=\"auto\"> (2016), and <\/span><i><span data-contrast=\"auto\">Sunrise<\/span><\/i><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">Saturday 30th November de 2024, at 12:00h<i>\u00a0<\/i>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><i><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54640 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-1-300x149.jpg\" alt=\"\" width=\"300\" height=\"149\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-1-300x149.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-1-1030x513.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-1-768x382.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-1-1536x764.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-1-2048x1019.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-1-1500x746.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-1-705x351.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>God\u2019s Gift <\/span><\/i><\/b><i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">Kirguistan | Asel Zhuraeva | 2023 | 75\u2019 | VOSE | Comedia<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">An elderly couple with health problems and no children lives in a village, where very little happens to disturb them, until some strangers leave a six-month-old baby at their doorstep. At first, they want to hand it over to the authorities, but after hearing that young children can be sold for organ trafficking, they decide to keep it. Caring for the baby changes the course of their lives, giving them an important reason to keep living.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Asel Zhuraeva<\/span><\/b><span data-contrast=\"auto\"> graduated from the Kyrgyz State Institute of Arts in 2010. She also took a course at the Film School of Rustam Ibragimbekov in Kiev in 2013, and later started teaching at AUCA from 2017 to 2019. She is the director of Tazar Cinema Company and has been the head of the Creative Women of Asia Foundation since 2010.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">Saturday 7th December 2024, at 12:00h<i>\u00a0<\/i>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><i><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54637 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Mongolia-THE-ONLY-REASON-2-300x158.png\" alt=\"\" width=\"300\" height=\"158\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Mongolia-THE-ONLY-REASON-2-300x158.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Mongolia-THE-ONLY-REASON-2-1030x541.png 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Mongolia-THE-ONLY-REASON-2-768x404.png 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Mongolia-THE-ONLY-REASON-2-1536x807.png 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Mongolia-THE-ONLY-REASON-2-2048x1077.png 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Mongolia-THE-ONLY-REASON-2-1500x789.png 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Mongolia-THE-ONLY-REASON-2-710x375.png 710w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Mongolia-THE-ONLY-REASON-2-705x371.png 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>The Only Reason <\/span><\/i><\/b><span data-contrast=\"auto\">| Mongolia | Batzaya Gandush| 2022 | 97\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Four lost souls, very different from each other, meet and manage to spread hope to keep living. In this debut film by its director, the exterior landscape also plays a prominent role as a mirror of the emotional state of the characters who inhabit it. Mongolia is a country that in recent years has seen the development of intimate cinema in contrast to an environment that continues to surprise.\u00a0\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Batzaya Gandush<\/span><\/b><span data-contrast=\"auto\"> moved to Ulaanbaatar to study at the National University of Mongolia, where he studied law. In his final year, he abandoned his studies to enrol in the National Film School of Mongolia with the great Mongolian filmmaker Jigjidsuren. In 2019, Batzaya was diagnosed with leukaemia, for which he underwent a bone marrow transplant and had to undergo chemotherapy for a year. After overcoming the illness, Batzaya\u2019s filmmaker friends convinced him to write the script for the film presented.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\">Saturday 14th December 2024, at 12:00h<i>\u00a0<\/i>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><i><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54634 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Pakistan-SEPARATION.THE-UNTOLD-STORY-2-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Pakistan-SEPARATION.THE-UNTOLD-STORY-2-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Pakistan-SEPARATION.THE-UNTOLD-STORY-2-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Pakistan-SEPARATION.THE-UNTOLD-STORY-2-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Pakistan-SEPARATION.THE-UNTOLD-STORY-2-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Pakistan-SEPARATION.THE-UNTOLD-STORY-2-2048x1152.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Pakistan-SEPARATION.THE-UNTOLD-STORY-2-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Pakistan-SEPARATION.THE-UNTOLD-STORY-2-705x397.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Separation of East Pakistan <\/span><\/i><\/b><span data-contrast=\"auto\">| Pakist\u00e1n | Javed Jabbar | 2022 | 112\u2019 | VOSE | Documental<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"none\">Over the past 50 years, the historical account of what happened in 1971 has been shaped by both real events and others that are less so. This documentary seeks to bring together testimonies and reflections from eminent scholars, historians, researchers, politicians, journalists, and witnesses from the US, the UK, India, Bangladesh, and Pakistan. Their observations help clarify the events that led to the separation of Pakistan and the creation of Bangladesh.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"none\">Javed Jabbar<\/span><\/b><span data-contrast=\"none\"> is a prominent filmmaker, screenwriter, and producer from Pakistan, known for his contributions to cinema and television in his country. He has worked on a variety of projects addressing social and cultural issues, highlighting his commitment to authentic storytelling. Jabbar is recognized not only for his cinematic works but also for his activism and advocacy for human rights. Throughout his career, he has received numerous awards and recognitions, establishing himself as an influential figure in the South Asian film industry. <\/span><span data-contrast=\"none\">His creativity continues to inspire new generations of filmmakers.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335572071&quot;:0,&quot;335572072&quot;:0,&quot;335572073&quot;:0,&quot;335572075&quot;:0,&quot;335572076&quot;:0,&quot;335572077&quot;:0,&quot;335572079&quot;:0,&quot;335572080&quot;:0,&quot;335572081&quot;:0,&quot;335572083&quot;:0,&quot;335572084&quot;:0,&quot;335572085&quot;:0,&quot;335572087&quot;:0,&quot;335572088&quot;:0,&quot;335572089&quot;:0,&quot;469789798&quot;:&quot;none&quot;,&quot;469789802&quot;:&quot;none&quot;,&quot;469789806&quot;:&quot;none&quot;,&quot;469789810&quot;:&quot;none&quot;,&quot;469789814&quot;:&quot;none&quot;}\">\u00a0<\/span><\/p>\n<\/div><\/section>\n<div  class='avia-icon-list-container av-m3rmmbm9-fd09f66d52eccbd9f5956d5617c8bb6e  avia-builder-el-3  el_after_av_textblock  el_before_av_partner '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-m3rmmbm9-fd09f66d52eccbd9f5956d5617c8bb6e avia-iconlist-animate'>\n<li><div class='iconlist_icon av-1ldqqn7-4409d36f471f9f6c90b45cb10d8b937f avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue85b' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><h4 class='av_iconlist_title iconlist_title  '  itemprop=\"headline\" >Every Saturday at 12h, from 5th of October to 14th of December of 2024.<\/h4><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer 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data-av_icon='\ue8cb' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><h4 class='av_iconlist_title iconlist_title  '  itemprop=\"headline\" >Ticket price: 6\u20ac<\/h4><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m3rmchoy-6970b0c45c9de3d030b87ee0c0c3863e\">\n.avia-logo-element-container.av-m3rmchoy-6970b0c45c9de3d030b87ee0c0c3863e .av-partner-fake-img{\nbackground-size:cover;\n}\n<\/style>\n<div  class='avia-logo-element-container av-m3rmchoy-6970b0c45c9de3d030b87ee0c0c3863e avia-logo-slider avia-content-slider avia-smallarrow-slider 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