{"id":54596,"date":"2024-12-02T17:55:14","date_gmt":"2024-12-02T16:55:14","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/54596\/"},"modified":"2024-12-03T17:20:51","modified_gmt":"2024-12-03T16:20:51","slug":"54596","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2024\/54596\/","title":{"rendered":"THE NEW ASIAN CINEMA | CINEMES GIRONA"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-f4oibk-1599e3274aa51abf865f18e44eeea672\">\n.avia-image-container.av-f4oibk-1599e3274aa51abf865f18e44eeea672 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-f4oibk-1599e3274aa51abf865f18e44eeea672 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-f4oibk-1599e3274aa51abf865f18e44eeea672 av-styling- avia-align-center  avia-builder-el-0  el_before_av_heading  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-54534 avia-img-lazy-loading-not-54534 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-1200x630.jpeg\" alt='' title='China Wang Chao A WOMAN (1)'  height=\"630\" width=\"1200\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m3rjsnrp-bd8f7af14ae6c1e85a3d0ebdf8b3e6fb\">\n#top .av-special-heading.av-m3rjsnrp-bd8f7af14ae6c1e85a3d0ebdf8b3e6fb{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-m3rjsnrp-bd8f7af14ae6c1e85a3d0ebdf8b3e6fb .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-m3rjsnrp-bd8f7af14ae6c1e85a3d0ebdf8b3e6fb .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-m3rjsnrp-bd8f7af14ae6c1e85a3d0ebdf8b3e6fb av-special-heading-h1 blockquote elegant-quote elegant-centered  avia-builder-el-1  el_after_av_image  el_before_av_textblock '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  ><span class=\"heading-wrap\">THE NEW ASIAN CINEMA<\/span><\/h1><div class='av-subheading av-subheading_below'><p>From December 7th 2024 to February 22nd 2025<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-m3rjy1ty-04920bf00920325f1f26152601b395a7 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span data-contrast=\"auto\">From the 7th of December, CASA ASIA will present 10 titles covering a vast geography through which we will be able to move freely through the moving image. The stories we are told unite cultures and peoples, each consolidating their identity. The itinerary begins in Bangladesh and is replicated in China, Japan, Iran, Korea, India, Kyrgyzstan and Uzbekistan. It has been conceived in such a way that one can freely choose to reconstruct the mosaic of scenes that this cinema offers us. All the films to be screened were made between 2022 and 2024, so we are talking about recent cinema that brings us into contact with a reality that is remote, but at the same time very close and highly topical. The programme begins with <\/span><b><span data-contrast=\"auto\">The Wrestler<\/span><\/b><span data-contrast=\"auto\"> by Bangladeshi director Iqbal Hossain, followed by <\/span><b><span data-contrast=\"auto\">Abdullah Oripov <\/span><\/b><span data-contrast=\"auto\">by Uzbek director Erkinov Muzaffarkhon, <\/span><b><span data-contrast=\"auto\">Mithya <\/span><\/b><span data-contrast=\"auto\">by Indian director Sumanth Bhat, <\/span><b><span data-contrast=\"auto\">Unhappy Groom<\/span><\/b><span data-contrast=\"auto\"> by Uzbek director Khusnora Ruzmetova, <\/span><b><span data-contrast=\"auto\">A Woman<\/span><\/b><span data-contrast=\"auto\"> by Chinese director Wang Chao, <\/span><b><span data-contrast=\"auto\">Following The Sound<\/span><\/b><span data-contrast=\"auto\"> by Japanese director Kyoshi Sugita, <\/span><b><span data-contrast=\"auto\">Wind Of Change<\/span><\/b><span data-contrast=\"auto\"> by Iranian director Abbas Rafei, <\/span><b><span data-contrast=\"auto\">Toxic Parents<\/span><\/b><span data-contrast=\"auto\"> by Korean director Ryohei Yoshino, <\/span><b><span data-contrast=\"auto\">Our Home<\/span><\/b><span data-contrast=\"auto\"> by Indian director Remi Meitei and <\/span><b><span data-contrast=\"auto\">God&#8217;s Gift<\/span><\/b><span data-contrast=\"auto\"> by Kyrgyz director<\/span><i><span data-contrast=\"auto\"> Aser Zhuraeva<\/span><\/i><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<hr \/>\n<h3><b><span data-contrast=\"auto\">PROGRAMME<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/h3>\n<h4><span data-contrast=\"auto\">PART 1<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/h4>\n<p><span style=\"color: #ff0000;\">Saturday, the 7th of December 2024\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54578 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Bangladesh-THE-WRESTLER-3-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Bangladesh-THE-WRESTLER-3-1-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Bangladesh-THE-WRESTLER-3-1-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Bangladesh-THE-WRESTLER-3-1-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Bangladesh-THE-WRESTLER-3-1-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Bangladesh-THE-WRESTLER-3-1-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Bangladesh-THE-WRESTLER-3-1-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Bangladesh-THE-WRESTLER-3-1.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>The Wrestler<\/span><\/b> <b><span data-contrast=\"auto\">| Iqbal Hossain | Bangladesh | 2023 | 92&#8242; | VOSC | Drama<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">This film illustrates the gradual and intimate register of the regional struggle of Bangladesh (Boli Khela), to portray the confrontation of his main characters. Moju (Nasir Uddin Khan) is an elderly fisherman who, not selling enough fish, decides to challenge the local champion, Dofor (AKM Itmam), to the delight of the community. Moju trains every day on the beach, which serves as his gym. His son and daughter-in-law dread the fateful end of the confrontation and try to prevent it from taking place. The Boli Khela fight requires discipline and stillness, its development is slow and serene. Throughout the film, we inevitably cease to be passive spectators and become involved in an exercise of esoteric meditation. This atmosphere is what makes the Bangladeshi film an excellent psychological thriller.\u202f<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Iqbal H. Chowdhury<\/span><\/b><span data-contrast=\"none\"> is a Toronto-based Bangladeshi-Canadian screenwriter and director with a degree in Film Production from Centennial College in Toronto. His first feature film, Boli (The Wrestler), won the top prize (New Currents Award) at the Busan Film Festival 2023. Also, author of three short films <\/span><b><span data-contrast=\"none\">Dant<\/span><\/b><span data-contrast=\"none\"> (2016), <\/span><b><span data-contrast=\"none\">Dhaka 2.00<\/span><\/b><span data-contrast=\"none\"> (2017) and <\/span><b><span data-contrast=\"none\">Rowai<\/span><\/b><span data-contrast=\"none\"> (2019). Chowdhury&#8217;s audiovisual narrative is replete with symbolic elements that, at times, can border with surrealism. Photography is a key element in his technique as shown by his chromatic choices.\u202f\u202f<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, the 14th of December 2024\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54575 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-ABDULLA-ORIPOV-1-300x127.png\" alt=\"\" width=\"300\" height=\"127\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-ABDULLA-ORIPOV-1-300x127.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-ABDULLA-ORIPOV-1-1030x436.png 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-ABDULLA-ORIPOV-1-768x325.png 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-ABDULLA-ORIPOV-1-1536x651.png 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-ABDULLA-ORIPOV-1-1500x635.png 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-ABDULLA-ORIPOV-1-705x299.png 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-ABDULLA-ORIPOV-1.png 1919w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Abdulla Oripov| Erkinov Muzaffarkhon | Uzbekistan | 2023 | 109\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">The film tells the life story of the renowned poet Abdulla Oripov, considered both a phenomenon of 20th century Uzbek poetry and a national hero. Oripov wrote and lived according to the dictates of his heart and endured throughout his life the political games of the old regime fighting against the old political system with his poems and odes. The film portrays the suffering of the Uzbek intelligentsia throughout the 20th century until the country\u2019s independence. Finally, it amends the poet&#8217;s death in exile, returning him to his people one last time through the screen.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Erkinov Muzaffarkhon<\/span><\/b><span data-contrast=\"none\"> is a prominent Uzbek filmmaker, known for his work as a director, screenwriter and producer. His work focuses on historical and social drama, has received both national and international recognition. Muzaffarkhon has been praised for his ability to capture the essence of Uzbek identity. He is especially notable for the productions that deal with the lives of literary and historical figures, as in his latest film <\/span><b><span data-contrast=\"none\">Abdulla Oripov<\/span><\/b><span data-contrast=\"none\"> (2024).<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, the 21st of December 2024\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54572 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-MITHYA-3-300x159.jpg\" alt=\"\" width=\"300\" height=\"159\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-MITHYA-3-300x159.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-MITHYA-3-1030x545.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-MITHYA-3-768x407.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-MITHYA-3-1536x813.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-MITHYA-3-2048x1084.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-MITHYA-3-1500x794.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-MITHYA-3-710x375.jpg 710w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-MITHYA-3-705x373.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Mithya | Sumanth Bhat 2023 | India | 98\u2019 | VOSE | Drama\u00a0<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Mithya is the name of Mithun, an eleven-year-old boy from Mumbai, who is trying to come to terms with the sudden loss of his parents. Things around him are getting bleaker as his relatives fight over his custody, while questions about the nature of his father&#8217;s death remain unanswered. These events fill the pre-teen with new and complex emotions as he searches for solid ground. Can new beginnings be forged or is it all just a search for something already lost?<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Sumanth Bhat<\/span><\/b><span data-contrast=\"none\"> is an Indian filmmaker known for his work in the Karnataka film industry. He stands out above all for the emotional approach he gives to his stories, always aware of personal growth. His cinema has been praised for its sensitivity and its visual narrative. He has collaborated with renowned talents such as composer Midhun Mukundan and cinematographer Udit Khurana. Sumanth Bhat is considered a promising director for his unique focus on Indian regional cinema.\u00a0\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, the 11th of January 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54569 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-UNHAPPY-GROOM-5-300x124.png\" alt=\"\" width=\"300\" height=\"124\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-UNHAPPY-GROOM-5-300x124.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-UNHAPPY-GROOM-5-1030x424.png 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-UNHAPPY-GROOM-5-768x317.png 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-UNHAPPY-GROOM-5-1536x633.png 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-UNHAPPY-GROOM-5-1500x618.png 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-UNHAPPY-GROOM-5-705x291.png 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Uzbekistan-UNHAPPY-GROOM-5.png 1912w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Unhappy Groom | Khusnora Rozmatova |\u00a0 Uzbekistan | 2023 | 102\u2019| VOSE | Drama<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">The film explores Turkestan&#8217;s past through the history of Uzbekistan at the dawn of the 20th century, during the rule of the Russian Empire. The film highlights the contrast between ancient religious thought and the governmental incompetence of imperialist regimes. Amidst these tensions, two lovers face the difficulties of a life marked by social conventions, heresies and ambiguous traditions. In parallel, the drama of Salih, a salaried actor, is affected by the inability to meet the ambitious demands of Rahima&#8217;s family to marry her. This narrative strikingly reflects the parallels with Shakespeare&#8217;s Romeo and Juliet, where despite the lovers&#8217; attempts to remain aloof from social scrutiny, they cannot avoid their toxicity.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Khusnora Ruzmatova<\/span><\/b><span data-contrast=\"none\">, a film director born in Uzbekistan, has received international recognition by winning the &#8220;For Humanism&#8221; award at the 19th Kazan International Muslim Film Festival. Uzbek cinema has experienced unprecedented visibility in recent years, not only because of the growth of its film industry, but also because of the international awards it has received. In 2023, Uzbek filmmakers won 15 international awards, highlighting the country&#8217;s growing influence on the global film scene.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335559737&quot;:540}\">\u00a0<\/span><\/p>\n<hr \/>\n<h4><span data-contrast=\"none\">PART 2<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335557856&quot;:16777215,&quot;335559737&quot;:540}\">\u00a0<\/span><\/h4>\n<p><span style=\"color: #ff0000;\">Saturday, the 18th of January 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54566 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-1-300x175.jpeg\" alt=\"\" width=\"300\" height=\"175\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-1-300x175.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-1-1030x600.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-1-768x447.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-1-705x411.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/China-Wang-Chao-A-WOMAN-1-1.jpeg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>A Woman<\/span><\/b> <b><span data-contrast=\"auto\">| Wang Chao | China | 2022 | 110&#8242; | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Based on the autobiographical novel <\/span><i><span data-contrast=\"auto\">Dream <\/span><\/i><span data-contrast=\"auto\">by the writer Zhang Xiu Zhen, the protagonist of this film works in a factory and, in her spare time, devotes herself to her family, but when she can, she tries to write. The action is set in the midst of the Cultural Revolution, between the 1960s and the early 1980s. In her personal and family life, she suffers daily abuse from her partner, whom she is supporting and with whom she has already had more children than she could have.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Wang Chao<\/span><\/b><span data-contrast=\"none\"> worked for five years in the steel industry after graduating from university, although he was always interested in film and literature. In 1991, he entered the Beijing Film Academy, where he graduated in 1994 and began working as a film critic. He met Chen Kaige after the filming of <\/span><b><span data-contrast=\"none\">Yellow Earth and<\/span><\/b><span data-contrast=\"none\"> was hired by him as an assistant director between 1995 and 1998 for the filming of <\/span><b><span data-contrast=\"none\">Farewell My Concubine<\/span><\/b><span data-contrast=\"none\"> and <\/span><b><span data-contrast=\"none\">The Emperor and the Assassin<\/span><\/b><span data-contrast=\"none\">. He made his directorial debut with <\/span><b><span data-contrast=\"none\">Orphan of Anyang<\/span><\/b><span data-contrast=\"none\">, which he shot without permission. <\/span><b><span data-contrast=\"none\">A Woman<\/span><\/b><span data-contrast=\"none\"> (2022), his latest film to date, was screened at the last edition of the Asian Film Festival Barcelona | AFFBCN to great public acclaim, after its screening at San Sebastian, where it was nominated for the Golden Shell.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, the 25th of January 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54563 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-201x300.jpg 201w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-690x1030.jpg 690w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-768x1147.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-1028x1536.jpg 1028w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-1004x1500.jpg 1004w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-472x705.jpg 472w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3.jpg 1232w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/>Following The Sound<\/span><\/b> <b><span data-contrast=\"auto\">| Kyoshi Sugita | Japan | 2023 | 84&#8242; | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">One day, Haru, who works as a bookstore clerk, reunites with Takeshi, whom she first met a few years prior, when she stopped him from jumping in front of a train. Takeshi offers Haru a job. Another day, Haru is worried about Yukiko who is sitting on a bench in front of the station and talks to her. This leads them on a small journey together. Haru takes along a cassette recorder left behind as an inheritance by her mother. The circumstances will lead Haru to confront guilt and regretful feelings once again for not having been able to help avoid the illness to give an end to her mom\u2019s life.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Kyoshi Sugita<\/span><\/b><span data-contrast=\"auto\"> was born in 1977 and had his first feature film <\/span><b><span data-contrast=\"auto\">One Song<\/span><\/b><span data-contrast=\"auto\"> selected for the Tokyo International Film Festival in 2011 and its theatrical debut in 2012. His second feature film, <\/span><i><span data-contrast=\"auto\">Song of Light<\/span><\/i><span data-contrast=\"auto\">, was selected for the 2017 Tokyo International Film Festival and the 2018 Jeonju International Film Festival. The film received high praise in major newspapers and the film magazine Kinema Junpo. He has also published the novels <\/span><i><span data-contrast=\"auto\">Kawa no Koibito\/River Lovers<\/span><\/i><span data-contrast=\"auto\"> and <\/span><i><span data-contrast=\"auto\">Hitotsu no Uta\/One Song <\/span><\/i><span data-contrast=\"auto\">and participated as a photographer in the fourth poetry collection <\/span><i><span data-contrast=\"auto\">Uta Long Long Short Song Long<\/span><\/i><span data-contrast=\"auto\"> by the poet Koichi Masuno.\u202f<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, the 1st of February 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54560 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-WIND-OF-CHANGE-8-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-WIND-OF-CHANGE-8-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-WIND-OF-CHANGE-8-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-WIND-OF-CHANGE-8-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-WIND-OF-CHANGE-8-1536x1024.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-WIND-OF-CHANGE-8-2048x1365.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-WIND-OF-CHANGE-8-1500x1000.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Iran-WIND-OF-CHANGE-8-705x470.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Wind Of Change<\/span><\/b> <b><span data-contrast=\"auto\">| Abbas Rafei | Ir\u00e1n | 2023 | 86&#8242; | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Before she has time to process news of her teenage daughter\u2019s troubled behaviour at school, Sara (Narges Mohmmadi) is confronted with an even more serious concern due to the disappearance of her husband. Sometime in the night, after a routine argument, he just got up and left, leaving behind a mystery that falls almost entirely on Sara to solve. Alongside with one of the neighbours, she desperately begins to seek for him. What comes quick into view though is just how dependent she had become on him to survive. The film is a mixture of suspense with social commentary as Sara simultaneously searches for her husband while struggling to reclaim her and her daughter\u2019s independence.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Abbas Rafei <\/span><\/b><span data-contrast=\"auto\">(Shiraz, 1962) is a graduate of Cinematography (from University of Television) and Dramatic Literature. <\/span><span data-contrast=\"auto\">Rafei established his own film production company in 1995, when he made his first feature film, <\/span><b><span data-contrast=\"auto\">Mina\u2019s secret<\/span><\/b><span data-contrast=\"auto\">. In the international scene, he is best known for <\/span><b><span data-contrast=\"auto\">Butterfly in the wind<\/span><\/b><span data-contrast=\"auto\"> (presented at Rio, Oslo, Umea, Mannheim, etc. and awarded at Festival D\u2019 Amiens) and <\/span><b><span data-contrast=\"auto\">Oblivion season<\/span><\/b><span data-contrast=\"auto\">. His company, <\/span><i><span data-contrast=\"auto\">Filmnegaran<\/span><\/i><span data-contrast=\"auto\">, has been active in the production of TV Series, fiction films and documentaries and entered cooperation with several film production companies in different parts of the world.\u202f<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, the 8th of February 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54557 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1-1536x1024.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1-2048x1365.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1-1500x1000.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Corea-TOXIC-PARENTS-4-1-705x470.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Toxic Parents<\/span><\/b> <b><span data-contrast=\"auto\">| Ryohei Yoshino | Corea | 2023 | 104\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Yoo-ri, a seemingly model student from a well-to do family suddenly commits suicide. Detectives suspect suicide, but her mother Hye-young believes that Yoo-ri\u2019s classmate Ye-na and homeroom teacher Gi-beom were the killers. As the investigation dives into the lives of these people, it spirals out of control due to conflicting statements between the three, but detectives find out that Hye-young caused cracks in Yoo-ri\u2019s heart. Deeply believing that she was doing everything possible for her child out of love, can Hye-young uncover the truth behind her daughter\u2019s death?\u202f<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Kim Soo In<\/span><\/b><span data-contrast=\"auto\"> is a South Korean screenwriter. She graduated from Dankook University&#8217;s Department of Creative Writing and completed her major in the Department of Film at Chung-Ang University&#8217;s Graduate School. She wrote adaptations and screenplays for a few feature films, including the adaptation of <\/span><b><span data-contrast=\"auto\">Oksu Station Ghost<\/span><\/b> <span data-contrast=\"auto\">(2021) and the screenplay of <\/span><b><span data-contrast=\"auto\">B Cut<\/span><\/b><span data-contrast=\"auto\"> (2021). <\/span><b><span data-contrast=\"auto\">Toxic Parents<\/span><\/b><span data-contrast=\"auto\"> is her first feature film.\u202f<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, the 15th of February 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54554 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/India-OUR-HOME-2-1.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Our Home<\/span><\/b> <b><span data-contrast=\"auto\">| Romi Meitei | India | 2022 | 110&#8242; | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Belonging to an isolated fishing community of the Loktak lake, Chaoren makes the best use of his exclusive existence by excelling in school. When the canoe he uses every day to attend school must be sold off because of his father\u2019s illness, his spirit is not dampened. He beats the long distance from his shanty floating hut to his school by swimming his way through. But when the Government issues an eviction notice demanding Chaoren\u2019s family to leave their home, his dreams are left with the angst of a displaced person.\u202f<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Romi Meitei<\/span><\/b><span data-contrast=\"auto\"> is prolific filmmaker who has given several box-office hits. Besides notching up commercial successes, his films have been screened in prestigious film festivals including IFFI, MIFF, IFFK and others. He has won the prestigious FIPRESCI (International Film Critics Awards) and NETPAC (best Asian feature film from the Network for the Promotion of Asian Cinema) awards. He has also received several Manipur State Film Awards. He is the Chairman of Mami Thawan Foundation which aims to render services for the welfare of Manipur.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday, the 22nd of February 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54551 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-300x149.jpg\" alt=\"\" width=\"300\" height=\"149\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-300x149.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-1030x513.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-768x382.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-1536x764.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-2048x1019.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-1500x746.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Kirguistan-GODS-GIFT-1-705x351.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>God\u2019s Gift<\/span><\/b> <b><span data-contrast=\"auto\">| Asel Zhuraeva | Kyrgyzstan| 2023 | 75&#8242; | VOSE | Comedy<\/span><\/b><\/p>\n<p><span data-contrast=\"auto\">An elderly childless couple with poor health live in a small village where barely anything ever happens when some unknown people leave a six-month-old baby at their front door. In the beginning, Initially, the old couple wants to hand over the child to the authorities, but having heard that young children could be being sold for trafficking with their organs, they decide to keep him. Caring for a baby turns the lives of older people in a completely different direction, and they end up finding a renewed interest.\u202f<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Asel Zhuraeva<\/span><\/b><span data-contrast=\"auto\"> graduated from the Kyrgyz State Institute of Arts in 2010. She also coursed in the Film school of RustamIbragimbekov (Kiev, Ukraine, 2013) and afterwards she started lecturing at AUCA (2017 to 2019). She is the director at the Tazar Cinema Company and the head of Creative Women of Asia Foundation since 2010.\u202f<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<\/div><\/section>\n<div  class='hr av-3z4vkjk-655c60b243533c475b1d080f0c9f73f6 hr-default  avia-builder-el-3  el_after_av_textblock  el_before_av_iconlist '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='avia-icon-list-container av-3nig4lc-a7e64930eaa68f0118249064822efcb4  avia-builder-el-4  el_after_av_hr  el_before_av_partner '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-3nig4lc-a7e64930eaa68f0118249064822efcb4 avia-iconlist-animate'>\n<li><div class='iconlist_icon av-33713xc-1035c1762c1b0c593701fb7b5cc4c494 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue85b' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p><span style=\"color: #ffffff;\">From the 7th of December 2024 until the 22nd of February 2025, at 7 p.m.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">*This schedule may be subject to slight changes. Please consult the cinema listings<\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-2odgfkw-35d9715cb529f55147ab28e4dbd4c1fa avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue842' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><h4 class='av_iconlist_title iconlist_title  '  itemprop=\"headline\" >C\/ Girona, 175, 08025 Barcelona<\/h4><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-25yzerk-1c525202946060d80ec676f60b32f846 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue8cb' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p><span style=\"color: #ffffff;\">Ticket price:<span style=\"color: #ff0000;\"> 5,50\u20ac<\/span><\/span><\/p>\n<p><span style=\"color: #ffffff;\">Cinemes Girona Season Ticket holders and memebrs:<span style=\"color: #ff0000;\">4\u20ac<\/span><\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1gfnzkw-4ba121367729c796dbc84a10243c46ec\">\n.avia-logo-element-container.av-1gfnzkw-4ba121367729c796dbc84a10243c46ec .av-partner-fake-img{\nbackground-size:cover;\n}\n<\/style>\n<div  class='avia-logo-element-container av-1gfnzkw-4ba121367729c796dbc84a10243c46ec avia-logo-slider avia-content-slider avia-smallarrow-slider avia-content-slider-active noHover avia-content-slider-odd  avia-builder-el-5  el_after_av_iconlist  avia-builder-el-last  av-slideshow-ui av-control-default av-nav-arrows-visible av-nav-dots-visible av-no-slider-navigation av-slideshow-manual av-loop-once av-loop-manual-endless avia-content-slider1' data-slideshow-options=\"{&quot;animation&quot;:&quot;slide&quot;,&quot;autoplay&quot;:false,&quot;loop_autoplay&quot;:&quot;once&quot;,&quot;interval&quot;:5,&quot;loop_manual&quot;:&quot;manual-endless&quot;,&quot;autoplay_stopper&quot;:false,&quot;noNavigation&quot;:false,&quot;bg_slider&quot;:false,&quot;keep_padding&quot;:&quot;&quot;,&quot;hoverpause&quot;:false,&quot;show_slide_delay&quot;:0}\"><div class='avia-smallarrow-slider-heading '><div class='new-special-heading'><h3 class='av-logo-special-heading-text '>ORGANIZED BY:<\/h3><\/div><\/div><div class=\"avia-content-slider-inner\"><div class=\"slide-entry-wrap\"><div  class='slide-entry av-15shen4-5883b73f85fd4a5249840aa1ebe588ce flex_column no_margin av_one_third real-thumbnail post-entry slide-entry-overview slide-loop-1 slide-parity-odd  first'><span class='av-partner-fake-img' style='padding-bottom:96.550264550265%; background-image:url(https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/CasaAsia2020_CMYK_Standard-1.jpg);'><\/span><\/div><div  class='slide-entry av-jm34f4-5486d0cd54f5849245a8de67564adf8f flex_column no_margin av_one_third real-thumbnail post-entry slide-entry-overview slide-loop-2 slide-parity-even post-entry-last '><span class='av-partner-fake-img' style='padding-bottom:96.550264550265%; background-image:url(https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/LOGO-QUADRAT_sense-linia-blanca_300dpi.jpg);'><\/span><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":54572,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-54596","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/posts\/54596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/comments?post=54596"}],"version-history":[{"count":22,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/posts\/54596\/revisions"}],"predecessor-version":[{"id":55633,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/posts\/54596\/revisions\/55633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/media\/54572"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/media?parent=54596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/categories?post=54596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/tags?post=54596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}