{"id":19935,"date":"2018-11-28T15:41:05","date_gmt":"2018-11-28T14:41:05","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2018\/?p=19935"},"modified":"2018-11-28T15:41:05","modified_gmt":"2018-11-28T14:41:05","slug":"film-series-india-cinema-as-an-instrument-of-protest","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2024\/film-series-india-cinema-as-an-instrument-of-protest\/","title":{"rendered":"Film Series &#8220;India: cinema as an instrument of protest&#8221;"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>July 21st and July 28th 2018<\/strong><\/p>\n<p>It is an occasion to show a kind of cinema in which social gaze, defence of pluralism, equality of opportunities, human rights and gender policies. Actually, they are like two windows to worlds, that we have no chance to see and to know and that we are only allowed to access to them through cinema. Despite the distance in time that mediates between the production of both films, the social reality and the critical eye is imposed. It is always interesting to recover cinematographic realisms as the one that is defined as a sector of directors that see cinema as an instrument of protest to raise awareness among all audiences.<\/p>\n<p><strong>Programme:<\/strong><\/p>\n<p><em><strong>PIED PIPER<\/strong><\/em>, Dir. Vivek Budakoti | India | 2013 | 113\u2019 | Drama\u00a0| July 21st, 8pm<\/p>\n<p><em><strong>WALKING WITH THE WIND<\/strong><\/em>, Dir. Praveen Morchhale | India | 2017 | 79\u2019 | Drama\u00a0| July 28th, 8pm<\/p>\n<p><strong>Place:\u00a0<\/strong>Cinemes Girona. C\/Girona, 175. Barcelona.<\/p>\n<p><strong>Ticket:\u00a0<\/strong><\/p>\n<ul>\n<li>General: 3.5 euros.<\/li>\n<li>Cinemes Girona&#8217;s subscribers and members: 2 euros.<\/li>\n<\/ul>\n<p><strong>Organizer:\u00a0<\/strong>Casa Asia, ImagineIndia International Film Festival and Cinemes Girona<\/p>\n","protected":false},"excerpt":{"rendered":"<p>July 21st and July 28th 2018 It is an occasion to show a kind of cinema in which social gaze, defence of pluralism, equality of opportunities, human rights and gender policies. Actually, they are like two windows to worlds, that we have no chance to see and to know and that we are only allowed [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-19935","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/posts\/19935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/comments?post=19935"}],"version-history":[{"count":0,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/posts\/19935\/revisions"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/media?parent=19935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/categories?post=19935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/wp-json\/wp\/v2\/tags?post=19935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}