{"id":51142,"date":"2024-10-07T11:36:20","date_gmt":"2024-10-07T09:36:20","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/?page_id=51142"},"modified":"2024-10-07T12:10:08","modified_gmt":"2024-10-07T10:10:08","slug":"retrospective-of-australian-aboriginal-cinema","status":"publish","type":"page","link":"https:\/\/asianfilmfestival.barcelona\/2024\/retrospective-of-australian-aboriginal-cinema\/","title":{"rendered":"RETROSPECTIVE OF AUSTRALIAN ABORIGINAL CINEMA"},"content":{"rendered":"<div id='full_slider_1'  class='avia-fullwidth-slider main_color avia-shadow   avia-builder-el-0  el_before_av_one_full  avia-builder-el-first   container_wrap fullsize'  >\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kv2b79em-bb26ae75afb633804a7446a3bbbe100a\">\n#top #wrap_all .avia-slideshow .av-slideshow-caption.av-kv2b79em-bb26ae75afb633804a7446a3bbbe100a__0 .avia-caption-title{\nfont-size:90px;\n}\n#top .avia-slideshow .av-slideshow-caption.av-kv2b79em-bb26ae75afb633804a7446a3bbbe100a__0 .avia-caption-content{\nfont-size:90px;\n}\n#top .avia-slideshow .av-slideshow-caption.av-kv2b79em-bb26ae75afb633804a7446a3bbbe100a__0 .avia-caption-content p{\nfont-size:90px;\n}\n<\/style>\n<div  class='avia-slideshow av-kv2b79em-bb26ae75afb633804a7446a3bbbe100a avia-slideshow-featured av_slideshow_full avia-fade-slider av-slideshow-ui av-control-default av-slideshow-manual av-loop-once av-loop-manual-endless av-default-height-applied   avia-slideshow-1' data-slideshow-options=\"{&quot;animation&quot;:&quot;fade&quot;,&quot;autoplay&quot;:false,&quot;loop_autoplay&quot;:&quot;once&quot;,&quot;interval&quot;:5,&quot;loop_manual&quot;:&quot;manual-endless&quot;,&quot;autoplay_stopper&quot;:false,&quot;noNavigation&quot;:false,&quot;bg_slider&quot;:false,&quot;keep_padding&quot;:false,&quot;hoverpause&quot;:false,&quot;show_slide_delay&quot;:0}\"  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><ul class='avia-slideshow-inner ' style='padding-bottom: 28.666666666667%;'><li  class='avia-slideshow-slide av-kv2b79em-bb26ae75afb633804a7446a3bbbe100a__0  av-single-slide slide-1 slide-odd'><div data-rel='slideshow-1' class='avia-slide-wrap '   ><div class='av-slideshow-caption av-kv2b79em-bb26ae75afb633804a7446a3bbbe100a__0 caption_fullwidth caption_bottom'><div class=\"container caption_container\"><div class=\"slideshow_caption\"><div class=\"slideshow_inner_caption\"><div class=\"slideshow_align_caption\"><h2 class='avia-caption-title '  itemprop=\"name\" >Retrospective of Australian aboriginal cinema (2015-2023)<\/h2><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" fetchpriority=\"high\" class=\"wp-image-51137 avia-img-lazy-loading-not-51137\"  src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/10\/Australia-THE-LAST-DAUGHTER-4-1500x430.jpg\" width=\"1500\" height=\"430\" title='Australia-THE-LAST-DAUGHTER-(4)' alt=''  itemprop=\"thumbnailUrl\"   \/><\/div><\/li><\/ul><\/div><\/div><div id='after_full_slider_1'  class='main_color av_default_container_wrap container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-51142'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-1ifen1j-8b944feef305ef4b72a76f27f2a2454a av_one_full  avia-builder-el-1  el_after_av_slideshow_full  avia-builder-el-no-sibling  first flex_column_div  '     ><p><section  class='av_textblock_section av-kv2b8p6i-65b24e88482f351e88795a9394fc96a3 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>The Retrospective of Australian Aboriginal Cinema (2015-2023) that we present as part of the Asian Film Festival of Barcelona (2024) brings together nine films made by Australian Aboriginal filmmakers over the last ten years. Its aim is to showcase a cinema that raises questions and suggests the need to immerse ourselves in the history of one of the oldest cultures on the planet. Personal experience and autobiographical narrative, combined with archival footage, provide Aboriginal cinema with firsthand material to address the current circumstances of the Aboriginal population and the recovery of their rights as free citizens. The three films of this retrospective hosted by the Filmoteca de Catalunya are The Last Daughter (2022), Kindred (2023) and Winhanganha (2023).<\/strong><\/p>\n<p>Aboriginal cinema is primarily characterized by the advocacy nature of its works and the interest of its authors in correcting history and assessing the relationship between Aboriginal communities and colonial power. Ever since James Cook arrived in Australia in 1770, colonial representatives have established the rules of the game. When the British landed in Australia, there were over 400 Aboriginal peoples, communities, groups, and subgroups, many of them with their own languages, and they were considered a living culture and the oldest one on the planet. The term ab-origine (from the origin) has been used in English since the 17th century and in Australia since 1789, a year after the first penal colony arrived in the country. The first disintegration of society, which then consisted of between 300,000 and 750,000 Aboriginal people spread across 250 nations and clans, occurred as a result of smallpox, chickenpox, measles, flu, and tuberculosis epidemics, which wiped out 90% of the Aboriginal population between 1788 and 1790. The term Aboriginal has often been replaced by First Nations, probably as an attempt to redeem the Aboriginal cause and demonstrate the social integration of those citizens who, until 1962, did not have the right to vote simply because they belonged to an Aboriginal community. It is important to remember that the principle of Terra Nullius marked the beginning of a colonial system based on the occupation of &#8220;nobody\u2019s land,&#8221; where the natives became victims of the worst injustices. The Aboriginal claim for the lands stolen by the settlers has been ongoing since the 1970s. However, the property and occupation rights granted by the Terra Nullius to the colonizers in 1778 were not repealed until 1992.<\/p>\n<p>The little-known Aboriginal cinema has a prominent place in this edition of the AFFBCN, where we have tried to prioritize in our annual retrospective a culture that is closely linked to landscapes shaped by a history of resilience against colonial power and coloniality. Bruce Chatwin (1940-1989) was the great introducer of these landscapes to the West with <strong>The Songlines<\/strong>. The book, published in 1989, remains a manifesto of the fascination experienced by this writer and traveler, whose testimony unfolds in a poetic and autobiographical narrative that defends the territorial rights of the bearers of a culture whose identity cannot be denied, instead demanding the restitution of their rights. The literature of explorers who have undertaken expeditions into the Australian desert, such as The Bindibu Expedition, whose testimonies were recorded in The Geographical Journal, vol 128, in March 1962, has been very useful in disseminating the history of lost tribes that, in the age of electronic and digital civilization, still lack real contact with today\u2019s society. <strong>The Lizard Eaters<\/strong> by Douglas Stockwood, a member of the expedition, is one of the testimonies included in this publication, informing about the extreme weather conditions of the desert, where some of the oldest tribes still live. Literature and cinema complement each other, and with this Aboriginal Cinema Retrospective, we want to offer our audiences the opportunity to get to know one of the world&#8217;s oldest cultures. Largely silenced until the end of the last century and having survived adversity and attempts by hegemonic colonial power to eradicate it, this culture&#8217;s resurgence also finds in cinema a means of communication that rivals literature, and like literature, a way of highlighting its cultural identity.<\/p>\n<\/div><\/section><br \/>\n<div  id=\"av-sc-portfolio-1\"  class=\"av-portfolio-grid-sorting-container\"><div class='sort_width_container  av-sort-yes' data-portfolio-id='1' ><div id='js_sort_items' ><div class='sort_by_cat hidden'><a href=\"#\" data-filter=\"all_sort\" class=\"all_sort_button active_sort\"><span class=\"inner_sort_button\"><span>All<\/span><small class=\"av-cat-count\"> 9 <\/small><\/span><\/a><span class=\"text-sep retrospective-of-australian-aboriginal-cinema_sort_sep\">\/<\/span><a href=\"#\" data-filter=\"retrospective-of-australian-aboriginal-cinema_sort\" class=\"retrospective-of-australian-aboriginal-cinema_sort_button\" ><span class=\"inner_sort_button\"><span>Retrospective of Australian Aboriginal Cinema<\/span><small class=\"av-cat-count\"> 9 <\/small><\/span><\/a><\/div><\/div><\/div><div  class=' grid-sort-container isotope   no_margin-container with-excerpt-container grid-total-odd grid-col-4 grid-links-' data-portfolio-id='1'><div data-ajax-id='51610' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-51610 grid-entry-overview grid-loop-1 grid-parity-odd  retrospective-of-australian-aboriginal-cinema_sort  av_one_fourth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/spear\/\" title='Spear'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/10\/Australia_SPEAR-260x185.jpg\" class=\"wp-image-51611 avia-img-lazy-loading-not-51611 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/spear\/' title='Spear'>Spear<\/a><\/h3><\/header><div class='grid-entry-excerpt entry-content'  itemprop=\"text\" >Stephen Page  \/ 2015<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='51598' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-51598 grid-entry-overview grid-loop-2 grid-parity-even  retrospective-of-australian-aboriginal-cinema_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/top-end-wedding\/\" title='Top End Wedding'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/10\/Australia_TOP-END-WEDDING-260x185.jpg\" class=\"wp-image-51599 avia-img-lazy-loading-not-51599 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/top-end-wedding\/' title='Top End Wedding'>Top End Wedding<\/a><\/h3><\/header><div class='grid-entry-excerpt entry-content'  itemprop=\"text\" >Wayne Blair \/ 2019<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='51584' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-51584 grid-entry-overview grid-loop-3 grid-parity-odd  retrospective-of-australian-aboriginal-cinema_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/the-drovers-wife-the-legend-of-molly-johnson\/\" title='The Drover\u00b4s Wife: The Legend of Molly Johnson'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/10\/Australia-THE-DROVERS-WIFE.-THE-LEGEND-OF-MOLLY-JOHNSON-2-260x185.jpg\" class=\"wp-image-51585 avia-img-lazy-loading-not-51585 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/the-drovers-wife-the-legend-of-molly-johnson\/' title='The Drover\u00b4s Wife: The Legend of Molly Johnson'>The Drover\u00b4s Wife: The Legend of Molly Johnson<\/a><\/h3><\/header><div class='grid-entry-excerpt entry-content'  itemprop=\"text\" >Leah Maree Purcell \/ 2021<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='51572' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-51572 grid-entry-overview grid-loop-4 grid-parity-even  retrospective-of-australian-aboriginal-cinema_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/my-name-is-gulpilil\/\" title='My Name Is Gulpilil'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/10\/Australia-MY-NAME-IS-GULPILIL-5-260x185.jpg\" class=\"wp-image-51573 avia-img-lazy-loading-not-51573 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/my-name-is-gulpilil\/' title='My Name Is Gulpilil'>My Name Is Gulpilil<\/a><\/h3><\/header><div class='grid-entry-excerpt entry-content'  itemprop=\"text\" >Molly Reynolds \/ 2021<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='51563' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-51563 grid-entry-overview grid-loop-5 grid-parity-odd  retrospective-of-australian-aboriginal-cinema_sort  av_one_fourth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/sweet-as\/\" title='Sweet As'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/10\/Australia-SWEET-AS-1-260x185.jpg\" class=\"wp-image-51539 avia-img-lazy-loading-not-51539 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/sweet-as\/' title='Sweet As'>Sweet As<\/a><\/h3><\/header><div class='grid-entry-excerpt entry-content'  itemprop=\"text\" >Jub Clerc \/ 2022<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='50954' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-50954 grid-entry-overview grid-loop-6 grid-parity-even  retrospective-of-australian-aboriginal-cinema_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/emu-runner\/\" title='Emu Runner'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/10\/Australia-EMU-RUNNER-260x185.jpg\" class=\"wp-image-51328 avia-img-lazy-loading-not-51328 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/emu-runner\/' title='Emu Runner'>Emu Runner<\/a><\/h3><\/header><div class='grid-entry-excerpt entry-content'  itemprop=\"text\" >Imogen Thomas \/ 2018<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='50943' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-50943 grid-entry-overview grid-loop-7 grid-parity-odd  retrospective-of-australian-aboriginal-cinema_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/winhanganha\/\" title='Winhanganha'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/10\/Australia-WINHANGANHA-2-260x185.jpg\" class=\"wp-image-53437 avia-img-lazy-loading-not-53437 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/winhanganha\/' title='Winhanganha'>Winhanganha<\/a><\/h3><\/header><div class='grid-entry-excerpt entry-content'  itemprop=\"text\" >Jazz Money \/ 2023<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='50929' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-50929 grid-entry-overview grid-loop-8 grid-parity-even  retrospective-of-australian-aboriginal-cinema_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/the-last-daughter\/\" title='The Last Daughter'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/10\/Australia_THE-LAST-DAUGHTER-260x185.jpg\" class=\"wp-image-50930 avia-img-lazy-loading-not-50930 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/the-last-daughter\/' title='The Last Daughter'>The Last Daughter<\/a><\/h3><\/header><div class='grid-entry-excerpt entry-content'  itemprop=\"text\" >Brenda Matthews, Nathaniel Schmidt \/ 2022<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='50913' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-50913 grid-entry-overview grid-loop-9 grid-parity-odd  post-entry-last  retrospective-of-australian-aboriginal-cinema_sort  av_one_fourth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/kindred\/\" title='Kindred'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/10\/Australia_KINDRED-260x185.jpg\" class=\"wp-image-50918 avia-img-lazy-loading-not-50918 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/asianfilmfestival.barcelona\/2024\/film-item\/kindred\/' title='Kindred'>Kindred<\/a><\/h3><\/header><div class='grid-entry-excerpt entry-content'  itemprop=\"text\" >Gillian Woody & Adrian Russell Wills  \/ 2023<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><\/div><\/div>   <!--   class=\"av-portfolio-grid-sorting-container\"  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