{"id":55669,"date":"2024-11-10T11:40:33","date_gmt":"2024-11-10T10:40:33","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/?p=55669"},"modified":"2025-03-12T13:40:14","modified_gmt":"2025-03-12T12:40:14","slug":"entrevista-con-usman-riaz","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2024\/es\/entrevista-con-usman-riaz\/","title":{"rendered":"Entrevista a Usman Riaz"},"content":{"rendered":"<section  class='av_textblock_section av-m82wlgby-14231c4bfa1746610c9a59024d8197ee '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h1 style=\"text-align: center;\">Entrevista a Usman Riaz, director de <em>The Glassworker<\/em><\/h1>\n<\/div><\/section>\n<div  class='avia-video av-iyot6d-26648621983c7d4dd07cf97601c0afec avia-video-16-9 av-no-preview-image avia-video-load-always avia-video-html5'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Entrevista-con-Uzman-Riaz.mp4'><video class='avia_video'    preload=\"auto\"  controls id='player_55669_1139388831_1090830035'><source src='https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Entrevista-con-Uzman-Riaz.mp4' type='video\/mp4' \/><\/video><\/div>\n<section  class='av_textblock_section av-m82wqmit-28a592d5bdd7f7cfcd4d77cd74b30566 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 style=\"text-align: center;\">Biograf\u00eda<\/h2>\n<\/div><\/section>\n<section  class='av_textblock_section av-m82wtdm7-3e6010d7a78f61809d3984611fd9d780 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p data-start=\"161\" data-end=\"418\">Usman Riaz es un director, guionista, animador y compositor originario de Pakist\u00e1n. A los 21 a\u00f1os, fue seleccionado como ponente de <strong data-start=\"293\" data-end=\"306\">TED Talks<\/strong>, participando en eventos en Jap\u00f3n, India, Malasia, Costa Rica, Turqu\u00eda, Canad\u00e1, Reino Unido y Estados Unidos.<\/p>\n<p data-start=\"420\" data-end=\"632\">Estudi\u00f3 <strong data-start=\"428\" data-end=\"446\">dise\u00f1o gr\u00e1fico<\/strong> en la <em data-start=\"453\" data-end=\"498\">Indus Valley School of Art and Architecture<\/em> en Karachi y, m\u00e1s tarde, obtuvo una beca para especializarse en <strong data-start=\"563\" data-end=\"586\">composici\u00f3n musical<\/strong> en el <em data-start=\"593\" data-end=\"619\">Berklee College of Music<\/em> en Boston.<\/p>\n<p data-start=\"634\" data-end=\"712\">Es el autor de la historia y guion de su aclamada obra: <strong data-start=\"690\" data-end=\"709\">The Glassworker<\/strong>.<\/p>\n<hr \/>\n<h2 data-start=\"719\" data-end=\"743\"><strong data-start=\"722\" data-end=\"741\">The Glassworker<\/strong><\/h2>\n<p data-start=\"765\" data-end=\"926\">Vincent y su padre, Tomas, trabajan en un taller de vidrio a las afueras de una ciudad cuando sus vidas se ven interrumpidas por una guerra que sacude al pa\u00eds.<\/p>\n<p data-start=\"928\" data-end=\"1223\">La llegada al pueblo de un coronel del ej\u00e9rcito y su hija violinista, Alliz, provoca un cambio inesperado en la relaci\u00f3n entre padre e hijo. A medida que el amor entre Vincent y Alliz florece, tambi\u00e9n crecen las tensiones debido a las diferencias pol\u00edticas y sociales impuestas por sus padres.<\/p>\n<p data-start=\"1225\" data-end=\"1392\"><strong data-start=\"1225\" data-end=\"1244\">The Glassworker<\/strong> es un retrato de un tiempo en el que el <strong data-start=\"1285\" data-end=\"1300\">patriotismo<\/strong> y la <strong data-start=\"1306\" data-end=\"1325\">posici\u00f3n social<\/strong> se anteponen al pensamiento libre y al reconocimiento art\u00edstico.<\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":55732,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[],"class_list":["post-55669","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/es\/wp-json\/wp\/v2\/posts\/55669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/es\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/es\/wp-json\/wp\/v2\/comments?post=55669"}],"version-history":[{"count":12,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/es\/wp-json\/wp\/v2\/posts\/55669\/revisions"}],"predecessor-version":[{"id":55754,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/es\/wp-json\/wp\/v2\/posts\/55669\/revisions\/55754"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/es\/wp-json\/wp\/v2\/media\/55732"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/es\/wp-json\/wp\/v2\/media?parent=55669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/es\/wp-json\/wp\/v2\/categories?post=55669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/es\/wp-json\/wp\/v2\/tags?post=55669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}