{"id":55770,"date":"2025-03-17T16:51:20","date_gmt":"2025-03-17T15:51:20","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/?p=55770"},"modified":"2025-03-24T19:22:10","modified_gmt":"2025-03-24T18:22:10","slug":"orient-express-casa-asia-a-beteve-abr-jun-2025","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/orient-express-casa-asia-a-beteve-abr-jun-2025\/","title":{"rendered":"ORIENT EXPRESS: CASA ASIA a BETEV\u00c9 Abr-Jun 2025"},"content":{"rendered":"<div  class='hr av-av_hr-7bacd336e8c7b574fdeac16e430feaa5 hr-default  avia-builder-el-0  el_before_av_image  avia-builder-el-first '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m8d8dzs0-a95e3f9a85fb4eb5cef24a1b944a9ffa\">\n.avia-image-container.av-m8d8dzs0-a95e3f9a85fb4eb5cef24a1b944a9ffa img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-m8d8dzs0-a95e3f9a85fb4eb5cef24a1b944a9ffa .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-m8d8dzs0-a95e3f9a85fb4eb5cef24a1b944a9ffa av-styling- avia-align-center  avia-builder-el-1  el_after_av_hr  el_before_av_heading '  ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-55757 avia-img-lazy-loading-not-55757 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-A-LAB-STORY-2-1500x630.png\" alt='' title='Filipinas A LAB STORY 2'  height=\"630\" width=\"1500\"  \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m8d8djqk-8df05ac9fc7a09fccd50a89e62dcf03f\">\n#top .av-special-heading.av-m8d8djqk-8df05ac9fc7a09fccd50a89e62dcf03f{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-m8d8djqk-8df05ac9fc7a09fccd50a89e62dcf03f .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-m8d8djqk-8df05ac9fc7a09fccd50a89e62dcf03f .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-m8d8djqk-8df05ac9fc7a09fccd50a89e62dcf03f av-special-heading-h1 blockquote elegant-quote elegant-centered  avia-builder-el-2  el_after_av_image  el_before_av_textblock '><h1 class='av-special-heading-tag '  ><span class=\"heading-wrap\">ORIENT EXPRESS: CASA ASIA a BETEV\u00c9 Abr-Jun 2025<\/span><\/h1><div class='av-subheading av-subheading_below'><p>Aquest per\u00edode engloba des del 3 d&#8217;abril al 29 de maig<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-m8d8hz7c-c9701d4aa3761f5661d425c9e3be5963 '  ><div class='avia_textblock' ><h4><\/h4>\n<h3>PROGRAMA<\/h3>\n<p><span style=\"color: #ff0000;\">Dijous 3 d\u2019abril de 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Las Filipines<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>A Lab Story <\/i><\/b><\/span><b><span data-contrast=\"none\">| Carlo Obispo | 2024 | 150\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img decoding=\"async\" class=\"size-medium wp-image-55757 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-A-LAB-STORY-2-300x154.png\" alt=\"\" width=\"300\" height=\"154\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-A-LAB-STORY-2-300x154.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-A-LAB-STORY-2-1030x529.png 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-A-LAB-STORY-2-768x394.png 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-A-LAB-STORY-2-1536x788.png 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-A-LAB-STORY-2-1500x770.png 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-A-LAB-STORY-2-705x362.png 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Filipinas-A-LAB-STORY-2.png 1919w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>La Pinky, una adolescent aeta obsessionada amb llegir llibres de roman\u00e7 \u00e9s escollia per les monges per estudiar a l\u2019escola secund\u00e0ria Josephine Cojuangco Tech Voc. Un dia, la seva mestra, la senyora Kristine, anuncia el proper concurs de preguntes i respostes sobre agricultura, en qu\u00e8 hi hauria una prova de \u201claboratori\u201d. La Pinky pensa que ha dit una prova d&#8217;\u201damor\u201d i s\u2019ofereix a participar-hi.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En <\/span><b><span data-contrast=\"none\">Carlo Obispo<\/span><\/b><span data-contrast=\"none\">, director i guionista filip\u00ed, \u00e9s una figura molt present al Festival de Cinema Independent Cinemalaya. Es va llicenciar en Filosofia amb especialitzaci\u00f3 en Comunicaci\u00f3 Art\u00edstica a la Universitat de Saint Louis i \u00e9s l\u2019autor de pel\u00b7l\u00edcules com <\/span><b><span data-contrast=\"none\">Purok 7 <\/span><\/b><span data-contrast=\"none\">(2013), <\/span><b><span data-contrast=\"none\">Gasping for Air <\/span><\/b><span data-contrast=\"none\">(2016) i <\/span><b><span data-contrast=\"none\">Baseball Player <\/span><\/b><span data-contrast=\"none\">(2022), sent la seva obra m\u00e9s recent <\/span><b><span data-contrast=\"none\">A Lab Story <\/span><\/b><span data-contrast=\"none\">(2024).<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Dijous 10 d\u2019abril de 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Iran<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Pakol<\/i><\/b><\/span><b><span data-contrast=\"auto\"> | Navid Esmaeili | 2023 | 81\u2019 | VOSE | Drama\u00a0\u00a0\u00a0<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55760 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-PAKOL-3-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-PAKOL-3-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-PAKOL-3-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-PAKOL-3-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-PAKOL-3-1536x1025.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-PAKOL-3-1500x1001.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Iran-PAKOL-3-705x470.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Atrapat en un m\u00f3n fosc i sense esperan\u00e7a, l\u2019Amir, que ronda els cinquanta anys, viu dia a dia una vida avorrida i rutin\u00e0ria. Va perdre la seva mare fa molt temps i nom\u00e9s li queda el seu pare, que est\u00e0 en una resid\u00e8ncia. No pensa en res m\u00e9s, ni tan sols en el seu poc exit\u00f3s amor per una noia afana, la Yasna, des de l&#8217;adolesc\u00e8ncia. Un dia, sent a parlar de la Yasna i intenta buscar algunes pistes per trobar-la, per\u00f2 les seves indagacions li indiquen que ha de continuar buscant-la.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Nascut el 1986 a Tabriz, en <\/span><b><span data-contrast=\"none\">Navid Esmaeili<\/span><\/b><span data-contrast=\"none\"> ha treballat activament com a actor i director de teatre, cinema i produccions televisives. Malgrat el seu amor, des de la inf\u00e0ncia, pel teatre i l&#8217;actuaci\u00f3, la seva fam\u00edlia tradicional sempre li va prohibir dedicar-se a la seva passi\u00f3. Quan tenia disset anys es va casar amb la Saeedeh Hamidi. Dos anys m\u00e9s tard, a decidir endinsar-se en el m\u00f3n del cinema i passar per l&#8217;acad\u00e8mia fins a llicenciar-se en Direcci\u00f3. Des de llavors, ha treballat amb l\u2019Hamidi com a productor\/gerent de producci\u00f3 dels seus diversos projectes. El 2021, l\u2019Esmaeili va fer el seu primer llargmetratge, <\/span><b><span data-contrast=\"none\">Floor 1.5<\/span><\/b><span data-contrast=\"none\">, que no s&#8217;ha projectat enlloc. <\/span><b><span data-contrast=\"none\">Pakol <\/span><\/b><span data-contrast=\"none\">\u00e9s el seu segon llargmetratge.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Dijous 17 d\u2019abril de 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Nepal<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>The Red Suitcase <\/i><\/b><\/span><b><span data-contrast=\"none\">| Fidel Devkota | 2023 | 87\u2019 | VOSE | Realisme m\u00e0gic<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55763 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Nepal-THE-RED-SUITCASE-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Nepal-THE-RED-SUITCASE-1-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Nepal-THE-RED-SUITCASE-1-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Nepal-THE-RED-SUITCASE-1-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Nepal-THE-RED-SUITCASE-1-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Nepal-THE-RED-SUITCASE-1-2048x1152.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Nepal-THE-RED-SUITCASE-1-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Nepal-THE-RED-SUITCASE-1-705x396.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>En un poble remot de muntanya del Nepal, les vides del conductor d\u2019una camioneta i un treballador migrant s\u2019entrellacen en una narrativa que reflecteix les incerteses pol\u00edtiques i econ\u00f2miques del pa\u00eds. El conductor parteix del bullici\u00f3s aeroport de Katmand\u00fa amb la missi\u00f3 de lliurar una c\u00e0rrega i una misteriosa maleta vermella. Mentrestant, el treballador migrant avan\u00e7a lentament cap al mateix poble, fent front a la solitud i als desafiaments del cam\u00ed. La pel\u00b7l\u00edcula explora les hist\u00f2ries personals d\u2019aquests dos homes: el conductor, la vida del qual est\u00e0 marcada per la viol\u00e8ncia dels maoistes i la traject\u00f2ria del qual es basa en la lluita per la superviv\u00e8ncia; i el treballador migrant, el caminant del qual simbolitza l\u2019esperan\u00e7a i la perseveran\u00e7a en un m\u00f3n ple de sacrificis i desafiaments. La revelaci\u00f3 del contingut dels seus equipatges resulta tan sorprenent per als que els reben com per als que els lliuren. Amb aquest m\u00e0gic roadmovie, en Fidel Devkota proposa una poderosa reivindicaci\u00f3 dels treballadors migrants i de les seves condicions de vida, destacant com la migraci\u00f3, amb totes les seves experi\u00e8ncies, uneix les persones m\u00e9s enll\u00e0 de fronteres geogr\u00e0fiques o culturals.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En <\/span><b><span data-contrast=\"none\">Fidel Devkota<\/span><\/b><span data-contrast=\"none\"> \u00e9s un representant del cinema independent nepal\u00e8s, i les seves pel\u00b7l\u00edcules exploren temes rellevants per a la societat contempor\u00e0nia nepalesa, especialment les experi\u00e8ncies de treballadors migrants i comunitats marginades. Les seves obres uneixen el drama social i narratives que emocionen i fan reflexionar. Va fer el seu debut en la ficci\u00f3 amb <\/span><b><span data-contrast=\"none\">The Red Suitcase<\/span><\/b><span data-contrast=\"none\"> (2024), que va presentar al Festival de Ven\u00e8cia, transportant l\u2019espectador a un m\u00f3n de realisme m\u00e0gic, imbu\u00eft de refer\u00e8ncies culturals del Nepal natal.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Dijous 24 d\u2019abril de 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Uzbekistan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Abdulla Oripov <\/i><\/b><\/span><b><span data-contrast=\"none\">| Erkinov Muzaffarkhon | 2023 | 109\u2019 <\/span><\/b><b><span data-contrast=\"auto\">| VOSE<\/span><\/b><b><span data-contrast=\"none\"> | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55766 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-ABDULLA-ORIPOV-1-300x127.png\" alt=\"\" width=\"300\" height=\"127\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-ABDULLA-ORIPOV-1-300x127.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-ABDULLA-ORIPOV-1-1030x436.png 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-ABDULLA-ORIPOV-1-768x325.png 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-ABDULLA-ORIPOV-1-1536x651.png 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-ABDULLA-ORIPOV-1-1500x635.png 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-ABDULLA-ORIPOV-1-705x299.png 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/03\/Uzbekistan-ABDULLA-ORIPOV-1.png 1919w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>La pel\u00b7l\u00edcula narra la vida del reconegut poeta Abdulla Oripov, considerat tant un fenomen de la poesia uzbeka del segle XX com un heroi nacional. L&#8217;Oripov va escriure i va viure segons els dictats del seu cor i va suportar durant tota la vida els jocs pol\u00edtics de l&#8217;antic r\u00e8gim lluitant contra el sistema amb els seus poemes i odes. La pel\u00b7l\u00edcula retrata el patiment de la intel\u00b7lectualitat uzbeka al llarg del segle XX fins a la independ\u00e8ncia del pa\u00eds. Finalment, esmena la mort a l&#8217;exili del poeta, tornant-lo al seu poble una darrera vegada a trav\u00e9s de la pantalla.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">L&#8217;<\/span><b><span data-contrast=\"none\">Erkinov Muzaffarkhon<\/span><\/b><span data-contrast=\"none\"> \u00e9s un destacat cineasta uzbek, conegut pel seu treball com a director, guionista i productor. La seva obra se centra en el drama hist\u00f2ric i social i ha rebut reconeixement tant nacional com internacional. En Muzaffarkhon ha estat elogiat per la seva capacitat de capturar l&#8217;ess\u00e8ncia de la identitat uzbeka. \u00c9s especialment notable per aquelles produccions que aborden la vida de figures liter\u00e0ries i hist\u00f2riques, com en la seva \u00faltima pel\u00b7l\u00edcula <\/span><b><span data-contrast=\"none\">Abdulla Oripov <\/span><\/b><span data-contrast=\"none\">(2024).<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":55793,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33],"tags":[],"class_list":["post-55770","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts\/55770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/comments?post=55770"}],"version-history":[{"count":4,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts\/55770\/revisions"}],"predecessor-version":[{"id":55818,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts\/55770\/revisions\/55818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/media\/55793"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/media?parent=55770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/categories?post=55770"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/tags?post=55770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}