{"id":55548,"date":"2025-02-05T12:29:52","date_gmt":"2025-02-05T11:29:52","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/?p=55548"},"modified":"2025-03-12T13:31:25","modified_gmt":"2025-03-12T12:31:25","slug":"orient-express-casa-asia-a-beteve-gen-mar-2025","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/orient-express-casa-asia-a-beteve-gen-mar-2025\/","title":{"rendered":"ORIENT EXPRESS: CASA \u00c0SIA a BETEV\u00c9 Gen-Mar 2025"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m6rs7ygp-82c3271045f38efe4a63eb3883b7e794\">\n.avia-image-container.av-m6rs7ygp-82c3271045f38efe4a63eb3883b7e794 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-m6rs7ygp-82c3271045f38efe4a63eb3883b7e794 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-m6rs7ygp-82c3271045f38efe4a63eb3883b7e794 av-styling- avia-align-center  avia-builder-el-0  el_before_av_heading  avia-builder-el-first '  ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-55557 avia-img-lazy-loading-not-55557 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-1-1500x630.jpg\" alt='' title='Mongolia LOST DAYS (4)'  height=\"630\" width=\"1500\"  \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m6rsa1s1-eee283132a5fe67c8b0761f5bf342a6e\">\n#top .av-special-heading.av-m6rsa1s1-eee283132a5fe67c8b0761f5bf342a6e{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-m6rsa1s1-eee283132a5fe67c8b0761f5bf342a6e .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-m6rsa1s1-eee283132a5fe67c8b0761f5bf342a6e .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-m6rsa1s1-eee283132a5fe67c8b0761f5bf342a6e av-special-heading-h1 blockquote elegant-quote elegant-centered  avia-builder-el-1  el_after_av_image  el_before_av_textblock '><h1 class='av-special-heading-tag '  ><span class=\"heading-wrap\">ORIENT EXPRESS: CASA \u00c0SIA a BETEV\u00c9 Gen-Mar 2025<\/span><\/h1><div class='av-subheading av-subheading_below'><p>Aquest per\u00edode engloba des del 2 de gener al 27 de mar\u00e7<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-m6rsb9f3-27ac0d4c93f5f834d2fb8f97e9a930e1 '  ><div class='avia_textblock' ><h3>PROGRAMA<\/h3>\n<p><span data-contrast=\"none\"><span style=\"color: #ff0000;\">Dijous 6 de gener a les\u00a0 21:45h\u00a0<\/span><\/span><\/p>\n<p><b><span data-contrast=\"none\">Mong\u00f2lia<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><span style=\"color: #ff0000;\"><i>LOST DAYS <\/i><\/span>| Garamkhand Bayarjargal | 2023 | 90\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55498 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-300x124.jpg\" alt=\"\" width=\"300\" height=\"124\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-300x124.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-1030x426.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-768x318.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-1536x636.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-1500x621.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4-705x292.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-LOST-DAYS-4.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<p><span data-contrast=\"none\">L\u2019Enkhmaa planifica un viatge per apropar el seu fill Ankhaa, que t\u00e9 13 anys, al seu padrastre. Just abans del seu viatge, el seu nen perd el seu estimat gos i haur\u00e0 de donar amb ell abans de tres dies. La fam\u00edlia de l\u2019Ankhaa centra la seva atenci\u00f3 en la seva germana petita, que encara \u00e9s un nad\u00f3, i l\u2019imminent viatge. A la cerca del seu gos es fa amic d\u2019alguns gossos de carrer, just coincidint amb el programa municipal per eliminar als gossos sense llar, de manera que haur\u00e0 de donar-se pressa per recuperar la seva mascota.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">La <\/span><b><span data-contrast=\"none\">Garamkhand Bayarjargal<\/span><\/b><span data-contrast=\"none\"> \u00e9s una directora i productora mongola que, despr\u00e9s de graduar-se a la Universitat d\u2019Arts cinematogr\u00e0fiques, es va matricular a L\u2019Acad\u00e8mia Nacional de Cinema. Ha sigut la fundadora i cap de varies productores, tant cinematogr\u00e0fiques com de televisi\u00f3, i entre els seus treballs m\u00e9s destacats es troben <\/span><b><span data-contrast=\"none\">Funny Day<\/span><\/b><span data-contrast=\"none\"> (2015), <\/span><b><span data-contrast=\"none\">The Faith<\/span><\/b><span data-contrast=\"none\"> (2016), <\/span><b><span data-contrast=\"none\">Above All <\/span><\/b><span data-contrast=\"none\">(2017), <\/span><b><span data-contrast=\"none\">Love Hustle<\/span><\/b><span data-contrast=\"none\"> (2020), <\/span><b><span data-contrast=\"none\">Zorig <\/span><\/b><span data-contrast=\"none\">(2020), <\/span><b><span data-contrast=\"none\">Between Heaven and Earth<\/span><\/b><span data-contrast=\"none\"> (2021) i el seu \u00faltim \u00e9xit <\/span><b><span data-contrast=\"none\">Lost Days<\/span><\/b><span data-contrast=\"none\"> (2023).\u00a0\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Dijous 9 de gener a les 21:45h<\/span><\/p>\n<p><strong><span class=\"TextRun SCXW246917211 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW246917211 BCX8\">Kirguistan<\/span><\/span><span class=\"EOP SCXW246917211 BCX8\" data-ccp-props=\"{\">\u00a0<\/span> <\/strong><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>1000 DREAMS<\/i><\/b><\/span> <b><span data-contrast=\"none\">| Marat Sarulu |2021 | 89\u2019 | VOSE | Roman\u00e7<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55506 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-300x126.jpg\" alt=\"\" width=\"300\" height=\"126\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-300x126.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-1030x432.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-768x322.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-1536x644.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-1500x628.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4-705x295.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Kirguistan-1000-DREAMS-4.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<p><span data-contrast=\"none\">Un dia, en Nazar entra a l\u2019estudi de l\u2019exmarit de la seva parella, l\u2019Arsen. Mira el seu ordinador i troba un fitxer que canvia la seva vida. En Nazar descobreix el secret d\u2019Arsen, que \u00e9s un artista que crea ficcions en qu\u00e8 el m\u00f3n desapareix. S\u2019assembla a una artista xinesa que va pintar un quadre, s\u2019hi va introduir i va desapar\u00e8ixer per sempre del m\u00f3n real. La confrontaci\u00f3 entre realitat i imaginaci\u00f3 est\u00e0 servida.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En <\/span><b><span data-contrast=\"none\">Marat Sarulu <\/span><\/b><span data-contrast=\"none\">(Kirguistan, 1957) \u00e9s guionista i director de cinema. Es va graduar a la facultat de filosofia de la Universitat Nacional del seu pa\u00eds el 1980. Posteriorment, va estudiar a l\u2019Acad\u00e8mia de Cinema de Moscou. Com a guionista ha escrit m\u00e9s de deu pel\u00b7l\u00edcules pr\u00f2pies i alienes. A m\u00e9s, ha dirigit cinc llargmetratges, quatre de curtmetratges, cinc de documentals i tamb\u00e9 una pel\u00b7l\u00edcula d\u2019animaci\u00f3. \u00c9s un dels fundadors de la Nova onada del cinema kirgu\u00eds des de principis de la d\u00e8cada dels 90.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span data-contrast=\"none\"><span style=\"color: #ff0000;\">Dijous 16 de gener a les 21:45h\u00a0<\/span><\/span><\/p>\n<p><b><span data-contrast=\"none\">Mong\u00f2lia<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>GERGI <\/i><\/b><\/span><b><span data-contrast=\"none\">| Sengedorj Janchirjorj | 2020 | 91\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-55509 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-300x125.png\" alt=\"\" width=\"324\" height=\"135\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-300x125.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-1030x431.png 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-768x321.png 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-1536x642.png 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-2048x856.png 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-1500x627.png 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Mongolia-GERGI-5-705x295.png 705w\" sizes=\"auto, (max-width: 324px) 100vw, 324px\" \/><\/span><\/p>\n<p><span data-contrast=\"none\">Una parella feli\u00e7 i solvent descobreix que l\u2019esp\u00f2s t\u00e9 un c\u00e0ncer en etapa tres. Com ho van descobrir tard, hi ha molt poques possibilitats que el malalt sobrevisqui al tractament. La dona rebutja totalment donar-se per ven\u00e7uda i fa tot el que est\u00e0 a les seves mans per a salvar al seu marit. Tot i aix\u00f2, tot i anar-se\u2019n incl\u00fas a l\u2019estranger a la recerca d\u2019altres professionals i passar per una cirurgia, no aconseguir\u00e0 el seu objectiu. Mentre intenta sobreviure com sigui, la v\u00edctima recorda els seus temps feli\u00e7os, el primer amor, la seva dona i la seva fam\u00edlia. La paraula Gergi significa esposa en una traducci\u00f3 literal, per\u00f2 l\u2019arrel i l\u2019estructura de la paraula signifiquen \u201cAlg\u00fa que il\u00b7lumina la llar\u201d.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En <\/span><b><span data-contrast=\"none\">Sengedorj Janchivdorj<\/span><\/b><span data-contrast=\"none\"> es va graduar en direcci\u00f3 de cinema a la Universitat d\u2019Ulaanbaatar, Mong\u00f2lia. Entre els premis rebuts cal destacar el Premi a Millor Director de l\u2019Acad\u00e8mia de Mong\u00f2lia al 2016. La seva \u00faltima pel\u00b7l\u00edcula, <\/span><b><span data-contrast=\"none\">Life<\/span><\/b><span data-contrast=\"none\">, va guanyar el premi a millor llargmetratge al Festival Internacional de Cinema d\u2019Ulaanbaatar el 2018 i es va estrenar al Festival Internacional de Cinema de Dhaka 2019.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Dijous 23 de gener a les 21:45h<\/span><\/p>\n<p><b><span data-contrast=\"none\">Pakistan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>MOOSA LANE <\/i><\/b><\/span><b><span data-contrast=\"auto\">| Anita Mathal Hopland | 2022 | 85\u2019 | VOSE | Documental <\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55512 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-MOOSA-LANE-3-300x169.jpeg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-MOOSA-LANE-3-300x169.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-MOOSA-LANE-3.jpeg 685w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><span class=\"TextRun SCXW108362551 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW108362551 BCX8\">Es tracta d\u2019una epopeia familiar personal, on la directora d\u2019origen pakistan\u00e8s <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW108362551 BCX8\">l\u2019Anita<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW108362551 BCX8\">Mathal<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW108362551 BCX8\">Hopland<\/span><span class=\"NormalTextRun SCXW108362551 BCX8\"> repassa la hist\u00f2ria de les seves dues fam\u00edlies. <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW108362551 BCX8\">Moosa<\/span><span class=\"NormalTextRun SCXW108362551 BCX8\"> Lane \u00e9s el nom del carrer de la capital de Pakistan, Karachi, on viu la meitat de la fam\u00edlia de <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW108362551 BCX8\">Hopland<\/span><span class=\"NormalTextRun SCXW108362551 BCX8\">, mentre l\u2019altra meitat viu a Dinamarca. L\u2019autora d\u2019aquest documental ens ofereix una visi\u00f3 \u00edntima de les vides dels tres membres m\u00e9s joves de la fam\u00edlia i les seves experi\u00e8ncies amb la vida i la mort. La cineasta explora la generaci\u00f3 de joves de la seva edat al Pakistan, mirant de mostrar al mateix temps l\u2019experi\u00e8ncia personal de qui viu entre dos cultures com es el seu cas. Les seves circumst\u00e0ncies li permeten, no obstant, descobrir all\u00f2 que l\u2019uneix i la separa del seu pa\u00eds i de la seva cultura d\u2019origen, i adonar-se que no \u00e9s tan lluny com podria semblar a primera vista.<\/span><\/span><span class=\"EOP SCXW108362551 BCX8\" data-ccp-props=\"{\">\u00a0<\/span><br \/>\n<\/span><\/p>\n<p><span class=\"TextRun SCXW257192600 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">L\u2019<\/span><\/span><strong><span class=\"TextRun SCXW257192600 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">Anita<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">Mathal<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">Hopland<\/span> <\/span><\/strong><span class=\"TextRun SCXW257192600 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW257192600 BCX8\">(<\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">Kanachi<\/span><span class=\"NormalTextRun SCXW257192600 BCX8\">, 1981) va graduar-se a la <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">National<\/span><span class=\"NormalTextRun SCXW257192600 BCX8\"> Film <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">School<\/span><span class=\"NormalTextRun SCXW257192600 BCX8\"> of <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">Denmark<\/span><span class=\"NormalTextRun SCXW257192600 BCX8\"> al 2011 amb el curt que va presentar per la seva graduaci\u00f3 <\/span><\/span><strong><span class=\"TextRun SCXW257192600 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">Underneath<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">the<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">Dark<\/span><\/span><\/strong><span class=\"TextRun SCXW257192600 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW257192600 BCX8\">. <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">Hopland<\/span><span class=\"NormalTextRun SCXW257192600 BCX8\"> va fer el seu debut com a directora de llargmetratges al 2017 amb el documental <\/span><\/span><strong><span class=\"TextRun SCXW257192600 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW257192600 BCX8\">On <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">the<\/span><span class=\"NormalTextRun SCXW257192600 BCX8\"> Edge of <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">Freedom<\/span><\/span><\/strong><span class=\"TextRun SCXW257192600 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW257192600 BCX8\">, seguit de<\/span><\/span><strong><span class=\"TextRun SCXW257192600 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">Lost<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">Warrior<\/span> <\/span><\/strong><span class=\"TextRun SCXW257192600 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW257192600 BCX8\">al 2018 i, finalment, de <\/span><\/span><strong><span class=\"TextRun SCXW257192600 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW257192600 BCX8\">Moosa<\/span><span class=\"NormalTextRun SCXW257192600 BCX8\"> Lane<\/span><\/span><\/strong> <span class=\"TextRun SCXW257192600 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW257192600 BCX8\">al<\/span><\/span> <span class=\"TextRun SCXW257192600 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW257192600 BCX8\">2022.<\/span><\/span><span class=\"EOP SCXW257192600 BCX8\" data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\" data-contrast=\"none\">Dijous 30 de gener a les 21:45h<\/span><\/p>\n<p><b><span data-contrast=\"none\">Iran<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>19 (Nouzdah) <\/i><\/b><\/span><b><span data-contrast=\"none\">| Manijeh Hekmat | 2021 | 77\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55518 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-19-3-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-19-3-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-19-3-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-19-3-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-19-3-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-19-3.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<p><span data-contrast=\"none\">Despr\u00e9s de contraure la Covid-19, la Mitra, una pintora iraniana soltera de cinquanta-set anys, entra en coma. En aquest tr\u00e0nsit, inicia un viatge a diferents parts dels seus records a trav\u00e9s de la seva ment inconscient. L&#8217;esperit de la Mitra torna a casa per fer l&#8217;equipatge imaginari ple de records agredol\u00e7os. Moments abans del seu \u00faltim viatge, igual que l&#8217;esposa de Lot, recorda la seva vida, la dels seus amics i la seva generaci\u00f3, a prop\u00f2sit de qu\u00e8 ha fet, del que ha constru\u00eft i del que ha mancat.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">La <\/span><b><span data-contrast=\"none\">Manijeh Hekmat<\/span><\/b><span data-contrast=\"none\"> va n\u00e9ixer el 1962 a Arak, Iran i ha treballat des del 1980 d&#8217;assistent de direcci\u00f3 i dissenyadora de producci\u00f3 en m\u00e9s de 25 pel\u00b7l\u00edcules. Va dirigir el seu primer llargmetratge <\/span><b><span data-contrast=\"none\">Women&#8217;s Prison (Zend\u0101n-e Zan\u0101n)<\/span><\/b> <span data-contrast=\"none\">el 2002. Aquesta pel\u00b7l\u00edcula s&#8217;ha projectat en m\u00e9s de 80 festivals internacionals de cinema i ha rebut set premis. A m\u00e9s a m\u00e9s, ha produ\u00eft cinc pel\u00b7l\u00edcules destacades que s&#8217;hi inclouen les premiades <\/span><b><span data-contrast=\"none\">The Girl in the Sneakers <\/span><\/b><span data-contrast=\"none\">i <\/span><b><span data-contrast=\"none\">A Bunch of Grass<\/span><\/b><span data-contrast=\"none\">, aquesta \u00faltima \u00e9s una producci\u00f3 alemanya al Kurdistan irani\u00e0. A <\/span><b><span data-contrast=\"none\">The Old Road <\/span><\/b><span data-contrast=\"none\">(2008), l\u2019Hekmat va abordar el problema social de la viol\u00e8ncia contra les dones.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\" data-contrast=\"none\">Dijous 6 de febrer a les 21:45h\u00a0<\/span><\/p>\n<p><b>Corea del Sud<\/b><\/p>\n<p><span style=\"color: #ff0000;\"><b><i><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54661 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/ADAGIO-COREA-FT-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/ADAGIO-COREA-FT-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/ADAGIO-COREA-FT-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/ADAGIO-COREA-FT.jpg 750w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>ADAGIO <\/i><\/b><\/span><b><span data-contrast=\"none\">| Yoon Seok-ho | 2023 | 117\u2019<\/span><\/b><b><span data-contrast=\"none\"> | VOSE <\/span><\/b><b><span data-contrast=\"none\">| Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">La pel\u00b7l\u00edcula narra la historia d\u2019un home i una dona que travessen la crisi dels quaranta i es troben a un tranquil poble costaner on, malgrat els seus diferents or\u00edgens, la musica cl\u00e0ssica uneix les seves \u00e0nimes solit\u00e0ries i malferides.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En <\/span><b><span data-contrast=\"none\">Yoon Seok-ho<\/span><\/b><span data-contrast=\"none\">, nascut al 1957, es va llicenciar a Llengua i Literatura Coreanes abans de cursar un m\u00e0ster de Periodisme a la Universitat de Yonsei (1995). \u00c9s director de series de televisi\u00f3 sudcoreanes. A partir d\u2019<\/span><b><span data-contrast=\"none\">Autumn Fairy Tale<\/span><\/b><span data-contrast=\"none\"> (2000), va dirigir un gran nombre de telenovel\u00b7les de s\u00e8rie estacional, com <\/span><b><span data-contrast=\"none\">Winter Sonata<\/span><\/b><span data-contrast=\"none\"> (2002), que va tindre una gran repercussi\u00f3 no nomes a Corea, sin\u00f3 tamb\u00e9 a l\u2019estranger, i va exercir un paper fonamental a la Nova Onada Coreana.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\" data-contrast=\"none\">Dijous 13 de febrer a les 21:45h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Pakistan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>GUNJAL<\/i><\/b><\/span><b><span data-contrast=\"none\">| Shoaib Sultan | 2022 | 120\u2019 | VOSE | Drama\/Biograf\u00eda<\/span><\/b><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55521 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-1030x580.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-2048x1152.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Pakistan-GUNJAL-2-1-705x397.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<p><span data-contrast=\"none\">Quan l\u2019assass\u00ed d\u2019un adolescent activista laboral \u00e9s absolt, el periodista Shahbaz Bhatti veu llacunes evidents en el veredicte i inicia una recerca en busca de just\u00edcia. Per\u00f2 cada una de les pistes que segueix es contradiu amb l\u2019anterior, i la retor\u00e7ada hist\u00f2ria revela l\u2019horrible veritat del treball infantil al Pakistan de 1990.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En <\/span><b><span data-contrast=\"none\">Shoaib Sultan<\/span><\/b><span data-contrast=\"none\"> \u00e9s un conegut enginyer, director, actor i escriptor pakistan\u00e8s. Ha treballat en alguns curtmetratges i altres projectes de mitjans audiovisuals. <\/span><b><span data-contrast=\"none\">Darya Kay Iss Paar (This Bank of The River)<\/span><\/b><span data-contrast=\"none\"> per\u00f2,<\/span> <span data-contrast=\"none\">va ser el seu primer projecte com a director.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\" data-contrast=\"none\">Dijous 20 de febrer a les 21:45h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Iran<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>MOTHERLESS (Bi-Madar) <\/i><\/b><\/span><b><span data-contrast=\"auto\">| Seyyed Morteza Fatemi | 2022 | 84\u2019 | VOSE | Drama <\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55524 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-2048x1152.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-MOTHERLESS-1-705x397.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<p><span data-contrast=\"none\">Una parella de mitjana edat, l\u2019Amir Ali i la Marjan, porten una vida tranquil\u00b7la fins que la Marjan, que vol ser mare, coneix la Mahrouz, una dona que intenta aconseguir diners pel trasplantament de rony\u00f3 del seu fill. Quan la Marjan insisteix a llogar un \u00fater i la mare subrogada entra a les seves vides, sense voler passen per diferents proves i s&#8217;enfronten a dilemes morals que desconeixien. La pol\u00e8mica entorn a la subrogaci\u00f3 es posa damunt la taula, deixant veure les conseq\u00fc\u00e8ncies d\u2019una pr\u00e0ctica no suficientment legislada encara.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Nascut en 1983 a Teheran, en <\/span><b><span data-contrast=\"none\">Seyyed Morteza Fatemi<\/span><\/b><span data-contrast=\"none\">, escriptor, director, productor i presentador de televisi\u00f3, \u00e9s llicenciat en Enginyeria del Petroli i estudiant de doctorat a Filosofia Pol\u00edtica. Va iniciar la seva carrera com a periodista i va treballar com a redactor cap a nombrosos seminaris i ag\u00e8ncies de noticies. Posteriorment, en Fatemi va entrar a la televisi\u00f3 iraniana dirigint programes d\u2019entrevistes i series de televisi\u00f3, com <\/span><b><span data-contrast=\"none\">Dark Intelligence<\/span><\/b><span data-contrast=\"none\">, que va guanyar el premi al millor drama televisiu al Festival Internacional DetectiveFEST de Mosc\u00fa.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\" data-contrast=\"none\">Dijous 27 de febrer a les 21:45h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Jap\u00f3<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>FOLLOWING THE SOUND <\/i><\/b><\/span><b><span data-contrast=\"auto\">|\u00a0 Kyoshi Sugita | 2023 | 84\u2019 | VOSE | Drama\u00a0 <\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-54563 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-201x300.jpg 201w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-690x1030.jpg 690w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-768x1147.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-1028x1536.jpg 1028w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-1004x1500.jpg 1004w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3-472x705.jpg 472w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/11\/Japon-FOLLOWING-THE-SOUND-3.jpg 1232w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/span><\/p>\n<p><span data-contrast=\"none\">Un dia, la Haru, que treballa com a dependenta en una llibreria, es retroba amb en Takeshi, a qui va con\u00e8ixer uns anys enrere, quan li va impedir saltar davant d&#8217;un tren. En Takeshi li ofereix un treball. Un dia despr\u00e9s, la Haru es preocupa per la Yukiko, que estava asseguda en un banc enfront de l&#8217;estaci\u00f3, i parla amb ella. Aix\u00f2 els porta a emprendre un petit viatge junts. La Haru porta amb si una gravadora que li va deixar la seva mare en her\u00e8ncia. Les circumst\u00e0ncies faran que la Haru s\u2019hagi d\u2019enfrontar de nou a sentiments de culpabilitat i els remordiments per no haver pogut ajudar a evitar que la malaltia poses fi a la seva vida.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En<\/span><b><span data-contrast=\"none\"> Kyoshi Sugita<\/span><\/b><span data-contrast=\"none\">, nascut el 1977, va tindre el seu primer llargmetratge anomenat <\/span><b><span data-contrast=\"none\">One Song<\/span><\/b><span data-contrast=\"none\"> seleccionat per al Festival Internacional de Cinema de T\u00f2quio el 2011 i es va estrenar als cinemes el 2012. El seu segon llargmetratge,<\/span><b><span data-contrast=\"none\"> Song of Light<\/span><\/b><span data-contrast=\"none\">, va ser seleccionat al Festival Internacional de Cinema de T\u00f2quio de 2017 i al Festival Internacional de Cinema de Jeonju de 2018. La pel\u00b7l\u00edcula va rebre grans elogis en els principals peri\u00f2dics i en la revista cinematogr\u00e0fica Kinema Junpo. Aquest cineasta tamb\u00e9 ha publicat les novel\u00b7les <\/span><b><span data-contrast=\"none\">Kawa no Koibito\/River Lovers<\/span><\/b><span data-contrast=\"none\"> i <\/span><b><span data-contrast=\"none\">Hitotsu no Uta\/One Song<\/span><\/b><span data-contrast=\"none\">, i ha participat com a fot\u00f2graf en la quarta col\u00b7lecci\u00f3 de poesia <\/span><b><span data-contrast=\"none\">Uta Long Long Short Song Long<\/span><\/b><span data-contrast=\"none\"> del poeta Koichi Masuno.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Dijous 6 de mar\u00e7 a les 21:45h\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Austr\u00e0lia<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>BLAZE <\/i><\/b><\/span><b><span data-contrast=\"none\">| Del Kathryn Barton | 2022 | 101\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55544 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Australia-BLAZE-6-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Australia-BLAZE-6-300x200.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Australia-BLAZE-6-1030x687.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Australia-BLAZE-6-768x512.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Australia-BLAZE-6-705x470.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Australia-BLAZE-6.jpeg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<p><span data-contrast=\"none\">La vida d&#8217;una nena de dotze anys dona un tomb en presenciar una violaci\u00f3 i un assassinat. El seu pare est\u00e0 preocupat i desitjant ajudar-la, per\u00f2 no sap com fer-ho. La situaci\u00f3 \u00e9s molt dif\u00edcil, ja que la Blaze \u00e9s l&#8217;\u00fanic testimoni i la seva declaraci\u00f3 dels fets \u00e9s crucial. En un intent per sobrepassar el trauma, la Blaze invoca a un drac imaginari perqu\u00e8 l&#8217;ajudi a processar la seva ira i la protegeixi en el seu viatge cap a la maduresa.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">La<\/span><b><span data-contrast=\"none\"> Del Kathryn Barton<\/span><\/b><span data-contrast=\"none\"> \u00e9s una artista australiana, que va comen\u00e7ar a dibuixar de molt jove per despr\u00e9s estudiar art i disseny a la Universitat de Nova Gales del Sud (UNSW). No va tardar en donar-se a con\u00e8ixer per les seves obres de fantasia psicod\u00e8lica a exposicions individuals i col\u00b7lectives per tota Austr\u00e0lia i l&#8217;estranger. Malgrat ja ser una figura \u00e0mpliament reconeguda entre els artistes de la seva generaci\u00f3, al 2022 va finalment debutar en el m\u00f3n del cinema amb la pel\u00b7l\u00edcula <\/span><b><span data-contrast=\"none\">Blaze<\/span><\/b><span data-contrast=\"none\">. La Del Kathryn Barton va ser la directora i coguionista del llargmetratge.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Dijous 13 de mar\u00e7 de 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Uzbekistan<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Unhappy Groom <\/i><\/b><\/span><b><span data-contrast=\"none\">| Khusnora Rozmatova | 2023 | 102\u2019<\/span><\/b><b><span data-contrast=\"auto\"> | VOSE<\/span><\/b><b><span data-contrast=\"none\"> | Drama\u00a0\u00a0<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55653 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-300x125.png\" alt=\"\" width=\"300\" height=\"125\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-300x125.png 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-1030x430.png 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-768x321.png 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-1536x641.png 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-1500x626.png 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7-705x294.png 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Uzbekistan-UNHAPPY-GROOM-7.png 1909w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Unhappy Groom<\/span><\/b><span data-contrast=\"none\"> (2023) explora el passat de Turquestan a trav\u00e9s de la hist\u00f2ria d&#8217;Uzbekistan al voltant del segle XX, durant el domini de l&#8217;Imperi Rus. La pel\u00b7l\u00edcula destaca el contrast entre el pensament religi\u00f3s antic i la incompet\u00e8ncia governamental dels r\u00e8gims imperialistes. En mig d&#8217;aquestes tensions, dos amants han de fer front a les dificultats d&#8217;una vida marcada per convencions socials, heretgies i tradicions ambig\u00fces. Paral\u00b7lelament, el drama d\u2019en Salih, un actor assalariat, es veu afectat per la incapacitat de complir amb les ambicions exigents de la fam\u00edlia de la Rahima i poder casar-se amb ella. Aquesta narrativa reflexa de manera sorprenent el paral\u00b7lelisme amb Romeu i Julieta de Shakespeare, on tot i els intents dels enamorats per mantenir-se al marge de l&#8217;escrutini social, no poden evitar la seva toxicitat.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">La <\/span><b><span data-contrast=\"none\">Khusnora Ruzmatova<\/span><\/b><span data-contrast=\"none\">, \u00e9s una directora de cine nascuda a Uzbekistan que ha rebut reconeixement internacional en obtenir el premi &#8220;For Humanism&#8221; en el 19\u00e8 Festival Internacional de Cine Musulm\u00e0 de Kazan. El cine uzbek ha experimentat una visibilitat sense precedent en els \u00faltims anys, no nom\u00e9s pel creixement de la seva ind\u00fastria cinematogr\u00e0fica, sin\u00f3 tamb\u00e9 pels premis Internacionals rebuts. El 2023, els cineastes uzbeks van obtenir 15 premis internacionals, destacant la creixent influ\u00e8ncia del pa\u00eds en l&#8217;escena cinematogr\u00e0fica global.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Dijous 20 de mar\u00e7 de 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">\u00cdndia<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>Goldfish <\/i><\/b><\/span><b><span data-contrast=\"none\">| Pushan Kripalani | 2023 | 103\u2019 <\/span><\/b><b><span data-contrast=\"auto\">| VOSE<\/span><\/b><b><span data-contrast=\"none\"> | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55659 alignright\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1-300x158.jpeg\" alt=\"\" width=\"300\" height=\"158\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1-300x158.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1-1030x541.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1-768x403.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1-710x375.jpeg 710w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1-705x370.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/India-GOLDFISH-1.jpeg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Amb l&#8217;ajuda d\u2019uns ve\u00efns i deixant enrere una vida que ha d\u2019abandonar, una jove retorna a casa per enfrontar-se a la dem\u00e8ncia de la seva mare i les cicatrius de la seva inf\u00e0ncia, amb l\u2019\u00e0nim tamb\u00e9 de trobar el seu lloc al m\u00f3n.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En <\/span><b><span data-contrast=\"none\">Pushan Kripalani<\/span><\/b><span data-contrast=\"none\"> \u00e9s director de fotografia i cineasta. La seva primera pel\u00b7l\u00edcula, <\/span><b><span data-contrast=\"none\">The Threshold<\/span><\/b> <span data-contrast=\"none\">(2015), va ser aclamada en el seu breu pas pels festivals, rebent premis al MAMI i al NFDC Film Bazaar, i aconseguint el premi al millor actor i a la millor actriu al Festival de Cinema Indi de Nova York. Com a director de fotografia, ha rodat diversos llargmetratges, anuncis, documentals i curtmetratges. Ha treballat en m\u00e9s de trenta produccions per teatre i r\u00e0dio, amb papers que van des de director a actor, dissenyador, m\u00fasic i productor. <\/span><b><span data-contrast=\"none\">Goldfish <\/span><\/b><span data-contrast=\"none\">(2023) \u00e9s el seu segon llargmetratge.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Dijous 27 de mar\u00e7 de 2025\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Iran<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><b><i>No Prior Appointment <\/i><\/b><\/span><b><span data-contrast=\"auto\">| Behrooz Shoaibi | 2022 | 120\u2019 | VOSE | Drama<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-55662 alignleft\" src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-1536x864.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-1500x844.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3-705x397.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2025\/02\/Iran-NO-PRIOR-APPOINTMENT-3.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Quan la Yasmin tenia sis anys, la mateixa edat que el seu fill en el present, la seva fam\u00edlia va emigrar a Berl\u00edn. Ara, ha de tornar a l&#8217;Iran per la mort del seu pare, per\u00f2 el viatge no \u00e9s f\u00e0cil at\u00e8s que el seu fill \u00e9s autista. En arribar a l&#8217;Iran, la Yasmin, que en prou feines coneixia al seu pare, es sorpr\u00e8n molt amb l&#8217;her\u00e8ncia que aquest li ha deixat. El seu breu i inoport\u00fa allotjament a la ciutat natal del seu progenitor, i poder con\u00e8ixer a aquells que es relacionaven amb ell, li dona a la Yasmin una nova manera d&#8217;entendre als \u00e9ssers humans, la vida i la mort.\u00a0\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En<\/span><b><span data-contrast=\"none\"> Behrooz Shoaibi<\/span><\/b><span data-contrast=\"none\"> va n\u00e9ixer l\u2018any 1979, a Mashhad, i ha treballat en diferents sectors del cinema. Com a actor, va comen\u00e7ar la seva carrera amb <\/span><b><span data-contrast=\"none\">The Glass Agency <\/span><\/b><span data-contrast=\"none\">(1998) de Ebrahim Hatamikia, i va aconseguir l&#8217;atenci\u00f3 de la cr\u00edtica i el p\u00fablic amb <\/span><b><span data-contrast=\"none\">Gold &amp; Copper<\/span><\/b> <span data-contrast=\"none\">(2010) de Homayoun Asadian. Entre les seves pel\u00b7l\u00edcules i s\u00e8ries per a televisi\u00f3 es troben: <\/span><b><span data-contrast=\"none\">The Sloe Garden<\/span><\/b> <span data-contrast=\"none\">(2005); <\/span><b><span data-contrast=\"none\">Wings Of Hapiness <\/span><\/b><span data-contrast=\"none\">(2008); <\/span><b><span data-contrast=\"none\">Abandoned <\/span><\/b><span data-contrast=\"none\">(2009); <\/span><b><span data-contrast=\"none\">Somewhere Between Staying and Going<\/span><\/b> <span data-contrast=\"none\">(2010); i <\/span><b><span data-contrast=\"none\">Secluded <\/span><\/b><span data-contrast=\"none\">(2014). Amb el seu primer llargmetratge, <\/span><b><span data-contrast=\"none\">The Corridor (Shoaibi) <\/span><\/b><span data-contrast=\"none\">va guanyar el premi a Millor Pel\u00b7l\u00edcula Debut del Festival de Cinema de Fajr 2013.\u00a0\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":55499,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33],"tags":[],"class_list":["post-55548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts\/55548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/comments?post=55548"}],"version-history":[{"count":11,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts\/55548\/revisions"}],"predecessor-version":[{"id":55741,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts\/55548\/revisions\/55741"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/media\/55499"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/media?parent=55548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/categories?post=55548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/tags?post=55548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}