{"id":55472,"date":"2024-12-19T22:05:26","date_gmt":"2024-12-19T21:05:26","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2024\/noves-mirades-del-cinema-asiatic-cine-paz-mk2-madrid-gen-mar\/"},"modified":"2024-12-19T22:26:33","modified_gmt":"2024-12-19T21:26:33","slug":"noves-mirades-del-cinema-asiatic-cine-paz-mk2-madrid-gen-mar","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/noves-mirades-del-cinema-asiatic-cine-paz-mk2-madrid-gen-mar\/","title":{"rendered":"NOVES MIRADES DEL CINEMA ASI\u00c0TIC | CINE PAZ MK2 MADRID | GEN-MAR"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m4vqykvd-a1f76f2133d2b79f4ed942193ed98426\">\n.avia-image-container.av-m4vqykvd-a1f76f2133d2b79f4ed942193ed98426 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-m4vqykvd-a1f76f2133d2b79f4ed942193ed98426 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-m4vqykvd-a1f76f2133d2b79f4ed942193ed98426 av-styling- avia-align-center  avia-builder-el-0  el_before_av_heading  avia-builder-el-first '  ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-55463 avia-img-lazy-loading-not-55463 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/12\/Iran-MOTHERLESS-BIMADAR-5.jpg\" alt='' title='Iran MOTHERLESS (BIMADAR) (5)'  height=\"557\" width=\"800\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/12\/Iran-MOTHERLESS-BIMADAR-5.jpg 800w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/12\/Iran-MOTHERLESS-BIMADAR-5-300x209.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/12\/Iran-MOTHERLESS-BIMADAR-5-768x535.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/12\/Iran-MOTHERLESS-BIMADAR-5-705x491.jpg 705w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m4vqz0ac-bb248b830d1c6124e321e29197883f14\">\n#top .av-special-heading.av-m4vqz0ac-bb248b830d1c6124e321e29197883f14{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-m4vqz0ac-bb248b830d1c6124e321e29197883f14 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-m4vqz0ac-bb248b830d1c6124e321e29197883f14 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-m4vqz0ac-bb248b830d1c6124e321e29197883f14 av-special-heading-h1 blockquote elegant-quote elegant-centered  avia-builder-el-1  el_after_av_image  el_before_av_textblock '><h1 class='av-special-heading-tag '  ><span class=\"heading-wrap\">NOVES MIRADES DEL CINEMA ASI\u00c0TIC<\/span><\/h1><div class='av-subheading av-subheading_below'><p><span class=\"TextRun SCXW222933389 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW222933389 BCX8\" data-ccp-charstyle=\"normaltextrun\" data-ccp-charstyle-defn=\"{\">Del <\/span><span class=\"NormalTextRun SCXW222933389 BCX8\" data-ccp-charstyle=\"normaltextrun\">18<\/span><span class=\"NormalTextRun SCXW222933389 BCX8\" data-ccp-charstyle=\"normaltextrun\"> de <\/span><span class=\"NormalTextRun SCXW222933389 BCX8\" data-ccp-charstyle=\"normaltextrun\">gener<\/span><span class=\"NormalTextRun SCXW222933389 BCX8\" data-ccp-charstyle=\"normaltextrun\"> al <\/span><span class=\"NormalTextRun SCXW222933389 BCX8\" data-ccp-charstyle=\"normaltextrun\">29<\/span><span class=\"NormalTextRun SCXW222933389 BCX8\" data-ccp-charstyle=\"normaltextrun\"> de <\/span><span class=\"NormalTextRun SCXW222933389 BCX8\" data-ccp-charstyle=\"normaltextrun\">mar<\/span><span class=\"NormalTextRun SCXW222933389 BCX8\" data-ccp-charstyle=\"normaltextrun\">\u00e7<\/span><span class=\"NormalTextRun SCXW222933389 BCX8\" data-ccp-charstyle=\"normaltextrun\"> de 202<\/span><span class=\"NormalTextRun SCXW222933389 BCX8\" data-ccp-charstyle=\"normaltextrun\">5<\/span><span class=\"NormalTextRun SCXW222933389 BCX8\" data-ccp-charstyle=\"normaltextrun\">\u00a0<\/span><\/span><span class=\"EOP SCXW222933389 BCX8\" data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-m4vr7ejj-06ccbd8f19fd719c912c9e662ce3e0e7 '  ><div class='avia_textblock' ><p><strong><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\">El cinema asi\u00e0tic torna a les sales del Cine Paz amb una programaci\u00f3 que <\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">s\u2019e<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">s<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">t<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">\u00e9<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">n<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\"> del 18 de gener al 29 de mar\u00e7. Encara que sembli un t\u00f2pic dir que les distribu\u00efdores espanyoles mostren cada vegada major inter\u00e8s per comptar amb un <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">repositori<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\"> cada vegada m\u00e9s gran de t\u00edtols procedents del continent asi\u00e0tic,<\/span> <span class=\"NormalTextRun SCXW123711579 BCX8\">e<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">n general<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">,<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\"> el cine<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">ma asi\u00e0tic t\u00e9 cada vegada major pres\u00e8ncia no nom\u00e9s a festivals nacionals i internacionals, sin\u00f3 tamb\u00e9 als nostres cinemes.<\/span> <span class=\"NormalTextRun SCXW123711579 BCX8\">Els onze t\u00edtols que es <\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">podran<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\"> veure entre gener i mar\u00e7 del 2025 procedeixen d\u2019Austr\u00e0lia, Bangladesh, Xina, Corea, Filipines, <\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">\u00cdndia<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">, Pakistan, Iran, Jap\u00f3, Kazakhstan <\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">i<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\"> Mong\u00f2lia, i han estat realitzades entre el 2006 i 2023. <\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Motherless<\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\">, de <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Sayyed<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Morteza<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Fatemi<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">, inaugura el programa d\u2019aquest trimestre. La relaci\u00f3 que es presenta<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\"> mant\u00e9 <\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">l&#8217;inter\u00e8s<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\"> pel drama social i pels temes de g\u00e8nere, des d\u2019una multiplicitat de perspectives que responen a la identitat cultural dels seus protagonistes.<\/span> <span class=\"NormalTextRun SCXW123711579 BCX8\">\u00c9s exactament aix\u00f2 el que ens expliquen pel\u00b7l\u00edcules com les seleccionades. Es tracta de t\u00edtols com: <\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Motherless<\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\"> (Ir<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">a<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">n), <\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Saatao<\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\"> (Bangladesh), <\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Luxury<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\"> Car <\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\">(<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">X<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">ina), <\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\">Fall <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Guy<\/span> <\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\">(Filipin<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">e<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">s), <\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Dust<\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\"> (<\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">India<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">), <\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Kamil<\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\"> (Pakist<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">a<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">n), <\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Where<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Would<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">you<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Like<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\"> to <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Go<\/span> <\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\">(Corea), <\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Blaze<\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\"> (Austr<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">\u00e0<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">lia),<\/span> <\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Lost<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Days<\/span> <\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\">(Mong<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">\u00f2<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">lia), <\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Videophobia<\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\"> (Jap\u00f3), <\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW123711579 BCX8\">Poet<\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW123711579 BCX8\"> (Kaza<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">khstan<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">).<\/span> <span class=\"NormalTextRun SCXW123711579 BCX8\">Aquests \u00faltims t\u00edtols anunciats faciliten la visi\u00f3 d\u2019un m<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">\u00f3<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">n al qu<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">al<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\"> dif\u00edcilment tindr\u00edem acc\u00e9s <\/span><span class=\"NormalTextRun SCXW123711579 BCX8\">si no fos<\/span><span class=\"NormalTextRun SCXW123711579 BCX8\"> per la literatura i el cinema.<\/span><\/span><span class=\"TextRun SCXW123711579 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW123711579 BCX8\">\u00a0<\/span><\/span><span class=\"EOP SCXW123711579 BCX8\" data-ccp-props=\"{\">\u00a0<\/span><\/strong><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><strong><span class=\"TextRun SCXW191192277 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW191192277 BCX8\">Dissabte<\/span> <span class=\"NormalTextRun SCXW191192277 BCX8\">18<\/span><span class=\"NormalTextRun SCXW191192277 BCX8\"> de <\/span><span class=\"NormalTextRun SCXW191192277 BCX8\">g<\/span><span class=\"NormalTextRun SCXW191192277 BCX8\">ener<\/span><span class=\"NormalTextRun SCXW191192277 BCX8\"> de 202<\/span><span class=\"NormalTextRun SCXW191192277 BCX8\">5<\/span><span class=\"NormalTextRun SCXW191192277 BCX8\">, a l<\/span><span class=\"NormalTextRun SCXW191192277 BCX8\">e<\/span><span class=\"NormalTextRun SCXW191192277 BCX8\">s 12<\/span> <span class=\"NormalTextRun SCXW191192277 BCX8\">h<\/span><\/span><span class=\"EOP SCXW191192277 BCX8\" data-ccp-props=\"{\">\u00a0<\/span><\/strong><\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\"><em>Motherless<\/em> <\/span><\/b><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Iran | Dir. Sayyed Morteza Fatemi | 2022 | 84\u2019 | VOSE | Drama\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span> <span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Una parella de mitjana edat, l\u2019Amir Ali i la Marjan, porten una vida tranquil\u00b7la fins que la Marjan, que vol ser mare, coneix la Mahrouz, una dona que intenta aconseguir diners pel trasplantament de rony\u00f3 del seu fill. Quan la Marjan insisteix a llogar un \u00fater i la mare subrogada entra a les seves vides, sense voler passen per diferents proves i s\u2019enfronten a dilemes morals que desconeixien. La pol\u00e8mica entorn de la subrogaci\u00f3 es posa damunt la taula, deixant veure les conseq\u00fc\u00e8ncies d\u2019una pr\u00e0ctica encara no prou legislada.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Nascut en 1983 a Teheran,<\/span><b><span data-contrast=\"auto\"> Seyyed Morteza Fatemi<\/span><\/b><span data-contrast=\"auto\">, escriptor, director, productor i presentador de televisi\u00f3, \u00e9s llicenciat en Enginyeria del Petroli i estudiant de doctorat a Filosofia Pol\u00edtica. Va iniciar la seva carrera com a periodista i va treballar com a redactor cap a nombrosos seminaris i ag\u00e8ncies de not\u00edcies. Posteriorment, Fatemi va entrar a la televisi\u00f3 iraniana dirigint programes d\u2019entrevistes i s\u00e8ries de televisi\u00f3, com Dark Intelligence, que va guanyar el premi al millor drama televisiu al Festival Internacional DetectiveFEST de Moscou.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Dissabte 25 de gener de 2025, a les 12 h<\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Saatao <\/span><\/b><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Bangladesh | Dir. Khandaker Sumon | 2022 | 97\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Despr\u00e9s de casar-se amb la Putul i portar-la a casa, en Fazlu no vol que la seva esposa es trobi sola i se li acut de portar a casa una vaca perqu\u00e8 li faci companyia. La Putul aix\u00ed comen\u00e7a a assentar-se a la seva nova llar. Tanmateix, les preses del riu Teesta son les causants d\u2019una eterna lluita per la superviv\u00e8ncia a la vida dels grangers com en Fazlu. Les preses retenen tota l\u2019aigua fins al seu desbordament, que coincideix amb l\u2019\u00e8poca de monsons. Com a resultat, quan s\u2019obren les comportes es produeixen inundacions, que porten mis\u00e8ria per a tothom que habita la regi\u00f3 baixa. Degut a aquest comportament tanthostil per part del riu i a tots els problemes que se succeeixen, la fam\u00edlia del Fazul comen\u00e7ar\u00e0 a plantejar-se abandonar la zona.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">En <\/span><b><span data-contrast=\"auto\">Khandaker Sumon<\/span><\/b><span data-contrast=\"auto\"> \u00e9s un cineasta de Bangladesh. Va n\u00e9ixer el 2 de febrer de 1982 al districte de Gaibandha. Porta molt de temps dirigint una productora que es diu Idea Exchange\u201d per la producci\u00f3 de drames i pel\u00b7l\u00edcules. Aquesta organitzaci\u00f3 ha realitzat algunes pel\u00b7l\u00edcules promocionals per a la conscienciaci\u00f3 social. Per a convertir-se en cineasta va realitzar un curs al Bangladesh Film Institute (BFI). <\/span><b><span data-contrast=\"auto\">Saatao <\/span><\/b><span data-contrast=\"auto\">(2022) \u00e9s el seu primer llargmetratge.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Dissabte 1 de febrer de 2025, a les 12 h<\/b><b><i>\u00a0<\/i><\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><em><b>Luxury Car <\/b><\/em><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Xina | Dir. Wang Chao | 2006 | 88\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">La pel\u00b7l\u00edcula segueix un adult que viu en el m\u00f3n rural i viatge a Wuhan en la recerca d\u2019un fill que fa temps que no en sap res, perqu\u00e8 la seva dona que est\u00e0 a punt de morir se\u2019n vol acomiadar. A Wuhan veu a la seva filla que treballa d\u2019acompanyant en un bar de karaoke, i li presenta un policia que li ofereix ajuda per trobar al fill que busca. Aviat creix la sospita que els mafiosos propietaris del local tenen alguna cosa a veure amb la desaparici\u00f3 del fill.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Wang Chao <\/span><\/b><span data-contrast=\"auto\">va treballar durant cinc anys en la ind\u00fastria sider\u00fargica, encara que sempre va estar interessat en el cinema i la literatura. El 1991, va entrar a l\u2019Acad\u00e8mia de Cinema de Pequ\u00edn, on es va graduar el 1994 i va comen\u00e7ar a treballar de cr\u00edtic de cinema. \u00c9s aix\u00ed com va con\u00e8ixer a Chen Kaige despr\u00e9s del rodatge de\u202f<\/span><i><span data-contrast=\"auto\">Tierra Amarilla<\/span><\/i><span data-contrast=\"auto\">, i aquest el va contractar com a ajudant de direcci\u00f3 entre 1995 i 1998 pel rodatge de<\/span><i><span data-contrast=\"auto\">\u202fAdi\u00f3s a mi concubina<\/span><\/i><span data-contrast=\"auto\">\u202fi de\u202f<\/span><i><span data-contrast=\"auto\">El Emperador y el Asesino<\/span><\/i><span data-contrast=\"auto\">. Durant aquest temps va escriure v\u00e0ries petites narracions que l\u2019hi van inspirar guions per algunes pel\u00b7l\u00edcules. Amb\u202f<\/span><i><span data-contrast=\"auto\">Orphan of Anyang<\/span><\/i><span data-contrast=\"auto\">, que va rodar sense autoritzaci\u00f3, va fer el seu debut al cinema com a director. Aquesta pel\u00b7l\u00edcula va ser seleccionada el 2001 per participar en la Secci\u00f3 Quinzena de Realitzadors del Festival de Canes. El 2004, va realitzar el seu segon llargmetratge\u202f<\/span><i><span data-contrast=\"auto\">Day and Night<\/span><\/i><span data-contrast=\"auto\">\u202fi amb\u202f<\/span><i><span data-contrast=\"auto\">Luxury Car<\/span><\/i><span data-contrast=\"auto\">\u202fva completar el 2006 la trilogia sobre la Xina en la qual havia estat treballant durant m\u00e9s de cinc anys. La seva quarta i cinquena pel\u00b7l\u00edcula,\u202f<\/span><i><span data-contrast=\"auto\">Memory of Love<\/span><\/i><span data-contrast=\"auto\">\u202f(2009) i\u202f<\/span><i><span data-contrast=\"auto\">Fantasy<\/span><\/i><span data-contrast=\"auto\">\u202f(2014), que es va presentar a la selecci\u00f3 Un Certain Regard al festival de Cannes d\u2019aquell mateix any, mostren una maduresa narrativa per part del seu director.\u202f<\/span><i><span data-contrast=\"auto\">Looking for Rohmer<\/span><\/i><span data-contrast=\"auto\">\u202f(2018), mostra l\u2019inter\u00e8s de Wang Chao pel cr\u00edtic i cineasta \u00c9ric Rohmer i la Nouvelle Vague, fins al punt de fer una pel\u00b7l\u00edcula sobre ell, encara que no necess\u00e0riament biogr\u00e0fica.\u202f<\/span><i><span data-contrast=\"auto\">A Woman<\/span><\/i><span data-contrast=\"auto\">\u202f(2022), fins ara la seva \u00faltima pel\u00b7l\u00edcula, es va projectar en la passada edici\u00f3 de l\u2019Asian Film Festival Barcelona | AFFBCN amb gran \u00e8xit de p\u00fablic, despr\u00e9s del seu pas per Sant Sebasti\u00e0 on va ser nominada a la Petxina d\u2019Or.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Dissabte 8 de febrer de 2025, a les 12 h<\/b><b><i>\u00a0<\/i><\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><em><b>Fall Guy<\/b><\/em> <i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">Filipines| Dir. Joel Lamangan | 2023 | 107\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Julius entra a la colla de Fonzy convertint-se en el seu servent. Una nit aquest \u00faltim el porta a una festa, on Fonzy i els seus amics violen en grup Jenie, que \u00e9s la seva parella, sense que ell pugui fer res. Aquests abusen un darrere l\u2019altre fins a matar-la brutalment. A sobre, en un intent desesperat per escapar a la responsabilitat penal pel que han fet, el grup d\u2019amics no dubta a utilitzar Julius com el boc expiatori.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Joel C. Lamangan<\/span><\/b><span data-contrast=\"auto\"> (1952, Filipines) va estudiar cinema i teatre a les Filipines i a l\u2019estranger. Va ser actor i director per a teatre i televisi\u00f3, fins que va comen\u00e7ar a actuar per al cinema i es va poder estrenar com a director el 1991 amb Darna. Entre les seves pel\u00b7l\u00edcules m\u00e9s destacades es troben: The Flor Contemplacion Story (1995), amb la qual va obtenir el premi Golden Pyramid al festival de cinema del Caire el 1995, Pusong Mamon (1998), Deathrow (2000), Hubog (2001), Huling Birhen sa Lupa (2003), Blue Moon (2006) i Deadline (2011). El 2014, el seu llargmetratge Hustisya va guanyar el premi a millor actriu i el Netpac al festival de cinema independent filip\u00ed Cinemalaya.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Dissabte 15 de febrer de 2025, a les 12 h<\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\"><em>Dust<\/em> <\/span><\/b><i><span data-contrast=\"auto\">| <\/span><\/i><span data-contrast=\"auto\">\u00cdndia| Dir. Udita Bhargava | 2019 | 80\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Per a seguir el rastre del seu amor desaparegut, David s\u2019embarca en un viatge al cor de l\u2019\u00cdndia, on la seva n\u00f2via Mumtaz va ser vista per \u00faltima vegada. Mumtaz era fot\u00f2grafa i l\u2019\u00fanica pista que t\u00e9 en David sobre els seus \u00faltims dies \u00e9s una de les seves fotos, que retrata a un nen petit. Buscant el nen, en David es troba amb l\u2019anci\u00e0 i c\u00ednic Dr. Sharda, a qui demana ajuda. No obstant aix\u00f2, poc temps despr\u00e9s s\u2019haur\u00e0 d\u2019enfrontar al fosc passat del Sharda, un passat que la Mumtaz va documentar amb les seves fotografies.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Udita Bhargava <\/span><\/b><span data-contrast=\"auto\">(1982, \u00cdndia) s\u2019ha llicenciat en comunicaci\u00f3 de masses i literatura anglesa i ha estudiat direcci\u00f3 a la Film University Babelsberg Konrad Wolf. Ha treballat com a assistent de cambra, fot\u00f2grafa i assistent de postproducci\u00f3 en produccions internacionals, entre elles \u201cSlumdog Millionaire\u201d (2008). Els seus curtmetratges s\u2019han projectat en festivals de tot el m\u00f3n, i el m\u00e9s recent, \u201cImraan, c \/ o carrom Club\u201d (2014), va guanyar el Premi promocional 3sat a l\u2019International Short Film Festival d\u2019Oberhausen. \u201cDust\u201d \u00e9s el seu primer llargmetratge.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Dissabte 22 de febrer de 2025, a les 12 h<\/b><b><i>\u00a0<\/i><\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\"><em>Kamli<\/em> <\/span><\/b><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Pakistan | Dir. Sarmad sult\u00e1n Khoosat | 2022 | 130\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Una jove casada, que conviu amb la seva cunyada cega, fa vuit anys que espera el retorn a casa del seu marit. Un dia est\u00e0 a punt de morir ofegada a l\u2019estany dels voltants, quan un misteri\u00f3s rodamon anomenat Amaltas la rescata. Aix\u00f2 canvia inesperadament la seva vida posant-la davant d\u2019un dilema entre el marit i el salvador. Ser\u00e0 capa\u00e7 de frenar la for\u00e7a del desig o caur\u00e0 a la temptaci\u00f3?<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Sarmad Sultan Khoosat <\/span><\/b><span data-contrast=\"auto\">(Pakistan, 1979) \u00e9s un director productor, guionista i actor, conegut per Zindagi Tamasha (Circus of Life) (2019), Manto (2015) i Joyland (2022). La seva pel\u00b7l\u00edcula Zindagi Tamasha (Circus of Life) (2019) va ser seleccionada com a millor pel\u00b7l\u00edcula internacional a la 93a edici\u00f3 dels Premis de l\u2019Acad\u00e8mia. A m\u00e9s, es va estrenar al 24\u00e8 Festival Internacional de Cinema de Busan dins de la secci\u00f3 \u201cA Window on Asian Cinema\u201d.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Dissabte 1 de mar\u00e7 de 2025, a les 12 h<\/b><b><i>\u00a0<\/i><\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><em><b>Where Would you Like to Go <\/b><\/em><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Corea | Dir. Kim Hee-jung | 2023 | 103\u2019 | VOSE | Drama\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">En <\/span><b><span data-contrast=\"auto\">Do-gyeong<\/span><\/b><span data-contrast=\"auto\"> va saltar per evitar que el seu estudiant Jiyong s\u2019ofegu\u00e9s, per\u00f2 ambd\u00f3s van morir a l\u2019intent. Despr\u00e9s de l\u2019accident, la Myeongji, la dona d\u2019en Do-gyeong, i la Jieun, la germana d\u2019en Jiyong, es queden soles al m\u00f3n, havent de lidiar amb la p\u00e8rdua dels seus \u00e9ssers estimats. La Myeongji viatja a Vars\u00f2via, per fugir de la dura realitat. All\u00e0 es retroba amb un amic i oculta la mort del seu marit, intentant rebutjar la trag\u00e8dia.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Kim Hee-jung<\/span><\/b><span data-contrast=\"auto\"> va estudiar a l\u2019Escola Nacional de Cinema de Lodz i posteriorment va realitzar el seu primer llargmetratge The Wonder Years (2007), la hist\u00f2ria d\u2019una noia que busca la seva mare biol\u00f2gica. La seg\u00fcent pel\u00b7l\u00edcula va ser Grape Candy (2011), un c\u00famul de records que dominen el present. La tercera pel\u00b7l\u00edcula d\u2019en Hee-jung va ser Snow Paths (2015), \u00e9s la hist\u00f2ria d\u2019un home que intenta superar els seus traumes fins que ingressa a un sanatori cat\u00f2lic per alcoholisme. Finalment, el 2019, rod\u00e0 A French Woman, que ens mostra el deliri d\u2019una dona que confronta el seu passat a trav\u00e9s d\u2019una misteriosa porta del temps.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Dissabte 8 de mar\u00e7 de 2025, a les 12h<\/b><b><i>\u00a0<\/i><\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\"><em>Blaze<\/em> <\/span><\/b><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Austr\u00e0lia | Dir. Del Kathryn Barton | 2022 | 101\u2019 | VOSE | Drama\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span> <span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">La vida d\u2019una nena de dotze anys dona un tomb en presenciar una violaci\u00f3 i un assassinat. El seu pare est\u00e0 preocupat i desitjant ajudar-la, per\u00f2 no sap com fer-ho. La situaci\u00f3 \u00e9s molt dif\u00edcil, ja que la Blaze \u00e9s l\u2019\u00fanic testimoni i la seva declaraci\u00f3 dels fets \u00e9s crucial. En un intent per sobrepassar el trauma, Blaze invoca a un drac imaginari perqu\u00e8 l\u2019ajudi a processar la seva ira i la protegeixi en el seu viatge cap a la maduresa.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Del Kathryn Barton <\/span><\/b><span data-contrast=\"auto\">\u00e9s una artista australiana, que va comen\u00e7ar a dibuixar de molt jove per despr\u00e9s estudiar art i disseny a la Universitat de Nova Gales del Sud (UNSW). No va tardar a donar-se a con\u00e8ixer per les seves obres de fantasia psicod\u00e8lica a exposicions individuals i col\u00b7lectives per tota Austr\u00e0lia i l\u2019estranger. Malgrat ja ser una figura \u00e0mpliament reconeguda entre els artistes de la seva generaci\u00f3, el 2022 va finalment debutar en el m\u00f3n del cinema amb la pel\u00b7l\u00edcula Blaze. Del Kathryn Barton va ser la directora i coguionista del llargmetratge.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Dissabte 15 de mar\u00e7 de 2025, a les 12h<\/b><b><i>\u00a0<\/i><\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><em><b>Lost Days <\/b><\/em><span data-contrast=\"auto\">|<\/span> <span data-contrast=\"auto\">Mong\u00f2lia | Dir. Garamkhand Bayarjargal | 2023 | 90\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">L\u2019Enkhmaa planifica un viatge per apropar el seu fill Ankhaa, que t\u00e9 13 anys, al seu padrastre. Just abans del seu viatge, el seu nen perd el seu estimat gos i haur\u00e0 de donar amb ell abans de tres dies. La fam\u00edlia de l\u2019Ankhaa centra la seva atenci\u00f3 en la seva germana petita, que encara \u00e9s un nad\u00f3, i l\u2019imminent viatge. A la cerca del seu gos es fa amic d\u2019alguns gossos de carrer, just coincidint amb el programa municipal per eliminar als gossos sense llar, de manera que haur\u00e0 d&#8217;afanyar-se per recuperar la seva mascota.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">La Garamkhand Bayarjargal <\/span><\/b><span data-contrast=\"auto\">\u00e9s una directora i productora mongola que, despr\u00e9s de graduar-se a la Universitat d\u2019Arts cinematogr\u00e0fiques, es va matricular a L\u2019Acad\u00e8mia Nacional de Cinema. Ha sigut la fundadora i cap de diverses productores, tant cinematogr\u00e0fiques com de televisi\u00f3, i entre els seus treballs m\u00e9s destacats es troben Funny Day (2015), The Faith (2016), Above All (2017), Love Hustle (2020), Zorig (2020), Between Heaven and Earth (2021) i el seu \u00faltim \u00e9xit Lost Days (2023).\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Dissabte 22 de mar\u00e7 de 2025, a les 12h<\/b><b><i>\u00a0<\/i><\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><em><b>Videophobia<\/b><\/em> <span data-contrast=\"auto\">| Jap\u00f3 | Dir. Daisuke Miyazaki | 2019 | 88\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span data-contrast=\"auto\">Ai vol ser actriu. Malgrat els seus fracassos continua intentant-ho. Una nit coneix a Hashimoto, un home misteri\u00f3s. Ai va a la casa de Hashimoto i mantenen relacions sexuals. Un dia ella troba un v\u00eddeo pornogr\u00e0fic en el qual els personatges llueixen exactament com ella a Hashimoto. Ai torna a la casa d\u2019ell i descobreix que sempre havia sigut un Airbnb i que el Hashimoto ja no hi \u00e9s. El v\u00eddeo sexual continua a la xarxa, i, encara que ella no sap si s\u00f3n ells exactament, comen\u00e7a a perdre el control de la seva vida.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\">Daisuke Miyazaki <\/span><\/b><span data-contrast=\"auto\">(1980). Graduat per la universitat de Waseda i participant a la universitat d\u2019estiu de Nova York. Va comen\u00e7ar la seva carrera com a assistent de directors com Kiyoshi Kurosawa. La seva primera pel\u00b7l\u00edcula va arribar al 2011 amb \u201cEnd of the night\u201d.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><span style=\"color: #ff0000;\"><b>Dissabte 29 de mar\u00e7 de 2025, a les 12h<\/b><b><i>\u00a0<\/i><\/b>\u00a0<\/span><\/p>\n<p data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"><b><span data-contrast=\"auto\"><em>Poet<\/em> <\/span><\/b><span data-contrast=\"auto\">| Kazakhstan | Dir. Darezhan Omirbayev | 2021 | 105\u2019 | VOSE | Drama<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Didar \u00e9s poeta, per\u00f2 no pot viure de la poesia. Tan sols pot escriure per als matins abans d\u2019anar a treballar com a editor d\u2019un diari. Amb els seus companys de treball, sol discutir si la llengua nacional est\u00e0 o no en perill d\u2019extinci\u00f3, degut a la globalitzaci\u00f3 de l\u2019angl\u00e8s. Omirbayev fa llegir a en Didar un llibre sobre el poeta kazakh Makhambet Otemisuly , que li permet unir perillosament tradici\u00f3 i modernitat.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Darezhan Omirbayev <\/span><\/b><span data-contrast=\"auto\">(Uyuk, 1958) va estudiar primer matem\u00e0tiques i despr\u00e9s cinema. Des del seu debut amb\u202f<\/span><i><span data-contrast=\"auto\">Kairat<\/span><\/i><span data-contrast=\"auto\">\u202fel 1992, ha realitzat diverses pel\u00b7l\u00edcules que han sigut premiades en festivals internacionals.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m4vs1d3z-b5bcd7ab6241d622e81551ad70f985e6\">\n#top #wrap_all .avia-icon-list-container.av-m4vs1d3z-b5bcd7ab6241d622e81551ad70f985e6 .av_iconlist_title{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-icon-list-container av-m4vs1d3z-b5bcd7ab6241d622e81551ad70f985e6  avia-builder-el-3  el_after_av_textblock  el_before_av_partner '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-m4vs1d3z-b5bcd7ab6241d622e81551ad70f985e6 avia-iconlist-animate'>\n<li><div class='iconlist_icon av-m4vs0x3o-d904f1179cab9b4e5d02f375ae99ad70 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue85b' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><h4 class='av_iconlist_title iconlist_title Fecha Todos los sbados a las h del  de enero al  de marzo de   av_inherit_color' >Data: Tots els dissabtes a les 12h, del 18 de gener al 29 de mar\u00e7 del 2025. <\/h4><\/header><div class='iconlist_content ' ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-m4vs1tp8-35f973b9707112d14c1f2109ead48acf avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue842' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><h4 class='av_iconlist_title iconlist_title  av_inherit_color' >MK2 Cine Paz | Calle de Fuencarral, 125, Madrid. <\/h4><\/header><div class='iconlist_content ' ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-m4vs2p3n-dc6cb48bc3cdde4dd0d9e33a59a302fa avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue8cb' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content ' ><p><span style=\"color: #ff0000;\"><span class=\"TextRun SCXW35420875 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW35420875 BCX8\" data-ccp-charstyle=\"normaltextrun\">Pr<\/span><span class=\"NormalTextRun SCXW35420875 BCX8\" data-ccp-charstyle=\"normaltextrun\">eu<\/span><span class=\"NormalTextRun SCXW35420875 BCX8\" data-ccp-charstyle=\"normaltextrun\"> entrada:<\/span><\/span><span class=\"TextRun SCXW35420875 BCX8\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW35420875 BCX8\" data-ccp-charstyle=\"normaltextrun\"> 6\u20ac <\/span><\/span><\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m4vs055e-378d23316c42233438fa7ff5673332ed\">\n.avia-logo-element-container.av-m4vs055e-378d23316c42233438fa7ff5673332ed .av-partner-fake-img{\nbackground-size:cover;\n}\n<\/style>\n<div  class='avia-logo-element-container av-m4vs055e-378d23316c42233438fa7ff5673332ed avia-logo-slider avia-content-slider avia-smallarrow-slider avia-content-slider-active noHover avia-content-slider-odd  avia-builder-el-4  el_after_av_iconlist  avia-builder-el-last  av-slideshow-ui av-control-default av-nav-arrows-visible av-nav-dots-visible av-no-slider-navigation av-slideshow-manual av-loop-once av-loop-manual-endless avia-content-slider1' data-slideshow-options=\"{&quot;animation&quot;:&quot;slide&quot;,&quot;autoplay&quot;:false,&quot;loop_autoplay&quot;:&quot;once&quot;,&quot;interval&quot;:5,&quot;loop_manual&quot;:&quot;manual-endless&quot;,&quot;autoplay_stopper&quot;:false,&quot;noNavigation&quot;:false,&quot;bg_slider&quot;:false,&quot;keep_padding&quot;:&quot;&quot;,&quot;hoverpause&quot;:false,&quot;show_slide_delay&quot;:0}\"><div class='avia-smallarrow-slider-heading '><div class='new-special-heading'><h3 class='av-logo-special-heading-text '>ORGANITZA<\/h3><\/div><\/div><div class=\"avia-content-slider-inner\"><div class=\"slide-entry-wrap\"><div  class='slide-entry av-1cucnnp-07fe08e9feeb1e301c8248f39a781198 flex_column no_margin av_one_third real-thumbnail post-entry slide-entry-overview slide-loop-1 slide-parity-odd  first'><span class='av-partner-fake-img' 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background-image:url(https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2024\/01\/logopaz.png);'><\/span><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":55463,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33],"tags":[],"class_list":["post-55472","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts\/55472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/comments?post=55472"}],"version-history":[{"count":5,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts\/55472\/revisions"}],"predecessor-version":[{"id":55880,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts\/55472\/revisions\/55880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/media\/55463"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/media?parent=55472"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/categories?post=55472"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/tags?post=55472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}