{"id":38398,"date":"2022-03-08T17:18:15","date_gmt":"2022-03-08T16:18:15","guid":{"rendered":"http:\/\/asianfilmfestival.barcelona\/2022\/mujeres-afganas-y-el-cine-made-in-afghanistan\/"},"modified":"2022-03-11T13:19:49","modified_gmt":"2022-03-11T12:19:49","slug":"mujeres-afganas-y-el-cine-made-in-afghanistan","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/mujeres-afganas-y-el-cine-made-in-afghanistan\/","title":{"rendered":"Dones afganeses i el cinema: \u201cMade in Afghanistan\u201d (8-12 de mar\u00e7)"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l0ibxvly-eaff0599cec9ed54249cebbd808cff4d\">\n.avia-image-container.av-l0ibxvly-eaff0599cec9ed54249cebbd808cff4d img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l0ibxvly-eaff0599cec9ed54249cebbd808cff4d .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l0ibxvly-eaff0599cec9ed54249cebbd808cff4d av-styling- avia-align-center  avia-builder-el-0  el_before_av_textblock  avia-builder-el-first '  ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-38393 avia-img-lazy-loading-not-38393 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2022\/03\/cine-afganistan-mujeres.jpg\" alt='' title='cine-afganistan-mujeres'  height=\"720\" width=\"1280\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2022\/03\/cine-afganistan-mujeres.jpg 1280w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2022\/03\/cine-afganistan-mujeres-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2022\/03\/cine-afganistan-mujeres-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2022\/03\/cine-afganistan-mujeres-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2024\/wp-content\/uploads\/2022\/03\/cine-afganistan-mujeres-705x397.jpg 705w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><\/div><\/div><\/div>\n<section  class='av_textblock_section av-l0ibz244-843a938819593f843ed798f249144da4 '  ><div class='avia_textblock' ><h1 class=\"entry-title fusion-responsive-typography-calculated\" style=\"text-align: center;\" data-fontsize=\"50\" data-lineheight=\"normal\">Dones afganeses i el cinema: \u201cMade in Afghanistan\u201d<\/h1>\n<\/div><\/section>\n<section  class='av_textblock_section av-l0ibvnm3-6a4ba2cea10a78de0f674608a99c0f14 '  ><div class='avia_textblock' ><p><strong>Casa \u00c0sia projecta pel\u00b7l\u00edcules afganeses en la seva programaci\u00f3 de cinema, fins ara un cinema de minories, molt desconegut a Occident, malgrat ser centre dels principals conflictes internacionals des de finals del segle XX fins al moment actual.<\/strong><\/p>\n<p>El cinema dirigit per dones afganeses reuneix testimonis de la vida dom\u00e8stica i quotidiana d\u2019aquest pa\u00eds, per\u00f2 tamb\u00e9 de la seva vida pol\u00edtica i social, que avui s\u00f3n imprescindibles per reconstruir la seva hist\u00f2ria.<\/p>\n<p>El programa que Casa \u00c0sia far\u00e0 a Cineteca Madrid durant la setmana del 8 al 12 de mar\u00e7, amb motiu de la celebraci\u00f3 del Dia de la Dona d\u2019aquest any, consta de quatre sessions en qu\u00e8 es projectaran les pel\u00b7l\u00edcules de les cineastes seg\u00fcents: Sahra Mani, Shahrbanoo Sadat, Sedika Mojadidi i Mariam Ghani. La directora Sahra Mani viatjar\u00e0 a Madrid per presentar la seva pel\u00b7l\u00edcula <em>A Thousand Girls Like Me,<\/em> que ha rebut nombrosos premis als festivals internacionals on s\u2019ha projectat. \u00c9s la primera vegada que es fa un programa dedicat al cinema realitzat per dones a l\u2019Afganistan, malgrat que la majoria dels protagonistes seguir\u00e0 de moment la seva traject\u00f2ria als pa\u00efsos d\u2019acollida on resideixen actualment.<\/p>\n<p><strong>PROGRAMACI\u00d3:<\/strong><\/p>\n<p>Dimarts 8 de mar\u00e7, a les 19.00 h<br \/>\n<strong><em>A Thousand Girls Like Me<\/em><\/strong> | Dir: Sahra Mani | 2018 | 76\u2019 | VOSE | Documental<\/p>\n<p>La directora\u00a0<strong>Sahra Mani <\/strong>presentar\u00e0 <strong><em>A Thousand Girls Like Me<\/em><\/strong><\/p>\n<p>La viol\u00e8ncia sexual contra les dones \u00e9s delicte des del 2009 a l\u2019Afganistan. Per\u00f2, a la pr\u00e0ctica, les dones temen les possibles repres\u00e0lies per presentar c\u00e0rrecs. Lamentablement, la hist\u00f2ria de Khatera \u00e9s el t\u00edpic exemple d\u2019aquest fenomen: ella i la seva mare han rebut amenaces, fins i tot dels seus familiars, i s\u2019han vist obligades a mudar-se freq\u00fcentment. El pare de Khatera en va abusar durant la infantesa i l\u2019ha deixat embarassada en m\u00faltiples ocasions. Khatera ha patit diversos avortaments abans d\u2019acabar donant a llum una nena. Seguint el consell d\u2019una mullah, ha explicat la seva hist\u00f2ria a un programa televisiu i ha presentat c\u00e0rrecs contra el seu pare. La pel\u00b7l\u00edcula es va presentar al G\u00f6teborg Film Festival de 2019, Seattle International Film Festival 2019, al Sheffield International Documentary Festival 2018 i al Fribourg International Film Festival 2019.<\/p>\n<p>Dimecres 9 de mar\u00e7, a les 19.00 h<br \/>\n<strong><em>Wolf and Sheep<\/em><\/strong> | Dir: Shahrbanoo Sadat | 2016 | 86\u2019 | Drama<\/p>\n<p>A l\u2019Afganistan rural, la gent inventa i explica hist\u00f2ries misterioses i plenes d\u2019imaginaci\u00f3, per intentar explicar el m\u00f3n on viuen. Els nens pastors s\u00f3n els amos de les muntanyes, per\u00f2 saben que nois i noies no tenen perm\u00e8s estar junts. Els nois practiquen amb les seves tirador per lluitar contra els llops, mentre les noies fumen en secret i juguen a simular que es casen, somiant trobar un marit. Fan safareig sobre la Sediga. Ella t\u00e9 onze anys i \u00e9s una marginada. Les noies pensen que una maledicci\u00f3 pesa sobre ella. En Qodrat, tamb\u00e9 d\u2019onze anys, es converteix en el focus dels rumors quan la seva mare torna a casar-se amb un home que ja t\u00e9 dues esposes. Qodrat vaga nom\u00e9s pels paratges m\u00e9s a\u00efllats de les muntanyes, on coneix la Sediga i es fan amics.<\/p>\n<p>Dijous 10 de mar\u00e7, a les 19.00 h<br \/>\n<strong><em>Facing the Dragon<\/em><\/strong> | Dir: Sedika Mojadidi | 2019 | 80\u2019 | VOSE<\/p>\n<p>En aquest documental la directora va seguir durant quatre anys la vida de dues extraordin\u00e0ries dones afganeses: Nilofar, membre del parlament, i Shakila, una periodista de televisi\u00f3. La retirada de les forces americanes i de l\u2019ajuda internacional a l\u2019Afganistan deixa la democr\u00e0cia i les vict\u00f2ries recents de les dones penjant d\u2019un fil, per la qual cosa Nilofar i Shakila hauran d\u2019escollir entre la maternitat i les seves ambicions professionals, davant les creixents amenaces que pesen sobre elles i les seves fam\u00edlies.<\/p>\n<p>Dissabte 12 de mar\u00e7, a les 19.00 h<br \/>\n<strong><em>What We Left Unfinished<\/em><\/strong> | Dir: Mariam Ghani | 2019 | 72\u2019 | VOSE | Documental<\/p>\n<p>Pel\u00b7l\u00edcula projectada a l\u2019AFFBCN 2021<\/p>\n<p><em>What We Left Unfinished<\/em> narra la hist\u00f2ria de cinc llargmetratges inacabats de l\u2019era comunista a l\u2019Afganistan (1978-1991). Quan les pel\u00b7l\u00edcules estaven carregades de missatges, els cineastes es convertien en objectius i els somnis de r\u00e8gims pol\u00edtics en canvi constant es fusionaven amb les hist\u00f2ries explicades en pantalla. Tamb\u00e9 \u00e9s un tribut a un grup molt unit de cineastes afganesos que estimaven el cinema prou per arriscar les seves vides per ell. Tot i la interfer\u00e8ncia del govern, les juntes de censura, l\u2019escassetat de recursos, l\u2019oposici\u00f3 armada i les amenaces gaireb\u00e9 constants d\u2019arrest i fins i tot de mort, es van fer pel\u00b7l\u00edcules subversives i, segons els realitzadors, sempre fidels a la realitat . Les cinc pel\u00b7l\u00edcules, <em>The April Revolution<\/em> (1978), <em>Downfall<\/em> (1987), <em>The Black Diamond<\/em> (1989), <em>Wrong Way<\/em> (1990) i <em>Agent<\/em> (1991), van completar la fotografia principal abans de ser cancel\u00b7lades per l\u2019estat o abandonades pels cineastes. Mai no van ser editades, per\u00f2 van escapar a la censura.<\/p>\n<\/div><\/section>\n<div  class='avia-icon-list-container av-l0ic69nt-755756e6c25bfb6000c4211823fabbbc  avia-builder-el-3  el_after_av_textblock  avia-builder-el-last '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-l0ic69nt-755756e6c25bfb6000c4211823fabbbc avia-iconlist-animate'>\n<li><div class='iconlist_icon av-2p0s9zr-0febd7246def5bdf3d60a76dff5f41f8 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue85b' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content ' ><p>08\/03\/2022<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-1jv989q-024e563643af4ae32495cc9ad11b3bc5 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue862' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content ' ><p>Del 8 al 12 de mar\u00e7<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-1k2vkt3-e6b3df74b3bdf6b6154f06703357e87e avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue842' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content ' ><div><span lang=\"ES\">Cineteca Madrid<\/span><\/div>\n<div><span lang=\"ES\">Plaza de Legazpi, 8<br \/>\nMadrid<\/span><\/div>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-10247vi-f3a361ebe287689db9c5abcbf5a441fb avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue8cb' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content ' ><p>Sessions: 3,50 euros<br \/>\n3 euros per als col\u00b7lectius seg\u00fcents: jubilats i majors de 65 anys, menors de 14, persones amb discapacitat, grups de m\u00e9s de 20 persones, aturats, fam\u00edlies nombroses i associacions art\u00edstiques.<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-rtmcm6-92988947dd3871a8d18eed5235a0958c avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue80a' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content ' ><p>Casa Asia y Cineteca Madrid.<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":38393,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33],"tags":[],"class_list":["post-38398","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"acf":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts\/38398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/comments?post=38398"}],"version-history":[{"count":0,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/posts\/38398\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/media\/38393"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/media?parent=38398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/categories?post=38398"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2024\/ca\/wp-json\/wp\/v2\/tags?post=38398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}