{"id":48810,"date":"2024-04-08T10:25:50","date_gmt":"2024-04-08T08:25:50","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2023\/?p=48810"},"modified":"2024-04-15T10:56:41","modified_gmt":"2024-04-15T08:56:41","slug":"new-perspectives-of-asian-cinema","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2023\/new-perspectives-of-asian-cinema\/","title":{"rendered":"New perspectives of Asian cinema"},"content":{"rendered":"<div  class='avia-video av-lv0pts4n-7e4e63aad96b33fa211d4e2323b915ae avia-video-16-9 av-no-preview-image avia-video-load-always avia-video-html5'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/e8fd2708-b312-47a1-8cec-465fd4e7dbf5.mp4'><video class='avia_video'    preload=\"auto\"  controls id='player_48810_1210161813_2074942542'><source src='https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/e8fd2708-b312-47a1-8cec-465fd4e7dbf5.mp4' type='video\/mp4' \/><\/video><\/div>\n<section  class='av_textblock_section av-lul438k1-b1ca9c46cd448b94c0721061bd766db3 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 style=\"text-align: center;\"><b><span data-contrast=\"none\">New perspectives of Asian cinema<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/h2>\n<p><span data-ccp-props=\"{\">\u00a0<\/span><span data-contrast=\"auto\">We resume the programming of Asian cinema in Madrid, from April 13 to June 15, 2024., to continue showing a cinema that has ceased to be an exception to be increasingly present in national and international festivals or in the annual programming of our cinemas. In this new chapter we present Central Asian cinema from Kyrgyzstan and Uzbekistan, as well as an interesting film from Afghanistan, a country which we have known very little for some time. Iranian cinema continues to be important to us, as is evident from the two films selected for their social interest. Next, a controversial production from India on Kashmir and the historical roots of an unresolved conflict, ending with recent Southeast Asian cinema from the Philippines, Korea, Indonesia and Japan. With the ten titles programmed we cover a period of five years, between 2019 and 2023, in which Asian cinema has experienced a significant growth in its audiences in the West. Proof of this is the increased presence of these cinematographies in international and Spanish festivals. The valorisation of most of these productions coming from such remote geographies has contributed to normalize the interest of a global cinema, beyond the physical and virtual borders that have often separated in blocks the cinematographic production between continents. <\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<h4><b><span data-contrast=\"auto\">PROGRAMME<\/span><\/b><span data-ccp-props=\"{\">\u00a0<\/span><\/h4>\n<p><span style=\"color: #ff0000;\">Saturday April 13th, 2024, at 12PM<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-48760 size-medium\" src=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/The-Forbidden-Strings-02-e1713169942839-300x183.jpg\" alt=\"\" width=\"300\" height=\"183\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/The-Forbidden-Strings-02-e1713169942839-300x183.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/The-Forbidden-Strings-02-e1713169942839-1030x628.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/The-Forbidden-Strings-02-e1713169942839-768x468.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/The-Forbidden-Strings-02-e1713169942839-1536x936.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/The-Forbidden-Strings-02-e1713169942839-1500x914.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/The-Forbidden-Strings-02-e1713169942839-705x430.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/The-Forbidden-Strings-02-e1713169942839.jpg 1772w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b><i><span data-contrast=\"auto\"> <br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/>The Forbidden Strings <\/span><\/i><\/b><span data-contrast=\"auto\">| Afghanistan | Hasan Noori | 2019 | 72\u2019 | VOSE | Documental<\/span><\/p>\n<p><span data-contrast=\"auto\">Akbar, Soori, Mohammed, and Hakim are the only young Afghan immigrants in Iran who have formed a rock band. All they ask for is the chance to play live.<\/span><i><span data-contrast=\"auto\"> The Forbidden Strings<\/span><\/i><span data-contrast=\"auto\"> shows the musical quartet struggling to make themselves be heard. As the title suggests, they face quite a few challenges. The four band members are the children of Afghan parents who fled to Iran and are unaware of the danger that returning to their homeland may pose for them. Their families are worried about them. The band promises to stay out of trouble when they get to Kabul, but it doesn\u2019t take long for them to realize that this is impossible. <\/span><b><span data-contrast=\"auto\">Special Mention in the Discoveries Section of AFFBCN 2021.<\/span><\/b><\/p>\n<p><b><span data-contrast=\"auto\">Hasan Noori<\/span><\/b><span data-contrast=\"auto\"> was born in Iran in 1985 to Afghan refugee parents. He holds a bachelor\u2019s degree in sociology and a master\u2019s degree in film from Tehran University. For years he has worked for NGOs fighting against child labour, mainly in the Afghan refugee community. <\/span><i><span data-contrast=\"auto\">The Forbidden String<\/span><\/i><span data-contrast=\"auto\"> is the director\u2019s first feature film.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday April 20th, 2024, at 12PM<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-48774 size-medium\" src=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Corea-TOXIC-PARENTS-4-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Corea-TOXIC-PARENTS-4-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Corea-TOXIC-PARENTS-4-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Corea-TOXIC-PARENTS-4-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Corea-TOXIC-PARENTS-4-1536x1024.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Corea-TOXIC-PARENTS-4-2048x1365.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Corea-TOXIC-PARENTS-4-1500x1000.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Corea-TOXIC-PARENTS-4-705x470.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b><i><span data-contrast=\"auto\"> <br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/>Toxic Parents <\/span><\/i><\/b><span data-contrast=\"auto\">| Korea | Kim Su-in | 2023 | 104\u2019 | VOSE | Drama<\/span><\/p>\n<p><span data-contrast=\"auto\">Yoo-ri seems like an exemplary student, coming from a wealthy family, but suddenly she commits suicide. Detectives suspect it&#8217;s a suicide, but her mother Hye-young believes it&#8217;s murder orchestrated by Ye-na, a classmate, and Gi-beom, her teacher. No matter how much the detectives investigate, the statements of these three individuals continue to contradict each other. The only clue they have is that Hye-Young caused suffering to her daughter. While the mother thinks everything she did was in favor and for the good of Yoo-ri. Will the truth about her death finally be uncovered?<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Kim Su-in<\/span><\/b><span data-contrast=\"auto\"> is a South Korean screenwriter. She graduated from Dankook University\u2019s Department of Creative Writing and completed her major in the Department of Film at Chung-Ang University\u2019s Graduate School. She wrote adaptations and screenplays for several feature films, including the adaptation of <\/span><i><span data-contrast=\"auto\">Oksu Station Ghost<\/span><\/i><span data-contrast=\"auto\"> (2021) and the screenplay of <\/span><i><span data-contrast=\"auto\">B Cut<\/span><\/i><span data-contrast=\"auto\"> (2021). <\/span><i><span data-contrast=\"auto\">Toxic Parents<\/span><\/i><span data-contrast=\"auto\"> (2023) is her first feature film.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday April 27th, 2024, at 12PM<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-48779 size-medium\" src=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Filipinas-SON-OF-A-MACHO-DANCER-1-4-300x215.jpg\" alt=\"\" width=\"300\" height=\"215\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Filipinas-SON-OF-A-MACHO-DANCER-1-4-300x215.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Filipinas-SON-OF-A-MACHO-DANCER-1-4-1030x737.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Filipinas-SON-OF-A-MACHO-DANCER-1-4-768x550.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Filipinas-SON-OF-A-MACHO-DANCER-1-4-260x185.jpg 260w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Filipinas-SON-OF-A-MACHO-DANCER-1-4-705x505.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Filipinas-SON-OF-A-MACHO-DANCER-1-4.jpg 1397w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b><i><span data-contrast=\"auto\"> <br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/>Son of the Macho Dancer <\/span><\/i><\/b><span data-contrast=\"auto\">| Philippines | Joel C. Lamangan | 2021 | 88\u2019 | VOSE | Drama<\/span><\/p>\n<p><i><span data-contrast=\"auto\">Son of the Macho Dancer<\/span><\/i><span data-contrast=\"auto\"> is a coming-of-age film about Inno, a boy who wants to escape the abuse of his father Pol, a retired stripper addicted to drugs. One day, Tere, Inno&#8217;s mother, forces him to work in a male strip club, but just as he starts working, Tere abandons her son and her husband. At the club, Inno meets Bambi, an ex-prostitute who organizes private parties to sexually satisfy the rich. Bambi invites Inno to join these parties, where he meets Jun Mallari, a wealthy gay businessman. Inno seduces Jun, attracted by the life of comfort he offers, becoming his plaything and abandoning his father. Kyle, a handsome 19-year-old who seems jealous of Inno for being another of Jun&#8217;s toys, warns him to stay away from Jun before it&#8217;s too late. But Inno turns a deaf ear and ends up in a world even more violent than the one he escaped from.<\/span><\/p>\n<p><span data-contrast=\"auto\">Multi-award-winning Filipino director <\/span><b><span data-contrast=\"auto\">Joel C. Lamangan<\/span><\/b><span data-contrast=\"auto\"> studied film and theatre in the Philippines and abroad. He was an actor and director for theatre and television, until he started acting for film and was able to make his directorial debut in 1991 with <\/span><i><span data-contrast=\"auto\">Darna<\/span><\/i><span data-contrast=\"auto\">. Among his most notable films are: <\/span><i><span data-contrast=\"auto\">The Flor Contemplacion Story<\/span><\/i><span data-contrast=\"auto\"> (1995), for which he won the Golden Pyramid Award at the Cairo Film Festival in 1995 and Nora Aunor took home the Best Actress Award; <\/span><i><span data-contrast=\"auto\">Pusong Mamon<\/span><\/i><span data-contrast=\"auto\"> (1998), <\/span><i><span data-contrast=\"auto\">Deathrow<\/span><\/i><span data-contrast=\"auto\"> (2000), <\/span><i><span data-contrast=\"auto\">Hubog<\/span><\/i><span data-contrast=\"auto\"> (2001), <\/span><i><span data-contrast=\"auto\">Huling Birhen sa Lupa<\/span><\/i><span data-contrast=\"auto\"> (2003), <\/span><i><span data-contrast=\"auto\">Blue Moon<\/span><\/i><span data-contrast=\"auto\"> (2006) and <\/span><i><span data-contrast=\"auto\">Deadline<\/span><\/i><span data-contrast=\"auto\"> (2011). In 2014, her feature film <\/span><i><span data-contrast=\"auto\">Hustisya<\/span><\/i><span data-contrast=\"auto\"> won the Best Actress Award and the Netpac at the Philippine independent film festival Cinemalaya. It was also screened at the Toronto festival and competed at the Warsaw and Nantes festivals. With <\/span><i><span data-contrast=\"auto\">Bhoy Intsik<\/span><\/i><span data-contrast=\"auto\"> (2017) he won the special jury prize at the Porto festival. <\/span><i><span data-contrast=\"auto\">Rainbow&#8217;s Sunset<\/span><\/i><span data-contrast=\"auto\"> won nine awards at the 2018 Manila festival, in addition to the special jury prize and the best actor award for Eddie Garcia and Tony Mabesa at the 2019 Houston festival.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday May 4th, 2024, at 12PM\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-48782 size-medium\" src=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/India-THE-KASHMIR-FILES-12-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/India-THE-KASHMIR-FILES-12-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/India-THE-KASHMIR-FILES-12-1030x686.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/India-THE-KASHMIR-FILES-12-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/India-THE-KASHMIR-FILES-12-705x470.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/India-THE-KASHMIR-FILES-12.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b><i><span data-contrast=\"auto\"> <br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/>The Kashmir Files <\/span><\/i><\/b><span data-contrast=\"auto\">| India | Vivek Ranjan Agnihotri | 2022 | 130\u2019 | VOSE | Drama<\/span><\/p>\n<p><span data-contrast=\"auto\">The plot follows a Kashmiri Hindu college student, raised by his exiled grandfather and shielded from the knowledge of the circumstances of the death of his parents. After his grandfather\u2019s death, the student, who had come to believe at college that the exodus was benign, becomes driven to uncover the facts of his family\u2019s deaths. The plot alternates between the student\u2019s quest in the present time, 2020, and his family\u2019s travails of thirty years before. The film depicts the exodus and the events leading up to it as a genocide.<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Vivek Ranjan Agnihotri<\/span><\/b><span data-contrast=\"auto\"> is an Indian film director, screenwriter and author who works in Hindi cinema. As of 2022, he is a member of the board of India\u2019s Central Board of Film Certification and a cultural representative of Indian Cinema at the Indian Council for Cultural Relations. Agnihotri made his directorial debut with the crime thriller <\/span><i><span data-contrast=\"auto\">Chocolate<\/span><\/i><span data-contrast=\"auto\"> (2005) and has directed multiple films since which failed to propel his career forward until <\/span><i><span data-contrast=\"auto\">The Tashkent Files<\/span><\/i><span data-contrast=\"auto\"> (2019) which emerged as a commercial success and earned him the National Film Award for Best Screenplay \u2013 Dialogues. He also wrote and directed <\/span><i><span data-contrast=\"auto\">The Kashmir Files<\/span><\/i><span data-contrast=\"auto\"> (2022) which emerged as one of the highest-grossing Indian film of 2022.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday May 11th, 2024, at 12PM<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-48786 size-medium\" src=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Iran-THE-FIRST-AUTOGRAPH-FOR-RANA-3-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Iran-THE-FIRST-AUTOGRAPH-FOR-RANA-3-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Iran-THE-FIRST-AUTOGRAPH-FOR-RANA-3-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Iran-THE-FIRST-AUTOGRAPH-FOR-RANA-3-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Iran-THE-FIRST-AUTOGRAPH-FOR-RANA-3-705x470.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Iran-THE-FIRST-AUTOGRAPH-FOR-RANA-3.jpg 1080w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b><i><span data-contrast=\"auto\"> <br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/>First Autograph for Rana <\/span><\/i><\/b><span data-contrast=\"auto\">| Iran | Ali Zhakan | 2018 | 90\u2019 | VOSE | Drama<\/span><\/p>\n<p><span data-contrast=\"auto\">Jahangir Golstaneh is a novelist who has been married for several years to Rana and they have a seven-year-old son. Jahangir is the author of several novels, although he has only been able to publish one of them. His only source of income is writing, and he does not want to do anything else to get out of his precariousness. This decision is the cause of the problems and obstacles that arise throughout his life.<\/span><\/p>\n<p><span data-contrast=\"auto\">Director <\/span><b><span data-contrast=\"auto\">Ali Zhakan<\/span><\/b><span data-contrast=\"auto\"> was born in Tehran in 1950 and began his career as an actor. He made his first feature film <\/span><i><span data-contrast=\"auto\">The Mare<\/span><\/i><span data-contrast=\"auto\"> in 1986 and has been acclaimed at international festivals such as Venice and Karlovy Vary, among others.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday May 18th, 2024, at 12PM<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-48789 size-medium\" src=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Indonesia-ORPA-2-e1713170774421-300x189.jpeg\" alt=\"\" width=\"300\" height=\"189\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Indonesia-ORPA-2-e1713170774421-300x189.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Indonesia-ORPA-2-e1713170774421-1030x648.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Indonesia-ORPA-2-e1713170774421-768x483.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Indonesia-ORPA-2-e1713170774421-705x443.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Indonesia-ORPA-2-e1713170774421.jpeg 1145w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b><i><span data-contrast=\"none\"> <br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/>Orpa <\/span><\/i><\/b><span data-contrast=\"none\">| Indonesia | Theogracia Rumansara | 2023 | 99&#8242; | VOSE | Drama<\/span><\/p>\n<p><span data-contrast=\"none\">Orpa is a 16-year-old good student, forcibly betrothed by her father to a wealthy man from Jayapura. Reluctant to become a submissive housewife, one night she decides to escape to pursue her studies in Wamena, where she wants to learn more about the medicinal effects of Papua&#8217;s plants. Along the way, she meets Ryan, a 28-year-old aspiring musician. During their journey, as they exchange ideas and opinions about life, a sweet friendship blossom between them. Their journey is fraught with difficulties as they are pursued both by Orpa&#8217;s father and by villagers who accuse Ryan of committing a murder.<\/span><\/p>\n<p><b><span data-contrast=\"none\">Theo Rumansara<\/span><\/b><span data-contrast=\"none\"> was born on 1989 in Biak, Papua. He never took art seriously until he won a film competition in his high school back in 2004, what made him transition from IT programmer to a musician-filmmaker and never looked back. In 2020 he won Jendela Papua, a talent scouting &amp; filmmaking lab program which finally brought him closer to his chance to direct his first film <\/span><i><span data-contrast=\"none\">Orpa<\/span><\/i><span data-contrast=\"none\">, which won the Best Performance Award at the Jogja-NETPAC Asian Film Festival in 2022.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday May 25th, 2024, at 12h<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-48792 size-medium\" src=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Japon_Love-Life-and-Goldfish-7-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Japon_Love-Life-and-Goldfish-7-300x200.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Japon_Love-Life-and-Goldfish-7-1030x687.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Japon_Love-Life-and-Goldfish-7-768x512.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Japon_Love-Life-and-Goldfish-7-1536x1025.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Japon_Love-Life-and-Goldfish-7-2048x1367.jpg 2048w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Japon_Love-Life-and-Goldfish-7-1500x1001.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Japon_Love-Life-and-Goldfish-7-705x470.jpg 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b><i><span data-contrast=\"none\"> <br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/>Love, Life and Goldfish<\/span><\/i><\/b><span data-contrast=\"none\"> | Japan | Makabe Yukinori | 2021 | 92\u2019 | VOSE | Drama<\/span><\/p>\n<p><span data-contrast=\"none\">Makato (Matsuya Onoe) is an elite banker working for a large bank in Tokyo headquarters. Due to a minor mistake, he is demoted to a small branch in a rural town. Devastated by his situation, he retreats into fantasy musical reveries and encounters an interesting cast of characters that accentuate the small town, until he finally meets the beautiful Yoshino (Kanako Momota), who runs a goldfish collection store. Makoto falls in love at first sight.<\/span><\/p>\n<p><span data-contrast=\"none\">Born in 1984, <\/span><b><span data-contrast=\"none\">Makabe Yukinori<\/span><\/b><span data-contrast=\"none\"> hails from Tokyo Prefecture. With ROBOT COMMUNICATIONS INC. In 2012, he won the Grind-prix at the Louis Vuitton Journey Awards with his short film <\/span><i><span data-contrast=\"none\">The Sun and The Moon<\/span><\/i><span data-contrast=\"none\">, and won the Audience Award with <\/span><i><span data-contrast=\"none\">A Piece of Dogu<\/span><\/i><span data-contrast=\"none\"> at SSFF &amp; ASIA 2014. His first feature film <\/span><i><span data-contrast=\"none\">I Am A Monk<\/span><\/i><span data-contrast=\"none\">, was released in 2015. The film won the Audience Award at the Chicago Emerging Asian Cinema and the Platinum Award at the WorldFest International Film Festival in Houston.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday June 1st, 2024, at 12PM<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-48796 size-medium\" src=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Kirguistan-THE-LAKE-1-2-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Kirguistan-THE-LAKE-1-2-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Kirguistan-THE-LAKE-1-2-768x433.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Kirguistan-THE-LAKE-1-2-705x398.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Kirguistan-THE-LAKE-1-2.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b><i><span data-contrast=\"none\"> <br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/>The Lake <\/span><\/i><\/b><span data-contrast=\"none\">| Kyrgyzstan | Emil Atageldijev | 2020 | 100\u2019 | VOSE | Drama<\/span><\/p>\n<p><span data-contrast=\"none\">On the shores of Issyk-Kul Lake lives Termikul, a former history teacher who tragically lost his only daughter. Termikul believes in an ancient legend that since ancient times the people of Kyrgyzstan do not fish in this sacred lake for food, because it is believed that the souls of the ancestors are there waiting for reincarnation. However, a neighbour of his, Askhat, feeds his family by poaching in the lake. His eleven-year-old daughter, Jyldyz, persistently objects, because like the old man, she also believes in the legend and does not eat fish.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Emil Atageldiev<\/span><\/b><span data-contrast=\"none\"> is a professional musician and a highly awarded artist of the Kyrgyz Republic since 2001. He has been a member of the Kyrgyz Union of Directors of Photography since 2014. In 2010 he graduated from the Higher Courses of Screenwriters and Film Directors, VGIK, in Moscow. <\/span><i><span data-contrast=\"none\">The Lake<\/span><\/i><span data-contrast=\"none\"> is his first film as a director and co-writer, and he presented it for the first time at the Shanghai International Film Festival 2020.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday June 8th, 2024, at 12PM<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-48799 size-medium\" src=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Iran-THAT-NIGHTS-TRAIN-3-300x199.jpeg\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Iran-THAT-NIGHTS-TRAIN-3-300x199.jpeg 300w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Iran-THAT-NIGHTS-TRAIN-3-1030x685.jpeg 1030w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Iran-THAT-NIGHTS-TRAIN-3-768x511.jpeg 768w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Iran-THAT-NIGHTS-TRAIN-3-705x469.jpeg 705w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Iran-THAT-NIGHTS-TRAIN-3.jpeg 1080w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b><i><span data-contrast=\"none\"> <br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/>That Night\u2019s Train <\/span><\/i><\/b><span data-contrast=\"none\">| Iran | Hamidreza Ghotbi | 2019 | 85\u2019 | VOSE | Drama<\/span><\/p>\n<p><span data-contrast=\"none\">An elementary school teacher with writing aspirations asks her students for help in writing a new story. The plot ultimately concerns a girl who, after losing her mother, finds herself trapped in a story with her teacher that has no future.<\/span><\/p>\n<p><b><span data-contrast=\"none\">Hamidreza Ghotbi<\/span><\/b><span data-contrast=\"none\"> is an actor and film director. As a filmmaker he has devoted his career to making short films and <\/span><i><span data-contrast=\"none\">That Night\u2019s Train<\/span><\/i><span data-contrast=\"none\"> is his first feature film.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #ff0000;\">Saturday June 15th, 2024, at 12PM<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-48802 size-medium\" src=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Uzbekistan-PUANKARE-1-300x127.png\" alt=\"\" width=\"300\" height=\"127\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Uzbekistan-PUANKARE-1-300x127.png 300w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Uzbekistan-PUANKARE-1-1030x435.png 1030w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Uzbekistan-PUANKARE-1-768x324.png 768w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Uzbekistan-PUANKARE-1-1536x648.png 1536w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Uzbekistan-PUANKARE-1-2048x864.png 2048w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Uzbekistan-PUANKARE-1-1500x633.png 1500w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2024\/04\/Uzbekistan-PUANKARE-1-705x297.png 705w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b><i><span data-contrast=\"none\"> <br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/><br class=\"avia-permanent-lb\" \/>Puankare <\/span><\/i><\/b><span data-contrast=\"none\">| Uzbekistan | Muzaffarkhan Erkinov | 2022 | 122\u2019 | VOSE | Drama<\/span><\/p>\n<p><span data-contrast=\"none\">Man has always aspired to greatness. He gives up the joys and worries of life on the path to greatness, devotes his life to making a new discovery or a great example of creation and to being known to the world. A young mathematician, Bahadyr begins working on his own on a hypothesis laid out by mathematician Henri Puankare in 1904. The investigation consists of solving one of the seven problems that have been unresolved for many years and for which the Clay Mathematical Institute intends to award the Millennium Prize to whoever solves it first. But time passes, and progress on the Puankare conjecture still lies on the table of a now elderly mathematician, who was left at the starting point of the issue.<\/span><\/p>\n<p><b><span data-contrast=\"none\">Muzaffarkhan Erkinov<\/span><\/b><span data-contrast=\"none\"> was born on 1983. He has worked on many TV series, documentaries and short films. From his trajectory in cinematography, we emphasise such films as <\/span><i><span data-contrast=\"none\">Armon<\/span><\/i><span data-contrast=\"none\">, <\/span><i><span data-contrast=\"none\">Iqtidar<\/span><\/i><span data-contrast=\"none\">, <\/span><i><span data-contrast=\"none\">Yagonam<\/span><\/i><span data-contrast=\"none\">, <\/span><i><span data-contrast=\"none\">Kasas<\/span><\/i><span data-contrast=\"none\">, <\/span><i><span data-contrast=\"none\">Avlony<\/span><\/i><span data-contrast=\"none\">, <\/span><i><span data-contrast=\"none\">Poincare<\/span><\/i><span data-contrast=\"none\"> and <\/span><i><span data-contrast=\"none\">Aydinlar<\/span><\/i><span data-contrast=\"none\">. He has received national awards such as the Tasanno and the Ehtirom, and he obtained a prize at the International Film Festival for <\/span><i><span data-contrast=\"none\">Creative Flight<\/span><\/i><span data-contrast=\"none\">, and another at the Eurasian Film and TV Festival for <\/span><i><span data-contrast=\"none\">Slavic Tale<\/span><\/i><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<\/div><\/section>\n<div  class='avia-icon-list-container av-lul45lah-d69ed855d1fe9f029ab2f03ad4f1e4ba  avia-builder-el-2  el_after_av_textblock  el_before_av_partner '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-lul45lah-d69ed855d1fe9f029ab2f03ad4f1e4ba avia-iconlist-animate'>\n<li><div class='iconlist_icon av-lul44w53-9b40f97bc07a16054bc697df0344cc84 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue85b' data-av_iconfont='entypo-fontello'><\/span><\/div><article 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itemprop=\"headline\" >MK2 Cine Paz | Calle de Fuencarral, 125, Madrid<\/h4><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-lul45jv6-7f83947eddfc80f9d0ae6023a1609db4 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue8cb' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry av-iconlist-empty\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><h4 class='av_iconlist_title iconlist_title  '  itemprop=\"headline\" >6\u20ac<\/h4><\/header><div class='iconlist_content '  itemprop=\"text\" ><\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n\n<style type=\"text\/css\" 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