{"id":42084,"date":"2022-10-17T19:07:51","date_gmt":"2022-10-17T17:07:51","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2022\/?page_id=42084"},"modified":"2023-10-06T12:30:54","modified_gmt":"2023-10-06T10:30:54","slug":"director-letter","status":"publish","type":"page","link":"https:\/\/asianfilmfestival.barcelona\/2023\/director-letter\/","title":{"rendered":"Director Letter"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l9d0ze6c-3b0d198e4c3ce8a720475f4f213e0ccf\">\n.avia-image-container.av-l9d0ze6c-3b0d198e4c3ce8a720475f4f213e0ccf img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l9d0ze6c-3b0d198e4c3ce8a720475f4f213e0ccf .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l9d0ze6c-3b0d198e4c3ce8a720475f4f213e0ccf av-styling- avia-align-center  avia-builder-el-0  el_before_av_hr  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" class='wp-image-45207 avia-img-lazy-loading-not-45207 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2023\/10\/carta-menene_gran.jpg\" alt='' title='carta-menene_gran'  height=\"810\" width=\"1800\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2023\/10\/carta-menene_gran.jpg 1800w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2023\/10\/carta-menene_gran-300x135.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2023\/10\/carta-menene_gran-1030x464.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2023\/10\/carta-menene_gran-768x346.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2023\/10\/carta-menene_gran-1536x691.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2023\/10\/carta-menene_gran-1500x675.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2023\/wp-content\/uploads\/2023\/10\/carta-menene_gran-705x317.jpg 705w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l9d19fa8-aeb472217fecb2dc5c772a40682688da\">\n#top .hr.hr-invisible.av-l9d19fa8-aeb472217fecb2dc5c772a40682688da{\nheight:15px;\n}\n<\/style>\n<div  class='hr av-l9d19fa8-aeb472217fecb2dc5c772a40682688da hr-invisible  avia-builder-el-1  el_after_av_image  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<section  class='av_textblock_section av-l9d127xy-f894c5775a0b718bb855078a1db2d77c '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 align=\"justify\"><span class=\"TextRun SCXW193684846 BCX2\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW193684846 BCX2\">Geographies of thought<br \/>\n<\/span><\/span><\/h2>\n<p><span data-contrast=\"auto\">The eleventh edition of the Asian Film Festival Barcelona <\/span><span data-contrast=\"auto\">| AFFBCN wants to keep contributing to the peak of Asian cinema, not only at international film festivals but also in the screens of our country. When we refer to Asian cinema, we are thinking about the cinematic industries of more than twenty countries that consider the cinematic culture an expression of a global and local event. Through these countries\u2019 cinema we can tackle both close and remote geographies that help us understand the world that we live in. This year\u2019s program is the result of a selection of about a hundred titles from the more than five hundred that we were able to consult, which we owe to this year\u2019s predecessor festivals such as Berlin, Rotterdam, Cannes, Locarno, the Far East Film Festival, Venice, and the San Sebasti\u00e1n International Film Festival. All the same, we also had the contribution of festivals such as Shanghai, Hong Kong, Busan, Jeonju, Kolkata (Calcutta), Goa, Kerala, Singapore, Melbourne y Sydney, Oakland y Manila. Festivals announce and anticipate what can later be seen on the big screen, even though many movies that are presented end up being left out of the commercial circuit.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">One of the objectives of the festival is to explore the everyday and domestic life of this stranger or outsider that we can someday be, being part of a collective history alongside with the feeling of belonging in a territory or being excluded from it, just as cinema shows us. Stimulating the interest in discovery and knowledge obviously matches our intention of delivering to our audience some images of collective life or of the lives of the individuals that belong to a specific community. This is why we aim for our schedule to be more inclusive rather than having more titles each year, so we can not only show those authors that do not go unnoticed because of their supporters, but also the ones that are less known or whose referents <\/span><span data-contrast=\"auto\">compel to enquire into their contextualization and proposals. We also want to give a space<\/span><span data-contrast=\"auto\"> for new directors to present their first full-length movie at the festival, and for them to find here a platform to spread what they do outside their country.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The AFFBCN comprises a broad geographic extension, from Iran, Central Asia, a region that comprises the Ex-Soviet Republics of Kazakhstan, Kyrgyzstan, and Uzbekistan, to Afghanistan, India, Pakistan, Bangladesh, and Sri Lanka; Southeast Asia with China, Korea, Japan, Thailand, Singapore, Malasia, Cambodia, and Vietnam; and Asia-Pacific with Australia y New Zealand. The cinema from these countries that is mentioned and that is particularly interesting for us is the one that affects us with the information that it transmits, the one that makes us empathise with the images we see, the one that somehow kidnaps us and introduces us into the screen, making geographic distances disappear and bringing us closer to worlds that could end up being more real than our own.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The festival arrives this fall with a schedule that aims to be as representative as possible of the recent experimental and independent cinema coming from the Asian continent without excluding productions that answer both to the interest of the audiences aware of the corresponding cinematography, and to the ones who wish to start out in a not so new cinema, which diversity preferentially answers the different narratives that it exposes. The exoticism that has been attributed to these productions in the West has been replaced by the attraction that they exert by culturally constructing an identity that wants to be inseparable from the territorial belonging.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The schedule of the present edition of the AFFBCN will consist of a hundred films that are grouped in the five sections, <\/span><b><span data-contrast=\"auto\">Official, Official Panorama, Discoveries, NETPAC <\/span><\/b><span data-contrast=\"auto\">and <\/span><b><span data-contrast=\"auto\">Special<\/span><\/b><span data-contrast=\"auto\">, all to competition, in which the different selected titles are strategically distributed. The correspondent juries are formed by designated members, directors, film critics, and writers that agree to fulfil this function. This year we will also rely on the participation of directors that are a part of the younger filmmaker generations of their origin countries, and who will present their first full-length movie, very often released after producing various short films. As in previous editions, we want to put the emphasis in the history, the conflict, and the drama, because we consider that those are the most appropriate genres for the proposal we want to do, with the purpose of bringing positions and realities closer to contribute to the understanding between individuals, whatever place they inhabit.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The big retrospective of the Chinese filmmaker Wang Chao with his career\u2019s more relevant seven movies, is what closes the schedule. They start with <\/span><i><span data-contrast=\"auto\">Orphan of Anyang<\/span><\/i><span data-contrast=\"auto\"> in 2001 and ends with <\/span><i><span data-contrast=\"auto\">A Woman<\/span><\/i><span data-contrast=\"auto\"> in 2022. This independent and experimental producer will also present <\/span><i><span data-contrast=\"auto\">Day and Night<\/span><\/i><span data-contrast=\"auto\"> (2004), <\/span><i><span data-contrast=\"auto\">Luxury Car<\/span><\/i><span data-contrast=\"auto\"> (2006), <\/span><i><span data-contrast=\"auto\">Memory of Love<\/span><\/i><span data-contrast=\"auto\"> (2009), <\/span><i><span data-contrast=\"auto\">Fantasy<\/span><\/i><span data-contrast=\"auto\"> (2014) and <\/span><i><span data-contrast=\"auto\">Locking for Rohmer<\/span><\/i><span data-contrast=\"auto\"> (2018). Wang Chao graduated in the Pekin Film Academy in 1994 and he began in the world of cinema as a critic, until he met the renowned filmmaker Chen Kaige, who hired him as assistant director and with who he worked between 1995 and 1998 in the filming of <\/span><i><span data-contrast=\"auto\">Farewell My Concubine <\/span><\/i><span data-contrast=\"auto\">and <\/span><i><span data-contrast=\"auto\">The Emperor and the Assassin<\/span><\/i><span data-contrast=\"auto\">. During these years he wrote various stories that inspired certain scripts for some movies. His first feature film <\/span><i><span data-contrast=\"auto\">Orphan of Anyang <\/span><\/i><span data-contrast=\"auto\">took part in the Director\u2019s Fortnight of Cannes in 2001. This retrospective will be presented by Wang Chao in the Filmoteca de Catalunya, where the first three titles previously mentioned will be projected.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">This year the festival inauguration will be celebrated with the projection of <\/span><i><span data-contrast=\"auto\">Yantzi\u00b4s Confusion<\/span><\/i><span data-contrast=\"auto\"> (2023), the first feature film of the young Chinese filmmaker Li Jue, who will come to Barcelona for the presentation of her movie, that will be at the same time its premiere in Europe. In turn, the closing ceremony of the festival, which will take place on November 4<\/span><span data-contrast=\"auto\">th<\/span><span data-contrast=\"auto\">, a day before the conclusion of the November 5th programmed projections, will feature the Australian film <\/span><i><span data-contrast=\"auto\">The Royal Hotel<\/span><\/i><span data-contrast=\"auto\">, which is the second full-length film of the Australian filmmaker Kitty Green. The cinematic culture is culture in general, and we want to insist on the spreading of a cinema we value because of its closeness and for introducing us into worlds that we would never know if it was not for it, as literature also manages to do.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p>By <strong>Menene Gras Balaguer<\/strong><br \/>\nDirector of Asian Film Festival Barcelona<\/p>\n<\/div><\/section>\n<div  class='hr av-av_hr-91d7ccd583a503147498e120fee2ff9b hr-default  avia-builder-el-3  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<section  class='av_textblock_section av-lnegipbh-f37d80bdd1b6f47b748a3007b699a55a '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p align=\"justify\"><span class=\"TextRun SCXW193684846 BCX2\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW193684846 BCX2\"><strong><span class=\"TextRun SCXW140878442 BCX2\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW140878442 BCX2\">Below we <\/span><span class=\"NormalTextRun SCXW140878442 BCX2\">name some first recommendations as a guide, without this implying to exclude any of the titles left that are part of the festival schedule.<\/span><\/span><\/strong><br \/>\n<\/span><\/span><\/p>\n<p><span data-contrast=\"none\">China | <\/span><b><span data-contrast=\"none\">Yangzi\u2019s Confusion<\/span><\/b><span data-contrast=\"none\"> | Li Jue | 2023 | 101\u2019 <\/span><span data-contrast=\"none\">(Opening)<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Australia |<\/span><b><span data-contrast=\"none\"> The Royal Hotel<\/span><\/b><span data-contrast=\"none\"> | Kitty Green | 2023 | 91\u2019 <\/span><span data-contrast=\"none\">(Closing)<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">China |<\/span><b><span data-contrast=\"none\"> Home Coming <\/span><\/b><span data-contrast=\"none\">| Rao Xiaozhi| 2022 | 137\u2019<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">China |<\/span> <b><span data-contrast=\"none\">Carefree Days<\/span><\/b> <span data-contrast=\"none\">| <\/span><span data-contrast=\"none\">Liang Ming <\/span><span data-contrast=\"none\">| 2023 | 122\u2019<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Korea | <\/span><b><span data-contrast=\"auto\">Point Men<\/span><\/b><span data-contrast=\"auto\"> | Yim Soon-Rye | 108\u00b4<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Korea |<\/span><b><span data-contrast=\"none\"> Toxic Parents <\/span><\/b><span data-contrast=\"none\">| Kim Su-in | 2023 | 104\u2019<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">India |<\/span><b><span data-contrast=\"none\"> The Kashmir Files<\/span><\/b><span data-contrast=\"none\">| Vivek Agnihotri | 2022 | 170\u2019<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">India | <\/span><b><span data-contrast=\"none\">Our Home<\/span><\/b><span data-contrast=\"none\"> | Romi Meitei | 2022 | 89\u2019<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Iran |<\/span><b><span data-contrast=\"none\"> Wind of Change (Solouk) | <\/span><\/b><span data-contrast=\"none\">Abbas Rafei |2023 | 86\u2019\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Iran |<\/span><b><span data-contrast=\"none\"> No Prior Appointment <\/span><\/b><span data-contrast=\"none\">| Behrooz Shoaibi | 2022 | 120\u2019<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Japan |<\/span><b><span data-contrast=\"none\"> Perfect Days <\/span><\/b><span data-contrast=\"none\">| Wim Wenders | 2023 | 123\u2019<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Japan |<\/span><b><span data-contrast=\"none\"> Evil Does Not Exist <\/span><\/b><span data-contrast=\"none\">| Ryusuke Hamaguchi | 2023 | 106\u2019<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Kazakhstan | <\/span><b><span data-contrast=\"none\">Zere<\/span><\/b><span data-contrast=\"none\"> | Dauren Kamshibayev | 2021 | 113\u2019\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Nueva Zealand | <\/span><b><span data-contrast=\"none\">Whina<\/span><\/b><span data-contrast=\"none\"> | James Napier, Paula Whetu Jones | 2022 | 112\u2019<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Vietnam | <\/span><b><span data-contrast=\"none\">Inside the Yellow Cocoon Shell<\/span><\/b><span data-contrast=\"none\"> | Pham Thien An | 2023 | 179\u2019<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">And Wang Chao\u2019s RETROSPECTIVE\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">China | <\/span><b><span data-contrast=\"none\">A Woman (Kong Xiu)<\/span><\/b><span data-contrast=\"none\"> | Wang Chao | 2022| 110\u2019<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-42084","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Director Letter - Asian Film Festival Barcelona<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Director Letter - Asian Film Festival 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