{"id":49333,"date":"2024-05-02T10:18:05","date_gmt":"2024-05-02T08:18:05","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2023\/?p=49333"},"modified":"2024-05-06T10:18:23","modified_gmt":"2024-05-06T08:18:23","slug":"pel%c2%b7licules-vietnamites-en-el-asian-film-festival-barcelona","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2023\/ca\/pel%c2%b7licules-vietnamites-en-el-asian-film-festival-barcelona\/","title":{"rendered":"Pel\u00b7l\u00edcules Vietnamites en el Asian Film Festival Barcelona"},"content":{"rendered":"

Pel\u00b7l\u00edcules Vietnamites en el Asian Film Festival Barcelona<\/span><\/b><\/h2>\n
\n

2023 edici\u00f3<\/span><\/b>\u00a0<\/span><\/h3>\n

Glorious Ashes<\/span><\/b><\/p>\n

\"\"<\/p>\n

Bui Thac Chuyen | 2022 | 117 | Drama\u00a0<\/strong><\/p>\n

Al poble costaner de Thom Rom, la cambra segueix les vides de tres dones, les vides amoroses de les quals s\u00f3n inusuals, mentre tracten de conservar als seus marits costi el que costi. La pel\u00b7l\u00edcula est\u00e0 narrada des de la perspectiva de Hau, a mesura que va experimentant la seva vida amb un marit que nom\u00e9s t\u00e9 ulls per a una altra dona. Aix\u00f2 cont\u00ednua fins que ella entaula una amistat amb el seu rival. Les imatges de foc i cendres apareixen durant la pel\u00b7l\u00edcula com una met\u00e0fora de la passi\u00f3 i l’anhel d’aquestes dones.<\/span>\u00a0<\/span><\/p>\n

B\u00f9i Th\u1ea1c Chuy\u00ean<\/strong> \u00e9s un director i guionista de cinema independent conegut per la seva s\u00e8rie de televisi\u00f3 12A i 4H, el seu curtmetratge Night Ride i les seves pel\u00b7l\u00edcules Adrift, Living in Fear , Blood Cursi i Glorious Ashes. Les quatre pel\u00b7l\u00edcules van guanyar premis de cinema nacionals i internacionals, a m\u00e9s d’ajudar-lo a obtenir els premis a Millor Director en els Premis Kite de 2005 i de 2023, i tamb\u00e9 en el 16\u00e8 Festival de Cinema de Vietnam.<\/span>\u00a0<\/span><\/p>\n

\n

2022 edici\u00f3<\/span><\/b>\u00a0<\/span><\/h3>\n

Blood Moon Party<\/span><\/b><\/p>\n

\"\"<\/p>\n

Tiec Trang Mau | 2020 | 118\u2019 | Drama, Com\u00e8dia<\/strong><\/p>\n

Quatre amics de la inf\u00e0ncia i les seves esposes es reuneixen per a sopar. Despr\u00e9s d’una acalorada discussi\u00f3 sobre la influ\u00e8ncia dels tel\u00e8fons m\u00f2bils en les seves vides personals, el grup proposa un joc nocturn. Tots s’obliguen a col\u00b7locar els seus tel\u00e8fons m\u00f2bils sobre la taula; i qui rebi un missatge de text, notificaci\u00f3 o crida ha de compartir-lo amb el grup. Aquest joc, aparentment inofensiu no trigar\u00e0 a convertir-se en una arma de destrucci\u00f3 revelant secrets que impacten en les relacions interpersonals.<\/span>\u00a0<\/span><\/p>\n

Nguy\u1ec5n Quang D\u0169ng<\/strong> (1978, Ho Chi Minh, Vietnam) \u00e9s director de cinema, guionista i productor. Fill de l’escriptor Nguyen Quang Sang, des de petit es va relacionar amb famosos del m\u00f3n art\u00edstic, com ara els m\u00fasics Trinh Cong Son i Van Cao i el poeta Nguyen Duy. A aquest cineasta se’l coneix sobretot per pel\u00b7l\u00edcules com, <\/span>Kiss of Death<\/span> (2008), The Lady Assassin (2013) i Brilliant May (2018).<\/span>\u00a0<\/span><\/p>\n

\n

2020 edici\u00f3<\/span><\/b>\u00a0<\/span><\/h3>\n

Goodbye Mother<\/span><\/b><\/p>\n

\"\"<\/p>\n

Trinh Dinh Le Minh | 2019 | 100 | Drama\u00a0<\/strong><\/p>\n

Van, hereu d’un clan vietnamita, torna a casa des dels Estats Units per primera vegada en 9 anys, per a ajudar al trasllat de la tomba del seu pare. Sorpr\u00e8n a tota la fam\u00edlia en arribar acompanyat de Ian, un jove vietnamita estatunidenc. Ning\u00fa sap que Ian \u00e9s el nuvi de Van i que els dos planegen dir-li-ho a la mare de Van, la Sra. Hanh, qui espera que el seu fill es casi i sigui pare per a complir amb el seu deure com a hereu. A sobre, la seva \u00e0via, que t\u00e9 dem\u00e8ncia senil, confon a Ian amb el seu net. Mentre cerca desesperadament l’ocasi\u00f3 perfecta per a sortir de l’armari, Van descobreix que la Sra. Hanh est\u00e0 greument malalta.<\/span>\u00a0<\/span><\/p>\n

Trinh Dinh Le Minh<\/strong> \u00e9s un cineasta emergent de Vietnam. El seu curtmetratge de narraci\u00f3 The Scent of Fish Salze (2014) ha recorregut prestigiosos festivals de cinema com el Festival Internacional de Cinema de Palm Springs, el Festival de Cinema de Londres del BFI i el Festival Internacional de Cinema Fant\u00e0stic de Bucheon. El seu primer llargmetratge, Goodbye Mother (2019), s’ha projectat en el Festival Internacional de Cinema de Busan i en el Festival Internacional de Cinema de Hawaii.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Mekong 203o<\/span><\/b><\/p>\n

\"\"<\/p>\n

Anocha Suwichakornpong, Kulikar Sotho, Anysay Keola, Pham Ngoc Lan, Sai Naw Kham | 2020 | 93 | Drama\u00a0<\/strong><\/p>\n

El riu Mekong \u00e9s una de les principals art\u00e8ries del sud-est asi\u00e0tic. \u00c9s font de vida per a un enorme ecosistema, i per a milions de persones que se sustenten d’ell; aix\u00ed mateix, \u00e9s de gran import\u00e0ncia cultural per a diverses comunitats que s’assenten en les seves ribes. No obstant aix\u00f2, fen\u00f2mens com la pesca excessiva, el canvi clim\u00e0tic, els projectes hidroel\u00e8ctrics, el desenvolupament insostenible, i les pr\u00e0ctiques agr\u00edcoles destructives amenacen l’exist\u00e8ncia del riu. MEKONG 2030, \u00e9s el resultat d’un projecte que reuneix cinc directors els qui narren hist\u00f2ries de ficci\u00f3 ambientades l’any 2030, que conviden a l’audi\u00e8ncia a la conservaci\u00f3 d’aquesta gran font de vida. En el seu recorregut de 4880km, el vuit\u00e8 riu m\u00e9s gran del m\u00f3n travessa sis pa\u00efsos i les seves cultures: la Xina, Birm\u00e0nia, Laos, Tail\u00e0ndia, Cambodja i Vietnam, fins a desembocar en la mar de la Xina. El Mekong \u00e9s el testimoni mut de tots els conflictes bilaterals i multilaterals que hi ha hagut en la zona.<\/span>\u00a0<\/span><\/p>\n

Kulikar Sotho<\/strong> (Cambodja), Anysay Keola<\/strong> (Laos), Sai Naw Kham<\/strong> (Myanmar), Anocha Swichakornpong<\/strong> (Tail\u00e0ndia) i Pham Ngoc<\/strong> (Vietnam) s\u00f3n els autors d’aquest magne projecte que intenta posar en relaci\u00f3 a representants d’aquests pa\u00efsos per a la creaci\u00f3 d’un relat com\u00fa a tots ells.<\/span>\u00a0<\/span><\/p>\n

\n

2019 edici\u00f3<\/span><\/b>\u00a0<\/span><\/h3>\n

Father and Son<\/span><\/b><\/p>\n

\"\"<\/p>\n

Dl.\u2019o\u2019ng Dinh Dung | 2017 | 90 | Drama\u00a0<\/strong><\/p>\n

Vivint al costat del riu, Moc \u00e9s un pescador rural de Vietnam que cria al seu fill Ca en harmonia amb la terra, guanyant-se la vida pescant tots els dies. Ca t\u00e9 un pollet groc com a amic i li agrada c\u00f3rrer darrere dels avions que creuen el cel tots els dies, als quals anomena \u201cocells de la ciutat\u201d. Un dia, Ca cau greument malalt i, per a buscar tractament, Moc i el seu fill han de fer un angoixant viatge a la ciutat. La pel\u00b7l\u00edcula es va presentar al Tallinn Black Nights Film Festival 2017 i el Indian International Film Festival 2017. A m\u00e9s, va guanyar el premi a Millor Pel\u00b7l\u00edcula Asi\u00e0tica en el Fajr Film Festival 2018 i al Millor Gui\u00f3 al Vietnam Film Festival 2017.<\/span>\u00a0<\/span><\/p>\n

Dung Luong Dinh<\/strong> \u00e9s director, productor i escriptor amb un m\u00e0ster en art de la cinematografia per l’Acad\u00e8mia de Cinema i Teatre d’Hanoi. El seu curtmetratge \u00abThe Boatman\u00bb va guanyar el Premi a la Millor Pel\u00b7l\u00edcula al T\u00f2quio International Film Festival 2007 i el seu curtmetratge \u00abXarxa Happiness\u00bb va guanyar el Premi al M\u00e8rit atorgat per l’Associaci\u00f3 de Cinema de Vietnam. \u00abFather and Son\u00bb \u00e9s el seu primer llargmetratge.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Song Lang<\/span><\/b><\/p>\n

\"\"\u00a0<\/span><\/p>\n

Leon Le | 2018 | 101 | Drama\u00a0<\/strong><\/p>\n

Saigon, en la d\u00e8cada de 1980. Linh Phung \u00e9s l’estrella d’una companyia itinerant de cai luong (\u00f2pera popular tradicional) i est\u00e0 molt endeutat amb un prestador anomenat Dung, \u201cThunderbolt\u201d. Malgrat no tenir aparentment res en com\u00fa, els dos entaulen relaci\u00f3 jugant a un videojoc i descobreixen quepiensan de manera similar i molts punts de connexi\u00f3. Linh Phung sap que una vida ben viscuda \u00e9s necess\u00e0ria per al seu art i Dung anhela l’art per a tornar a una vida m\u00e9s digna de ser viscuda. La hist\u00f2ria, arrelada en el fatalisme i la fatalitat, est\u00e0 inspirada en l’estructura narrativa cl\u00e0ssica de l’\u00f2pera vietnamita. La pel\u00b7l\u00edcula es va presentar al G\u00f6teborg Film Festival 2019, el Tallinn Black Nights Film Festival 2018 i el Hawaii International Film Festival 2018, i va guanyar el Premi T\u00f2quio Gemstone al T\u00f2quio International Film Festival 2018.<\/span>\u00a0<\/span><\/p>\n

Nascut i criat a Saigon, Leon Le<\/strong>\u00a0es va mudar als Estats Units d’adolescent i \u00e9s ballar\u00ed, cantant i actor. \u201cSong Lang\u201d, el seu primer llargmetratge, pot considerar-se un treball molt madur, resultant de l’experi\u00e8ncia personal compromesa amb la seva vocaci\u00f3, unint la seva sensibilitat com a fot\u00f2graf i la d’actor.<\/span>\u00a0<\/span><\/p>\n

\n

Importants pel\u00b7l\u00edcules vietnamites a partir de l’any 1992<\/span><\/b><\/h3>\n

The Scent of Green Papaya<\/span><\/b><\/p>\n

\"\"\u00a0<\/span><\/b>\u00a0<\/span><\/p>\n

Tranh Ang Hung | 1993 | 104 | Drama\u00a0\u00a0<\/strong><\/p>\n

El 1951, una jove vietnamita arriba a una casa de Saigon com a nova serventa.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

The Lover<\/span><\/b><\/p>\n

\"\"<\/p>\n

Jean- Jacques Annaud | 1992 | 115 | Drama\u00a0<\/strong>\u00a0<\/span>\u00a0<\/span><\/p>\n

Trailer: <\/span>https:\/\/youtu.be\/0U55vtc3uOE<\/span><\/a>\u00a0<\/span><\/p>\n

LI VA DONAR INNOC\u00c8NCIA, PASSI\u00d3, COS. L’\u00daNICA COSA QUE NO PODIA DONAR ERA EL SEU AMOR.<\/span>
\nUna pobre adolescent francesa es dedica a un afer il\u00b7l\u00edcit amb un ric hereu xin\u00e8s en la d\u00e8cada de 1920, Saigon. Per primera vegada en la seva joventut t\u00e9 el control, i el porta h\u00e0bilment sobre el seu amant assetjat durant una s\u00e8rie de reunions clandestines i trobades t\u00f2rrides.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

The Third Wife<\/span><\/b><\/p>\n

\"\"<\/p>\n

Ash Mayfair | 2018 | 96 | Drama\u00a0<\/strong>\u00a0<\/span><\/p>\n

Trailer: <\/span>https:\/\/youtu.be\/P7CSaxXFRkA<\/span><\/a>\u00a0<\/span><\/p>\n

Encara que nom\u00e9s t\u00e9 14 anys, May \u00e9s seleccionada per ser la tercera dona d’un terratinent ric. La seva nova llar sembla id\u00edl\u00b7lica, el seu marit l’afavoreix, i r\u00e0pidament queda embarassada del que est\u00e0 segur que ser\u00e0 la prog\u00e8nie masculina desitjada. Per\u00f2 el problema s’est\u00e0 gestant tranquil\u00b7lament: ella \u00e9s testimoni d’un intent prohibit que provocar\u00e0 una reacci\u00f3 en cadena de desgr\u00e0cies, i al maig es remenar\u00e0, incita que fins ara havia estat latent.\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":49328,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33],"tags":[],"class_list":["post-49333","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"acf":[],"yoast_head":"\nPel\u00b7l\u00edcules Vietnamites en el Asian Film Festival Barcelona - Asian Film Festival Barcelona<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pel\u00b7l\u00edcules Vietnamites en el Asian Film Festival Barcelona - 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