{"id":49277,"date":"2024-04-22T13:51:49","date_gmt":"2024-04-22T11:51:49","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2023\/?p=49277"},"modified":"2024-05-15T12:46:36","modified_gmt":"2024-05-15T10:46:36","slug":"49277","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2023\/ca\/49277\/","title":{"rendered":"Programa de cinema filip\u00ed en el marc del projecte expositiu de Stephanie Comilang per a TBA21"},"content":{"rendered":"

\"\"<\/h2>\n

Programa de cinema filip\u00ed en el marc del projecte expositiu de Stephanie Comilang per a TBA21<\/span><\/h2>\n

Producci\u00f3: Casa \u00c0sia<\/span><\/h2>\n

Casa \u00c0sia col\u00b7labora amb TBA21 amb aquesta mostra que compr\u00e8n cinc t\u00edtols seleccionats d’entre els que inclo\u00efa la proposta de la pr\u00f2pia artista per a aquest fi.<\/span>\u00a0<\/span><\/h2>\n

El programa que es presenta proposa cinc t\u00edtols de cinema filip\u00ed, els protagonistes del qual son els despla\u00e7ats, aquells que han abandonat el seu pa\u00eds d\u2019origen arriscant les conseq\u00fc\u00e8ncies de la p\u00e8rdua d’identitat que es correspon amb la necessitat de formar part d\u2019un altre m\u00f3n que els rebutja, fins que no es reconeixen els seus drets. El despla\u00e7at viu l’experi\u00e8ncia de la colonitzaci\u00f3\u00a0 i la colonialitat sist\u00e8miques que no poden ser-nos alienes. Les grans di\u00e0spores dels segles XX i XXI no es limiten del sud global fins al nord, ni de l\u2019est a l\u2019oest, si no que es produeixen en totes les direccions, transformant l\u2019ordre internacional tant al sector p\u00fablic com en el privat. Ilo Ilo reconstrueix el relat d\u2019una de les milers de dones filipines que son contractades per el treball dom\u00e8stic a Hong Kong i en altres llocs del m\u00f3n. Cinc t\u00edtols per pensar en les grans di\u00e0spores d\u2019ahir i d\u2019avui i en l\u2019explotaci\u00f3 dels migrants en el mercat laboral del lloc d\u2019arribada. Stephanie Comilang il\u00b7lustra metaf\u00f2ricament els constants processos migratoris mitjan\u00e7ant evocant el viatge de les papallones monarca des del Canad\u00e0 fins a M\u00e8xic\u00a0 travessant Florida i el sud de Calif\u00f2rnia tots els anys a la tardor on algunes desapareixen en el cam\u00ed, encara que la majoria es caracteritza per la seva resist\u00e8ncia i longevitat vivint fins a nou mesos. Islands, Transit, Big Boy i Nowhere Near il\u00b7lustren aquest viatge de viatges d\u2019aquells que assumeixen l\u2019orfandat del despla\u00e7at, moguts per la precarietat i la voluntat de superviv\u00e8ncia. Casa Asia col\u00b7labora amb TBA21 en el marc del projecte expositiu de l\u2019artista filip\u00ed canadenc, Stephanie Comilang aportant amb imatges una informaci\u00f3 que pret\u00e9n ampliar la reflexi\u00f3 que planteja la seva proposta.- Menene Gras Balaguer<\/span>\u00a0<\/span><\/p>\n

\n

Dissabte 4 de maig de 2024<\/span><\/p>\n

\"\"<\/p>\n

Ilo Ilo<\/span><\/i><\/b> | Anthony Chen | 2013 | 100\u2019 | Drama<\/span>\u00a0<\/span><\/p>\n

Ambientada a Singapur durant la crisi financera asi\u00e0tica de 1997, <\/span>Ilo Ilo<\/span><\/i> narra el drama quotidi\u00e0 de la fam\u00edlia Lim \u2013 el problem\u00e0tic alumne de prim\u00e0ria Jiale i els seus estressats pares, Heck i Leng. De classe mitjana acomodada i amb un altre beb\u00e8 en cam\u00ed, contracten a Teresa, una immigrant filipina, com a assistenta i mainadera. Teresa, una estranya tant per a la fam\u00edlia com per a Singapur, s’esfor\u00e7a a intentar controlar les entremaliadures de Jiale i trobar el seu lloc en la seva nova comunitat. Els dos acaben creant un vincle \u00fanic, per\u00f2 quan Teresa es converteix en una part t\u00e0cita de la fam\u00edlia, les circumst\u00e0ncies imprevistes d’una economia incerta tornaran a posar en dubte la nova normalitat.<\/span>\u00a0<\/span><\/p>\n

Anthony Chen<\/span><\/b> (18 d’Abril de 1984) \u00e9s un director de cinema, guionista i productor de cinema de Singapur. \u00c9s conegut per dirigir els llargmetratges <\/span>Ilo Ilo<\/span><\/i> (2013) i <\/span>Wet Season<\/span><\/i> (2019). El seu primer llargmetratge, <\/span>Ilo Ilo<\/span><\/i>, va guanyar la Cambra d’Or en el Festival de Cinema de Cannes de 2013, la qual cosa ho va convertir en el primer i \u00fanic singapurense premiat a Cannes. La pel\u00b7l\u00edcula tamb\u00e9 li va valer el premi a l’Assoliment en Direcci\u00f3 als \u00c0sia Pacific Screen Awards 2013 i el premi Golden Horse a la Millor Pel\u00b7l\u00edcula, Millor Director Revelaci\u00f3 i Millor Gui\u00f3 Original.\u00a0<\/span>\u00a0<\/span><\/p>\n

Tr\u00e0iler: <\/span>https:\/\/youtu.be\/isovsvvx8bg<\/span><\/a>\u00a0<\/span><\/p>\n

\n

Dissabte 25 de maig de 2024<\/span><\/p>\n

\"\"<\/p>\n

Big Boy<\/span><\/i><\/b> | Shireen Seno | 2011 | 89\u2019 | Drama<\/span>\u00a0<\/span><\/p>\n

Big Boy<\/span><\/i> \u00e9s una hist\u00f2ria de maduresa sobre un nen i la seva fam\u00edlia en el Mindoro filip\u00ed dels anys 50, i sobre com li preparen per a convertir-se en el noi del cartell del negoci familiar dels seus pares. La pel\u00b7l\u00edcula \u00e9s un retrat experimental d’una fam\u00edlia enmig del canvi, una experi\u00e8ncia que involucrar\u00e0 al p\u00fablic en una cosa estranya per\u00f2 familiar.\u00a0<\/span>\u00a0<\/span><\/p>\n

Shireen SENO<\/span><\/b> (el Jap\u00f3, 1983) va n\u00e9ixer a T\u00f2quio en el si d’una fam\u00edlia filipina. Va estudiar arquitectura i estudis de cinema en la Universitat de Toronto. La seva obra fotogr\u00e0fica i videogr\u00e0fica s’ha exposat en diverses galeries. Ha treballat amb cineastes com Lav Diaz i John Torres, per als quals va prendre imatges fixes. El seu primer llargmetratge <\/span>Big Boy<\/span><\/i> (2012) es va projectar en el IFFR i va guanyar el premi a Millor \u00d2pera Prima en el Festival de Cinema Lima Independent en 2013. <\/span>Nervous Translation<\/span><\/i> \u00e9s el seu segon llargmetratge.<\/span>\u00a0<\/span><\/p>\n

Tr\u00e0iler: <\/span>https:\/\/www.facebook.com\/watch\/?v=1369911976687709<\/span><\/a>\u00a0<\/span><\/p>\n

\n

Dissabte 25 de maig de 2024\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Islands<\/span><\/i><\/b> | Martin Edralin | 2021 | 95\u2019 | Drama<\/span>\u00a0<\/span><\/p>\n

Joshua, un t\u00edmid immigrant filip\u00ed en la c\u00faspide dels 50, ha viscut en la comoditat de la casa dels seus pares durant tota la seva vida. Ara que els seus pares s\u00f3n ancians, suplica a D\u00e9u que li trobi un company, terroritzat de quedar-se nom\u00e9s quan ells morin.<\/span>\u00a0<\/span><\/p>\n

Martin Edralin<\/span><\/b> \u00e9s un director Canadiense. El seu primer curt, <\/span>Hole<\/span><\/i>, va guanyar el Canadian Screen Award al millor curtmetratge dram\u00e0tic d’acci\u00f3 real en la 3a edici\u00f3 dels Canadian Screen Awards en 2015, el Gran Premi 2015 al Clermont-Ferrand International Film Festival en 2015, i el premi del jurat en el Locarno Festival de 2014. El seu segon curtmetratge, Emma, va ser incl\u00f2s en la llista de les deu millors pel\u00b7l\u00edcules canadenques del Festival Internacional de Cinema de Toronto en 2016 i va guanyar el Primer Premi en el Festival Internacional de Cinema de Rhode Island de 2017. El seu primer llargmetratge, <\/span>Islands<\/span><\/i>, es va estrenar en el SXSW de 2021 i va rebre el Reconeixement Especial del Jurat a l’Actuaci\u00f3 Revelaci\u00f3. <\/span>Islands<\/span><\/i> va ser nominada en la 10a edici\u00f3 dels Canadian Screen Awards en les categories de Millor Actor, Millor Actor Secundari i Premi John Dunning a la Millor \u00d2pera Prima.<\/span>\u00a0<\/span><\/p>\n

Tr\u00e0iler: <\/span>https:\/\/youtu.be\/JsjjcYhd7p0<\/span><\/a>\u00a0<\/span><\/p>\n

\n

Dissabte 1 de juny de 2024<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Transit<\/span><\/i><\/b> | Hannah Espia | 2013 | 93\u2019 | Drama<\/span>\u00a0<\/span><\/p>\n

Moises, un pare solter filip\u00ed, torna a casa per a celebrar el quart aniversari del seu fill i descobreix que el govern Israeli\u00e0 deportar\u00e0 als fills dels treballadors estrangers.<\/span>\u00a0<\/span><\/p>\n

Hannah Espia<\/span><\/b> (15 de Maig de 1987) \u00e9s una directora filipina millor coneguda per escriure i dirigir el drama independent de 2013 Transit. Es va casar amb l’editor Andrej Farba en 2017, i ha dirigit tres episodis (2020, 2023) de la s\u00e8rie Almost Paradise sota el nom Hannah Espia-Farbov\u00e1.<\/span>\u00a0<\/span><\/p>\n

Tr\u00e0iler: <\/span>https:\/\/youtu.be\/l2lxs75inlk<\/span><\/a>\u00a0<\/span><\/p>\n

\n

Dissabte 1 de juny de 2024\u00a0<\/span><\/p>\n

\"\"Nowhere Near <\/span><\/i><\/b>| Miko Revereza | 2023 | 96\u2019 | Documental<\/span>\u00a0<\/span><\/p>\n

La culminaci\u00f3 de diversos anys de rodatge, muntatge, trasllat i reflexi\u00f3, l’aclamat cineasta experimental Miko Revereza forja un retrat personal i profund de la immigraci\u00f3, la desil\u00b7lusi\u00f3 i la elusividad de la llar.<\/span><\/p>\n

Miko Revereza<\/span><\/b> \u00e9s un cineasta experimental de Manila. Revereza va viure als Estats Units com a immigrant indocumentat, una experi\u00e8ncia que influeix en la seva obra. T\u00e9 un m\u00e0ster en Belles arts pel Bard College, per\u00f2 no \u00e9s llicenciat. En 2021 va guanyar el Premi Vilcek a la Promesa Creativa al Cinema i els seus curtmetratges han aparegut en la Criterion Collection. En <\/span>Nowhere Near<\/span><\/i>, el cineasta torna a Filipines per a enfrontar-se a una “maledicci\u00f3 familiar” i al llegat de l’imperialisme. Va ser inclosa en el Vaig marxar du Film de Cannes Docs Showcase. Va rebre finan\u00e7ament a trav\u00e9s d’una subvenci\u00f3 de Purin Pictures, la Assembly Grand del Open City Documentary Festival i el Hubert Bals Fund Bright Future Award del Festival Internacional de Cinema de Rotterdam.<\/span>\u00a0<\/span><\/p>\n

Tr\u00e0iler: <\/span>https:\/\/youtu.be\/oh8h7xyhri8?si=8fz5gj4wtwbdxzyb<\/span><\/a>\u00a0<\/span><\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":49199,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33],"tags":[],"class_list":["post-49277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"acf":[],"yoast_head":"\nPrograma de cinema filip\u00ed en el marc del projecte expositiu de Stephanie Comilang per a TBA21 - Asian Film Festival Barcelona<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Programa de cinema filip\u00ed en el marc del projecte expositiu de Stephanie Comilang per a TBA21 - 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