{"id":38530,"date":"2022-04-01T13:37:31","date_gmt":"2022-04-01T11:37:31","guid":{"rendered":"http:\/\/asianfilmfestival.barcelona\/2022\/?p=38530"},"modified":"2022-04-21T10:27:45","modified_gmt":"2022-04-21T08:27:45","slug":"afghan-cinema-of-the-xxi-century","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2022\/afghan-cinema-of-the-xxi-century\/","title":{"rendered":"Afghan cinema of the XXI century"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l1gcoh7s-d398297bf6e3fea73e239d037801b6d2\">\n.avia-image-container.av-l1gcoh7s-d398297bf6e3fea73e239d037801b6d2 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l1gcoh7s-d398297bf6e3fea73e239d037801b6d2 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l1gcoh7s-d398297bf6e3fea73e239d037801b6d2 av-styling- avia-align-center  avia-builder-el-0  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" class='wp-image-38496 avia-img-lazy-loading-not-38496 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2022\/04\/Ciclo-de-cine-afgano.jpg\" alt='' title='Ciclo de cine afgano'  height=\"823\" width=\"1471\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2022\/04\/Ciclo-de-cine-afgano.jpg 1471w, https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2022\/04\/Ciclo-de-cine-afgano-300x168.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2022\/04\/Ciclo-de-cine-afgano-1030x576.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2022\/04\/Ciclo-de-cine-afgano-768x430.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2022\/04\/Ciclo-de-cine-afgano-705x394.jpg 705w\" sizes=\"(max-width: 1471px) 100vw, 1471px\" \/><\/div><\/div><\/div>\n<section  class='av_textblock_section av-l1gbo6gx-f203fb3744ec1a67ca1bfffa3a8e18f2'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h1 style=\"text-align: center;\">Afghan cinema of the XXI century<\/h1>\n<\/div><\/section>\n<section  class='av_textblock_section av-l1gawzxi-5226ba59f8a51f3d2b77cc34529a05e5'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Afghan cinema again and we will never stop presenting it to the extent that it is always current. The dramas that we can know through the stories of the films that will be screened are part of the daily life of this country of which we still have so much to know. The cycle is made up of eight titles made between 2018 and 2021, and this time we want to pay tribute to their authors and their protagonists, mostly women in one case and in the other. Something that may seem surprising because it is a country in which women have been and <span data-ccp-parastyle=\"paragraph\">are<\/span><span data-ccp-parastyle=\"paragraph\"> still<\/span><span data-ccp-parastyle=\"paragraph\"> the first victims of abuse in a society in which gender violence is common and barely questioned. The testimonies th<\/span><span data-ccp-parastyle=\"paragraph\">e<\/span><span data-ccp-parastyle=\"paragraph\"> cinema transmits to us are now more valuable than ever because currently we hardly receive news from this country regarding a cinema made by Afghans in Afghanistan. However, we do know about male and female filmmakers who are in Europe and the U.S. and who are still doing their jobs. A few days ago, Sahra Mani was presenting her film at <\/span><span data-ccp-parastyle=\"paragraph\">Cineteca<\/span><span data-ccp-parastyle=\"paragraph\"> Madrid with Casa Asia, and <\/span><span data-ccp-parastyle=\"paragraph\">she <\/span><span data-ccp-parastyle=\"paragraph\">said that she needed her country, that she needed Afghanistan and the Afghans to be able to continue making films. We also need Afghanistan and the Afghans. <\/span><span data-ccp-parastyle=\"paragraph\">That is why we do this sample<\/span><span data-ccp-parastyle=\"paragraph\"> now.\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><strong><u>SCHEDULE<\/u><\/strong><\/span><span data-contrast=\"none\">\u202f<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Saturday, April 9th, 2022, at 8 p.m.\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><br \/>\n<span data-contrast=\"auto\"><strong><em>A Thousand Girls Like Me<\/em><\/strong><\/span><span data-contrast=\"auto\"> | Dir: Sahra Mani | 2018 | 76\u2019 | VOSE\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Sexual violence against women became a punishable offense in Afghanistan in 2009. But in practice, women fear the possible consequences of bringing charges. Regrettably, Khatera\u2019s story is a prime example of this phenomenon: she and her mother receive various threats, including from her own uncles, and they frequently have to move. Khatera\u2019s father abused her throughout her childhood\u2014he got her pregnant several times, so she had a number of abortions and eventually gave birth to a daughter. Acting on the advice of a mullah, she told her story on a TV program and brought charges against her father. The film has been presented at the G\u00f6teborg Film Festival 2019, Seattle International Film Festival 2019, Sheffield International Documentary Festival 2018 and Fribourg International Film Festival 2019.\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><strong>Sahra Mani<\/strong><\/span><span data-contrast=\"auto\">\u202fis an Afghan filmmaker and founder of Afghanistan Doc Film House, a production company based in Kabul, and co-founder of the London-based production company Anahat Vision and Films. In 2013, she helped organize the Afghanistan Human Rights Film Festival. Sahra\u2019s films have played at festivals around the world and won numerous awards.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p>S<span data-ccp-charstyle=\"normaltextrun\">aturday, April 16th, <\/span><span data-ccp-charstyle=\"normaltextrun\">2022<\/span><span data-ccp-charstyle=\"normaltextrun\">, a<\/span><span data-ccp-charstyle=\"normaltextrun\">t 8 p.m.\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><br \/>\n<span data-contrast=\"auto\"><strong><em>My Childhood, My Country<\/em><\/strong><\/span><span data-contrast=\"auto\"> | Dir: Phil Grabsky, Shoaib Sharifi | 2021 | 90\u2019 | VOSE\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\"><em>My Childhood, My Country: 20 Years in Afghanistan<\/em><\/span><span data-contrast=\"auto\">\u202ffollows the journey of Mir Hussain, who grew up in a war-torn land. In the beginning, he is an eight-year-old boy playing among the ruins of the Buddhas of Bamiyan in rural Afghanistan. In 2002, U.S. troops land in Afghanistan, beginning a seemingly endless war in one of the world\u2019s poorest countries. This intimate documentary traces the two decades of a conflict that has never ended. Beginning on September 11, 2001, My Childhood, My Country: 20 Years in Afghanistan is a unique review of a personal life and the life of a nation, where 40 countries have invested more than a trillion dollars and more than 150,000 lives have been lost. Was it worth the effort to be now back at the beginning?<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p>Award-winning filmmakers <span data-contrast=\"auto\">Phil Grabsky<\/span><span data-contrast=\"auto\"> and <\/span><span data-contrast=\"auto\">Shoaib Sharifi<\/span><span data-contrast=\"auto\"> present a real-life epic of childhood and coming-of-age, shot over twenty years in one of the most threatened corners of the world. <\/span><span data-contrast=\"auto\">My Childhood, My Country: 20 Years in Afghanistan<\/span><span data-contrast=\"auto\"> is reminiscent of another great title, <\/span><span data-contrast=\"auto\">Boyhood<\/span><span data-contrast=\"auto\">, by director Richard Linklater, shot over the course of twelve years with the same cast.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p>S<span data-ccp-charstyle=\"normaltextrun\">aturday, April 23rd, <\/span><span data-ccp-charstyle=\"normaltextrun\">2022<\/span><span data-ccp-charstyle=\"normaltextrun\">, a<\/span><span data-ccp-charstyle=\"normaltextrun\">t 8 p.m<\/span><span data-ccp-charstyle=\"normaltextrun\">.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><br \/>\n<span data-contrast=\"auto\"><strong><em>The Forbidden Strings<\/em><\/strong><\/span><span data-contrast=\"auto\"> | Dir: Hasan Noori | 2019 | 72\u2019 | VOSE\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Akbar, Soori, Mohammed, and Hakim are the only young Afghan immigrants in Iran who have formed a rock band. All they ask for is the chance to play live. The Forbidden Strings shows the musical quartet struggling to make themselves be heard. As the title suggests, they face quite a few challenges. The four band members are the children of Afghan parents who fled to Iran and are unaware of the danger that returning to their homeland may pose for them. Their families are worried about them. The gang promises to stay out of trouble when they get to Kabul, but it doesn\u2019t take long for them to realize that this is impossible.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><strong>Hasan Noori<\/strong><span data-contrast=\"auto\"> was born in Iran in 1985 to Afghan refugee parents. He holds a bachelor\u2019s degree in sociology and a master\u2019s degree in film from Tehran University. For years he has worked for NGOs fighting against child labor, mainly in the Afghan refugee community. The Forbidden String is the director\u2019s first feature film.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p>S<span data-ccp-charstyle=\"normaltextrun\">aturday, April 30th,<\/span><span data-ccp-charstyle=\"normaltextrun\"> 2022<\/span><span data-ccp-charstyle=\"normaltextrun\">, a<\/span><span data-ccp-charstyle=\"normaltextrun\">t 8 p.m<\/span><span data-ccp-charstyle=\"normaltextrun\">.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><br \/>\n<span data-contrast=\"auto\"><strong><em>Facing the Dragon<\/em><\/strong><\/span><span data-contrast=\"auto\"> | Dir: Sedika Mojadidi | 2019 | 80\u2019 | VOSE\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">In this documentary, the director followed the lives of two extraordinary Afghan women for four years: Nilofar, a member of parliament, and Shakila, a television journalist. The withdrawal of American forces and international aid to Afghanistan leaves democracy and women\u2019s recent victories hanging by a thread, so Nilofar and Shakila must choose between motherhood and their professional ambitions in the face of growing threats to them and their families.\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><strong>Sedika <span data-ccp-parastyle=\"paragraph\">Mojadidi<\/span><\/strong><span data-contrast=\"auto\">\u202fis an independent film director, producer and screenwriter. She was born in Afghanistan but grew up in Florida. In 2006 she directed her first documentary Motherland Afghanistan, which follows her father\u2019s struggle to make a difference in maternal mortality in the country. Over the past decade Sedika has produced and directed several projects for television networks such as Discovery Channel and Humans Rights Watch, A&amp;E, TLC, New York Times Television, ABC News and The Guardian Multimedia. She has done several shoots in Afghanistan since 2003. She currently teaches Film and Television at the Savannah College of Art and Design.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p>S<span data-ccp-charstyle=\"normaltextrun\">aturday, May 7th, <\/span><span data-ccp-charstyle=\"normaltextrun\">2022<\/span><span data-ccp-charstyle=\"normaltextrun\">, a<\/span><span data-ccp-charstyle=\"normaltextrun\">t 8 p.m<\/span><span data-ccp-charstyle=\"normaltextrun\">.<\/span><span data-ccp-charstyle=\"normaltextrun\">\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><br \/>\n<span data-contrast=\"auto\"><strong><em>The Dogs Didn\u2019t Sleep Last Night <\/em><\/strong><\/span><span data-contrast=\"auto\">| Dir. Ramin Rasouli | 2020 | 91\u2019 | VOSE\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">In a remote area in Afghanistan, stories of the lives of a young shepherdess, a bird hunter boy, and a mourning teacher are intertwined after their school is burnt down. The young shepherdess takes the risk of saving a US soldier after her helicopter crashed; the bird hunter boy takes shelter in a tank with the birds, the pin-ups and the illegal music that he loves; and the mourning teacher seeks vengeance on the one who has widowed her.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p>Born in 1978 in Herat, Afghanistan, <span data-contrast=\"auto\">Ramin Rasouli<\/span><span data-contrast=\"auto\"> started his film career in Iran and now resides in the Netherlands. His interest in cinema led him to start writing at the age of 14, and at the age of 16 he made his first 8mm film. He has made 10 short films and two feature films, with Lina as his first debut that would enter in the festival circuit in 2017. <\/span><span data-contrast=\"auto\">The Dogs Didn\u2019t Sleep Last Night<\/span><span data-contrast=\"auto\"> is his second production.\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p>S<span data-ccp-charstyle=\"normaltextrun\">aturday, May 14th,<\/span><span data-ccp-charstyle=\"normaltextrun\"> 2022<\/span><span data-ccp-charstyle=\"normaltextrun\">, a<\/span><span data-ccp-charstyle=\"normaltextrun\">t 8 p.m<\/span><span data-ccp-charstyle=\"normaltextrun\">.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><br \/>\n<span data-contrast=\"auto\"><strong><em>Drowning in the Holy Water<\/em><\/strong><\/span><span data-contrast=\"auto\"> | Dir: Navid Mahmoudi | 2020 | 85\u2019 | VOSE\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Rona y Hamed son dos j\u00f3venes afganos enamorados, cuya relaci\u00f3n desemboca en un conflicto familiar y social. Rompiendo con la tradici\u00f3n y las costumbres de su pa\u00eds, deciden abandonarlo en busca de una vida mejor. No obstante, no ser\u00e1 tan f\u00e1cil emigrar a Europa como ellos pensaban y cumplir sus sue\u00f1os ante la oposici\u00f3n que encuentran en su camino.\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><strong>Navid Mahmoudi<\/strong><span data-contrast=\"auto\"> (Parvan, 1980) se mud\u00f3 a Ir\u00e1n procedente de Afganist\u00e1n con su familia cuando ten\u00eda seis a\u00f1os. Inici\u00f3 su carrera profesional como ayudante de direcci\u00f3n, y muy pronto dirigi\u00f3 sus propios cortometrajes. Ha producido m\u00e1s de diez pel\u00edculas para televisi\u00f3n. En 2014 realiz\u00f3 su primer largometraje\u202fA Few Cubic Meters of Love, que recibi\u00f3 una calurosa acogida tanto por parte de la cr\u00edtica internacional como por parte del p\u00fablico. En 2016, dirigi\u00f3 su primer largometraje\u202fParting, antes de dirigir\u202fRona, Azim\u2019s Mother\u202fen 2018. El Asian Film Festival Barcelona ha proyectado estos t\u00edtulos en anteriores ediciones, adem\u00e1s de\u202fSeven and a Half. Sus pel\u00edculas han sido seleccionadas para representar a Afganist\u00e1n en los Oscar.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p>S<span data-ccp-charstyle=\"normaltextrun\">aturday, May 20th, <\/span><span data-ccp-charstyle=\"normaltextrun\">2022<\/span><span data-ccp-charstyle=\"normaltextrun\">, a<\/span><span data-ccp-charstyle=\"normaltextrun\">t 8 p.m<\/span><span data-ccp-charstyle=\"normaltextrun\">.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><br \/>\n<span data-contrast=\"auto\"><strong><em>Kabul, City in the Wind<\/em><\/strong><\/span><span data-contrast=\"auto\"> | Dir: Aboozar Amini | 2018 | 88\u2019 | VOSE\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Afshin is 12 years old and lives with his family in the Chil Dokham Mountains. It is a place where domestic violence lives alongside bombs, sirens and dead bodies forming part of her childhood. His father emigrates to another country and from that moment on he is no longer a child but an adult. He reappears as a bus driver, with a split personality. On the one hand, he is an affable father, and on the other, a reckless driver. Both stories are intermingled, showing the portrait of the soul of a dying city.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><strong>Aboozar<span data-ccp-parastyle=\"paragraph\"> Amini\u202f<\/span><\/strong><span data-contrast=\"auto\">(1985) left Afghanistan and emigrated to the Netherlands when he was very young. In Amsterdam he studied at the Ritveld Art Academy, yet his cultural background plays a central role in his work. Since he started making films, interculturality has been at the core of all his stories. In order to complete his master\u2019s degree in direction and film language aesthetics, he lived in London temporarily, but now lives and works between Amsterdam and Kabul.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Saturday, May 28th, 2022, at 8 p.m.<\/span> <span data-ccp-parastyle=\"paragraph\">\u00a0\u00a0\u00a0\u00a0 <\/span><strong><span data-contrast=\"auto\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/strong><br \/>\n<strong><em>Seven and a Half <\/em><\/strong><span data-contrast=\"auto\">| Dir: Navid Mahmoudi | 2019 | 75\u2019 | VOSE<\/span><\/p>\n<p>Best Film at the 8th International Persian Film Festival (Sydney, 2019) It is the story of seven sisters: <span data-ccp-charstyle=\"eop\">Shabaneh<\/span><span data-ccp-charstyle=\"eop\">, Negar, Nahid, Fereshteh, Niloufar, Rahil and Shekar. Although each one of them lives her own story, their lives are crossed by the impossibility of finding love and building their own destiny, because forced marriage, abuse, and gender violence prevent them from doing so<\/span><span data-ccp-charstyle=\"eop\">.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<p><strong>Navid Mahmoudi<\/strong><span data-contrast=\"auto\"> was born in Afghanistan, but when he was six years old his family moved to Iran. From a very young age, he felt a strong attraction to the seventh art. He began his career as an assistant director, and in 2014 produced his first film A Few Cubic Meters of Love, which was very well received by both: audiences and international critics. In 2016 he directed his first feature film Parting, and in 2018 Rona Azim\u2019s Mother. All three films have been nominated for Oscars. In Seven and a Half, Mahmoudi recovers an episode from his native Afghanistan, in which on the wedding night a bride was killed by the groom when he discovered that she was in fact not a virgin. As a result of this incident, Mahmoudi has always feared weddings because they could end up in mourning.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>\n<\/div><\/section>\n<div  class='avia-icon-list-container av-l1gcltkx-33b4db4c0cbd9b0fffe73b22014f653a  avia-builder-el-3  el_after_av_textblock  el_before_av_partner '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-l1gcltkx-33b4db4c0cbd9b0fffe73b22014f653a avia-iconlist-animate'>\n<li><div class='iconlist_icon av-3n3o8de-6ddb80b80774d01260efe83c4f5c01a0 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue85b' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p>09\/04\/2022<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-av_iconlist_item-d781a0673bf3085700e25429c320a222 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue862' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p><span class=\"TextRun SCXW232162904 BCX2\" lang=\"ES-ES\" xml:lang=\"ES-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW232162904 BCX2\" data-ccp-charstyle=\"normaltextrun\"><span class=\"TextRun SCXW54902652 BCX2\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW54902652 BCX2\" data-ccp-charstyle=\"normaltextrun\">From April 9<\/span><\/span><span class=\"TextRun SCXW54902652 BCX2\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun Superscript SCXW54902652 BCX2\" data-fontsize=\"11\" data-ccp-charstyle=\"normaltextrun\">th<\/span><\/span><span class=\"TextRun SCXW54902652 BCX2\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW54902652 BCX2\" data-ccp-charstyle=\"normaltextrun\"> to May 28<\/span><\/span><span class=\"TextRun SCXW54902652 BCX2\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun Superscript SCXW54902652 BCX2\" data-fontsize=\"11\" data-ccp-charstyle=\"normaltextrun\">th<\/span><\/span><span class=\"TextRun SCXW54902652 BCX2\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW54902652 BCX2\" data-ccp-charstyle=\"normaltextrun\">, 2022, at 8 p.m.<\/span><\/span><\/span><\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-2nvgsoy-8e4ca2222eb9f44df664eb3b647f1198 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue842' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p><span class=\"TextRun SCXW117685407 BCX2\" lang=\"ES-ES\" xml:lang=\"ES-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SpellingErrorV2 SCXW117685407 BCX2\" data-ccp-charstyle=\"normaltextrun\" data-ccp-charstyle-defn=\"{\">Cinemes<\/span><span class=\"NormalTextRun SCXW117685407 BCX2\" data-ccp-charstyle=\"normaltextrun\"> Girona: <\/span><\/span><span class=\"TextRun SCXW117685407 BCX2\" lang=\"ES-ES\" xml:lang=\"ES-ES\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW117685407 BCX2\" data-ccp-charstyle=\"normaltextrun\">C\/ Girona, 175, 08025 Barcelona<\/span><\/span><\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-av_iconlist_item-3d5cc3816b0e1b99af7925bb155b0b16 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue8cb' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p>Entrance fee: 4,5 \u20ac<\/p>\n<p>Price for subscribers and members of Cinemas Girona: 3 \u20ac<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-av_iconlist_item-2a9152b10b552dd6c226c4c6eb471fe9 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue80a' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p>Casa Asia in collaboration with Cinemes Girona<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" 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