{"id":38144,"date":"2021-10-22T10:54:21","date_gmt":"2021-10-22T08:54:21","guid":{"rendered":"http:\/\/asianfilmfestival.barcelona\/2022\/?p=38144"},"modified":"2022-01-24T13:28:05","modified_gmt":"2022-01-24T12:28:05","slug":"film-series-orient-express-at-beteve-and-movistar-october-2021","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2022\/film-series-orient-express-at-beteve-and-movistar-october-2021\/","title":{"rendered":"Film Series: &#8220;Orient Express&#8221; at Betev\u00e9 and Movistar+ (Oct.-Dec. 2021)"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kysi1q9z-1ec25c2e1993ee75d2a12de359831bae\">\n.avia-image-container.av-kysi1q9z-1ec25c2e1993ee75d2a12de359831bae img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kysi1q9z-1ec25c2e1993ee75d2a12de359831bae .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-kysi1q9z-1ec25c2e1993ee75d2a12de359831bae av-styling- avia-align-center  avia-builder-el-0  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" class='wp-image-38052 avia-img-lazy-loading-not-38052 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2022\/01\/orient-express.jpg\" alt='' title='orient-express'  height=\"720\" width=\"1280\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2022\/01\/orient-express.jpg 1280w, https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2022\/01\/orient-express-300x169.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2022\/01\/orient-express-1030x579.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2022\/01\/orient-express-768x432.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2022\/01\/orient-express-705x397.jpg 705w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><\/div><\/div><\/div>\n<section  class='av_textblock_section av-kyshxwze-8af2bd36b57148f8a5e74a235289e792'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h1 style=\"text-align: center;\">Film Series: &#8220;Orient Express&#8221; at Betev\u00e9 and Movistar+ (Oct.-Dec. 2021)<\/h1>\n<\/div><\/section>\n<section  class='av_textblock_section av-kyofm99d-2fd484bdc5e288f8a0f165b1e134789d'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Betev\u00e9 and Casa \u00c0sia set in motion a series of the best Asian cinema, \u201cOrient Express\u201d which will be broadcasted weekly on Fridays from Friday the 22nd of October 2021, a week before the start of the 9th edition of the Asian Film Festival Barcelona -AFFBCN-2021.<\/strong><\/p>\n<p>The programme will consist of 10 titles and will not only include feature films from the AFFBCN\u2019s previous year, but also \u201cEl barro de la Revoluci\u00f3n\u201d from director Paloma Polo, which will compete in the NETPAC section from this year\u2019s festival. Every title will be available to watch on both Betev\u00e9 and Movistar+ (160 channel).<\/p>\n<p>Friday the 22nd of October, at 22.00 h<br \/>\n<em><strong>A Thousand Girls Like Me<\/strong><\/em> | Afghanistan | Dir: Sahra Mani | 2018 | 76\u2019 | Documentary<\/p>\n<p>Sexual violence against women became a punishable offense in Afghanistan in 2009. But in practice, women fear the possible consequences of bringing charges. Regrettably, Khatera\u2019s story is a prime example of this phenomenon: she and her mother receive various threats, including from her own uncles, and they frequently have to move. Khatera\u2019s father abused her throughout her childhood\u2014he got her pregnant several times, so she had a number of abortions and eventually gave birth to a daughter. Acting on the advice of a mullah, she told her story on a TV program and brought charges against her father. <strong>The film has been presented at the G\u00f6teborg Film Festival 2019, Seattle International Film Festival 2019, Sheffield International Documentary Festival 2018 and Fribourg International Film Festival 2019.<\/strong><\/p>\n<p>Friday the 29th of October, at 22.00 h<br \/>\n<em><strong>Ayka<\/strong><\/em> | Kazakhstan | Dir: Sergei Dvortsevoy | 2018 | 110\u2019 | Drama<\/p>\n<p>Ayka just gave birth, but she can\u2019t afford to raise a child. She has no job, not even a room of her own but many debts to be paid. The film guides the public into the reality of babies given up by their mothers, and follows a Kyrgyz girl, Ayka, trying to survive while searching for the child she abandoned in a Moscow maternity ward. <strong>It won the award to the Best Actress at the Cannes Film Festival 2018, Antalya Golden Orange Film Festival 2018 and the Asian Film Awards 2019; and to the Cinema Extraordinaire at the Bergen International Film Festival 2018.<\/strong><\/p>\n<p>Friday the 5th of November, at 22.00 h<br \/>\n<em><strong>El Barro de la Revoluci\u00f3n<\/strong><\/em> | Philippines | Dir: Paloma Polo | 2019 | 129\u2019 | Documentary<\/p>\n<p>El Barro de la Revoluci\u00f3n takes place in the Philippine rainforest and reveals the inner life, without the usual mandate of the camera, of the military, social, political, emotional and educational actions of one of the guerrilla units that Polo visits with his complicity. It is a shared and solidary project, which shapes a story in which the daily duties and urgencies acquire an extreme political and poetic relevance. In short, and from our perspective as spectators, we are once again questioned about the indissoluble condition of the intimate and personal in the political sphere.<\/p>\n<p>Friday the 12th of November, at 22.00 h<br \/>\n<em><strong>Made in Bangladesh<\/strong><\/em> | Bangladesh | Dir: Rubaiyat Hossain | 2019 | 95\u2019 | Drama<\/p>\n<p>Shimu is 23 years old. She left her city as a child and now lives in Dhaka. She works in the textile industry in very difficult conditions and with very precarious pay, so she decides to join her fellow workers to demand better working conditions. Despite threats from her superiors to stop the pressure she and the other women are exerting, and her husband\u2019s disapproval, she decides to continue the fight by defying the sure-fire adversity of achieving what she wants.<\/p>\n<p>Friday the 19th of November, at 22.00 h<br \/>\n<em><strong>Demolition Girl<\/strong><\/em> | Japan | Dir: Genta Matsugami | 2018 | 112\u2019 | Drama, History<\/p>\n<p>The precariousness of the economy in Japan hits hard on families with less purchasing power, like Cocoa\u2019s, a high school student who struggles to get out of the difficulties she encounters, never giving up. Not a day goes by that she does not strive to make her way in the hope of a better future.<\/p>\n<p>Friday the 26th of November, at 22.00 h<br \/>\n<em><strong>The Photographer<\/strong><\/em> | China | Dir: Zhang Wei | 2018 | 112\u2019 | Drama, History<\/p>\n<p>Cai Xiangren\u2019s family runs a photography studio in Shenzhen. This talented photographer is the husband of a young woman entirely devoted to her work in the financial sector. Their son, meanwhile, spends his time developing photographic software. This situation creates permanent dispute within the family and will finally reveal a secret hidden for ten years. <strong>The film was presented at the Fajr Film Festival 2019.<\/strong><\/p>\n<p>Friday the 3rd of December, at 22.00 h<br \/>\n<em><strong>My Second Year in College<\/strong><\/em> | Iran | Dir: Rasoul Sadrameli | 2019 | 99&#8242; | Drama<\/p>\n<p>Two university friends take a trip to Esfahan with the whole class. But, what starts as an idyllic trip ends up becoming a nightmare, when one of them unexpectedly suffers an accident and falls into a coma. Her friend must cope with the situation especially when she is given a responsibility that she wishes she did not have. Despite her innocence, everything will go against her.<\/p>\n<p>Friday the 10th of December, at 22.00 h<br \/>\n<em><strong>Bulbul Can Sing<\/strong><\/em> | India | Dir: Rima Das | 2018 | 95&#8242; | Drama<\/p>\n<p>Bulbul is a young girl who lives in a village in India\u2019s Assam state. When she and her two best friends, Bonny and Sumu, begin to define their own identities, they realise that who they want to be and what their community expects them to be are two different things, and find themselves increasingly clashing with the age-old rules set down by the village. Bulbul is attracted to a boy for the first time, but her mother advises that \u201cGirls should be modest. Girls should behave well.\u201d Sumu is bullied for not conforming to what his peers expect of a young man. For Bonny, the pressures of the community become unbearable. <strong>The film was presented at the Toronto International Film Festival 2018, New York Indian Film Festival 2019 and the Asian Film Awards 2019. It won the Golden Gateway award at the Jio MAMI Film Festival 2018, Best Performance award at the Singapore International Film Festival 2018, an Special Mention at the Berlin International Film Festival 2019, Best Director at the Dublin International Film Festival 2019, Jury Special Mention at the Osaka Asian Film Festival 2019, and the Best Film, Best Actor (Female and Male), Best Cinematography and Global Icon Award at the Prag Cine Awards 2019.<\/strong><\/p>\n<p>Friday the 17th of December, at 22.00 h<br \/>\n<em><strong>Black Milk<\/strong><\/em> | Mongolia | Dir: Uisenma Borchu | 2020 | 918\u2019 | Drama<\/p>\n<p>Two sisters, Wessi and Ossi, who have lived more than twenty years apart with hardly any knowledge of each other, get in touch again when the one living in the West experiences an identity crisis and wants to return to her origins. Wessi, who has lived in Germany all this time, wonders about her personal and professional life, deciding to go and visit her sister without setting a returning date to Europe. The encounter with the past will open up surprisingly new perspectives in the life she has led until now, not without experiencing the culture shock that comes with the new circumstances she will find herself in, when she is in the Gobi Desert, sharing the yurt with her sister and her nomadic family.<\/p>\n<p>Friday the 24th of December, at 22.00 h<br \/>\n<em><strong>Mindanao<\/strong><\/em> | Philippines | Dir: Brillant Ma. | 2019 | 124\u2019 | Drama<\/p>\n<p>Saima takes care of her daughter Aisa, who is sick with cancer and is in a recovery centre in Davao, while she waits for her husband, Malang, a combat doctor, to return home after completing an operation in the province of Maguindanao. Saima knows that there are patients who overcome the disease and others who do not; Malang for his part has seen death on the battlefield. While waiting, Saima narrates the legend of Rajah and Sulayman, to keep hope alive, and to help her daughter and husband to escape death.<\/p>\n<p>Friday the 31th of December, at 22.00 h<br \/>\n<em><strong>Portraits of the Rainbow<\/strong><\/em> | Japan | Dir: Ayumi Nakagawa | 2018 | 79\u2019 | Documentary<\/p>\n<p>Leslie works taking celebrities\u2019 portraits like Madonna. He works worldwide and had lived in Japan for the last twenty five years, where there is a rising movement for LGBTQ, however, he has been deeply troubled that they still have to live invisibly. Leslie is gay and can\u2019t tell it to his family in Singapore. Even so, he embarks on an ambitious project to photograph ten thousand LGBTQ people, in order to hold the exhibition Out in Japan. His first portraits photo exhibition held in Nara, a conservative city in Japan, was poorly attended but he continues to take portraits. <strong>The film was presented at the Melbourne International Film Festival 2018, the Queer and Migrants International Film Festival of Amsterdam 2018 and the Doc Edge Pride Festival of Auckland 2019.<\/strong><\/p>\n<\/div><\/section>\n<div  class='avia-icon-list-container av-kysiicr8-372596ba1655399968b2be0a2a4536f8  avia-builder-el-3  el_after_av_textblock  el_before_av_partner '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big av-kysiicr8-372596ba1655399968b2be0a2a4536f8 avia-iconlist-animate'>\n<li><div class='iconlist_icon av-auaggw-857ec346cd7c11274b4cdffa69e190e2 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue85b' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p>22\/10\/2021<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-2q6zwlc-49d32eefdd9a479d2cb2ee124c3bbf1b avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue862' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p>From the 22nd of October 2021 to the 31st of December 2021. Fridays at 22.00 h.<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-7ozo1s-35e68f3bb7bb31a35df2b608baa69055 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue842' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p>Betev\u00e9 and Movistar+ (160 channel).<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<li><div class='iconlist_icon av-1s2fxsw-d80145023ab4c602a73d904d135d5e08 avia-font-entypo-fontello'><span class='iconlist-char' aria-hidden='true' data-av_icon='\ue80a' data-av_iconfont='entypo-fontello'><\/span><\/div><article class=\"article-icon-entry \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class=\"iconlist_content_wrap\"><header class=\"entry-content-header\"><\/header><div class='iconlist_content '  itemprop=\"text\" ><p>Casa \u00c0sia and Betev\u00e9.<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><div class=\"iconlist-timeline\"><\/div><\/li>\n<\/ul><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kysiitqy-7108d23d5dc870904ac7c300494887aa\">\n.avia-logo-element-container.av-kysiitqy-7108d23d5dc870904ac7c300494887aa .av-partner-fake-img{\nbackground-size:cover;\n}\n<\/style>\n<div  class='avia-logo-element-container av-kysiitqy-7108d23d5dc870904ac7c300494887aa avia-logo-slider avia-content-slider avia-smallarrow-slider avia-content-slider-active noHover avia-content-slider-odd  avia-builder-el-4  el_after_av_iconlist  avia-builder-el-last  av-slideshow-ui av-control-default av-nav-arrows-visible av-nav-dots-visible av-no-slider-navigation av-slideshow-manual av-loop-once av-loop-manual-endless avia-content-slider1' data-slideshow-options=\"{&quot;animation&quot;:&quot;slide&quot;,&quot;autoplay&quot;:false,&quot;loop_autoplay&quot;:&quot;once&quot;,&quot;interval&quot;:5,&quot;loop_manual&quot;:&quot;manual-endless&quot;,&quot;autoplay_stopper&quot;:false,&quot;noNavigation&quot;:false,&quot;bg_slider&quot;:false,&quot;keep_padding&quot;:&quot;&quot;,&quot;hoverpause&quot;:false,&quot;show_slide_delay&quot;:0}\"><div class='avia-smallarrow-slider-heading  no-logo-slider-heading '><div class='new-special-heading'>&nbsp;<\/div><\/div><div class=\"avia-content-slider-inner\"><div class=\"slide-entry-wrap\"><div  class='slide-entry av-16jduhs-89a80d470a4ee1d2642e7568e13f6c52 flex_column no_margin av_one_third real-thumbnail post-entry slide-entry-overview slide-loop-1 slide-parity-odd  first'><span class='av-partner-fake-img' style='padding-bottom:60.606060606061%; 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