{"id":32489,"date":"2021-08-03T14:22:15","date_gmt":"2021-08-03T12:22:15","guid":{"rendered":"http:\/\/asianfilmfestival.barcelona\/2022\/?p=30378"},"modified":"2021-10-05T18:38:11","modified_gmt":"2021-10-05T16:38:11","slug":"webcast-tanaka-kinuyo-a-star-behind-the-camera-as-part-of-the-affbcn","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2022\/webcast-tanaka-kinuyo-a-star-behind-the-camera-as-part-of-the-affbcn\/","title":{"rendered":"Webcast \u00abTanaka Kinuyo: a star behind the camera\u00bb as part of the AFFBCN"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-krvyota5-7f91b90de3ca3b68d0170502bf03c6f3\">\n.avia-image-container.av-krvyota5-7f91b90de3ca3b68d0170502bf03c6f3 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-krvyota5-7f91b90de3ca3b68d0170502bf03c6f3 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-krvyota5-7f91b90de3ca3b68d0170502bf03c6f3 av-styling- avia-align-center  avia-builder-el-0  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" class='wp-image-32952 avia-img-lazy-loading-not-32952 avia_image ' src=\"https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2021\/08\/Enr7RhwW4AUBrHm.jpg\" alt='' title='Enr7RhwW4AUBrHm'  height=\"645\" width=\"900\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2021\/08\/Enr7RhwW4AUBrHm.jpg 900w, https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2021\/08\/Enr7RhwW4AUBrHm-300x215.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2021\/08\/Enr7RhwW4AUBrHm-768x550.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2021\/08\/Enr7RhwW4AUBrHm-260x185.jpg 260w, https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2021\/08\/Enr7RhwW4AUBrHm-705x505.jpg 705w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/div><\/div><\/div>\n<section  class='av_textblock_section av-krvyp74n-c0ad39c25fb32345360538ca6022f92e'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h1 class=\"entry-title fusion-responsive-typography-calculated\" style=\"text-align: center;\" data-fontsize=\"50\" data-lineheight=\"normal\">Webcast \u00abTanaka Kinuyo: a star behind the camera\u00bb as part of the AFFBCN<\/h1>\n<\/div><\/section>\n<section  class='av_textblock_section av-krw03g13-31565913c2904d88619d502b960cc8c9'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>On the occasion of the retrospective dedicated to the directing side of one of the biggest female stars in the history of Japanese cinema, Tanaka Kinuyo (1909-1977), we organize this webcast to talk about Tanaka&#8217;s figure and work, a fundamental pillar of Japanese cinema, and the value of her work as a producer. In charge of this event is Dr. Irene Gonz\u00e1lez-L\u00f3pez, postdoctorate investigator at the University of Kingston (London) and co-editor of the first book in English on the actress and director Tanaka Kinuyo (<span class=\"s1\"><em>Tanaka Kinuyo: Nation, Stardom and Female Subjectivity<\/em>; Edinburgh University Press).<\/span><\/strong><\/p>\n<p class=\"p1\"><span class=\"s1\">\u00abTanaka Kinuyo is probably the most emblematic actress in Japanese cinema, and the first woman director producing a substantial filmography. As an actress, she gave life to a lot of unforgettable characters of the renowned &#8220;great masters of Japanese cinema&#8221;, such as the working wife betrayed by her husband in\u00a0<em>Tales of the pale moon\u00a0<\/em>(Mizoguchi, 1953), the woman that has to prostitute herself in order to save her son in\u00a0<em>A Hen in the Wind<\/em> (Ozu, 1948), and the tireless matriarch in\u00a0<em>Mother<\/em> (Naruse, 1952). As a producer, she directed six features between 1953 and 1962, where she experimented with different subgenres of melodrama and addressed issues such as maternity, women&#8217;s sexual desire, city&#8217;s attraction for young women, familial and social pressures, self-determination, violence and sex between women.<\/span><\/p>\n<p>This conference tries to establish Tanaka&#8217;s figure and work as a fundamental pillar of Japanese cinema and prove the value of her work as a producer. In contextualizing her life experiences, her characters and her image as a star beside the historical, artistic and industrial situation, we will examine how Tanaka contributed to the construction of certain images of women and the nation. These images, full of ideological value, tell us a lot about how Japan saw itself, but also about how it was imagined and understood in the West through the circuit of the biggest festivals of European cinema.<\/p>\n<p>Because Tanaka&#8217;s career expands since the twenties until the seventies, exploring her movies takes us into a fascinating journey through the history of Japanese cinema, and along its national history. Besides, while talking about Tanaka and her characters, the ones she played and the ones she directed, we can talk about the history of women, inside and out of cinema, in front and behind the camera.\u00bb Irene Gonz\u00e1lez-L\u00f3pez<\/p>\n<p>Conducted by:<br \/>\n<strong>Irene Gonz\u00e1lez-L\u00f3pez\u00a0<\/strong>is a postdoctorate researcher at University of Kingston (London). She lived in Japan for eight years in which she did Japanese Studies and a Masters&#8217; in Cinema Studies (University of Kyoto). Coming back to Europe, Irene completed her doctorate at the School of Oriental and African Studies (SOAS, University of London), where she researched the representation of sex work in post-war Japanese cinema. Her publications explore themes of sexuality and gender, stardom and female authorship. In 2018, she coedited the first book in English about actress and director Tanaka Kinuyo (<em>Tanaka Kinuyo: Nation, Stardom and Female Subjectivity<\/em>; Edinburgh University Press). Her passion for Japanese culture has also taken her to develop projects about Japanese contemporary art and\u00a0<em>manga<\/em>, and to collaborate with the British Film Institute, the Japan Foundaton and the Barbican Centre in London.<\/p>\n<\/div><\/section>\n<div  class='avia-button-wrap av-krvyqq43-82e4ebdf05e849f76725bde44f79d14d-wrap avia-button-center  avia-builder-el-3  el_after_av_textblock  el_before_av_iconlist ' ><a href='https:\/\/us02web.zoom.us\/webinar\/register\/WN_uwQGrKzGQvqOElPCwHFlZg'  class='avia-button av-krvyqq43-82e4ebdf05e849f76725bde44f79d14d avia-icon_select-no avia-size-small avia-position-center avia-color-theme-color' ><span class='avia_iconbox_title' >Online registration here<\/span><\/a><\/div>\n<div  class='avia-icon-list-container av-krvzrieg-97a62e71f1603385f29b74e983ac05ee  avia-builder-el-4  el_after_av_button  el_before_av_partner '><ul class='avia-icon-list avia_animate_when_almost_visible avia-icon-list-left av-iconlist-big 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