{"id":20622,"date":"2019-09-17T18:31:07","date_gmt":"2019-09-17T16:31:07","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2020\/off-festival-2019\/"},"modified":"2020-08-17T20:49:36","modified_gmt":"2020-08-17T18:49:36","slug":"news-off-festival-2019","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2022\/ca\/news-off-festival-2019\/","title":{"rendered":"OFF-Festival 2019"},"content":{"rendered":"

Del 4 al 31 d\u2019octubre de 2019<\/strong><\/p>\n



<\/p>\n

En la present edici\u00f3 de l\u2019Asian Film Festival Barcelona, la programaci\u00f3 no es cenyeix estrictament a les dates que no son habituals, sin\u00f3 que s\u2019amplia del 4 al 30 d\u2019octubre de 2019. Durant aquest mes CaixaForum ser\u00e1 de nou una seu m\u00e9s del festival acollint una part important del que anomenem OFF-FESTIVAL<\/strong>, amb un programa doble que consisteix en una Trobada amb el cinema irani\u00e0<\/strong> i una selecci\u00f3 de 25 curtmetratges procedents de Filipines, Jap\u00f3, Kazakst\u00e0n, Kirguist\u00e0n, Macau, Paquist\u00e0n, Tayiquist\u00e0n i Vietnam. L\u2019encontre mencionat consta de nou pel\u00b7l\u00edcules realitzades entre 2017 i 2019 en col\u00b7laboraci\u00f3 amb la Farabi Foundation de Teher\u00e0n i la distribuidora Iranian Independents. Aquestes pel\u00b7l\u00edcules es projectar\u00e0n a l\u2019auditori, i en les mateixes dates es podr\u00e1 veure per primer cop a l\u2019aula 0 la sel\u00b7lecci\u00f3 de curtmetratges i migmetratges realitzats entre 2018 i 2019. Cinemes Girona segueix sent la seu central principal de l\u2019AFFBCN 2019, per\u00f2 tamb\u00e9 s\u2019adhereix a l\u2019OFF-FESTIVAL amb quatre pel\u00b7l\u00edcules realitzades el 2018 procedents d\u2019Afganist\u00e0n, Australia, Jap\u00f3 i Mongolia que es projectar\u00e0n cada dissabte entre el 5 i el 26 d\u2019octubre. Per \u00faltim B the Travel Brand Xperience ser\u00e1 per primera vegada una seu m\u00e9s del festival amb un programa consistent en sis documentals realitzats entre 2018 i 2019 a l\u2019Afganist\u00e0n, Bangla Desh, Cambodja, Indon\u00e8sia, Jap\u00f3 i Laos, a partir del 7 d\u2019octubre.
\n
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TROBADA AMB EL CINEMA IRANI\u00c0<\/strong><\/h2>\n

Del 4 al 31 d\u2019octubre de 2019<\/strong> | CaixaForum (Auditori)<\/strong><\/p>\n

– Descarrega’t aqu\u00ed la informaci\u00f3 ampliada –<\/a><\/em><\/p>\n

Fa anys que el cinema irani\u00e0 \u00e9s una de les cinematografies m\u00e9s premiades als festivals de cinema internacionals. Durant l’\u00faltima d\u00e8cada, els reconeixements s’han anat multiplicant en id\u00e8ntica proporci\u00f3 amb la que han anat apareixent nous t\u00edtols procedents de les actuals generacions de directors que s’han format a l’Iran. Noms com Monir Gheydi, Roqiye Tavakoli, Mohammad Hossein Mahdavian, Ebrahim Mokhtari, Mohammad Hamzei, Sadeq Sadeq Daqiqi, Hosein Namazi (Premi al Millor Gui\u00f3 a la Secci\u00f3 Oficial de l\u2019AFFBCN 2018 per Appendix<\/em>), Hamid Reza (Premi del P\u00fablic i Premi al Millor Director a la Secci\u00f3 Panorama del AFFBCN 2017 per A House of 41st Street<\/em>), Gholamreza Sagharchiyan (Premi al Millor Gui\u00f3 atorgat pel Jurat Jove de l\u2019AFFBCN 2017 per Houra<\/em>) i Ramin Rasuli, entre d’altres, pertanyents a les generacions m\u00e9s joves segueixen l\u2019estela de cineastes com Abbas Kiarostami, Dariush Mehrjui, Mohsen Makhmalbaf, Maryam Keshavarz, Resa Mirkarimi o Asghar Farhadi que van consagrar el cinema irani\u00e0, al qual van donar una identitat pr\u00f2pia i inconfusible. CASA ASIA vol seguir contribuint a la divulgaci\u00f3 d’aquest cinema, considerant les diferents narratives que es transmeten i la personalitat d’una cinematografia, l’\u00e8xit de la qual es deu en gran part a la solidesa dels seus guions. El cinema irani\u00e0 \u00e9s un cinema que imita en certa manera el teatre dins del teatre, per la import\u00e0ncia que es d\u00f3na a l’oralitat. Els protagonistes amplien amb la paraula les localitzacions i els esdeveniments que es succeeixen, de manera que la imatge en moviment al seu torn pot\u00e8ncia tot el que es narra. El conflicte sempre est\u00e0 en l’origen d’aquest cinema particularment dram\u00e0tic, que versa sobre la quotidianitat i d\u00f3na a con\u00e8ixer “els interiors” de la vida dom\u00e8stica d’un pa\u00eds que en realitat encara estem lluny de con\u00e8ixer. CASA ASIA programa al CaixaForum una antologia del cinema irani\u00e0 m\u00e9s recent, amb la Farabi Foundation i la distribu\u00efdora de cinema independent irani\u00e0 que dirigeix Mohammad Attebai, per a la propera edici\u00f3 de l’Asian Film Festival Barcelona | AFFBCN 2019 amb una desena de nous t\u00edtols provinents d’aquest pa\u00eds.<\/p>\n

Footwork<\/strong> | Mazdak Mirabedini | Iran | 2017 | 81\u2019 | Drama | VOSE | Official Section<\/p>\n

Wild Jonquils<\/strong> | Rahbar Ghanbari | Iran | 2017 | 83\u2019| Children\u2019s, Drama | VOSE | NETPAC Section<\/p>\n

Yeva <\/strong>| Anahid Abad | Iran, Arm\u00e8nia | 2017 | 94\u2019 | Drama | VOSE | Discoveries Section<\/p>\n

First Autograph for Rana<\/strong> | Ali Zhakan | Iran | 2018 | 90\u2019 | Drama | VOSE | Discoveries Section<\/p>\n

Astigmatism <\/strong>| Majid-Reza Mostafavi | Iran | 2018 | 85\u2019 | Drama | VOSE | Special Section<\/p>\n

Orange Days <\/strong>| Arash Lahooti | Iran | 2018 | 102\u2019 | Drama | VOSE | Official Panorama Section<\/p>\n

Orduckly<\/strong> | Behrouz Gharib Pour | Iran | 2018| 86\u2019 | Drama | VOSE | Official Panorama Section<\/p>\n

The Dark Room <\/strong>| Rouhollah Hejazi | Iran | 2018| 101\u2019 | Drama | VOSE | Official Panorama Section<\/p>\n

Pastarioni<\/strong> | Soheil Movafagh | Iran | 2019 | 97\u2019 | Family, Children\u2019s | VOSE | NETPAC Section<\/p>\n



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INTRODUINT EL FESTIVAL
\n<\/strong><\/h2>\n

Del 5 al 26 d\u2019octubre de 2019<\/strong> | Cinemes Girona<\/strong><\/p>\n

– <\/a>Descarrega’t<\/a> aqu\u00ed la informaci\u00f3 ampliada –<\/a><\/em><\/p>\n

Les quatre pel\u00b7l\u00edcules que es citen a continuaci\u00f3, i que es projectaran als Cinemes Girona, formen part de la programaci\u00f3 de l\u2019OFF-Festival iniciat al Caixa Forum el dia 4 d\u2019octubre. Aquestes pel\u00b7l\u00edcules s\u00f3n RocKabul <\/em>(Afganistan, 2018), que competeix a la Secci\u00f3 Oficial Panorama igual que Broken <\/em>(Austr\u00e0lia, 2018); Call for Dreams <\/em>(Jap\u00f3, 2018), de la Secci\u00f3 NETPAC, i Insane Mother <\/em>(Mongolia, 2018), de la Secci\u00f3 Discoveries. Al llarg de tot el mes d\u2019octubre la programaci\u00f3 de cinema de CASA ASIA es reunir\u00e0 sota la cobertura de l\u2019OFF-Festival, anticipant-nos a l’Asian Film Festival Barcelona | AFFBCN 2019 que es celebrar\u00e0 entre el 30 d\u2019octubre i el 10 de novembre. Les pel\u00b7l\u00edcules escollides responen als criteris utilitzats per a la selecci\u00f3 de les m\u00e9s de 130 pel\u00b7l\u00edcules que competeixen aquest any a les diferents seccions del festival. Totes destaquen pel valor narratiu i per l\u2019estrat\u00e8gia visual utilitzada des d\u2019una perspectiva est\u00e8tica diferenciada. \u00c9s una petita mostra del que ser\u00e0 l\u2019Asian Film Festival Barcelona, on hi haur\u00e0 m\u00e9s de vint nacionalitats que contribueixen a crear aquest mosaic a trav\u00e9s del qual el p\u00fablic podr\u00e0 viatjar per tot un continent sense sortir d\u2019una sala de cinema.<\/p>\n

RocKabul<\/strong> | Travis Beard | Afganist\u00e1n | 2018 | 77\u2019 | Documentary \/ Music \/ War | VOSE | Secci\u00f3 Oficial Panorama<\/p>\n

Broken<\/strong> | Tarry Mortlock | Australia | 2018 | 97\u2019 | Drama \/ Crime | VOSE | Secci\u00f3 Oficial Panorama<\/p>\n

Call for Dreams <\/strong>| Ran Slavin | Jap\u00f3n | 2018 | 83\u2019 | Crime \/ Drama \/ Mystery | VOSE | Secci\u00f3 NETPAC<\/p>\n

Insane Mother <\/strong>| Ishdorj Odonchimeg | Mongolia | 2018 | 105\u2019 | Drama | VOSE | Secci\u00f3 Discoveries<\/p>\n



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DOCUMENTALS<\/strong><\/h2>\n

Del 7 d\u2019octubre a l\u201911 de novembre de 2019 <\/strong>| B The Travel Brand Xperience<\/strong><\/p>\n

– <\/a>Descarrega’t<\/a> aqu\u00ed la informaci\u00f3 ampliada –<\/a><\/em><\/p>\n

Dins del que es coneix com l’OFF-FESTIVAL, B The Travel Brand Xperience es converteix aquest any per primera vegada en una seu de l’Asian Film Festival Barcelona | AFFBCN 2019 per a la projecci\u00f3 de sis documentals que tamb\u00e9 competeixen en les diferents seccions del festival. Aquestes produccions seran presentades per CASA ASIA i seguint la seva projecci\u00f3 tindr\u00e0 lloc un col\u00b7loqui. Aquestes pel\u00b7l\u00edcules tracten diferents temes relacionats amb la vida dels habitants dels pa\u00efsos als quals resideixen. Per tant, s\u00f3n com finestres a llocs als quals no tenim acc\u00e9s habitualment, a trav\u00e9s de la imatge en moviment. Afganistan, Bangladesh, Cambodja, Indon\u00e8sia, el Jap\u00f3 i Laos s\u00f3n els protagonistes d’aquests documentals, que al seu torn ens permeten abordar aspectes diversos de la vida quotidiana d’aquests pa\u00efsos des de diferents perspectives, convidant-nos a descobrir llocs, comunitats, individus i circumst\u00e0ncies que finalment s\u00f3n complement\u00e0ries i contribueixen al coneixement d’aquelles situacions que intenten abastar.<\/p>\n

A Thousand Girls Like Me<\/strong> | Sahra Mani | Afganistan | 2018 | 76\u2019 | Documentary | VOSE | Official Section<\/p>\n

Hasina: A Daugther\u2019s Tale<\/strong> | Rezaur Rahman Khan Piplu | Bangladesh | 2018 | 72′ | Documentary \/ Drama | VOSE | Special Section<\/p>\n

When I Grow Up (Grandir) <\/strong>| Jill Coulon | Camboya \/ Laos \/ Vietnam \/ Birmania \/ Tailandia \/ Indonesia \/ Francia | 2018 | 54\u2019 | Documentary | VOSE | Special Section<\/p>\n

The Song of the Grassroots<\/strong> | Yuda Kurniawan | Indonesia | 2018 | 107\u2019 | Documentary | VOSE | Special Section<\/p>\n

Portraits of a Rainbow <\/strong>| Ayumi Nakagawa | Jap\u00f3n | 2018 | 79\u2019 | Documentary | VOSE | Special Section<\/p>\n

This Little Land of Mines <\/strong>| Erin McGoff | Laos | 2018 | 64\u2019 | Documentary \/ Drama \/ News | VOSE | Special Section<\/p>\n



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CURTMETRATGES<\/strong><\/h2>\n

De l’11 al 26 d\u2019octubre de 2019<\/strong> | CaixaForum (Aula 0)<\/strong><\/p>\n

– <\/a>Descarrega’t<\/a> aqu\u00ed la informaci\u00f3 ampliada –<\/a><\/em><\/p>\n

Dins del que es coneix com l’OFF-FESTIVAL, CaixaForum es converteix aquest any en una seu m\u00e9s de l’Asian Film Festival Barcelona | AFFBCN 2019 per A acollir aquesta selecci\u00f3 de vint-i-tres curts que es projectaran en loop<\/em> des del dia 11 al 26 d’octubre. Els pa\u00efsos dels quals procedeixen aquestes produccions s\u00f3n Filipines, Jap\u00f3, Kazakhstan, Kirguizistan, Macau, Pakistan, Tadjikistan i Vietnam. Alguns d’aquests curts s\u00f3n pr\u00e0cticament migmetratges de ficci\u00f3 o que s’aproximen al g\u00e8nere documental. Per\u00f2, en qualsevol cas, v\u00e9nen de la m\u00e0 de cineastes joves que s’estan dedicant als seus primers llargmetratges i, per tant, es converteixen en exercicis de gran inter\u00e8s als quals volem donar visibilitat. L’Aula 0 del CaixaForum acollir\u00e0 aquestes projeccions amb \u00e0nim de poder oferir al p\u00fablic, a qualsevol hora dels dies indicats, la possibilitat de poder veure aquestes pel\u00b7l\u00edcules.<\/p>\n



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Divendres 11 d\u2019octubre i Dissabte 19 d\u2019octubre (En loop<\/em>)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n
Grup 1 | Filipines, Kazakhstan, Kirguizistan, Macau, Pakistan <\/strong>(Durada 112′ )<\/td>\n<\/tr>\n
Pa\u00eds<\/strong><\/td>\nProducci\u00f3<\/strong><\/td>\nT\u00edtol<\/strong><\/td>\nAny<\/strong><\/td>\nDurada<\/strong><\/td>\nDirector\/a<\/strong><\/td>\n<\/tr>\n
Filipines<\/td>\nFilipines<\/td>\nLast Order<\/td>\n2018<\/td>\n18′<\/td>\nJoji Villanueva Alonso<\/td>\n<\/tr>\n
Kazakhstan<\/td>\nKazakhstan<\/td>\nA Man of Peace<\/td>\n<\/td>\n24′<\/td>\n<\/td>\n<\/tr>\n
Kazakhstan<\/td>\nKazakhstan<\/td>\nEl \u00daltimo Profesor<\/td>\n<\/td>\n17′<\/td>\n<\/td>\n<\/tr>\n
Kirguizistan<\/td>\nKirguizistan<\/td>\nFar Away<\/td>\n<\/td>\n20′<\/td>\n<\/td>\n<\/tr>\n
Macau<\/td>\nMacau<\/td>\nRabbit Meets Crocodile<\/td>\n2018<\/td>\n4′<\/td>\nSam Kin Hang<\/td>\n<\/tr>\n
Macau<\/td>\nMacau<\/td>\nSheep<\/td>\n2018<\/td>\n15′<\/td>\nMak Kit Wai<\/td>\n<\/tr>\n
Pakistan<\/td>\nPakistan<\/td>\nRani<\/td>\n2018<\/td>\n14′<\/td>\nHammad Rizvi<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n



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Dissabte 12 d\u2019octubre i Diumenge 20 d\u2019octubre (En loop<\/em>)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
Grup 2 | Filipines, Kazakhstan, Kirguizistan, Macau, Vietnam<\/strong> (Durada 115′)<\/td>\n<\/tr>\n
Pa\u00eds<\/strong><\/td>\nProducci\u00f3<\/strong><\/td>\nT\u00edtol<\/strong><\/td>\nAny<\/strong><\/td>\nDurada<\/strong><\/td>\nDirector\/a<\/strong><\/td>\n<\/tr>\n
Filipines<\/td>\nFilipines<\/td>\nThe Smile of Nazareno<\/td>\n2018<\/td>\n15′<\/td>\nLouie Ignacio<\/td>\n<\/tr>\n
Kazakhstan<\/td>\nKazakhstan<\/td>\nDombyra<\/td>\n2018<\/td>\n30′<\/td>\n<\/td>\n<\/tr>\n
Kazakhstan<\/td>\nKazakhstan<\/td>\nMuza (Muse)<\/td>\n2018<\/td>\n23′<\/td>\nArm\u00e1n Kairzh\u00e1n<\/td>\n<\/tr>\n
Kirguizistan<\/td>\nKirguizistan<\/td>\nThe Teacher<\/td>\n<\/td>\n24′<\/td>\n<\/td>\n<\/tr>\n
Macau<\/td>\nMacau<\/td>\nThe Graduate<\/td>\n2018<\/td>\n17′<\/td>\nQiu Chu Feng<\/td>\n<\/tr>\n
Vietnam<\/td>\nEstats Units<\/td>\nEvery Grain of Rice<\/td>\n2018<\/td>\n6′<\/td>\nCarol Nguyen<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n



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Diumenge 13 d\u2019octubre i Divendres 25 d\u2019octubre (En loop<\/em>)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
Grup 3 | Kazakhstan, Kirguizistan, Macau<\/strong> (Durada 121′)<\/td>\n<\/tr>\n
Pa\u00eds<\/strong><\/td>\nProducci\u00f3<\/strong><\/td>\nT\u00edtol<\/strong><\/td>\nAny<\/strong><\/td>\nDurada<\/strong><\/td>\nDirector\/a<\/strong><\/td>\n<\/tr>\n
Kazakhstan<\/td>\nKazakhstan<\/td>\nTyubeteika (Change)<\/td>\n2017<\/td>\n20′<\/td>\nArm\u00e1n Baimur\u00e1tov<\/td>\n<\/tr>\n
Kazakhstan<\/td>\nKazakhstan<\/td>\nZhut<\/td>\n<\/td>\n36′<\/td>\nZhandos Yspenbetov<\/td>\n<\/tr>\n
Kirguizistan<\/td>\nKirguizistan<\/td>\nHeritage<\/td>\n<\/td>\n9′<\/td>\n<\/td>\n<\/tr>\n
Macau<\/td>\nMacau<\/td>\nG.D.P.: Grandma’s Dangerous Project<\/td>\n2018<\/td>\n21′<\/td>\nPeeko Wong<\/td>\n<\/tr>\n
Macau<\/td>\nMacau<\/td>\nMissing Dad<\/td>\n2018<\/td>\n23′<\/td>\nLong Wai I<\/td>\n<\/tr>\n
Macau<\/td>\nMacau<\/td>\nHalfway<\/td>\n2018<\/td>\n12′<\/td>\nLong Ng<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n



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Divendres 18 d\u2019octubre i Dissabte 26 d\u2019octubre (En loop<\/em>)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
Grup 4 | Jap\u00f3, Kazakhstan, Macau, Tadjikistan<\/strong> (Durada 121′)<\/td>\n<\/tr>\n
Pa\u00eds<\/strong><\/td>\nProducci\u00f3<\/strong><\/td>\nT\u00edtol<\/strong><\/td>\nAny<\/strong><\/td>\nDurada<\/strong><\/td>\nDirector\/a<\/strong><\/td>\n<\/tr>\n
Jap\u00f3<\/td>\nEspanya<\/td>\nThe Dawn of Kaiju Eiga<\/td>\n2019<\/td>\n45′<\/td>\nJonathan Bell\u00e9s<\/td>\n<\/tr>\n
Kazakhstan<\/td>\nKazahstan<\/td>\nIn\u00fatiles (Useless Creations)<\/td>\n2018<\/td>\n39′<\/td>\nZhanibek Murtazin<\/td>\n<\/tr>\n
Macau<\/td>\nMacau<\/td>\nCat Security<\/td>\n2018<\/td>\n4′<\/td>\nLou Ka Choi<\/td>\n<\/tr>\n
Macau<\/td>\nMacau<\/td>\nDelicious<\/td>\n2018<\/td>\n3′<\/td>\nSam Lam<\/td>\n<\/tr>\n
Tadjikistan<\/td>\nTadjikistan<\/td>\nCircle<\/td>\n2018<\/td>\n14’57\u201d<\/td>\nDekhruz Davlyatbekov<\/td>\n<\/tr>\n
Tadjikistan<\/td>\nTadjikistan<\/td>\nTangible Death<\/td>\n2018<\/td>\n21\u201915\u201d<\/td>\nDekhruz Davlyatbekov<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

* Tots aquests curtmetratges es projectaran en versi\u00f3 original amb subt\u00edtols al castell\u00e0 (VOSE).<\/p>\n","protected":false},"excerpt":{"rendered":"

Del 4 al 31 d\u2019octubre de 2019 En la present edici\u00f3 de l\u2019Asian Film Festival Barcelona, la programaci\u00f3 no es cenyeix estrictament a les dates que no son habituals, sin\u00f3 […]<\/p>\n","protected":false},"author":7,"featured_media":20652,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33],"tags":[],"class_list":["post-20622","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"acf":[],"yoast_head":"\nOFF-Festival 2019 - Asian Film Festival Barcelona<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OFF-Festival 2019 - Asian Film Festival Barcelona\" \/>\n<meta property=\"og:description\" content=\"Del 4 al 31 d\u2019octubre de 2019 En la present edici\u00f3 de l\u2019Asian Film Festival Barcelona, la programaci\u00f3 no es cenyeix estrictament a les dates que no son habituals, sin\u00f3 […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/asianfilmfestival.barcelona\/2022\/ca\/news-off-festival-2019\/\" \/>\n<meta property=\"og:site_name\" content=\"Asian Film Festival Barcelona\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-17T16:31:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-08-17T18:49:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/asianfilmfestival.barcelona\/2022\/wp-content\/uploads\/2019\/09\/OFF-Barcelona-2019.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1030\" \/>\n\t<meta property=\"og:image:height\" content=\"596\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Asian Film Festival Barcelona\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"Asian Film Festival Barcelona\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minuts\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/asianfilmfestival.barcelona\/2022\/ca\/news-off-festival-2019\/\",\"url\":\"https:\/\/asianfilmfestival.barcelona\/2022\/ca\/news-off-festival-2019\/\",\"name\":\"OFF-Festival 2019 - 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