{"id":35737,"date":"2021-10-22T13:06:54","date_gmt":"2021-10-22T11:06:54","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2021\/carta-directora-festival\/"},"modified":"2021-10-26T11:52:00","modified_gmt":"2021-10-26T09:52:00","slug":"carta-directora-festival","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/carta-directora-festival\/","title":{"rendered":"ASIAN FILM FESTIVAL BARCELONA | AFFBCN2021"},"content":{"rendered":"
<\/div><\/div><\/div>\n

Narraci\u00f3 i Narratologia. Existeix un cinema asi\u00e0tic?<\/h1>\n<\/div><\/section>\n

Si existeix un cinema asi\u00e0tic, aquest nom\u00e9s es pot entendre com la demostraci\u00f3 d’un mosaic de nacionalitats que s’identifiquen amb les seves narratives locals, afins o no entre elles, per\u00f2 sense deixar de ser expressi\u00f3 de la conviv\u00e8ncia que mantenen entre si en una societat de la informaci\u00f3 dominada per la imatge. \u00c9s un cinema plural i representatiu de la diversitat geogr\u00e0fica, pol\u00edtica, econ\u00f2mica i cultural d’un continent desigual. En aquest marc inclusiu que vol ser el festival es reuneixen totes les produccions que es presenten a l’Asian Film Festival Barcelona | AFFBCN<\/strong>, des de la seva primera edici\u00f3 el 2011 fins al moment actual. El cinema, a l’igual que la literatura, pot fer p\u00fablic all\u00f2 privat i elevar el privat a all\u00f2 p\u00fablic. De manera que a l’espectador li \u00e9s donat l\u2019explorar i el compartir tant la vida dom\u00e8stica com la vida p\u00fablica dels seus protagonistes. El lloc f\u00edsic on es produeix l’esdeveniment acaba sent alhora decisiu per comprendre all\u00f2 que succeeix. Simult\u00e0niament, l’espai temps del que es narra i el narrat \u00e9s determinant: la imatge en moviment parla per si mateixa alternativament travessada per la paraula i els silencis que la pauten.<\/p>\n

El descobriment de llocs, territoris i identitats als quals el cinema ens acosta no es pot comparar amb cap altre mitj\u00e0 de comunicaci\u00f3. Quan parlem de cinema asi\u00e0tic no podem deixar de referir-nos a l’abast del seu desenvolupament durant les dues \u00faltimes d\u00e8cades. Aquest ha estat en molts casos espectacular, entenent el comprom\u00eds dels seus autors amb la creaci\u00f3 i transmissi\u00f3 de relats propis i el valor d’una imaginaci\u00f3 radical que ha aconseguit superar tots els obstacles per anomenar mons sense nom a no ser per la visibilitat que el cinema els ha donat, afavorint l’acc\u00e9s a una informaci\u00f3 privilegiada per tots els seus destinataris sense distinci\u00f3. El cinema ens introdueix individualment en la vida de subjectes, comunitats o grups que integren les societats a les quals pertanyem. Els grans relats que aquest cinema narra, unint fragments retallats de vides an\u00f2nimes, ens informen sobre el seu poder de comunicaci\u00f3 i ens instrueixen al mateix temps sobre els imaginaris que conformen les seves identitats.<\/p>\n

La programaci\u00f3 de festival ens presenta t\u00edtols procedents de geografies humanes cr\u00edtiques, que desafien la globalitzaci\u00f3 dels mercats oposant resist\u00e8ncia per a no ser esborrades. L\u2019AFFBCN posa a disposici\u00f3 del p\u00fablic produccions de diferents cultures i \u00e8tnies que ens arriben des de l\u2019\u00c0sia Central, el Sud-est Asi\u00e0tic i l\u2019\u00c0sia-Pac\u00edfic, permetent que l’espectador emprengui un viatge des de Kazakhstan<\/strong>, Kirguizistan<\/strong>, Tadjikistan<\/strong>, Afganistan<\/strong>, a Iran<\/strong>, Pakistan<\/strong>, Bangla Desh<\/strong>, Birm\u00e0nia<\/strong>, \u00cdndia<\/strong>, Sri Lanka<\/strong>, Nepal<\/strong>, Xina<\/strong>, Mong\u00f2lia<\/strong>, Hong Kong<\/strong>, Corea<\/strong>, Jap\u00f3<\/strong>, Singapur<\/strong>, Tail\u00e0ndia<\/strong>, Cambodja<\/strong>, Mal\u00e0isia<\/strong>, Filipines<\/strong>, Laos<\/strong>, Indon\u00e8sia<\/strong> i Vietnam<\/strong>, fins a Austr\u00e0lia<\/strong> i Nova Zelanda<\/strong>, el festival proposa m\u00faltiples itineraris a trav\u00e9s d’una \u00e0mplia relaci\u00f3 d’imatges que el cinema ens indueix a investigar entre pa\u00efsos que comparteixen fronteres f\u00edsiques o ling\u00fc\u00edstiques, i nusos de conflicte, dins una mateixa \u00e0rea o regi\u00f3 del continent. La proposta resideix en el viatge de formaci\u00f3 que l’espectador pot emprendre a partir del moment que comen\u00e7a l\u2019experi\u00e8ncia audiovisual en contacte amb altres cultures i els seus protagonistes.<\/p>\n

La programaci\u00f3 de l’AFFBCN 2021 se seguir\u00e0 distribuint entre les seg\u00fcents seccions: Oficial, Oficial Panorama, Discoveries, Netpac<\/strong> i Especial<\/strong>, totes a competici\u00f3. El festival tamb\u00e9 integrar\u00e0 a la seva programaci\u00f3 la Retrospectiva<\/strong> dedicada, en aquesta ocasi\u00f3, a Satyajit Ray<\/strong> (Calcuta, \u00cdndia, 1921-1992), que es realitzar\u00e0 com cada any en col\u00b7laboraci\u00f3 amb la Filmoteca de Catalunya i comptar\u00e0 amb 16 t\u00edtols, presentant-se com una de les retrospectives m\u00e9s completes realitzades fins ara del cineasta. Comptarem amb les presentacions de l\u2019especialista Sangeeta Dutta per a les presentacions de Pater Panchali<\/em> i d\u2019Aparajito<\/em>. A m\u00e9s, aquest any obrim un nou front amb la secci\u00f3 Hong Kong New Talents<\/strong>, de la m\u00e0 de l’HKIFF Hong Kong International Film Festival, amb 10 t\u00edtols, que en molts casos coincideixen amb el debut dels seus autors. Aquest programa suposa una demostraci\u00f3 del cinema d’autor que s\u2019est\u00e0 fent a Hong Kong, que ha deixat de banda les arts marcials per concentrar-se en les relacions interpersonals i els conflictes derivats d’un malestar social o d’un context global m\u00e9s ampli en el qual les identitats culturals es dilueixen. Es tracta d’un cinema, els antecedents del qual es remunten fins a Wong Kar-Wai, la recuperaci\u00f3 del qual gr\u00e0cies a la recent remasteritzaci\u00f3 dels seus millors \u00e8xits ha contribu\u00eft decisivament a seguir de prop un cinema que no pot passar desapercebut.<\/p>\n

El festival reuneix 26 pa\u00efsos<\/strong> i 138 t\u00edtols<\/strong>, quaranta-set dels quals es projectaran online a la plataforma FILMIN<\/strong>, com ja va succeir a l’edici\u00f3 anterior. Comptarem amb convidats que formaran part dels jurats i presentaran les seves pel\u00b7l\u00edcules com \u00e9s el cas de l’australi\u00e0 Luke Eve<\/strong> que introduir\u00e0 la seva opera prima I Met a Girl<\/em><\/strong>. Tamb\u00e9 tindrem entre nosaltres a la iraniana Negin Kianfar<\/strong> que presentar\u00e0 el seu primer llargmetratge A New Day<\/em><\/strong> i al director Jesse Miceli<\/strong> amb la seva pel\u00b7l\u00edcula Coalesce<\/em><\/strong> de Cambodja; i amb el core\u00e0 John Kwang Kim<\/strong>, director de Jos\u00e9e<\/em><\/strong>. D’altra banda, aquest any comptarem amb la pres\u00e8ncia de dues cineastes afganeses, de les que hem projectat les seves \u00f2peres primes en anteriors edicions i hem seguit les seves respectives traject\u00f2ries en el transcurs d’aquests \u00faltims anys. Es tracta de Sahraa Karimi, exdirectora de l’Afghan Film Institute, de la que projectem Hava, Maryam, Aysha<\/em><\/strong>, i Sahra Mani, de la que projectem A Thousand Girls Like Me<\/em><\/strong>. Seran membres dels jurats de la secci\u00f3 Oficial i de la secci\u00f3 Oficial Panorama respectivament. Des de fa anys anem apostant pel cinema afgan\u00e8s i sobretot pel paper de les dones cineastes que parlen del seu pa\u00eds i tracten de donar visibilitat al que succeeix compromeses amb el real i la realitat, i amb tots aquells que comparteixen id\u00e8ntica destinaci\u00f3. Durant el festival organitzarem diverses trobades, on elles parlaran de l’actual situaci\u00f3 del seu pa\u00eds i dels seus projectes de futur, i on al mateix temps es presentaran les quatre produccions afganeses que s’han seleccionat d’altres directors per a aquesta edici\u00f3 de l’AFFBCN.<\/p>\n

Entre els destacats d’aquest any, cal esmentar en primer lloc la pel\u00b7l\u00edcula inaugural Wheel of Fortune and Fantasy<\/strong> (2021) de Ryusuke Hamaguchi, del qual tamb\u00e9 projectarem Drive my Car<\/strong> (2021, Premi al millor Gui\u00f3 al passat festival de cinema de Cannes). Ambdues pel\u00b7l\u00edcules no trigaran a estrenar-se a Espanya despr\u00e9s d’haver estat premiades a diversos festivals. En aquesta edici\u00f3, l\u2019AFFBCN es presenta amb nous incentius com un complement essencial de la programaci\u00f3 anual que cada vegada dona cobertura a m\u00e9s produccions i pa\u00efsos de les diferents regions del continent asi\u00e0tic. Als t\u00edtols esmentats se sumen The Australian Dream <\/strong>de Daniel Gordon (Austr\u00e0lia), My Childhood, My Country, 20 Years in Afghanistan<\/strong> de Phil Grabsky i Shoaib Sharifi (Afganistan), Fire on the Plane <\/strong>de Ji Zhang (Xina), The Salt in our Waters<\/strong> de Zulfikar Zilandra (Bangla Desh), Jos\u00e9e<\/strong> de Jong-Kuam Kim (Corea), Verdict<\/strong> de Raymund Riboy Gutierrez (Filipines), Better Days<\/strong> de Derek Tsang (Hong Kong), Where is Pinki?<\/strong> de Prithy Konanur (\u00cdndia), Vengeance is Mine, All Others Pay Cash<\/strong> d’Edwin (Indon\u00e8sia), Walnut Tree<\/strong> de Mohammad Hossein Mahdavian (Iran), 18Khz<\/strong> de Farkhat Sharipov (Kazakhstan), The Lake<\/strong> d’Emil Atageldijev (Kirguizistan), 1990 <\/strong>de Lkhogvaa (Mong\u00f2lia), Lato Kosero<\/strong> de Shirish ( Nepal) i The Year of Everlasting Storm<\/strong> d’Apichatpong Weerasethakul (obra col\u00b7lectiva, Tail\u00e0ndia). Aquests s\u00f3n nom\u00e9s alguns dels destacats, per\u00f2 esmentar-los no significa deixar de tenir en compte cap de les catorze pel\u00b7l\u00edcules iranianes produ\u00efdes en 2020 i 2021; els quinze t\u00edtols procedents de l’\u00cdndia de 2020 i 2021, ni el cinema filip\u00ed de Joel Lamangan, ni el nou cinema que ens arriba de la Xina, Corea i el Jap\u00f3, a l’igual que de tots els pa\u00efsos que tindran una pres\u00e8ncia al festival, incorporant a aquest panorama Kazakhstan, Kirguizistan, Bangla Desh, que fins tot i tenir tradicionalment una gran ind\u00fastria local no havia desenvolupat un cinema independent com el que es pot veure d’un temps en\u00e7\u00e0, i d\u2019altres pa\u00efsos del Sud-est asi\u00e0tic. Per\u00f2, vull destacar especialment la pres\u00e8ncia d’Austr\u00e0lia en aquesta edici\u00f3, per tractar-se d’un pa\u00eds amb una ind\u00fastria cinematogr\u00e0fica molt potent, encara que no tan evident en els festivals de cinema europeus, en els quals el cinema australi\u00e0 mereixeria un espai m\u00e9s gran que el que sol tenir. La resposta per a la pregunta si existeix o no el cinema asi\u00e0tic \u00e9s a la vista de les produccions que hem reunit afirmativa, perqu\u00e8 la seva construcci\u00f3 no deixa d’estar en connexi\u00f3 amb la seva visibilitat i transmissi\u00f3. I aquesta \u00e9s la nostra contribuci\u00f3 com a festival, perqu\u00e8 creiem que el cinema \u00e9s el millor instrument per comunicar i per a establir una complicitat amb l’Altre, aquell que nom\u00e9s coneixem a trav\u00e9s de la imatge en moviment.<\/p>\n

Tampoc vull deixar d’esmentar la presentaci\u00f3 de la primera pel\u00b7l\u00edcula de Eug\u00e8nia Balcells, Cartas de Akyab<\/strong>, que presentem a la Secci\u00f3 Especial fora de concurs, ni un altre exercici cinematogr\u00e0fic com el que ha fet l’artista Paloma Polo a El Barro de la Revoluci\u00f3n<\/strong> (Secci\u00f3 Netpac). D’altra banda, la programaci\u00f3 s’amplia amb l’OFF-Festival<\/strong>, que es planteja com una introducci\u00f3 i una extensi\u00f3 de l’AFFBCN, i que permet estendre el calendari en el qual podem oferir aquest tipus de cinema, perllongant les projeccions durant l’any, en lloc de limitar-lo a un moment puntual del curs. Aquesta ampliaci\u00f3, per la seva banda, consta de tres cicles: Cinema d\u2019\u00c0sia fora de Barcelona, Cinemes d\u2019\u00c0sia als Cinemes Girona (Retrospectives i Monogr\u00e0fics) amb periodicitat setmanal, i Cinemes d’\u00c0sia en BETEV\u00c9, que comen\u00e7ar\u00e0 pocs dies abans de la inauguraci\u00f3 del festival. D’altra banda, seguim incrementant el Canal Casa \u00c0sia a Filmin amb les produccions m\u00e9s recents.<\/strong><\/p>\n

Menene Gras Balaguer<\/p>\n

Directora de Cultura i Exposicions de Casa \u00c0sia
\ni directora de l\u2019Asian Film Festival. Barcelona<\/strong><\/p>\n

Hashtag: #AFFBCN<\/strong><\/p>\n<\/div><\/section>\n

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