{"id":37261,"date":"2021-11-03T12:06:43","date_gmt":"2021-11-03T11:06:43","guid":{"rendered":"https:\/\/asianfilmfestival.barcelona\/2021\/juries-and-awards-plantilla-2021\/"},"modified":"2021-11-18T13:27:42","modified_gmt":"2021-11-18T12:27:42","slug":"juries-and-awards-plantilla-2021","status":"publish","type":"page","link":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/","title":{"rendered":"Premis i Jurats 2021"},"content":{"rendered":"<div id='full_slider_1'  class='avia-fullwidth-slider main_color avia-shadow   avia-builder-el-0  el_before_av_textblock  avia-builder-el-first   container_wrap fullsize' style=' '  ><div   data-size='featured'  data-lightbox_size='large'  data-animation='fade'  data-conditional_play=''  data-ids='5842'  data-video_counter='0'  data-autoplay='false'  data-bg_slider='false'  data-slide_height=''  data-handle='av_slideshow_full'  data-interval='5'  data-class=' '  data-el_id=''  data-css_id=''  data-scroll_down=''  data-control_layout='av-control-default'  data-custom_markup=''  data-perma_caption=''  data-autoplay_stopper=''  data-image_attachment=''  data-min_height='0px'  data-lazy_loading='disabled'  data-src=''  data-position='top left'  data-repeat='no-repeat'  data-attach='scroll'  data-stretch=''  data-default-height='28.666666666667'  class='avia-slideshow avia-slideshow-1  av-control-default av-default-height-applied avia-slideshow-featured av_slideshow_full   avia-fade-slider ' ><ul class='avia-slideshow-inner ' style='padding-bottom: 23.333333333333%;' ><li  class=' av-single-slide slide-1 ' ><div data-rel='slideshow-1' class='avia-slide-wrap '   ><div class = \"caption_fullwidth av-slideshow-caption caption_bottom\"><div class = \"container caption_container\"><div class = \"slideshow_caption\"><div class = \"slideshow_inner_caption\"><div class = \"slideshow_align_caption\"><h2  style='font-size:90px; ' class='avia-caption-title  ' >Premis i Jurats<\/h2><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-5844 avia-img-lazy-loading-not-5844\"  src=\"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2016\/09\/Banner-JURY-1500x350.jpg\" width=\"1500\" height=\"350\" title='banner-jury' alt=''   \/><\/div><\/li><\/ul><\/div><\/div><div id='after_full_slider_1'  class='main_color av_default_container_wrap container_wrap fullsize' style=' '  ><div class='container' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-37261'><div class='entry-content-wrapper clearfix'>\n<section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h2 style=\"text-align: left;\">PREMIS<\/h2>\n<\/div><\/section>\n<div class=\"flex_column av_one_full  flex_column_div av-zero-column-padding first  avia-builder-el-2  el_after_av_textblock  el_before_av_hr  column-top-margin\" style='border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><p><strong>L\u2019AFFFBCN 2021 ha reunit cinc jurats que han atorgat els seg\u00fcents premis en cadascuna de les seccions corresponents.<\/strong><\/p>\n<\/div><\/section><\/div>\n<div  style='height:30px' class='hr hr-invisible   avia-builder-el-4  el_after_av_one_full  el_before_av_one_third '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class=\"flex_column av_one_third  flex_column_div first  avia-builder-el-5  el_after_av_hr  el_before_av_one_third  \" style='padding:0px 0px 0px 0px ; border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h4>SECCI\u00d3 OFICIAL<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-33640 size-medium\" src=\"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA-300x135.jpg\" alt=\"\" width=\"300\" height=\"135\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA-300x135.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA-1030x464.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA-768x346.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA-1536x691.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA-1500x675.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA-705x317.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA.jpg 1800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>MILLOR PEL\u00b7L\u00cdCULA<br \/>\n<strong><em><a href=\"https:\/\/asianfilmfestival.barcelona\/2021\/es\/film-item\/anima\/\">Anima<\/a><\/em> <\/strong>de Cao Jinling (Xina)<\/p>\n<p>MILLOR DIRECCI\u00d3<br \/>\n<em><strong>Mirlan Abdykalykov<\/strong><\/em> (Kirguizistan) per <em>Running to the Sky<\/em><\/p>\n<p>MILLOR GUI\u00d3<br \/>\n<em><strong>Verdict<\/strong> <\/em>de Raymund Ribay Guti\u00e9rrez<\/p>\n<p>MENCIONS ESPECIALS<br \/>\n<em><strong>My Childhood, My Country<\/strong><\/em> de Phil Grabsky i Shoaib Sharifi<br \/>\n<em><strong>Drive My Car<\/strong><\/em> de Ryusuke Hamaguchi<\/p>\n<\/div><\/section><\/div>\n<div class=\"flex_column av_one_third  flex_column_div   avia-builder-el-7  el_after_av_one_third  el_before_av_one_third  \" style='padding:0px 0px 0px 0px ; border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h4>SECCI\u00d3 OFICIAL PANORAMA<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-34349\" src=\"..\/wp-content\/uploads\/2021\/10\/India-WHERE-IS-PINKI-1-300x135.jpg\" alt=\"\" width=\"300\" height=\"135\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/India-WHERE-IS-PINKI-1-300x135.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/India-WHERE-IS-PINKI-1-1030x464.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/India-WHERE-IS-PINKI-1-768x346.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/India-WHERE-IS-PINKI-1-1536x691.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/India-WHERE-IS-PINKI-1-1500x675.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/India-WHERE-IS-PINKI-1-705x317.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/India-WHERE-IS-PINKI-1.jpg 1800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>MILLOR PEL\u00b7L\u00cdCULA<br \/>\n<em><strong><a href=\"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/film-item\/where-is-pinki\/\">Where is Pinki?<\/a><\/strong><\/em> de Prithvi Konanur (\u00cdndia)<\/p>\n<p>MILLOR DIRECCI\u00d3<br \/>\n<strong>Maxim Dashkin<\/strong> (Kirguizistan) per <em><strong>Far Frontiers<\/strong><br \/>\n<\/em><\/p>\n<p>MILLOR GUI\u00d3<br \/>\n<em><strong>Bedridden<\/strong><\/em> de Riri Riza (Mong\u00f2lia)<\/p>\n<p>MENCI\u00d3 ESPECIAL<br \/>\n<em><strong>A Balance<\/strong> <\/em>del japon\u00e8s Yujiro Harumoto<\/p>\n<\/div><\/section><\/div>\n<div class=\"flex_column av_one_third  flex_column_div   avia-builder-el-9  el_after_av_one_third  el_before_av_one_third  \" style='padding:0px 0px 0px 0px ; border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h4>SECCI\u00d3 DISCOVERIES<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-33680\" src=\"..\/wp-content\/uploads\/2021\/10\/China-BIPOLAR-300x135.jpg\" alt=\"\" width=\"300\" height=\"135\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-BIPOLAR-300x135.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-BIPOLAR-1030x464.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-BIPOLAR-768x346.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-BIPOLAR-1536x691.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-BIPOLAR-1500x675.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-BIPOLAR-705x317.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-BIPOLAR.jpg 1800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>MILLOR PEL\u00b7L\u00cdCULA<br \/>\n<em><strong><a href=\"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/film-item\/bipolar\/\">Bipolar<\/a><\/strong> <\/em>de Queena Li (Xina)<\/p>\n<p>MILLOR DIRECCI\u00d3<br \/>\n<strong>Kiy\u00e9 Simon Luana<\/strong> (Laos) per <em><strong>Good-bye Mr Wong<\/strong><\/em><\/p>\n<p>MILLOR GUI\u00d3<br \/>\n<em><strong>18Khz<\/strong> <\/em>de Farkhat Sharipov (Kazajistan)<\/p>\n<p>MENCI\u00d3 ESPECIAL<br \/>\n<em><strong>The Forbidden Strings<\/strong><\/em> de Hassan Noori (Afganistan)<\/p>\n<\/div><\/section><\/div>\n<div class=\"flex_column av_one_third  flex_column_div first  avia-builder-el-11  el_after_av_one_third  el_before_av_one_third  column-top-margin\" style='padding:0px 0px 0px 0px ; border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h4>SECCI\u00d3 NETPAC<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-34646\" src=\"..\/wp-content\/uploads\/2021\/10\/Japon_Eternally-Younger-than-Those-Idiots-300x135.jpg\" alt=\"\" width=\"300\" height=\"135\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Japon_Eternally-Younger-than-Those-Idiots-300x135.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Japon_Eternally-Younger-than-Those-Idiots-1030x464.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Japon_Eternally-Younger-than-Those-Idiots-768x346.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Japon_Eternally-Younger-than-Those-Idiots-1536x691.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Japon_Eternally-Younger-than-Those-Idiots-1500x675.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Japon_Eternally-Younger-than-Those-Idiots-705x317.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Japon_Eternally-Younger-than-Those-Idiots.jpg 1800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>MILLOR PEL\u00b7L\u00cdCULA<br \/>\n<em><strong><a href=\"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/film-item\/eternally-younger-than-those-idiots\/\">Eternally Younger Than Those Idiots<\/a><\/strong> <\/em>del japon\u00e8s Ryohei Yoshino<\/p>\n<p>MENCI\u00d3 ESPECIAL<br \/>\n<em><strong>Caf\u00e9 by the Highway<\/strong> <\/em>de Xiaofan Shi (Xina)<\/p>\n<\/div><\/section><\/div>\n<div class=\"flex_column av_one_third  flex_column_div   avia-builder-el-13  el_after_av_one_third  el_before_av_one_third  column-top-margin\" style='padding:0px 0px 0px 0px ; border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h4>SECCI\u00d3 ESPECIAL<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-32243\" src=\"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Iran-WALNUT-TREE-300x135.jpg\" alt=\"\" width=\"300\" height=\"135\" srcset=\"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Iran-WALNUT-TREE-300x135.jpg 300w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Iran-WALNUT-TREE-1030x464.jpg 1030w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Iran-WALNUT-TREE-768x346.jpg 768w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Iran-WALNUT-TREE-1536x691.jpg 1536w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Iran-WALNUT-TREE-1500x675.jpg 1500w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Iran-WALNUT-TREE-705x317.jpg 705w, https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/Iran-WALNUT-TREE.jpg 1800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>MILLOR PEL\u00b7L\u00cdCULA I DIRECCI\u00d3<br \/>\n<em><strong><a href=\"https:\/\/asianfilmfestival.barcelona\/2021\/film-item\/walnut-tree\/\">Walnut Tree<\/a><\/strong><\/em> de <strong>Mohammad Hossein Mahdavian<\/strong> (Iran)<strong><br \/>\n<\/strong><\/p>\n<p>MILLOR GUI\u00d3<br \/>\n<em><strong>Drown<\/strong> <\/em>de Mohammad Kart (Iran)<\/p>\n<p>PREMI ESPECIAL DEL JURAT<br \/>\n<em><strong>The Woman<\/strong> <\/em>d\u2019Otgonzorig Batchuluun (Mong\u00f2lia)<\/p>\n<\/div><\/section><\/div>\n<div class=\"flex_column av_one_third  flex_column_div   avia-builder-el-15  el_after_av_one_third  el_before_av_hr  column-top-margin\" style='padding:0px 0px 0px 0px ; border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h4>PREMI DEL P\u00daBLIC<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-32243\" src=\"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/09\/Hong-Kong-Better-Days.jpg\" alt=\"\" width=\"300\" height=\"135\" \/><\/p>\n<p>MILLOR PEL\u00b7L\u00cdCULA<br \/>\n<a href=\"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/film-item\/better-days-%e5%b0%91%e5%b9%b4%e7%9a%84%e4%bd%a0\/\"><em><strong>Better Days <\/strong><\/em><\/a>de Derek Kwok-cheung Tsang (Hong Kong)<\/p>\n<\/div><\/section><\/div>\n<div  style='height:30px' class='hr hr-invisible   avia-builder-el-17  el_after_av_one_third  el_before_av_three_fifth '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class=\"flex_column av_three_fifth  flex_column_div av-zero-column-padding first  avia-builder-el-18  el_after_av_hr  el_before_av_two_fifth  \" style='border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><p>Un cop concedits els premis, la celebrada pel\u00b7l\u00edcula hongkonesa<em><strong> Better Days<\/strong><\/em> (2019), del director Derek Tsang, ha clausurat la novena edici\u00f3 de l\u2019Asian Film Festival aquest diumenge, 7 de novembre, en la que ja \u00e9s la seu principal del certamen, els Cinemes Girona.<\/p>\n<p>Aix\u00ed, un any m\u00e9s ha finalitzat l\u2019\u00fanic festival especialitzat en cinema d\u2019autor asi\u00e0tic de la capital catalana, coincidint amb la celebraci\u00f3 del 20\u00e8 aniversari de Casa \u00c0sia. Tot i aix\u00f2, encara es pot veure, ja fora de competici\u00f3, la <strong>Retrospectiva Satyajit Ray<\/strong> a la Filmoteca de Catalunya, que va comen\u00e7ar el 4 de novembre passat i s\u2019est\u00e9n fins l\u201911 de desembre, a m\u00e9s de la selecci\u00f3 de pel\u00b7l\u00edcules que es poden veure a Filmin fins al 14 de novembre.<\/p>\n<p>L\u2019AFFBCN 2021 s\u2019ha celebrat entre el 27 d\u2019octubre i el 7 de novembre i ha projectat m\u00e9s de 120 pel\u00b7l\u00edcules de 26 pa\u00efsos de la regi\u00f3 \u00c0sia-Pac\u00edfic, la majoria en format f\u00edsic. Les seus d\u2019aquesta edici\u00f3 del Festival han estat CaixaForum Barcelona, Cinemes Girona, Institut Fran\u00e7ais de Barcelona i Filmoteca de Catalunya, mentre la plataforma de cinema FILMIN ha acollit la programaci\u00f3 en l\u00ednia.<\/p>\n<p>El festival ha comptat un any m\u00e9s amb el suport de l\u2019Institut Catal\u00e0 de les Empreses Culturals del Departament de Cultura de la Generalitat de Catalunya, l\u2019Institut de Cultura de l\u2019Ajuntament de Barcelona, Catalunya Film Festivals, l\u2019Ag\u00e8ncia EFE i Betev\u00e9, entre d\u2019altres.<\/p>\n<p><a href=\"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/11\/AFFBCN-2021-PREMIS-CATALA-DEF-1.pdf\">Descarrega aqui el llistat de premis.<\/a><\/p>\n<\/div><\/section><\/div><div class=\"flex_column av_two_fifth  flex_column_div av-zero-column-padding   avia-builder-el-20  el_after_av_three_fifth  el_before_av_hr  \" style='border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><blockquote>\n<p><em>\u201c<\/em>A les portes del des\u00e8 aniversari de l&#8217;AFFBCN l&#8217;any que ve, l&#8217;Asian Film Festival Barcelona 2021 arriba a la seva fi tot havent experimentat una important ampliaci\u00f3 de temes i narratives, i un augment considerable de les seves respectives audi\u00e8ncies. Es tracta d&#8217;un festival geogr\u00e0fic que ha abastat m\u00e9s de vint-i-cinc nacionalitats i pa\u00efsos, a partir d&#8217;una diversitat multicultural l&#8217;acc\u00e9s i el coneixement de la qual privilegia el cinema. La valoraci\u00f3 es basa en les puntuacions positives dels jurats de les cinc seccions (Oficial, Oficial Panorama, Discoveries, Netpac i Especial) i dels p\u00fablics, tant aquells nous com els d&#8217;assidus, a favor d&#8217;un cinema m\u00e9s inclusiu, com el programat en aquesta edici\u00f3\u201d<em>.<\/em><\/p>\n<p>Menene Gras Balaguer, Directora del certamen.<\/p>\n<\/blockquote>\n<\/div><\/section><\/div><\/p>\n<div  style=' margin-top:30px; margin-bottom:30px;'  class='hr hr-custom hr-center hr-icon-no   avia-builder-el-22  el_after_av_two_fifth  el_before_av_textblock '><span class='hr-inner  inner-border-av-border-thin' style=' width:100%; border-color:#ffffff;' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h2 style=\"text-align: left;\">JURATS<\/h2>\n<\/div><\/section>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding first  avia-builder-el-24  el_after_av_textblock  el_before_av_one_half  column-top-margin\" style='border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h4 style=\"text-align: left;\"><u>JURAT DE LA SECCI\u00d3 OFICIAL<\/u><\/h4>\n<\/div><\/section><br \/>\n<div  style='height:20px' class='hr hr-invisible   avia-builder-el-26  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h3 style=\"text-align: left;\">Rosa Verg\u00e9s<\/h3>\n<p><em>Directora guanyadora de Goyas, Guionista i exvicepresidenta d&#8217;AACCE, Espanya | Presidenta del Jurat<\/em><\/p>\n<p>Nascuda a Barcelona el 1955, Verg\u00e9s \u00e9s directora, realitzadora i guionista de cinema i televisi\u00f3. Despr\u00e9s d&#8217;estudiar Hist\u00f2ria de l&#8217;Art a la Universitat de Barcelona, va decidir ampliar la seva formaci\u00f3 a Par\u00eds, on finalment es va decantar per dedicar-se al cinema en haver-lo experimentat com a actriu al grup teatral Dagoll Dagom. Va ser guardonada amb un Premi Goya per <em>Boom Boom<\/em> a la millor Opera Prima, el 1991.<\/p>\n<h3 style=\"text-align: left;\">Mar\u00eda Molins<\/h3>\n<p><em>Actriu guanyadora d\u2019un Gaud\u00ed i d\u2019altres premis de cinema i teatre<\/em><\/p>\n<p>Mar\u00eda Molins \u00e9s una actriu espanyola, nascuda el 14 de febrer de 1973 a Catalunya. Ha actuat per a cinema, teatre i televisi\u00f3. Ha estat guardonada amb el premi a la millor interpretaci\u00f3 femenina protagonista el 2013 per la pel\u00b7l\u00edcula <em>El Bosque<\/em>, a m\u00e9s de rebre dues nominacions als premis Gaud\u00ed.<\/p>\n<h3 style=\"text-align: left;\">Sahraa Karimi<\/h3>\n<p><em>Cineasta i presidenta de l\u2019Afghan Film Organisation<\/em><\/p>\n<p>Nascuda a Teheran, Sahraa Karimi \u00e9s una documentalista, directora i productora de pel\u00b7l\u00edcules afganeses. El seu primer contacte amb el m\u00f3n del cinema va anar actuant a la pel\u00b7l\u00edcula iraniana <em>Daughters of the Sun<\/em>, dirigida per Maryam Shahriar. Va ser la primera nena afganesa en treballar al cinema irani\u00e0, a m\u00e9s de la primera dona directora d&#8217;Afghan Film Organisation, i la primera (i \u00fanica) dona a l&#8217;Afganistan que t\u00e9 un doctorat en cinema i direcci\u00f3. Les seves obres tenen com a punt focal les dones afganeses, i en elles no nom\u00e9s parla de la discriminaci\u00f3 que aquestes reben, sin\u00f3 que tamb\u00e9 aplaudeix la seva fortalesa. Karimi ha participat a m\u00e9s de 150 festivals de cinema internacionals.<\/p>\n<h3 style=\"text-align: left;\">Luke Eve<\/h3>\n<p><em>Director d&#8217; <\/em>I Met A Girl<\/p>\n<p>Nascut a Sydney el 1974, Luke Eve \u00e9s un director i productor de cinema australi\u00e0. Despr\u00e9s d&#8217;haver-se dedicat a la fotografia i haver dirigit videoclips musicals i anuncis, va decidir llen\u00e7ar-se al m\u00f3n dels llargmetratges. Va quedar primer al festival Tropfest de 2005 amb la seva pel\u00b7l\u00edcula <em>Australian Summer<\/em>. Ha dirigit pel\u00b7l\u00edcules com <em>I Met a Girl<\/em>, i s\u00e8ries com <em>SEX: An Unnatural History<\/em> (2011), <em>Low Life<\/em> (2014), <em>High Life<\/em> (2017) <em>i Cancelled<\/em> (2020).<\/p>\n<h3 style=\"text-align: left;\">Jess\u00e9 Miceli<\/h3>\n<p><em>Director i guionista de<\/em> Coalesce<\/p>\n<p>Miceli es va graduar a la Sorbona de Par\u00eds, on un cop acabats els estudis, va decidir explorar l&#8217;\u00e0mbit del cinema. Ha treballat per a companyies de producci\u00f3 i en la distribuci\u00f3 de pel\u00b7l\u00edcules &#8216;Heritage&#8217;, un g\u00e8nere cinematogr\u00e0fic que inclo\u00efa llargmetratges que miraven amb ulls nost\u00e0lgics el passat d&#8217;un pa\u00eds, normalment europeu, per\u00f2 que avui es refereix simplement a pel\u00b7l\u00edcules d&#8217;\u00e8poca amb un especial \u00e8mfasi en l&#8217;alta qualitat visual. \u00c9s conegut pel seu llargmetratge <em>Coalesce<\/em> (2020).<\/p>\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding   avia-builder-el-28  el_after_av_one_half  el_before_av_one_half  column-top-margin\" style='border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h4 style=\"text-align: left;\"><u>JURAT DE LA SECCI\u00d3 OFICIAL PANORAMA<\/u><\/h4>\n<\/div><\/section><br \/>\n<div  style='height:20px' class='hr hr-invisible   avia-builder-el-30  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h3 style=\"text-align: left;\">Jonathan Harris<\/h3>\n<p><em>Director de l\u2019Escola de Doctorat de la Universitat d\u2019Arts Creatives de Canterbury | President del jurat<\/em><\/p>\n<p>El professor Jonathan Harris ha ensenyat a la Polit\u00e8cnica de Leeds (1989-94), la Universitat de Keele (1994-99), la Universitat de Liverpool (1999-2011), l&#8217;Escola d&#8217;Art de Winchester Universitat de Southampton (2011-2015 ) i la Universitat de la Ciutat de Birmingham (2015-2020), on va ser director de l&#8217;Escola d&#8217;Art de Birmingham. Jonathan investiga i escriu sobre art modern i contemporani, especialitzant-se en la globalitzaci\u00f3 de l&#8217;art contemporani i els seus contextos socials i pol\u00edtics.<\/p>\n<h3 style=\"text-align: left;\">Pierre Gonnord<\/h3>\n<p><em>Fot\u00f2graf i autor rere el rostre de l\u2019AFFBCN<\/em><\/p>\n<p>El fot\u00f2graf autodidacta Pierre Gonnord va n\u00e9ixer a Fran\u00e7a el 1963. El treball m\u00e9s determinant de la seva carrera mostra una s\u00e8rie de retrats de persones procedents de diferents llocs del m\u00f3n. Algunes d&#8217;aquestes s\u00e8ries de retrats s\u00f3n <em>Interiors<\/em> (feta a Madrid el 1999), <em>City<\/em> (a Nova York, el 2001) o <em>Far East<\/em> (al Jap\u00f3, 2003). <em>Ut\u00f2pics<\/em>, per exemple, fotografia personatges marginats per la societat. La seva feina ha arribat a diverses ciutats d&#8217;Espanya, Fran\u00e7a, Portugal i els Estats Units.<\/p>\n<h3 style=\"text-align: left;\">Negin Kianfar<\/h3>\n<p><em>Pintora, actriu de doblatge i directora d\u2019<\/em>A New Day<\/p>\n<p>Kianfar va n\u00e9ixer a Tehran, Iran, l&#8217;any 1969. \u00c9s directora de cinema, pintora i actriu de doblatge. Ha dirigit pel\u00b7l\u00edcules com el documental <em>The Birthday<\/em> (el 2016), <em>Eve &amp; Adam<\/em> (2009) i <em>A New Day<\/em>, el 2021. Tamb\u00e9 ha doblat a actrius com Meryl Streep i Charlize Theron.<\/p>\n<h3 style=\"text-align: left;\">Mar\u00eda Fasce<\/h3>\n<p><em>Directora Liter\u00e0ria d&#8217;Alfaguara, Lumen i Reservoir Books Madrid<\/em><\/p>\n<p>Mar\u00eda Fasce va n\u00e9ixer a Buenos Aires el 1969. \u00c9s escriptora, traductora i periodista cultural, a m\u00e9s de llicenciada en Lletres i directora liter\u00e0ria de l&#8217;Editorial Alfaguara. Ha editat <em>El Oficio de Mentir<\/em> (1997), i ha escrit <em>La Felicitat de les Dones<\/em> (publicat el 1999 i pel que va guanyar el Premi Fons Nacional de les Arts), <em>la Veritat Segons Virginia<\/em> (1997) i <em>la Dona d&#8217;Illa Negra<\/em> (2015).<\/p>\n<h3 style=\"text-align: left;\">Sahra Mani<\/h3>\n<p><em>Cineasta, fundadora de l\u2019Afghanistan Documentary House<\/em><\/p>\n<p>Sahra Mosawi-Mani \u00e9s una premiada documentalista, professora universit\u00e0ria i fundadora d&#8217;Afghanistan Documentary House. Va comen\u00e7ar a treballar als mitjans de comunicaci\u00f3 el 2001 amb l&#8217;objectiu d&#8217;utilitzar-los com a catalitzadors del b\u00e9. Va obtenir un m\u00e0ster en cinema documental a la Universitat de les Arts de Londres i des de llavors s&#8217;ha centrat en la creaci\u00f3 de documentals sobre el seu propi pa\u00eds, l\u2019Afganistan. Les seves pel\u00b7l\u00edcules inclouen <em>Kaloo<\/em> <em>School<\/em> (2013), <em>Beyond the Burka<\/em> (2014) i <em>A Thousand Girls Like Me<\/em> (2018).<\/p>\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding first  avia-builder-el-32  el_after_av_one_half  el_before_av_one_half  column-top-margin\" style='border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h4 style=\"text-align: left;\"><u>JURAT DE LA SECCI\u00d3 DISCOVERIES<\/u><\/h4>\n<\/div><\/section><br \/>\n<div  style='height:20px' class='hr hr-invisible   avia-builder-el-34  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h3 style=\"text-align: left;\">Esteban Andueza<\/h3>\n<p><em>Gestor cultural i traductor | President del jurat<\/em><\/p>\n<p>Esteban Andueza \u00e9s gestor cultural, traductor, comissari d&#8217;art i promotor de projectes art\u00edstics. Ha viscut a la Xina durant 12 anys on ha treballat com a freelance i tamb\u00e9 per a centres de prestigi, com l&#8217;Iberia Center for Contemporary Art o l&#8217;Institut Cervantes de Pequ\u00edn, sempre enfocat a promoure els intercanvis culturals entre Espanya i la Xina.<\/p>\n<h3 style=\"text-align: left;\">Elodie Mellado<\/h3>\n<p><em>Editora de contiguts de FILMIN i programadora del Festival de cinema REC Tarragona<\/em><\/p>\n<p>\u00c9lodie Mellado \u00e9s editora de continguts per a FILMIN des del 2012 i programadora del Festival REC de Tarragona. Es va graduar en Comunicaci\u00f3 Audiovisual per la Universitat Rovira i Virgili i professionalment des del principi s\u2019ha dedicat al sector cinematogr\u00e0fic.<\/p>\n<h3 style=\"text-align: left;\">Aditya Kripalani<\/h3>\n<p><em>Director de<\/em> Not Today<\/p>\n<p>Nascut el 1981 a Maharashtra, a l&#8217;\u00cdndia, Kripalani \u00e9s un director, escriptor, m\u00fasic i productor cinematogr\u00e0fic. Les seves pel\u00b7l\u00edcules m\u00e9s conegudes s\u00f3n <em>Backseat, Frontseat <\/em>i<em> Tikli and Laxmi Bomb<\/em>, amb la qual va debutar el 2017 i amb qu\u00e8 va guanyar el premi al Millor Llargmetratge al Des\u00e8 Festival de Cinema Independent de Berl\u00edn el 2018. Aquell mateix any va ser premiada al vint\u00e8 Festival de Cinema Asi\u00e0tic del Regne Unit.<\/p>\n<h3 style=\"text-align: left;\">Paloma Polo<\/h3>\n<p><em>Guionista i directora de<\/em> El Barro de la Revoluci\u00f3n<\/p>\n<p>Paloma Polo \u00e9s una artista espanyola i investigadora independent que actualment viu a Utrecht (Holanda). Entre 2007 i 2009 va assistir a el programa de resid\u00e8ncia d\u2019art De Ateliers (Amsterdam) i el 2010 a el programa de resid\u00e8ncia de Gasworks (Londres). El 2013 va ser investigadora visitant al Centre d\u2019Estudis Internacionals de la Universitat de Filipines Diliman, A Manila. Les seves \u00faltimes investigacions van ser organitzades per Les Laboratoires D\u2019Aubervilliers (Par\u00eds). Polo \u00e9s una de les impulsores de l\u2019organitzaci\u00f3 Moving Artists International i membre de la Lliga Internacional de Lluites dels Pobles (ILPs).<\/p>\n<h3 style=\"text-align: left;\">Javier Mart\u00edn-Dom\u00ednguez<\/h3>\n<p><em>President de l\u2019International Press Club, CIP Spain<\/em><\/p>\n<p>Javier Mart\u00edn-Dom\u00ednguez \u00e9s productor i realitzador i actualment president del Club Internacional de Premsa. Ha exercit el periodisme a premsa, r\u00e0dio i televisi\u00f3. Va ser corresponsal a l&#8217;estranger, amb R\u00e0dio Nacional i Televisi\u00f3 Espanyola als Estats Units durant deu anys, i amb La Vanguardia a T\u00f2quio. Ha estat Premi Cirilo Rodr\u00edguez de periodisme internacional. Entre altres esdeveniments va cobrir tres campanyes electorals nord-americanes, els viatges de Reagan a Moscou i Gorbachov a Washington, el funeral d&#8217;Hirohito i l&#8217;entronitzaci\u00f3 d&#8217;Akihito. Com a realitzador \u00e9s autor de les biografies de Paul Bowles i de l&#8217;artista surrealista Leonora Carrington, i va dirigir el Festival de cinema europeu de Sevilla durant 4 anys. Ha estat jurat als de Moscou, Sarajevo i Documenta Madrid i a l&#8217;Asian Film Festival de Barcelona.<\/p>\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding   avia-builder-el-36  el_after_av_one_half  el_before_av_one_half  column-top-margin\" style='border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h4 style=\"text-align: left;\"><u>JURAT DE LA SECCI\u00d3 NETPAC<\/u><\/h4>\n<\/div><\/section><br \/>\n<div  style='height:20px' class='hr hr-invisible   avia-builder-el-38  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h3 style=\"text-align: left;\">Qazi Abdur Rahim<\/h3>\n<p><em>Director de l\u2019ImagineIndia International Film Festival | President del Jurat<\/em><\/p>\n<p>Qazi Abdur Rahim (1962) es va graduar a la Universitat Aut\u00f2noma de Madrid i va comen\u00e7ar a treballar a R\u00e0dio M-80 i amb els famosos comediants &#8220;Gomaespuma&#8221;. Qazi \u00e9s el primer indi nominat als Premis del Cinema Espanyol a la Millor M\u00fasica Original per la pel\u00b7l\u00edcula El Pr\u00f3ximo Oriente. \u00c9s el fundador i director del prestigi\u00f3s Festival Internacional de Cinema ImagineIndia a Madrid. Ha estat jurat en nombrosos festivals i programador al Macta Women&#8217;s Film Festival, el Rain International Nature Film Festival o el Turkish Film Festival Madrid.<\/p>\n<h3 style=\"text-align: left;\">Antonio Rodrigo<\/h3>\n<p><em>Fundador de Nomadocs i Director de<\/em> Los Mensajes Ocultos de Ganga<\/p>\n<p>Antonio Rodrigo \u00e9s director de cinema documental i fundador de Nomadocs. Viatger i explorador d\u2019hist\u00f2ries, es defineix com un artes\u00e0 de cinema social. El seu primer curtmetratge El Sentir desde Afuera va ser premiat internacionalment i seleccionat per representar a Espanya a la Biennal de Joves Artistes de la Mediterr\u00e0nia celebrada a Skopje el 2008. Despr\u00e9s d\u2019algunes publicacions en TV i m\u00e9s de 12 anys d\u2019experi\u00e8ncia en el sector del documental social treballant per IFC, World Bank, GlobalCad i altres organitzacions, decideix independitzar-se i fundar Nomadocs amb la idea d\u2019usar el seu treball com a eina d\u2019educaci\u00f3 i sensibilitzaci\u00f3 social.<\/p>\n<h3 style=\"text-align: left;\">Sandra Sotelo<\/h3>\n<p><em>Periodista i corresponsal de not\u00edcies<\/em><\/p>\n<p>Professora, periodista freelance i membre actiu de la comunitat filipina, Sandra Sotelo Aboy ent\u00e9n el valor del temps i de la llibertat financera per poder complir tots els seus rols. Per gestionar el seu temps de la manera m\u00e9s efica\u00e7, es va llan\u00e7ar al m\u00f3n del comer\u00e7 digital amb un projecte empresarial que funciona 24\/7 i que li permet dedicar-se als altres projectes.<\/p>\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding first  avia-builder-el-40  el_after_av_one_half  el_before_av_one_half  column-top-margin\" style='border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h4 style=\"text-align: left;\"><u>JURAT DE LA SECCI\u00d3 ESPECIAL<\/u><\/h4>\n<\/div><\/section><br \/>\n<div  style='height:20px' class='hr hr-invisible   avia-builder-el-42  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h3 style=\"text-align: left;\">Fina Sensada<\/h3>\n<p><em>Cineasta | Presidenta del jurat<\/em><\/p>\n<p>Fina Sensada \u00e9s directora i guionista. Des de fa m\u00e9s de trenta anys treballa com a freelance a la Ind\u00fastria Cinematogr\u00e0fica Nacional i Internacional, al departament de Direcci\u00f3. El 2005 va cofundar juntament amb el Dr. Fernando Fonseca la productora LAiLA Produktions, sense \u00e0nim de lucre, amb un \u00fanic objectiu: produir i fer audiovisuals per tal d&#8217;elaborar materials de sensibilitzaci\u00f3 relacionats amb el tercer m\u00f3n i l&#8217;exclusi\u00f3 social a nivell sanitari. Compaginant amb la seva carrera professional ha fet pon\u00e8ncies rellevants com \u201c\u00c8tica a la imatge\u201d (2009) al primer Congr\u00e9s de Medicina Humanit\u00e0ria a Barcelona, \u200b\u200bo \u201cDona i Publicitat\u201d (2008). El 2019, va participar com a jurat al Festival de Cinema de Drets Humans de Barcelona i ha creat la Fernando Fonseca Foundation per seguir l&#8217;obra d&#8217;aquest metge-investigador, que va morir el 2014.<\/p>\n<h3 style=\"text-align: left;\">Josep Roca<\/h3>\n<p><em>Exproductor i coordinador de relacions internacionals a l\u2019Ajuntament de Barcelona<\/em><\/p>\n<p>Josep Roca \u00e9s llicenciat en Filologia Hisp\u00e0nica per l&#8217;Aut\u00f2noma de Barcelona i diplomat en Ger\u00e8ncia de les Adminsitracions P\u00fabliques a ESADE. Va ser Gerent de Barcelona Televisi\u00f3 entre 1994 i 2001, Director de Relacions Internacionals, de Continguts i d&#8217;Exposicions i Esdeveniments del F\u00f2rum Universal de les Cultures de Barcelona, \u200b\u200bi Director del Programa Audiovisual de l&#8217;Insitut de Cultura de Barcelona el 2005 i 2006. Actualment treballa a l&#8217;Ajuntament de Barcelona com a Cap de Projectes i Director de Promoci\u00f3 de la Ciutat a Barcelona Activa, a m\u00e9s de ser Coordinador de Relacions Internacionals a l&#8217;\u00c0rea de Qualitat de Vida, Igualtat i Esports.<\/p>\n<h3 style=\"text-align: left;\">Rub\u00e9n Seca<\/h3>\n<p><em>Jove Cineasta<\/em><\/p>\n<p>Rub\u00e9n Seca va n\u00e9ixer el 1991 i estudia la Diplomatura de Direcci\u00f3 de cinema a l&#8217;Escola de Cinema de Barcelona. Alguns dels seus curtmetratges s\u00f3n <em>Solitud<\/em> (2017), <em>Esculpiendo en la Memoria<\/em> (dirigit l&#8217;any 2018 i que ha aconseguit 15 premis) i <em>RAm\u00e9n<\/em> (2019).<\/p>\n<h3 style=\"text-align: left;\">Carlos Yannuzzi<\/h3>\n<p><em>Escriptor i investigador<\/em><\/p>\n<p>Carlos Yannuzzi es va llicenciar en Filosofia per la UB el 2010 i va obtenir el M\u00e0ster en llengua espanyola i literatures hisp\u00e0niques el 2011. Va passar a treballar a la mateixa Universitat de Barcelona com a Community Manager, i des de llavors treballa a l&#8217;\u00c0rea de Formaci\u00f3 Complement\u00e0ria de la Universitat de Barcelona, \u200b\u200bprimer en el disseny de pol\u00edtiques de recursos humans i despr\u00e9s en el disseny del producte formatiu de l\u00e0rea. A m\u00e9s, forma part de l&#8217;equip de Las Nubes, la revista de filosofia, art i literatura de la UB.<\/p>\n<h3 style=\"text-align: left;\">Jaime L\u00f3pez Diez<\/h3>\n<p><em>Prof. Dr. de Ci\u00e8ncies de la Informaci\u00f3 a la UCM (Madrid), i organitzador del WoCiCo<\/em><\/p>\n<p>El professor Jaime L\u00f3pez D\u00edez \u00e9s llicenciat en Ci\u00e8ncies de la Informaci\u00f3 per la Universitat Complutense de Madrid i Doctor en Comunicaci\u00f3 Audiovisual i Publicitat per la Universitat de Valladolid. A m\u00e9s de la seva experi\u00e8ncia docent, ha desenvolupat la seva carrera professional a la televisi\u00f3 (Antena 3 TV i La 2 (RTVE)), la premsa escrita (El Pa\u00eds Semanal, La Vanguardia, Molt Interessant, Temps, Tribuna d&#8217;Actualitat) i els serveis de comunicaci\u00f3 (Universitat Carlos III de Madrid, Interm\u00f3n Oxfam, Banc d&#8217;Espanya, Federaci\u00f3 Espanyola de Municipis i Prov\u00edncies).<\/p>\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding   avia-builder-el-44  el_after_av_one_half  avia-builder-el-last  column-top-margin\" style='border-radius:0px; '><section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><h3 style=\"text-align: left;\">Sandra Mur Puyuelo<\/h3>\n<p><em>Comunicadora cultural i investigadora | Membre suplent del jurat<\/em><\/p>\n<p>Sandra Mur Puyuelo (Osca, 1986) t\u00e9 un M\u00e0ster en Comunicaci\u00f3 Especialitzada i el doctorat en Estudis Ling\u00fc\u00edstics, Literaris i Culturals. S&#8217;ha especialitzat en l&#8217;espai Euroasi\u00e0tic, R\u00fassia i \u00c0sia Central. Col\u00b7labora amb distribu\u00efdores d&#8217;aquesta zona geogr\u00e0fica i festivals de cinema com a interlocutora i mediadora intercultural.<\/p>\n<\/div><\/section><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-37261","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Premis i Jurats 2021 - Asian Film Festival Barcelona<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Premis i Jurats 2021 - Asian Film Festival Barcelona\" \/>\n<meta property=\"og:url\" content=\"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/\" \/>\n<meta property=\"og:site_name\" content=\"Asian Film Festival Barcelona\" \/>\n<meta property=\"article:modified_time\" content=\"2021-11-18T12:27:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA-300x135.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"11 minuts\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/ca\\\/juries-and-awards-plantilla-2021\\\/\",\"url\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/ca\\\/juries-and-awards-plantilla-2021\\\/\",\"name\":\"Premis i Jurats 2021 - Asian Film Festival Barcelona\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/ca\\\/juries-and-awards-plantilla-2021\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/ca\\\/juries-and-awards-plantilla-2021\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/wp-content\\\/uploads\\\/2021\\\/10\\\/China-ANIMA-300x135.jpg\",\"datePublished\":\"2021-11-03T11:06:43+00:00\",\"dateModified\":\"2021-11-18T12:27:42+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/ca\\\/juries-and-awards-plantilla-2021\\\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/ca\\\/juries-and-awards-plantilla-2021\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/ca\\\/juries-and-awards-plantilla-2021\\\/#primaryimage\",\"url\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/wp-content\\\/uploads\\\/2021\\\/10\\\/China-ANIMA-300x135.jpg\",\"contentUrl\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/wp-content\\\/uploads\\\/2021\\\/10\\\/China-ANIMA-300x135.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/ca\\\/juries-and-awards-plantilla-2021\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/ca\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Premis i Jurats 2021\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/#website\",\"url\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/\",\"name\":\"Asian Film Festival Barcelona\",\"description\":\"2017\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/asianfilmfestival.barcelona\\\/2021\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"ca\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Premis i Jurats 2021 - Asian Film Festival Barcelona","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/","og_locale":"ca_ES","og_type":"article","og_title":"Premis i Jurats 2021 - Asian Film Festival Barcelona","og_url":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/","og_site_name":"Asian Film Festival Barcelona","article_modified_time":"2021-11-18T12:27:42+00:00","og_image":[{"url":"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA-300x135.jpg","type":"","width":"","height":""}],"twitter_card":"summary_large_image","twitter_misc":{"Temps estimat de lectura":"11 minuts"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/","url":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/","name":"Premis i Jurats 2021 - Asian Film Festival Barcelona","isPartOf":{"@id":"https:\/\/asianfilmfestival.barcelona\/2021\/#website"},"primaryImageOfPage":{"@id":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/#primaryimage"},"image":{"@id":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/#primaryimage"},"thumbnailUrl":"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA-300x135.jpg","datePublished":"2021-11-03T11:06:43+00:00","dateModified":"2021-11-18T12:27:42+00:00","breadcrumb":{"@id":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/#breadcrumb"},"inLanguage":"ca","potentialAction":[{"@type":"ReadAction","target":["https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/"]}]},{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/#primaryimage","url":"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA-300x135.jpg","contentUrl":"https:\/\/asianfilmfestival.barcelona\/2021\/wp-content\/uploads\/2021\/10\/China-ANIMA-300x135.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/juries-and-awards-plantilla-2021\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/"},{"@type":"ListItem","position":2,"name":"Premis i Jurats 2021"}]},{"@type":"WebSite","@id":"https:\/\/asianfilmfestival.barcelona\/2021\/#website","url":"https:\/\/asianfilmfestival.barcelona\/2021\/","name":"Asian Film Festival Barcelona","description":"2017","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/asianfilmfestival.barcelona\/2021\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"ca"}]}},"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/wp-json\/wp\/v2\/pages\/37261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/wp-json\/wp\/v2\/comments?post=37261"}],"version-history":[{"count":29,"href":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/wp-json\/wp\/v2\/pages\/37261\/revisions"}],"predecessor-version":[{"id":37740,"href":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/wp-json\/wp\/v2\/pages\/37261\/revisions\/37740"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2021\/ca\/wp-json\/wp\/v2\/media?parent=37261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}