{"id":11180,"date":"2017-10-27T12:13:17","date_gmt":"2017-10-27T10:13:17","guid":{"rendered":"http:\/\/asianfilmfestival.barcelona\/2018\/?page_id=11180"},"modified":"2019-10-17T14:24:24","modified_gmt":"2019-10-17T12:24:24","slug":"retrospectiva","status":"publish","type":"page","link":"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/retrospectiva\/","title":{"rendered":"RETROSPECTIVA"},"content":{"rendered":"<div id='full_slider_1'  class='avia-fullwidth-slider main_color avia-shadow   avia-builder-el-0  el_before_av_submenu  avia-builder-el-first   container_wrap fullsize' style=' '  ><div   data-size='featured'  data-lightbox_size='large'  data-animation='fade'  data-conditional_play=''  data-ids='3986'  data-video_counter='0'  data-autoplay='false'  data-bg_slider='false'  data-slide_height=''  data-handle='av_slideshow_full'  data-interval='5'  data-class=' '  data-el_id=''  data-css_id=''  data-scroll_down=''  data-control_layout='av-control-hidden'  data-custom_markup=''  data-perma_caption=''  data-autoplay_stopper=''  data-image_attachment=''  data-min_height='0px'  data-src=''  data-position='top left'  data-repeat='no-repeat'  data-attach='scroll'  data-stretch=''  data-default-height='28.666666666667'  class='avia-slideshow avia-slideshow-1  av-control-hidden av-default-height-applied avia-slideshow-featured av_slideshow_full   avia-fade-slider ' ><ul class='avia-slideshow-inner ' style='padding-bottom: 28.666666666667%;' ><\/ul><\/div><\/div>\n<div class='clear'><\/div><div id='sub_menu1'  class='av-submenu-container main_color  avia-builder-el-1  el_after_av_slideshow_full  el_before_av_submenu  av-sticky-submenu  submenu-not-first container_wrap fullsize' style='  z-index:301' ><div class='container av-menu-mobile-disabled '><ul id=\"menu-programa\" class=\"av-subnav-menu av-submenu-pos-center\"><li id=\"menu-item-15143\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-1\"><a href=\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/paisos\/\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">PA\u00cfSOS<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-15144\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-2\"><a href=\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/seccions\/\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">SECCIONS<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-15145\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-3\"><a href=\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/sales\/\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">SALES<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<\/ul><\/div><\/div><div class='sticky_placeholder'><\/div>\n<div class='clear'><\/div><div id='sub_menu2'  class='av-submenu-container main_color  avia-builder-el-2  el_after_av_submenu  el_before_av_textblock  av-sticky-submenu  submenu-not-first container_wrap fullsize' style='  z-index:302' ><div class='container av-menu-mobile-disabled '><ul id=\"menu-seccions-ca\" class=\"av-subnav-menu av-submenu-pos-center\"><li id=\"menu-item-7404\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-1\"><a href=\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/obertura-cloenda\/\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">OBERTURA &#038; CLOENDA<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-7405\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-2\"><a href=\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/seccio-oficial\/\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">SECCI\u00d3 OFICIAL<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-7406\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-3\"><a href=\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/netpac\/\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">NETPAC<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-7403\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-4\"><a href=\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/seccio-panorama\/\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">SECCI\u00d3 PANORAMA<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-7402\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-5\"><a href=\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/seccio-especial\/\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">SECCI\u00d3 ESPECIAL<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-7407\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-6\"><a href=\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/seccio-descobriments\/\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">SECCI\u00d3 DESCOBRIMENTS<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-11337\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-7\"><a href=\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/retrospectiva\/\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">RETROSPECTIVA<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-25292\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-top-level menu-item-top-level-8\"><a href=\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/curtmetratges\/\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">CURTMETRATGES<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<\/ul><\/div><\/div><div class='sticky_placeholder'><\/div><div id='after_submenu'  class='main_color av_default_container_wrap container_wrap fullsize' style=' '  ><div class='container' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-11180'><div class='entry-content-wrapper clearfix'>\n<section class=\"av_textblock_section \" ><div class='avia_textblock  '  ><p>Yasujiro Ozu (1903-1963), aquest gran cineasta de la quotidianitat, juntament amb Akira Kurosawa i Kenji Mizoguchi, \u00e9s un dels creadors del cinema japon\u00e8s cl\u00e0ssic. Amb cinquanta-tres pel\u00b7l\u00edcules al seu repertori, Ozu es va afirmar com un poeta de la seva \u00e8poca impactant a la majoria de cineastes de generacions posteriors a ell, no nom\u00e9s com Kore-eda, sin\u00f3 tamb\u00e9 a d\u2019altres fora del seu pa\u00eds com Antonioni o V\u00edctor Erice per nomenar nom\u00e9s a alguns. La retrospectiva que es presenta properament a Filmoteca de Catalunya \u00e9s la m\u00e9s \u00e0mplia que es coneix fins ara. De les divuit pel\u00b7l\u00edcules realitzades entre 1929 i 1960, a m\u00e9s de les dues pel\u00b7l\u00edcules p\u00f2stumes del 1961 i 1962, m\u00e9s de la meitat d&#8217;aquests t\u00edtols es van a traduir i subtitular per primera vegada.<\/p>\n<p>Yasujiro Ozu (1903-1963), este gran cineasta de lo cuotidiano, junto con Akira Kurosawa y Kenji Mizoguchi, es uno de los creadores del cine japon\u00e9s cl\u00e1sico. Con cincuenta y tres pel\u00edculas en su haber, Ozu se afirm\u00f3 como un poeta de su \u00e9poca impactando a la mayor\u00eda de cineastas de generaciones posteriores a \u00e9l, no solo como Kore-eda, sino tambi\u00e9n a otros fuera de su pa\u00eds como Antonioni o V\u00edctor Erice por nombrar solo algunos. La retrospectiva que se presenta pr\u00f3ximamente en Filmoteca de Catalunya es la m\u00e1s amplia que se conoce hasta ahora. De las dieciocho pel\u00edculas realizadas entre 1929 y 1960, adem\u00e1s de las dos pel\u00edculas p\u00f3stumas de 1961 y 1962, m\u00e1s de la mitad de estos t\u00edtulos se van a traducir y subtitular por primera vez.<\/p>\n<p><em>Yasujiro Ozu (1903-1963), this great filmmaker of the everyday life, along with Akira Kurosawa and Kenji Mizoguchi, is one of the creators of classical Japanese cinema. With fifty-three films to his credit, Ozu asserted himself as a poet of his time influencing the majority of filmmakers from subsequent generations, not only as Kore-eda, but also to others outside his country of origin such as Antonioni or V\u00edctor Erice to name just a few. The retrospective soon to be presented at Filmoteca de Catalunya is the broader known to date. Of the eighteen films made between 1929 and 1960, along with the two posthumous films of 1961 and 1962, more than half of these titles will be translated and subtitled for the first time.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Dies de joventut (Wakaki hi) 1929 | 103\u2019 | Drama<\/span><\/h4>\n<p>Ambd\u00f3s protagonistes estimen la mateixa noia, fet que ser\u00e0 una font de conflictes. Reflexi\u00f3 sobre el pas del temps.<\/p>\n<p>Ambos protagonistas est\u00e1n enamorados de la misma chica, hecho que originar\u00e1 conflictos. Reflexi\u00f3n sobre el paso del tiempo.<\/p>\n<p><em>Both characters are in love with the same girl, and this will cause some trouble. Reflection of the passing of time.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Vaig suspendre per\u00f2&#8230; (Rakudai wa shitakeredo) 1930 | 64\u2019 | Drama<\/span><\/h4>\n<p>Del subg\u00e8nere <em>gakusei-mono<\/em>. Tot i l\u2019esfor\u00e7 dels protagonistes, aquests suspenen. Al mateix temps, tant el temps com la joventut s\u2019evaporen.<\/p>\n<p>Del subg\u00e9nero <em>gakusei-mono. <\/em>Pese al esfuerzo de los protagonistas, estos suspenden. Al mismo tiempo, tanto el tiempo como la juventud se evaporan.<\/p>\n<p><em>Part of the sub-genre called \u201cgakusei-mono\u201d. Despite the characters\u2019 efforts, they fail their exams. At the same tiempo, both time and youth fade away.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Vaig n\u00e9ixer per\u00f2&#8230; (Umarete wa mita keredo) 1932 | 91\u2019 | Com\u00e8dia \/ Drama<\/span><\/h4>\n<p>Una fam\u00edlia es trasllada a la perif\u00e8ria. D\u2019estructura circular, l\u2019acci\u00f3 es desenvolupa a la casa dels Yoshii, la del seu cap, l\u2019escola, l\u2019oficina i un descampat.<\/p>\n<p>Una familia se traslada a la periferia. De estructura circular, la acci\u00f3n se desarrolla en el hogar de los Yoshii, la de su jefe, la escuela, la oficina y un descampado.<\/p>\n<p><em>A family moves out\u00a0 to the periphery. With a circular structure, the plot is developed in the Yoshii household, their boss\u2019, the school, the office and a waste ground.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\"><strong>Hist\u00f2ria de ve\u00efnat (Nagaya Shinshiroku) 1947 | 72\u2019 | Drama<\/strong><\/span><\/h4>\n<p>Personatges d\u2019origen humil: la vella Otane, a qui tots consulten, i el petit Kohei, horfe i sense amics.<\/p>\n<p>Personajes de origen humilde: la se\u00f1ora Otane, a quien todos piden consejo, i el peque\u00f1o Kohei, hu\u00e9rfano y sin amigos.<\/p>\n<p><em>Characters from a modest background: Mrs. Otane, the one everbody asks for advice, and the little Kohei, orphan and friendless.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Una gallina al vent (Kaze no naka no mendori) 1948 | 84\u2019 | Drama<\/span><\/h4>\n<p>Durant la primera part de la pel\u00b7l\u00edcula, la Tokiko ha de prostituir-se per sobreviure; a la segona, el seu marit torna de la guerra. Relacionat amb la p\u00e8rdua de l\u2019entusiasme i la innoc\u00e8ncia.<\/p>\n<p>En la primera parte de la pel\u00edcula, Tokiko necesita prostitutirse para sobrevivir; en la segunda, su marido vuelve de la guerra. Relacionado con la p\u00e8rdida del entusiasmo y la inocencia.<\/p>\n<p><em>In the first half, Tokiko is forced to prostitute herself in order to survive; in the second, her husband returns from war. Related to the loss of enthusiasm and innocence.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Primavera tardana (Banshun) 1949 | 108\u2019 | Drama<\/span><\/h4>\n<p>Reivindicaci\u00f3 dels ritus i valors tradicionals, en perill per l\u2019ocupaci\u00f3 americana, entre un pare i una filla. Gui\u00f3 per Kogo Noda.<\/p>\n<p>Reivindicaci\u00f3n de los ritos y valores tradicionales, en peligro debido a la ocupaci\u00f3n americana, entre un padre i una hija. Gui\u00f3n por Kogo Noda.<\/p>\n<p><em>Reivindication of the rites and traditional values, endangered due to the American occupation, between a father and his child. Script by Kogo Noda.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Les germanes Munekata (Munekata kyodai) 1950 | 112\u2019 | Drama<\/span><\/h4>\n<p>Dues germanes que s\u00f3n m\u00f3ns oposats; una \u00e9s molt tradicional, i l\u2019altra est\u00e0 \u201coccidentalitzada\u201d.<\/p>\n<p>Dos hermanas que son mundos opuestos; una es muy tradicional, y la otra est\u00e1 \u201coccidentalizada\u201d.<\/p>\n<p><em>Two sisters that are totally opposed; one of them is very traditional, whereas the other has been \u201coccidentalized\u201d.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Comen\u00e7ament d\u2019estiu (Bakushu) 1951 | 125\u2019 | Drama<\/span><\/h4>\n<p>Tres generacions es reuneixen sota el mateix sostre amb l\u2019arribada d\u2019un oncle i el casament de la Noriko.<\/p>\n<p>Tres generaciones se reunen bajo el mismo techo con la llegada de un t\u00edo suyo y la boda de Noriko.<\/p>\n<p><em>Three generations are brought together under the same roof with the arrival of an uncle and Noriko\u2019s wedding.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">El sabor del t\u00e9 verd amb arr\u00f2s (Ochazuke no aji) 1952 | 116\u2019 | Drama<\/span><\/h4>\n<p>Una parella entra en crisi quan ell ha de marxar a Am\u00e8rica Llatina per motius professionals. El\u00a0 men\u00fa del sopar de comiat figura al t\u00edtol.<\/p>\n<p>Una pareja entra en crisis cuando \u00e9l debe marcharse a Latinoam\u00e9rica por motivos profesionales. El men\u00fa de la cena de despedida est\u00e1 indicada en el t\u00edtulo.<\/p>\n<p><em>A couple is in crisi when he must go travel to Latin America for professional reasons. The menu of the farewell dinner gives the film its title.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Contes de Tokio (Tokyo monogatari ) 1953 | 135\u2019 | Drama<\/span><\/h4>\n<p>Uns avis viatgen a Tokio per con\u00e8ixer els seus nets. Decebuts, s\u2019adonen que ells no estan fets per adaptar-se a la vida de la gran ciutat.<\/p>\n<p>Unos abuelos viajan a Tokyo para conocer a sus nietos. Decepcionados, se dan cuenta de que no est\u00e1n hechos para adaptarse a la vida de la gran ciudad.<\/p>\n<p><em>An old couple travels to Tokyo with the purpose of meeting their grandchildren. Disappointed, they realize\u00a0 they cannot get used to the life in the big city.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Primavera preco\u00e7 (Soshun) 1956 | 144\u2019 | Drama<\/span><\/h4>\n<p>La crisis d\u2019una parella a causa de la p\u00e8rdua d\u2019un fill. Propi del cinema d\u2019Ozu, els protagonistes tindran dret a una segona oportunitat.<\/p>\n<p>La crisis de una pareja debido a la p\u00e9rdida de su hijo. T\u00edpico del cine de Ozu, los protagonistas tendr\u00e1n derecho a una segunda oportunidad.<\/p>\n<p><em>A couple in crisis due to the death of a child. Typical in Ozu\u2019s cinema, the characters will be granted a second opportunity.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Crepuscle a Tokio (Tokyo boshoku) 1957 | 141\u2019 | Drama<\/span><\/h4>\n<p>Pel\u00b7l\u00edcula menystinguda per la cr\u00edtica i el p\u00fablic. Hist\u00f2ria d\u2019una fam\u00edlia desestructurada narrada amb gran eleg\u00e0ncia.<\/p>\n<p>Pel\u00edcula infravalorada por la cr\u00edtica y el p\u00fablico. Historia de una familia desestructurada narrada con gran elegancia.<\/p>\n<p><em>Underrated film,\u00a0 both by critics and public. The story of a disfunctional family, narrated with great elegance.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Flors d\u2019equinocci (Higanbana) 1958 | 120\u2019 | Drama<\/span><\/h4>\n<p>Els Hirayama, reunits per un casament, no estan tan units com sembla. Adaptaci\u00f3 de l\u2019obra de Tom Satomi.<\/p>\n<p>Los Hirayama, que se reunen a causa de una boda, no est\u00e1n tan unidos como parece. Adaptaci\u00f3n de la obra de Tom Satomi.<\/p>\n<p><em>The Hirayama family, reunited due to a wedding, are not as close as it seems. Adaptation of Tom Satomi\u2019s work.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Bon dia (Ohayo) 1959 | 94\u2019 | Com\u00e8dia \/ Fam\u00edlia<\/span><\/h4>\n<p>Tokio, 1959. Dificultats laborals d\u2019un jove que no troba feina tractades en to de com\u00e8dia. Hist\u00f2ria semblant a \u201cUmarete wa mita keredo\u201d Tokyo, 1959.<\/p>\n<p>Las dificultades laborales de un joven que no encuentra trabajo, en tono de comedia. Historia parecida a \u201cUmarete wa mita keredo\u201d.<\/p>\n<p><em>Tokyo, 1959. The difficulties of a young man who does not find a job, exposed in a comic way. Similar to \u201c<\/em>Umarete wa mita keredo<em>\u201d.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Les herbes flotants. (Ukigusa) 1959 | 119\u2019 | Drama \/ Remake<\/span><\/h4>\n<p><em>Remake<\/em> de la versi\u00f3 de 1934. Pare i fill\u00a0 estan sempre competint entre ells.<\/p>\n<p><em>Remake<\/em> de la versi\u00f3n de 1934. Padre e hijo est\u00e1n siempre compitiendo entre ellos.<\/p>\n<p><em>Remake of the 1934\u2019s version. <\/em><em>A father and his son are always competing with each other.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">Tardor tardana (Akibiyori) 1960 | 129\u2019 | Drama<\/span><\/h4>\n<p>Adaptaci\u00f3 de Ton Satomi i semblant a <em>Banshun.<\/em> Una v\u00eddua \u00e9s la cap de fam\u00edlia fins que un casament fa esclatar el precari equilibri de les relacions familiars.<\/p>\n<p>Adaptaci\u00f3n de Ton Satomi y semejante a <em>Banshun<\/em>. Una viuda es la cabeza de familia hasta que una boda hace estallar el precario equilibrio de las relaciones familiares.<\/p>\n<p><em>Adaptation of Ton Satomi and similar to Banshun. A widow is the head of the family until a wedding destroys the precarious balance between family relationships.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">El darrer estiu (Kohayagawa-ke no aki) 1961 | 103\u2019 | Drama \/ Fam\u00edlia<\/span><\/h4>\n<p>Situada a Osaka, mostra la contraposici\u00f3 entre el vell Jap\u00f3 i la modernitat, i tamb\u00e9 l\u2019\u201denterrament\u201d metaf\u00f2ric del primer.<\/p>\n<p>Ubicada Osaka, muestra la contraposici\u00f3n entre el viejo Jap\u00f3n y la modernidad, y tambi\u00e9n el &#8220;entierro&#8221; metaf\u00f3rico del primero.<\/p>\n<p><em>Located in Osaka, it shows the contrast between old Japan and modernity, as well as the metaphorical &#8220;burial&#8221; of the first.<\/em><\/p>\n<h4><span style=\"color: #d32e1b;\">El sabor del sake (Samma no aji) 1962 | 113\u2019 | Drama \/ Fam\u00edlia<\/span><\/h4>\n<p>Darrer film d\u2019Ozu. Un pare i fill ocupats pel casament de la filla en abs\u00e8ncia de la mare. Elogi dels petits plaers de la vida, fins i tot al fi (la tardor) d\u2019aquesta.<\/p>\n<p>\u00daltimo film de Ozu. Un padre e hijo ocupados con la boda de la hija en ausencia de la madre. Elogio a los peque\u00f1os placeres de la vida, incluso en el fin (el oto\u00f1o) de esta. <em>Ozu&#8217;s latest film. <\/em><\/p>\n<p><em>A father and son are buried in work to prepare the wedding of the daughter in the absence of the mother. Tribute to the small pleasures of life, even at its last (the autumn).<\/em><\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11180","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.10 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>RETROSPECTIVA - Asian Film Festival Barcelona<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RETROSPECTIVA - Asian Film Festival Barcelona\" \/>\n<meta property=\"og:url\" content=\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/retrospectiva\/\" \/>\n<meta property=\"og:site_name\" content=\"Asian Film Festival Barcelona\" \/>\n<meta property=\"article:modified_time\" content=\"2019-10-17T12:24:24+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"11 minuts\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/retrospectiva\/\",\"url\":\"https:\/\/asianfilmfestival.barcelona\/2019\/ca\/retrospectiva\/\",\"name\":\"RETROSPECTIVA - 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