{"id":14437,"date":"2018-06-26T11:50:14","date_gmt":"2018-06-26T09:50:14","guid":{"rendered":"http:\/\/asianfilmfestival.barcelona\/2017\/?p=14437"},"modified":"2018-06-28T11:52:26","modified_gmt":"2018-06-28T09:52:26","slug":"monograph-on-iran-a-selection-of-the-latest-iranian-cinema","status":"publish","type":"post","link":"https:\/\/asianfilmfestival.barcelona\/2017\/monograph-on-iran-a-selection-of-the-latest-iranian-cinema\/","title":{"rendered":"Monograph on Iran: A selection of the latest Iranian cinema"},"content":{"rendered":"<p style=\"text-align: center;\">\u00a0<strong>From June\u00a0<\/strong><strong>24 to July 19, 2018<\/strong><\/p>\n<p>Casa Asia is programming an Iranian film series for CaixaForum Madrid and El C\u00edculo de Bellas Artes, consisting of ten films by a new generation of filmmakers that have been formed in Iran, and whose constribution has consolidated the existence of Iranian national cinema. This is interesting not only for the number of titles and productions, but also for their narratives and content. The proposed series consists of ten films that were screened in the last edition of the Asian Film Festival Barcelona\u00a0| AFFB. Amonst the films that will be screened are some essentials like\u00a0<em>Mina&#8217;s Option, Until Ahmad Returns, A House of 41st, Bench Cinema, Cyanide,<\/em>\u00a0and Sara<em> &amp; Aida.\u00a0<\/em>Among these,\u00a0<em>A House of 41st<\/em> received the award for Best Director, Hamid Reza Ghorbani for the Panorama Section; and\u00a0<em>Houra<\/em>, the award for Best Script, selected by the Young Jury of the Film Schools of Barcelona. Iranian cinema has an important presence, not only in the AFFB, but also in Casa Asia&#8217;s annual film programme.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Programme:<\/strong><\/p>\n<p><strong><em>HOURA<\/em><\/strong>, Dir. Gholamreza Sagharchiyan | Iran | 2015 | 79\u2019 | VOSE<\/p>\n<p><strong><em>MINA\u2019S OPTION<\/em><\/strong>, Dir. Tamal Tabrizi | Iran | 2015 | 100\u2019 | VOSE<\/p>\n<p><strong><em>A HOUSE OF 41<sup>ST<\/sup><\/em><\/strong>, Dir. Hamid Reza Ghorbani | Iran | 2016 | 90\u2019 | VOSE<\/p>\n<p><strong><em>GHASHANG &amp; FARANG, <\/em><\/strong>Dir. Vahid Mousaaian | Iran | 2016 | 90\u2019 | VOSE<\/p>\n<p><strong><em>UNTIL AHMAD RETURNS<\/em><\/strong>, Dir. Sadegh Sadegh Daghighi | Iran | 2015 | 82\u2019 | VOSE<\/p>\n<p><strong><em>STOLEN<\/em><\/strong>, Dir. Bijan Mirbagheri | Iran | 2016 | 86\u2019 | VOSE<\/p>\n<p><strong><em>BENCH CINEMA<\/em><\/strong>, Dir. Mohammad Rahmanian | Iran | 2016 | 117\u2019 | VOSE<\/p>\n<p><strong><em>SARA &amp; AIDA<\/em><\/strong>. Dir. Maziar Miri | Iran | 2017 | 86\u2019 | VOSE<\/p>\n<p><strong><em>THE DREAM OF WATER<\/em><\/strong>, Dir. Farhad Mehran Far | Iran | 2016 | 103\u2019 | VOSE<\/p>\n<p><strong><em>CYANIDE<\/em><\/strong>, Dir. Behrouz Shoaibi | Iran | 2016 | 109\u2019 | VOSE<\/p>\n<p><strong>Venues:<\/strong> <strong>El C\u00edrculo de Bellas Artes de Madrid<\/strong> | Alcal\u00e1, 42, 28014 Madrid |\u00a0<strong>CaixaForum Madrid<\/strong> | Paseo del Prado, 36, 28014, Madrid<\/p>\n<p><strong>Entrance:<\/strong> The Series \u20ac 5,5 \u2219 seniors 65+, Carnet Joven \u20ac 4 \u2219 \u20ac 3,6 subscription \u2219 partners \u20ac 3,5 | CaixaForum 4 \u20ac \u00b7 Customers of LaCaixa 2 \u20ac<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0From June\u00a024 to July 19, 2018 Casa Asia is programming an Iranian film series for CaixaForum Madrid and El C\u00edculo de Bellas Artes, consisting of ten films by a new generation of filmmakers that have been formed in Iran, and whose constribution has consolidated the existence of Iranian national cinema. This is interesting not only [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":14404,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/asianfilmfestival.barcelona\/2017\/wp-json\/wp\/v2\/posts\/14437"}],"collection":[{"href":"https:\/\/asianfilmfestival.barcelona\/2017\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asianfilmfestival.barcelona\/2017\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2017\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2017\/wp-json\/wp\/v2\/comments?post=14437"}],"version-history":[{"count":7,"href":"https:\/\/asianfilmfestival.barcelona\/2017\/wp-json\/wp\/v2\/posts\/14437\/revisions"}],"predecessor-version":[{"id":14446,"href":"https:\/\/asianfilmfestival.barcelona\/2017\/wp-json\/wp\/v2\/posts\/14437\/revisions\/14446"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2017\/wp-json\/wp\/v2\/media\/14404"}],"wp:attachment":[{"href":"https:\/\/asianfilmfestival.barcelona\/2017\/wp-json\/wp\/v2\/media?parent=14437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2017\/wp-json\/wp\/v2\/categories?post=14437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asianfilmfestival.barcelona\/2017\/wp-json\/wp\/v2\/tags?post=14437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}